"I am told my legs are quite unmistakable. Some have said I appear to be walking on fishing-poles," said Peter.
Mrs. Hemingway laughed. "They seem to be good, long, serviceable legs," she said, gaily1. "But it is your eyes I recognized, Peter. One couldn't mistake your eyes."
Peter smiled at her gratefully. "The really wonderful thing is that you should remember me at all," he told her happily, and his face glowed. That her reappearance should be timed to the outset of his great adventure into life seemed highly significant. One might almost consider it an omen2.
As if they had parted but yesterday, they were able to resume their old sympathetic friendship, with its satisfying sense of comradely understanding. Her heart warmed to him now as it had warmed to the shabby boy she had first seen running after the Red Admiral in the fields beyond the river swamp. No, she reflected appraisingly3, he had not changed. He had somehow managed to retain a certain quality of childlikeness that made her feel as if she were looking through crystal. She was grateful that no contact had been able to blunt it, that it remained undimmed and serene4.
Briefly5 and rather baldly Peter outlined his years of struggle, dismissing their bleak6 hardships with a tolerant smile. What he seemed chiefly to remember was the underlying7 kindness and good humor of the folk back there in Riverton; if they had ever failed to be kind, it was because they hadn't understood, he thought. There was no resentment8 in him. Why, they were his own folks! His mother's grave was one of their graves, his name one of their names, their traditions and heritages were part and parcel of himself. The tide-water was in his blood; his flesh was dust of the South Carolina coast.
She saw that, while he was speaking. And against the vivid, colorful coast background she caught haunting glimpses of a tireless small figure toiling9, sweating, always moving toward a far-off goal as with the inevitable10 directness of a fixed11 law. She marveled at the patience of his strength, and she loved his gentleness, his sweetness that had a flavor of other-worldliness in it.
He was telling her now of Chadwick Champneys and how his coming had changed things. But of the price he had had to pay he said nothing. He tried not to think of the bride his uncle had forced upon him, though her narrowed eyes, her red hair, her mouth set in a hard red line haunted him like a nightmare. His soul revolted against such a mockery of marriage. He could imagine his mother's horror, and he was glad Maria Champneys slept beside the husband of her youth in the cemetery12 beside the Riverton Road. She wouldn't have asked him to pay such a price, not for all the Champneyses dead and gone! But Chadwick Champneys had held him to his bargain, had forced him to give his name, his father's name, of which his mother had been so proud.
Peter smarted with humiliation13. It was as if he had been bought and sold, and he writhed14 under the disgrace of such bondage15. He felt the helpless anger of one who realizes he has been shamefully16 swindled, yet is powerless to redress17 his injury; and what added insult to injury was that a Champneys, his father's brother, had inflicted18 it.
Yet he had no faintest notion of breaking or even evading19 his pledged word; such a thought never once occurred to him. He meant to live up to the letter of his bargain; his honor would compel him to fulfil his obligation scrupulously20 and exactly.
"And so my uncle and I came to terms," he told Mrs. Hemingway. And he added conscientiously21: "He is very liberal. He insisted upon placing to my credit what he says I'll need, but what seems to me too much. And so here I am," he finished.
"Yes, here you are. It had to be," said she, thoughtfully. "It's your fate, Peter."
"It had to be. It's my fate," agreed Peter.
"And that nice, amusing old colored woman who kept house for you—what became of her?"
"Emma? Oh, she wouldn't stay behind, so she came along with me. And she couldn't leave the cat, so he came along, too," said Peter, casually22.
Mrs. Hemingway laughed as his uncle had laughed.
"There's an odd turn to your processes, Peter," she commented. "One sees that you'll never be molded into a human bread pill! I'm glad we've met again. I think you're going to need me. So I'm going to look after you."
"I have needed you every day since you left," he told her.
He didn't as yet know what deep cause he had to feel grateful for Mrs. John Hemingway's promise to look after him; he didn't as yet know what an important person she was in the American colony in Paris, as well as in certain very high circles of French society itself. And what was true of her in Paris was also true of her in London. Mrs. John Hemingway's promise to look after a young man hall-marked him. She was more beautiful and no less kind than of old, and absence had not had the power to change his feelings for her. As simply and whole-heartedly as he had loved her then, he loved her now. So he looked at her with shining eyes. Reticence23 was ingrained in Peter, but the knowledge that she liked and understood him had the effect of sunlight upon him.
"He's as simple as the Four Gospels," she thought, "and as elemental as the coast country itself. One couldn't spoil him any more than one could spoil the tide-water.
"Yes, indeed! I'm going to look after you," she repeated.
He discovered, from what she herself chose to tell him, that there had been some unpleasant years for her too. But that had all ended when she married John Hemingway, then with a New York firm and later sent abroad to represent the interests of the company of which he was now a member. His chief office was in Paris, though he had to spend considerable time in London. When she spoke24 of John Hemingway his wife's face glowed with quiet radiance. The one drop of bitterness in her cup was that there were no children.
"I hope you marry young, Peter, and that there'll be a houseful of little Champneys," she said, and sighed a bit enviously25.
At that the face of Mrs. Peter Champneys rose before her bridegroom and the very soul of him winced26 and cringed. He averted27 his face, staring seaward.
"I know so many charming young girls," said Mrs. Hemingway, musingly28, as if she were speaking to herself.
"They don't come any prettier than they come in Riverton," Peter parried. "And you're to remember I'm coming over here to work."
"I'll remember," said she, smiling. "But all the same, I mean you to go about it the right way. I'm going to introduce you to some very delightful29 people, Peter."
Then Peter took her to see Emma Campbell and the cat.
Emma would have crawled into her berth30 and stayed there until the ship docked if it hadn't been for the cat. Satan had to be given a daily airing; he had to be looked after by some one she could trust, and Emma rose to the occasion. She crawled out of her berth and on deck, where, steamer rug over her knees, her head tightly bound in a spotless white head-handkerchief, she sat with her hand on the big bird-cage set upon a camp-stool next her chair.
"I don' say one Gawd's word about me, dough31 I does feel lak I done swallahed my own stummick. All I scared of is dat dis po' unforch'nate cat 's gwine to lose 'is min' befo' we-all lan's," she told Mrs. Hemingway, and cast a glance of deep distaste at the tumbling world of waters around her. Emma didn't like the sea at all. There was much too much of it.
"I got a feelin' heart for ole man Noah," she concluded pensively32.
When they sighted the Irish coast, Emma discovered a deep sense of gratitude33 to the Irish: no matter what they didn't have, they did have land; and land and plenty of it, land that you could walk on, was what Emma craved34 most in this world. When they presently reached England, she was so glad to feel solid earth under her feet once more that she was jubilant.
"Cat, we-all is saved!" she told Satan. "You en me is chillun o' Israel come thoo de Red Sea. We-all got a mighty35 good Gawd, cat!"
They went up to London with Mrs. Hemingway, and were met by Hemingway himself, who gave Peter Champneys an entirely36 new conception of the term "business man." Peter knew rice- and cotton- and stock-men, even a provincial37 banker or two—all successful men, within their limits. But this big, quiet, vital man hadn't any limits, except those of the globe itself. A tall, fair man with a large head, decided38 features, chilly39 gray eyes, and an uncompromising mouth adorned40 with a short, stiff mustache, his square chin was cleft41 by an incomprehensible dimple. His wife declared she had married him because of that cleft; it gave her an object in life to find out what it meant.
Hemingway studied Peter curiously42. He had a great respect for his wife's nice and discriminating43 judgment44, and it was plain that this long-legged, unpretentious young man was deeply in her good graces. Evidently, then, this chap must be more than a bit unusual. Going to be an artist, was he? Well, thank God, he didn't look as if he were afflicted45 with the artistic46 temperament47; he looked as if he were capable of hard work, and plenty of it.
People liked to say that John Hemingway was a fine example of the American become a cosmopolitan48. As a matter of fact, Hemingway wasn't. He liked Europe, but in his heart he wearied of its over-sophistication, its bland49 diplomacy50. His young countryman's unspoiled truthfulness51 delighted him. He was proud of it. A man trained to judge men, he perceived this cub's potential strength. That he should so instantly like his wife's protégé raised that charming lady's fine judgment even higher in his estimation. A man always respects his wife's judgment more when it tallies52 with his own convictions.
The Hemingways insisted that Peter should spend some time in England. Mrs. Hemingway was going over to Paris presently, and he could accompany her. In the meantime she wanted him to meet certain English friends of hers. Peter was perfectly53 willing to wait. He was enchanted54 with London, and although he would have preferred to be turned foot-loose to prowl indefinitely, his affection for Mrs. Hemingway made him amenable55 to her discipline. At her command he went with Hemingway to the latter's tailor. To please her he duteously obeyed Hemingway's fastidious instructions as to habiliments. He overcame his rooted aversion to meeting strangers, and when bidden appeared in her drawing-room, and there met smart, clever, and noted56 London.
Hemingway thereafter marked his progress with amusement not unmixed with amazement57. It came to him that there was a greater difference, a deeper divergence58 between himself and Peter than between Peter and these Britishers. The earmark of your coast-born South Carolinian is the selfsame, absolute sureness of himself, his place, his people, in the essential scheme of things. Wasn't he born in South Carolina? Hasn't he relatives in Charleston? Very well, then!
In Peter's case this essential sureness had developed into a courtesy so instinctive59, a democracy so unaffectedly sincere, that it flavored his whole personality with a pleasing distinctiveness60. The British do not expect their very young men to be too knowing or too fatally bright; they mark the promise rather than the performance of youth, and spaciously61 allow time for the process of development. And so Peter Champneys found himself curiously at home in democratically oligarchic62 England.
"I feel as if I were visiting my grandmother's house," he confided63 to a certain lady next whom he was seated at one of Mrs. Hemingway's small dinners.
"And where is your mother's house?" wondered the lady, who found herself attracted to him.
"Over home in Riverton," said Peter Champneys. And his face went wistful, remembering the little town with the tide-water gurgling in its coves64, and its great oaks hung with long gray swaying moss65, and the sinuous66 lines of the marshes67 against sky and water, and the smell of the sea—all the mellow68 magic of the coast that was Home. It didn't occur to him that an English lady mightn't know just where "over home in Riverton" might be. She was so great a lady that she didn't ask. She looked at him and said thoughtfully:
"I wonder if you wouldn't like to see an old place of ours. I'm having the Hemingways down for a week, and I should like you to come with them." And she added, with a charming smile: "As you are an artist, you'll like our gallery. There's a Rembrandt you should see."
Peter's eyes of a sudden went deep and golden, and their dazzling depths had so instant and so sweet a recognition that her heart leaped in answer. It was as if a young archangel had secretly signaled her in passing.
When the formal invitation arrived, Mrs. Hemingway was delighted with what she termed Peter's good fortune. The invitations to that house were coveted69 and prized she explained. Really, Peter Champneys was unusually lucky! She felt deeply gratified.
Peter hadn't known that there existed anywhere on earth anything quite so perfect as the life in a great English country house. He thought that perhaps the vanished plantation70 life of the old South might have approximated it. His delight in the fine old Tudor pile, in its ordered stateliness, its mellowed71 beauty, pleased his hostess and won the regard of the rather grumpy gentleman who happened to be her husband and its owner. To her surprise, he took Peter under his wing, and showed himself as much interested in this modest guest as he was ordinarily indifferent to many more important ones. It was his custom to take what he called a stroll before breakfast—a matter of a mere72 eight or ten miles, maybe—and he found to his hand a young man with walking legs, seeing eyes, and but a modicum73 of tongue. He showed Peter that country-side with the thoroughness of a boy birds'-nesting, as Peter had once showed the Carolina country-side to Claribel Spring. They went over the venerable house with the same thoroughness, and Peter sensed the owner's impersonally74 personal delight in the stewardship75 of a priceless possession. He held it in trust, and he loved it with a quiet passion that was as much a part of himself as was his English speech. Every now and then he would pause before some rusty76 sword, or maybe a tattered77 and dusty banner; and although he was of a very florid complexion78, and his nose was even bigger than Peter's, in such moments there was that in the eye and brow, in the expression of the firm lips, that made him more than handsome in the young man's sight. Through him he glimpsed that something silent and large and fine that is England.
"And we're going," said the nobleman, pausing before the portrait of a gentleman who had fallen at Marston Moor79. "Oh, yes, we are vanishing. After a while the great breed of English gentlemen will be as extinct as the dodo. And this house will be turned into a Dispensary for Dyspeptic Proletarians, or more probably an American named Cohen will buy it and explain to his guests at dinner just how much it cost him."
Peter remembered broken and vine-grown chimneys where stately homes had stood, the extinction80 of a romantic plantation life, the vanishing of the gentlemen of the old South, as the Champneys had vanished. They had taken with them something never to be replaced in American life, perhaps; but hadn't that vanished something made room for a something else intrinsically better and sounder, because based on a larger conception of freedom and justice? The American looked at the cavalier's haughty81, handsome face; he looked at the Englishman thoughtfully.
"Yes. You will go," he agreed presently. "All things pass. That is the law. In the end it is a good law."
"I should think it would altogether depend on what replaces us," said the other, dryly.
"And that," said Peter, "altogether depends upon you, doesn't it? It's in your power to shape it, you know. However, if you'll notice, things somehow manage to right themselves in spite of us. Now, over home in Carolina we haven't come out so very badly, all things considered."
"Got jolly well licked, didn't you?" asked the Englishman, whose outstanding idea of American military history centered upon Stonewall Jackson.
"Just about wiped off the slate82. Had to begin all over, in a world turned upside down. Yet, you see, here I am! And I assure you I shouldn't be willing to change places with my grandfather." With a shy friendliness83 he laid his fingers for a moment on his host's arm. "Your grandson won't be willing to change, either, because he'll be the right sort. That's what your kind hands down." He spoke diffidently, but with a certain authority. Each man is a sieve84 through which life sifts85 experiences, leaving the garnering86 of grain and the blowing away of chaff87 to the man himself. Peter had garnered88 courage to face with a quiet heart things as they are. He had never accepted the general view of things as final, therefore he escaped disillusionment.
"They thought the end of the world had come—my people. So it had—for them. But not for us. There's always a new heaven and a new earth for those who come after," he finished.
The Englishman smiled twistedly. After a while he said unexpectedly:
"I wish you'd have a try at my portrait, Mr. Champneys. I think I'd like that tentative grandson of mine to see the sort of grandfather he really possessed89."
"Why, I haven't had any training! But if you'll sit for me I'll do some sketches90 of you, gladly."
"Why not now?" asked the other, coolly. "I have a fancy to see what you'll make of me." He added casually: "Whistler used the north room over the stables when he stayed here. You've seen his pastels, and the painting of my father."
"Yes," said Peter, reverently92. And he stared at his host, round-eyed.
"We've never changed the room since his time. Should you like to look over it now? You'll find all the materials you are likely to need,—my sister has a pretty little talent of her own, and it pleases her to use the place."
"Why, yes, if you like," murmured Peter, dazedly93. And like one in a dream he followed his stocky host to the room over the stables. One saw why the artist had selected it; it made an ideal studio. A small canvas, untouched, was already in place on an easel near a window. One or two ladylike landscapes leaned against the wall.
"She has the talent of a painstaking94 copyist," said her brother, nodding at his sister's work. "Shall you use oils, or do you prefer chalks, or water-colors?"
"Oils," decided Peter, examining the canvas. "It will be rough work, remember." He made his preparations, turned upon his sitter the painter's knife-like stare, and plunged95 into work. It was swift work, and perhaps roughly done, as he had said, but by the miracle of genius he managed to catch and fix upon his canvas the tenacious96 and indomitable soul of the Englishman. You saw it looking out at you from the steady, light blue eyes in the plain face with its craggy nose and obstinate97 chin; and you saw the kindness and delicacy98 of the firm mouth. There he stood, flat-footed, easy in his well-worn clothes, one hand in his pocket, the other holding the blackthorn walking-stick he always carried, and looked at you with the quiet sureness of integrity and of power. Peter added a few last touches; and then, instead of signing his name, he painted in a small Red Admiral, this with such exquisite99 fidelity100 that you might think that gay small rover had for a moment alighted upon the canvas and would in another moment fly away again.
His lordship studied his painted semblance101 critically.
"I rather thought you could do it," he said quietly. "I usually manage, as you Americans say, to pick a winner. You'll be a great painter if you really want to be one, Mr. Champneys. Should you say sixty guineas would be a fair price for this?"
"That's something like three hundred dollars, isn't it?" asked Peter, interestedly. "Suppose we call this a preliminary sketch91 for a portrait I'm to paint later—say when I've had a few years of training."
"You will charge me very much more than sixty guineas for a portrait, two or three years from now," said the other, smiling. He looked at the swiftly done, vivid bit of work. "This is what I want for my grandson; it is his grandfather as nature made him. It is as true and as homely102 as life itself." And he looked at Peter respectfully, so that that young man blushed to his ears. And that is how and when Peter Champneys painted his first ordered picture, signed with the Red Admiral; and how he won the faithful friendship of a crusty Englishman. It was a very real friendship. His lordship had what he himself called a country heart, and as Peter Champneys had the same sort, and neither man outraged103 the other by too much talk, they got along astonishingly well.
"He's deucedly intelligent," his lordship explained, with quiet enthusiasm. "We'll tramp for miles, and I give you my word that for an hour on end he won't say three words!"
Hemingway, to whom this confidence was given, chuckled104. It amused him to watch his wife's wild goose putting on native swan feathers. Yet it pleased him, for he knew the boy appealed to her romantic as well as to her maternal105 instinct. She handled him skilfully106, and it was she who passed upon his invitations. She wished him to meet clever and brilliant men and women; and at times she left him in the hands of young girls, pink-and-white visions who troubled as well as interested him. He felt that he was really meeting them under false pretenses107. Their youth called to his, but he might not answer. Between him and youth stood that unloved and unlovely girl in America.
Mrs. Hemingway watched him with the eyes of the woman who has a young man upon her hands. His reactions to his contacts interested her immensely. His worldly education was progressing with entire satisfaction to her.
"I want him to marry an English wife," she confided to her husband. They were to leave for Paris that night, and she was summing up the results of his stay in London, the balance being altogether in his favor. "A well-bred, normal English girl with good connections, a girl entirely untroubled by temperament, who will love him tenderly, look out for his physical well-being108, and fill his house with healthy children, is exactly what Peter Champneys needs. And the sooner it happens to him the better. Peter has a lonely soul. It shouldn't be allowed to become chronic109."
Hemingway looked at her apprehensively110. "Sounds to me as if you were trying to make Peter pick a peck of pickled peppers," he commented. And Peter coming in at this opportune111 moment, he grinned at the boy cheerfully.
"Peter," he smiled, "the sweet chime of merry wedding-bells in the distance falls softly on mine ear; my wife thinks you should be altar-broke. Charming domestic interior, happy fireside clime, flag of our union fluttering from the patent clothes-line! Futurist painting of Young Artist Pushing a Pram112! Don't look at me with such an agonized113 expression of the ears, Peter!"
But Peter had no answering smile. His face had changed, and there was that in his eyes which gave Hemingway pause.
"Why, old chap, I was merely joking!" he began, with real concern.
"Peter!" said the woman, softly. "You have had—a disappointment? But, my dear boy, you are so very young. Don't take it too much to heart, Peter. At your age nothing is final, really." And she smiled at him.
A flush suffused114 the young man's forehead. He felt shamed and miserable115. He couldn't flaunt116 his price-tag before these unbuyable souls whose beautiful and true marriage was based upon love, and sympathy, and mutual117 ideals! He couldn't rattle118 his chains, or explain Anne Champneys. He couldn't, indeed, force himself to speak of her at all. The thing was bad enough, but to talk about it—No! He lifted troubled eyes.
"I am afraid—in my case—it is final," he said, in a low voice. And after a pause, in a louder tone: "Yes—please understand—it is final."
"Oh, Peter dear, I'm sorry! But—"
"You're talking nonsense. Why, you're barely twenty-one!" protested Hemingway. "Much water must flow under the bridge, Peter, before you can say of anything: it is final. You've got a long life ahead of you to—"
"Work in," finished Peter. "Yes, I know that. I have my chance to work. That is enough." At that his head went up.
Mrs. Hemingway puckered119 her brows. She leaned toward him, her eyes lighting120 up.
"Peter!" said she, mischievously121, her cheek dimpling. "Peter, aren't you rather leaving the Red Admiral out of your calculations?"
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gaily
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| adv.欢乐地，高兴地 | |
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omen
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| n.征兆，预兆；vt.预示 | |
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appraisingly
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| adv.以品评或评价的眼光 | |
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serene
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| adj. 安详的，宁静的，平静的 | |
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briefly
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| adv.简单地，简短地 | |
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bleak
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| adj.(天气)阴冷的；凄凉的；暗淡的 | |
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underlying
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| adj.在下面的，含蓄的，潜在的 | |
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resentment
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| n.怨愤，忿恨 | |
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toiling
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| 长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉 | |
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inevitable
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fixed
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cemetery
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humiliation
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writhed
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bondage
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shamefully
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| 可耻地； 丢脸地； 不体面地； 羞耻地 | |
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redress
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inflicted
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evading
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scrupulously
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conscientiously
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casually
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reticence
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spoke
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enviously
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winced
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averted
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musingly
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delightful
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berth
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dough
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pensively
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gratitude
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craved
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mighty
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| adj.强有力的；巨大的 | |
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36
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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37
provincial
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| adj.省的，地方的；n．外省人，乡下人 | |
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38
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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39
chilly
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| adj.凉快的，寒冷的 | |
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40
adorned
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| [计]被修饰的 | |
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41
cleft
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| n.裂缝；adj.裂开的 | |
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42
curiously
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| adv.有求知欲地；好问地；奇特地 | |
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43
discriminating
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| a.有辨别能力的 | |
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44
judgment
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| n.审判；判断力，识别力，看法，意见 | |
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45
afflicted
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| 使受痛苦，折磨( afflict的过去式和过去分词 ) | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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47
temperament
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| n.气质，性格，性情 | |
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48
cosmopolitan
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| adj.世界性的，全世界的，四海为家的，全球的 | |
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49
bland
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| adj.淡而无味的，温和的，无刺激性的 | |
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50
diplomacy
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| n.外交；外交手腕，交际手腕 | |
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51
truthfulness
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| n. 符合实际 | |
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52
tallies
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| n.账( tally的名词复数 )；符合；（计数的）签；标签v.计算，清点( tally的第三人称单数 )；加标签（或标记）于；（使）符合；（使）吻合 | |
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53
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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54
enchanted
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| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
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amenable
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| adj.经得起检验的；顺从的；对负有义务的 | |
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56
noted
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| adj.著名的，知名的 | |
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57
amazement
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| n.惊奇，惊讶 | |
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58
divergence
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| n.分歧，岔开 | |
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59
instinctive
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| adj.(出于)本能的；直觉的；(出于)天性的 | |
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60
distinctiveness
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| 特殊[独特]性 | |
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61
spaciously
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| adv.宽敞地；广博地 | |
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62
oligarchic
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| adj.寡头政治的，主张寡头政治的 | |
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63
confided
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| v.吐露（秘密，心事等）( confide的过去式和过去分词 )；（向某人）吐露（隐私、秘密等） | |
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64
coves
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| n.小海湾( cove的名词复数 )；家伙 | |
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65
moss
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| n.苔，藓，地衣 | |
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66
sinuous
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| adj.蜿蜒的，迂回的 | |
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67
marshes
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| n.沼泽，湿地( marsh的名词复数 ) | |
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68
mellow
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| adj.柔和的；熟透的；v.变柔和；(使)成熟 | |
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coveted
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| adj.令人垂涎的；垂涎的，梦寐以求的v.贪求，觊觎(covet的过去分词)；垂涎；贪图 | |
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70
plantation
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| n.种植园，大农场 | |
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71
mellowed
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| （使）成熟( mellow的过去式和过去分词 )； 使色彩更加柔和，使酒更加醇香 | |
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72
mere
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| adj.纯粹的；仅仅，只不过 | |
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73
modicum
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| n.少量，一小份 | |
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74
impersonally
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| ad.非人称地 | |
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75
stewardship
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| n. n. 管理工作；管事人的职位及职责 | |
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76
rusty
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| adj.生锈的；锈色的；荒废了的 | |
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77
tattered
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| adj.破旧的，衣衫破的 | |
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78
complexion
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| n.肤色；情况，局面；气质，性格 | |
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79
moor
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| n.荒野，沼泽；vt.(使)停泊；vi.停泊 | |
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extinction
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| n.熄灭，消亡，消灭，灭绝，绝种 | |
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81
haughty
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| adj.傲慢的，高傲的 | |
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82
slate
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| n.板岩，石板，石片，石板色，候选人名单；adj.暗蓝灰色的，含板岩的；vt.用石板覆盖，痛打，提名，预订 | |
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83
friendliness
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| n.友谊，亲切，亲密 | |
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84
sieve
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| n.筛，滤器，漏勺 | |
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85
sifts
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| v.筛( sift的第三人称单数 )；筛滤；细查；详审 | |
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86
garnering
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| v.收集并（通常）贮藏（某物），取得，获得( garner的现在分词 ) | |
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87
chaff
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| v.取笑，嘲笑；n.谷壳 | |
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88
garnered
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| v.收集并（通常）贮藏（某物），取得，获得( garner的过去式和过去分词 ) | |
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89
possessed
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| adj.疯狂的；拥有的，占有的 | |
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90
sketches
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| n.草图( sketch的名词复数 )；素描；速写；梗概 | |
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91
sketch
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| n.草图；梗概；素描；v.素描；概述 | |
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reverently
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| adv.虔诚地 | |
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93
dazedly
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| 头昏眼花地，眼花缭乱地，茫然地 | |
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94
painstaking
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| adj.苦干的；艰苦的，费力的，刻苦的 | |
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95
plunged
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| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
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96
tenacious
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| adj.顽强的，固执的，记忆力强的，粘的 | |
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97
obstinate
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| adj.顽固的，倔强的，不易屈服的，较难治愈的 | |
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98
delicacy
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| n.精致，细微，微妙，精良；美味，佳肴 | |
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99
exquisite
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| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
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100
fidelity
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| n.忠诚，忠实；精确 | |
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101
semblance
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| n.外貌，外表 | |
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102
homely
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| adj.家常的，简朴的；不漂亮的 | |
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103
outraged
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| a.震惊的，义愤填膺的 | |
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104
chuckled
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| 轻声地笑( chuckle的过去式和过去分词 ) | |
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105
maternal
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| adj.母亲的，母亲般的，母系的，母方的 | |
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106
skilfully
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| adv. (美skillfully)熟练地 | |
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107
pretenses
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| n.借口（pretense的复数形式） | |
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108
well-being
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| n.安康，安乐，幸福 | |
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109
chronic
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| adj.(疾病)长期未愈的，慢性的；极坏的 | |
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110
apprehensively
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| adv.担心地 | |
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111
opportune
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| adj.合适的，适当的 | |
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112
pram
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| n.婴儿车，童车 | |
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113
agonized
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| v.使（极度）痛苦，折磨( agonize的过去式和过去分词 )；苦斗；苦苦思索；感到极度痛苦 | |
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114
suffused
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| v.（指颜色、水气等）弥漫于，布满( suffuse的过去式和过去分词 ) | |
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115
miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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116
flaunt
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| vt.夸耀，夸饰 | |
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117
mutual
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| adj.相互的，彼此的；共同的，共有的 | |
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118
rattle
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| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
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119
puckered
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| v.（使某物）起褶子或皱纹( pucker的过去式和过去分词 ) | |
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120
lighting
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| n.照明，光线的明暗，舞台灯光 | |
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121
mischievously
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| adv.有害地；淘气地 | |
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