But as, in the natural changes of life, and under the strain of restless and unsatisfied activity, his old buoyancy and unequalled high spirits deserted2 Dickens, he certainly wrote no longer in what Scott, speaking of himself, calls the manner of “hab nab at a venture.” He constructed elaborate plots, rich in secrets and surprises. He emulated3 the manner of Wilkie Collins, or even of Gaboriau, while he combined with some of the elements of the detective novel, or roman policier, careful study of character. Except Great Expectations, none of his later tales rivals in merit his early picaresque stories of the road, such as Pickwick and Nicholas Nickleby. “Youth will be served;” no sedulous4 care could compensate5 for the exuberance6 of “the first sprightly7 runnings.” In the early books the melodrama8 of the plot, the secrets of Ralph Nickleby, of Monk9, of Jonas Chuzzlewit, were the least of the innumerable attractions. But Dickens was more and more drawn10 towards the secret that excites curiosity, and to the game of hide and seek with the reader who tried to anticipate the solution of the secret.
In April, 1869, Dickens, outworn by the strain of his American readings; of that labour achieved under painful conditions of ominously11 bad health — found himself, as Sir Thomas Watson reported, “on the brink12 of an attack of paralysis13 of his left side, and possibly of apoplexy.” He therefore abandoned a new series of Readings. We think of Scott’s earlier seizures14 of a similar kind, after which Peveril, he said, “smacked of the apoplexy.” But Dickens’s new story of The Mystery of Edwin Drood, first contemplated15 in July, 1869, and altered in character by the emergence16 of “a very curious and new idea,” early in August, does not “smack of the apoplexy.” We may think that the mannerisms of Mr. Honeythunder, the philanthropist, and of Miss Twinkleton, the schoolmistress, are not in the author’s best vein17 of humour. “The Billickin,” on the other hand, the lodging-house keeper, is “in very gracious fooling:” her unlooked-for sallies in skirmishes with Miss Twinkleton are rich in mirthful surprises. Mr. Grewgious may be caricatured too much, but not out of reason; and Dickens, always good at boys, presents a gamin, in Deputy, who is in not unpleasant contrast with the pathetic Jo of Bleak House. Opinions may differ as to Edwin and Rosa, but the more closely one studies Edwin, the better one thinks of that character. As far as we are allowed to see Helena Landless, the restraint which she puts on her “tigerish blood” is admirable: she is very fresh and original. The villain18 is all that melodrama can desire, but what we do miss, I think, is the “atmosphere” of a small cathedral town. Here there is a lack of softness and delicacy19 of treatment: on the other hand, the opium20 den21 is studied from the life.
On the whole, Dickens himself was perhaps most interested in his plot, his secret, his surprises, his game of hide and seek with the reader. He threw himself into the sport with zest22: he spoke23 to his sister-in-law, Miss Hogarth, about his fear that he had not sufficiently24 concealed25 his tracks in the latest numbers. Yet, when he died in June, 1870, leaving three completed numbers still unpublished, he left his secret as a puzzle to the curious. Many efforts have been made to decipher his purpose, especially his intentions as to the hero. Was Edwin Drood killed, or did he escape?
By a coincidence, in September, 1869, Dickens was working over the late Lord Lytton’s tale for All The Year Round, “The Disappearance26 of John Ackland,” for the purpose of mystifying the reader as to whether Ackland was alive or dead. But he was conspicuously27 defunct28! (All the Year Round, September–October, 1869.)
The most careful of the attempts at a reply about Edwin, a study based on deep knowledge of Dickens, is “Watched by the Dead,” by the late ingenious Mr. R. A. Proctor (1887). This book, to which I owe much aid, is now out of print. In 1905, Mr. Cuming Walters revived “the auld29 mysterie,” in his “Clues to Dickens’s Edwin Drood” (Chapman & Hall and Heywood, Manchester). From the solution of Mr. Walters I am obliged to dissent30. Of Mr. Proctor’s theory I offer some necessary corrections, and I hope that I have unravelled31 some skeins which Mr. Proctor left in a state of tangle32. As one read and reread the fragment, points very dark seemed, at least, to become suddenly clear: especially one appeared to understand the meaning half-revealed and half-concealed by Jasper’s babblings under the influence of opium. He saw in his vision, “THAT, I never saw THAT before.” We may be sure that he was to see “THAT” in real life. We must remember that, according to Forster, “such was Dickens’s interest in things supernatural that, but for the strong restraining power of his common sense, he might have fallen into the follies33 of spiritualism.” His interest in such matters certainly peeps out in this novel — there are two specimens34 of the supernormal — and he may have gone to the limited extent which my hypothesis requires. If I am right, Dickens went further, and fared worse, in the too material premonitions of “The Signalman” in Mugby Junction35.
With this brief preface, I proceed to the analysis of Dickens’s last plot. Mr. William Archer36 has kindly37 read the proof sheets and made valuable suggestions, but is responsible for none of my theories.
ANDREW LANG.
ST. ANDREWS, September 4, 1905.
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bleak
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adj.(天气)阴冷的;凄凉的;暗淡的 | |
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2
deserted
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adj.荒芜的,荒废的,无人的,被遗弃的 | |
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3
emulated
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v.与…竞争( emulate的过去式和过去分词 );努力赶上;计算机程序等仿真;模仿 | |
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4
sedulous
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adj.勤勉的,努力的 | |
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compensate
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vt.补偿,赔偿;酬报 vi.弥补;补偿;抵消 | |
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6
exuberance
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n.丰富;繁荣 | |
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sprightly
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adj.愉快的,活泼的 | |
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8
melodrama
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n.音乐剧;情节剧 | |
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monk
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n.和尚,僧侣,修道士 | |
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10
drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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11
ominously
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adv.恶兆地,不吉利地;预示地 | |
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12
brink
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n.(悬崖、河流等的)边缘,边沿 | |
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13
paralysis
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n.麻痹(症);瘫痪(症) | |
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14
seizures
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n.起获( seizure的名词复数 );没收;充公;起获的赃物 | |
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15
contemplated
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adj. 预期的 动词contemplate的过去分词形式 | |
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emergence
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n.浮现,显现,出现,(植物)突出体 | |
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17
vein
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n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
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18
villain
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n.反派演员,反面人物;恶棍;问题的起因 | |
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19
delicacy
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n.精致,细微,微妙,精良;美味,佳肴 | |
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20
opium
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n.鸦片;adj.鸦片的 | |
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21
den
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n.兽穴;秘密地方;安静的小房间,私室 | |
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22
zest
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n.乐趣;滋味,风味;兴趣 | |
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23
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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24
sufficiently
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adv.足够地,充分地 | |
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concealed
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a.隐藏的,隐蔽的 | |
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26
disappearance
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n.消失,消散,失踪 | |
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conspicuously
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ad.明显地,惹人注目地 | |
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defunct
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adj.死亡的;已倒闭的 | |
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29
auld
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adj.老的,旧的 | |
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30
dissent
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n./v.不同意,持异议 | |
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31
unravelled
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解开,拆散,散开( unravel的过去式和过去分词 ); 阐明; 澄清; 弄清楚 | |
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32
tangle
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n.纠缠;缠结;混乱;v.(使)缠绕;变乱 | |
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33
follies
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罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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34
specimens
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n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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junction
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n.连接,接合;交叉点,接合处,枢纽站 | |
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36
archer
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n.射手,弓箭手 | |
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kindly
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adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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