The campaign in Romagna had been decided3 upon and Caesar found himself at the head of a thoroughly4 disciplined and well-equipped force of about sixteen thousand men who were held in camp at Cesena.
Cardinal Giuliano della Rovere, whose brother was assured Sinigaglia by the betrothal5 of his nephew, Francesco, with Angela Borgia, abandoned his kinsmen6, the Riario, to their destruction. In a letter dated October 12, 1499, the cardinal thanked the Pope for the proposed marriage and promised to look after Valentino’s interests with the King of France.
November 9th the army broke camp, Caesar taking the cavalry7 to Piacenza, whence, accompanied by the Bishop8 of Tulle and a single servant, he came quietly to Rome and remained at the Vatican with the Pope until the 24th, when he rejoined his troops and set out for Imola.140 Girolamo Riario’s wife, Caterina Sforza, had been given Imola as part of her dowry and, her husband having died in 1488, she acted as regent for her son Ottaviano. Of Caterina Sforza Gregorovius says: “The grandchild of the great Francesco Sforza of Milan, natural daughter of Galeazzo Maria and sister of Bianca, wife of the Emperor Maximilian, she was the ideal of the heroic women of Italy who were found not merely in the poems of Bojardo and Ariosto but also in real life. To understand the evolution of such personalities9, in whom beauty and culture, courage and reason, sensuality and cruelty combined to produce a singular organisation10, we must be familiar with the conditions from which they sprang—Caterina Sforza’s experiences made her the amazon that she was.”
Shortly after her marriage to the untutored nephew of Sixtus IV., Girolamo Riario, Count of Forli, her father met a tyrant11’s death in Milan. Subsequently her husband was stabbed to death and his naked body flung from the walls of the castle of Forli by conspirators12. Caterina, however, ferociously13 avenged14 the murder of her husband and succeeded in holding his estates for her children. Six years later her brother, Gian Galeazzo, died of poison administered by Ludovico il Moro. Finally her second husband, Giacomo Feo of Savona, was slain15 by conspirators in Forli, and the heroic Caterina mounted her charger and with a small body of men pursued them to their lair16 and put them all to the sword, with their women and children—thus she deserved Sanudo’s description, “a courageous17 woman and most cruel virago.”
141
Towns taken by assault
Towns surrendered
MAP OF THE CAMPAIGN IN ROMAGNA. TOWNS UNDER CAESAR BORGIA’S RULE.
142 She ruled her little domain18 with force and cunning; and later, when she fell into Caesar’s clutches, few lamented19 her fate and Giangiacomo Trivulzio cynically20 remarked: “She has now fallen into the hands of two men who can satisfy all her desires.”
She was a woman of heroic character, such as the Renaissance21 described as a virago, a term expressive22 of admiration23, not reproach. The virago corresponded to the man who possessed24 what the Italian called virtu, which has nothing to do with virtue25, but which comprises energy, intellect, will, the sum total of attributes which enabled a man successfully to cope with his adversaries—in brief, the qualities most dear to the Italian heart of the fifteenth century.
When the Pope had declared that the lords of the Romagna, having failed to pay the annual tribute to the Holy See, were deprived of their possessions, Caterina Sforza set up the claim that the Holy See still owed her a large sum of money which had been due her husband as Captain of the pontifical27 army; she therefore announced that if they persisted she would resist, and her first move was to send her younger children and her jewels to Florence for safety.
Knowing in advance that her people, because of their hatred28 of the Riario, would betray her, she retired29 to the castle of Forli and, filling it with arms and munitions30 of war, calmly awaited the enemy.
When Caesar was still some distance from the city, delegates appeared in his camp and offered to surrender the town to him without resistance. The capitulation was signed November 26th and Valentino entered the city the following day.
143 The castle independently of the town was defended by Dionigi di Naldo, whose wife and children were held by Caterina Sforza as hostages in the stronghold of Forli. Naldo held out for some time, but was finally forced to surrender, and December 13, 1499, Cardinal Giovanni Borgia, legate for Romagna and Bologna, received the oath of fidelity31 to the Holy See, in the Church of S. Domenico in Imola.
The smaller places in the county of Imola having been captured without difficulty, Valentino advanced against Forli, December 15th. On learning of Caesar’s approach, Caterina, who had retired to the castle, dispatched her brother, Alessandro Sforza, to urge the citizens to resist, saying that she herself would fight to the last. They, however, refused, and she took advantage of the last moments to send her eldest32 son to Florence for safety. The citizens were determined33 to surrender, and they so informed both the Countess and Valentinois. The two commissioners—who never returned—had scarcely delivered their message when she directed her artillery35 on the city and partly demolished36 the town hall.
Caesar arrived before the gates of Forli December 17th, but refused to enter as conqueror37 until the articles of capitulation had been given him. Two days later he made his entry without opposition38, the citizens preferring him to their lord, Girolamo Riario, who had burdened them with heavy taxes and administered the laws in the most partial manner.
The castle still held out and Caesar immediately began preparations for its capture. On Christmas144 Day Caterina raised the flag of Venice, the lion of St. Mark, to make the enemy believe that the republic was her ally, but Caesar was not deceived.
After attempting to make a breach39, Valentino decided to try to effect an agreement of some sort, and for this purpose presented himself before the walls, where the Countess herself talked to him from the ramparts; but she refused all offers; the Duke made two other equally unsuccessful attempts, and did not open fire until December 28th.
The Countess succeeded in repelling40 all his attacks until January 12, 1500. She was everywhere on the ramparts encouraging and directing her men. When the outer walls were stormed, Caterina, before retiring to the keep—the last resort—ordered all the supplies to be set on fire, thinking thereby41 to compel the enemy to retreat, but it was too late, for Yves d’Allegre and his French company succeeded in forcing their way into the tower, and a Bourguignon, in searching the halls, found the heroic Countess of Forli surrounded by a band of her faithful people. Eager for the reward of twenty thousand ducats which had been offered for her capture alive, he declared her his prisoner.
That same evening the Countess left the fortress42 with the honours of war; she rode forth43, mounted on her charger, between the Duke of Valentinois and Yves d’Allegre, who conducted her and her maids to the palace of the Numai.
Immediately after the capture of Forli, Caesar dispatched Yves d’Allegre to secure the surrender of the remaining small towns, while he devoted44 himself to reorganising the government of the conquered territory. His solicitude45 for the proper145 administration of justice and the prompt restoration of order at once won him the respect of the Romagnols, and from Imola and Forli envoys46 were sent to ask the Pope to appoint Caesar—who had declared himself to be merely the representative of the Holy See—their Governor in place of the tyrant he had expelled.
Caesar signed his first decree: “Caesar Borgia De France, Duke of Valentinois, Count of Diois and Issoudun, Pontifical Vicar of Imola and Forli,” and at the head of the province he placed Don Remiro de Lorca, the Spaniard who had been his constant companion, and whom we shall meet again.
After the capture of Imola, Cardinal Giovanni Borgia, papal legate to Romagna, had gone to Urbino, where he suddenly died, January 14, 1500. In spite of the fact that seventeen days had intervened between his departure from Caesar’s camp and his death, it was rumoured47 that Valentino, actuated by jealousy48, had poisoned him. Sanudo was the first to attribute the Cardinal’s death to Caesar, but—as in the case of the murder of the Duke of Gandia—there is not the slightest evidence that he had anything to do with it. The Cardinal had been in Rome, and on his way to Urbino had been seized with a fever from which he died.
Caesar readily consented that all the benefices of the deceased should be given to his brother, Ludovico, who was made Governor of Spoleto.
The general hatred of the Borgia explains the facility with which these rumours49 spread and the universal credence50 they obtained.
146 January 24th it was decided to set out for Pesaro the following day; but in the night the Swiss mutinied, and the Bailli of Dijon went to the castle where Caterina Sforza was held, and, declaring that it was contrary to the rules of war to hold a woman prisoner, and that his sense of honour was outraged51, escorted her to the palace where he lodged52 and refused to surrender her to Valentino, who intended to take her to Rome and deliver her to the Pope.
The revolt lasted a day, and Yves d’Allegre, having been hastily summoned by Caesar, returned in the evening, and Valentino, now sure of being able to repress the rebels with the aid of the French and the Spaniards, addressed the mutineers and threatened them with dire34 punishment. It was finally agreed that the bailli should surrender the Countess, “who shall be retained in the discretion53 of the King of France,” and an understanding with the Swiss mercenaries was reached.
The evening of January 25th the army set out for Cesena, Caterina Sforza, in a black satin gown and heavily veiled, riding between the Duke of Valentinois and Monsieur d’Allegre.
At Montefiore, January 26th, news reached Caesar that Ludovico il Moro, who had fled from Milan, had learned of the dissatisfaction of the people under French rule, and, having gathered an army of 1,300 Swiss and Bourguignons, was advancing on Como. Trivulzio, who had been left in charge of Milan, hastily sent for Yves d’Allegre, whose withdrawal54 from Caesar’s army terminated operations in the Romagna for a time, as it deprived Valentino of his artillery, and left him with only147 about five hundred cavalry and a thousand foot-soldiers.
In Milan the French were defeated as easily as they had conquered, and the people displayed the same enthusiasm on the return of the Moor55 as they had shown on his overthrow56.
Caesar had left a small force to hold each of the towns he had captured in Romagna, and he had placed five hundred horse, under the command of Ercole Bentivoglio, conveniently situated57 to go to the aid of any garrison58 that might be threatened.
Valentino, having with him the Countess of Forli, who had again been placed in his charge on the departure of Yves d’Allegre for Milan, set out January 30th with five hundred horse, and passing through Fano, Urbino, and Spoleto, arrived in Rome February 26, 1500.
The Pope evidently wished to make the entrance of the Duke of Valentinois—returning from his victorious59 campaign in the Romagna—into the Eternal City as imposing60 as possible, for he instructed all the Church dignitaries then in Rome to meet the illustrious Caesar, with their suites61. Several of the cardinals62 had already gone to greet him at some distance from the city, and now the orators64 of the various powers, the abbreviators of the Roman Curia, and the secretaries rode forth to welcome him. The Duke entered the city late in the afternoon, and was met near the Church of Sta Maria del Popolo by the Church dignitaries.
First came a train of wagons65 laden66 with chests filled with the Duke’s personal effects; then there were a thousand of his foot-soldiers, Swiss and Gascons; these were followed by a papal escort148 of lancers, with the flag of St. Andrew. Caesar followed, riding between Cardinal Orsini and Cardinal Farnese, who had gone forth to meet him. They were accompanied by a bodyguard67 of a hundred men clad in black velvet68. Caesar wore a black velvet cloak reaching down to his knees. Just behind him were several flute-players wearing his arms, and then came two heralds69 of his own and one of the King of France. After them were the Duke of Bisceglia on the right and the Prince of Squillace on the left; then the Archbishop of Ragusa on the right and the Bishop of Treguier on the left of the orator63 of the King of France; then came the Bishop of Zamora and the orator of Spain, who were followed by the two ambassadors of Navarre, who engaged in an altercation70 with the orators of Naples and England regarding the question of precedence—the former lost and dropped out of the procession in a tiff71. Then came the envoys of Venice, Florence, and Savoy, who were followed by a great rabble72, who crowded and pushed so rudely that the prelates were unable to secure their proper places.
The Pope had taken up his position in a room above the entrance to the palace, and with him were the Cardinals of Monreale, Alessandria and Capua, together with Cesarini and Farnese.
When the Duke reached the Vatican the Pope went to the Chamber73 of the Papagalli with several cardinals, and when the doors were thrown open Caesar and a great swarm74 of nobles and prelates entered. Valentino advanced, and kneeling before the Holy Father, addressed him briefly75 in Spanish, thanking him for the149 honours he had conferred upon him. The Pope replied in the same tongue, “which I did not understand,” says Burchard. Thereupon the Duke kissed the Pope’s feet and right hand, and his Holiness kissed his son on the lips. Then such of the nobles who desired to do so kissed the Pontiff’s feet. Sanudo says the Holy Father was so overjoyed at the return of his son, that he laughed and wept at one and the same time, and that he would not grant any audiences that day.
The Master of Ceremonies describes the decorations of the Castle of St. Angelo and the pageants76 and festivities at great length, and “never before had I beheld78 such extravagance and display,” he concludes. February 27th, the day after Valentino’s arrival, there was a magnificent pageant77 representing the “Triumph of Julius Caesar,” in which there were eleven cars, the last bearing the Roman Emperor. The procession went to the palace, where the car of Julius Caesar was left, whence some writers have concluded that Valentino took the part of the Emperor. Burchard says that Caesar rode on horseback from the palace to the Agona quarter, where the festivities of the citizens were held according to their custom. The games, which included races of horses, asses79, bulls, buffaloes80, lasted until March 5th, when Caesar began to pay his calls on the cardinals. He went unaccompanied by any of the Church dignitaries, but had with him a few of his officers and a military escort of a hundred men clad in black velvet. He displayed his usual tact81, and surprised the cardinals by always allowing them the place of precedence.
150 Caesar had brought his prisoner, Caterina Sforza, to Rome, but the story that he compelled her to grace his triumphal entry into the Eternal City is undoubtedly82 false, because, had he done so, Burchard, who chronicles the most insignificant83 details regarding his entry, would certainly have mentioned her, and he does not refer to the Countess. The stories of her having been led through the streets of Rome with golden chains on her wrists were probably picturesque84 inventions of the enemies of the Borgia.
When the Countess was confined in the Belvedere she made an unsuccessful attempt to escape, whereupon Alexander had her removed to the Castle of St. Angelo, from which, on the expiration85 of about eighteen months, she was liberated86, owing to the intervention87 of certain French gentlemen, especially of Yves d’Allegre. His Holiness gave her permission to go to Florence, and commended her to the Signory in a letter which is a masterpiece of hypocrisy88. In it he refers to our “beloved daughter in Christ”; “we have,” he says, “not only exercised mercy with respect to this Caterina, but also, so far as we were able, with God’s help, have looked with paternal89 solicitude after her welfare”—and more of the same sort.
In Florence Caterina Sforza married Giovanni de’ Medici, and, dying in 1509, left a son of the same mettle90 as herself, the famous Giovanni of the Black Bands, the last of the great condottieri.
March 15, 1500, Alexander signed a bull investing Caesar with the vicariate of Romagna, seventeen cardinals concurring91 in his action. When his Holiness had held the consistory to find ways and151 means for securing money for recovering the Church domain, which was being held by the great lords who refused to pay tribute and acknowledge the Pope’s authority, it was for the purpose of restoring the territory to the Holy See.
Twice delegations92 had come from Imola and Forli to ask Alexander to sign the agreement made by these cities to have the Duke of Valentino for their governor. Had the Pope needed an excuse for handing this territory over to his son, he could not have had a better one. The cardinals readily yielded to the persuasions93 of Alexander and Caesar. To render the transaction perfectly94 legal, the Riario were formally deprived of their domain by a decree of the camerlengo for having failed for a number of years to pay the tribute to the Holy See—a thousand gold florins for Forli, two hundred for Imola, and two silver cups for Mauri.
Caesar signed the agreement, March 15, 1500, with the citizens of Imola, by which he promised to govern them with justice and mercy; to maintain them in peace, and defend them in time of war; to preserve their communal95 rights and restore those usurped96 by Count Girolamo Riario and his successors. The great seal which the document bears has the bull of the House of Borgia and the three bands azure97 of the family of Doms, quartered with the lilies of France. Caesar signs as lieutenant98 of the King.
Alexander had his son invested with the office of Gonfalonier and Captain-General of the Church, March 29th, in the Church of St. Peter, himself bestowing99 the insignia of the office—the biretta, the baton100, and the gonfalon—on Caesar.
152 The ceremony is described by Burchard in detail. The Duke was clad in a doublet of brocaded gold velvet, with large pearls for buttons; on his head he wore a scarlet101 velvet cap. The biretta of investiture, according to the Master of Ceremonies, was of the height of two palms, bordered with ermine, and embellished102 with four large pearls; on top was a dove, fashioned also of pearls.
Caesar received the baton and the gonfalon as his unfortunate brother the Duke of Gandia had before him. The Pope in blessing103 the standard repeated the prescribed formula, and then, after performing the necessary rites104, Caesar came forward, removed his biretta, knelt before his father, and in a firm voice repeated the solemn words:—
“I, Caesar Borgia of France, Duke of Valentinois, Gonfalonier and Captain-General of the Holy Roman Church, swear now and henceforth to be faithful and obedient to the Blessed Peter and to you, my most holy Master, Alexander VI., Pope, and to your legally constituted successors. Never by deed or word will I enter into any conspiracy105 to destroy or injure you, or to imprison106 you by treachery, in short to lay violent hands on you or your successors in any manner whatsoever107, or to do you any violence under any pretext108 whatsoever. The commissions which you or your successors entrust109 to me either directly by messenger, or by letter, will be disclosed to no one, and no one will receive from me any advice which could turn to your disadvantage or to that of your successors. I will aid you, and those who shall come after you, to preserve and defend the Pontifical State and the royal rights of St. Peter153 against any and all enemies; I will honour the legate of the Apostolic See on his coming and on his going, and I will lend him my aid when he shall have need of it; I shall take care to preserve, defend, augment110, and extend the rights, honours, privileges, and authority of the Roman Church under you and your successors; I will take no part in any projects, acts, or treaties which might cloak any criminal design or enterprise prejudicial to you or your successors, or finally to the Roman Church; and if I should learn that any such project has been arranged or is under way I will use all my strength to prevent it, and as promptly111 as possible; and I will inform you or your said successors or some one who may inform you of it in my stead. So help me God and the Holy Angels!”
The Duke remained kneeling before the Pope, who handed him the standard. Thereupon the golden rose was brought to the Pope, who presented it to Caesar, who was still kneeling, with the following words:—
“Receive this rose from our hands, from the hands of him who, however unworthy, holds the place of God on earth. It signifies the joy of the two Jerusalems—that is, of the Church triumphant112 and the Church militant—and to the faithful in Christ it symbolises the admirable flower which is the joy of all the saints, and constitutes their crown. Receive it therefore, dear son, thou who art noble in all time, and who art endowed with so many virtues113; receive it in order that you may still further grow in virtue through Christ, our Lord, like the rose that flourishes on the banks154 of the streams with abundant waters; and may Christ, our Lord, deign114 to grant you His grace, and in His infinite mercy may you be blessed by Him who is Three in One in the centuries of centuries. Amen!”
The Duke received the rose, kissed the Pope’s hand and foot, and Burchard, who conducted the ceremony, placed the toque of the gonfalonier on Caesar’s head. Thus the hypocritical performance ended, and Caesar, with a number of the cardinals, accompanied the Pope to the Curia, where he took leave of his father.
Caesar’s first act as Governor of Imola was to appoint Giovanni Olivieri, Bishop of Isernia, his lieutenant, April 10, 1500, and a few days later he empowered him to receive the oaths of allegiance of his new subjects in his stead. All Caesar’s official letters at this time are countersigned115 Agapitus—Agapito Gerardino of Amelia, his first secretary, who remained with him throughout his career. Valentino immediately turned his attention to reorganising the government of the conquered territory and to providing for the administration of justice.
The return of Ludovico il Moro to Milan did not prove a serious obstacle to Caesar’s plans, for he was completely defeated by the French, under Louis de La Trémoille, at Novara, April 10, 1500, and taken prisoner to France, where he died on being released ten years later—it was said—of sheer joy.
Bull-fighting had been introduced into Italy by the Spaniards in the time of Calixtus III., and June 24, 1500, Caesar gave an exhibition of his155 prowess by dispatching a number of bulls in the open space back of St. Peter’s. He entered the arena116 armed with only a short sword and killed five of the bulls, the last with a single stroke of his weapon, which excited much enthusiasm among the people and secured him a reputation for great physical strength. The event is described more fully26 by Capello, the Venetian ambassador, than by Burchard. The orator adds: “Caesar is twenty-seven years of age, handsome of figure, tall, and well formed; he is most regal and extravagant—which greatly displeases117 the Pope; if he lives he will be one of the great captains of Italy.” His generosity118 was such that it was described as liberalita cesarea, and his Court was thronged119 with soldiers, artists, and men of letters, though we look in vain for any great name among them. The men of letters were mostly mediocre120 rhymesters and Latinists whose works have been consigned121 to oblivion.
It is hardly to be supposed that an Italian condottiere of twenty-seven years, engrossed122 with the actualities of life, fascinated by a dream of vast power, could take very much interest in the arts. Although Michael Angelo, Garofalo, Bramante, and Antonio di Sangallo were in Rome at this time, the efforts of Caesar’s eulogists to find in this, and other similar circumstances, enhanced glory for the young adventurer should not be taken too seriously.
He undoubtedly had relations with Leonardo da Vinci, as he availed himself of the artist’s services as an engineer in remodelling123 certain fortresses124 and designing machines of war. Vasari says that156 Pietro di Cosimo, the Florentine artist, who died in 1521, painted many portraits of distinguished125 persons in Rome, “including those of Virginio Orsini, and Roberto Sanseverino, and also that of the Duke Valentino, son of Pope Alexander VI., which portrait is now lost as I know, although the artist’s preliminary sketch126 is in the possession of Cosimo Bartoli.”
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1 virago | |
n.悍妇 | |
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2 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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3 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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4 thoroughly | |
adv.完全地,彻底地,十足地 | |
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5 betrothal | |
n. 婚约, 订婚 | |
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6 kinsmen | |
n.家属,亲属( kinsman的名词复数 ) | |
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7 cavalry | |
n.骑兵;轻装甲部队 | |
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8 bishop | |
n.主教,(国际象棋)象 | |
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9 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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10 organisation | |
n.组织,安排,团体,有机休 | |
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11 tyrant | |
n.暴君,专制的君主,残暴的人 | |
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12 conspirators | |
n.共谋者,阴谋家( conspirator的名词复数 ) | |
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13 ferociously | |
野蛮地,残忍地 | |
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14 avenged | |
v.为…复仇,报…之仇( avenge的过去式和过去分词 );为…报复 | |
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15 slain | |
杀死,宰杀,杀戮( slay的过去分词 ); (slay的过去分词) | |
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16 lair | |
n.野兽的巢穴;躲藏处 | |
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17 courageous | |
adj.勇敢的,有胆量的 | |
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18 domain | |
n.(活动等)领域,范围;领地,势力范围 | |
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19 lamented | |
adj.被哀悼的,令人遗憾的v.(为…)哀悼,痛哭,悲伤( lament的过去式和过去分词 ) | |
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20 cynically | |
adv.爱嘲笑地,冷笑地 | |
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21 renaissance | |
n.复活,复兴,文艺复兴 | |
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22 expressive | |
adj.表现的,表达…的,富于表情的 | |
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23 admiration | |
n.钦佩,赞美,羡慕 | |
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24 possessed | |
adj.疯狂的;拥有的,占有的 | |
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25 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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26 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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27 pontifical | |
adj.自以为是的,武断的 | |
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28 hatred | |
n.憎恶,憎恨,仇恨 | |
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29 retired | |
adj.隐退的,退休的,退役的 | |
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30 munitions | |
n.军火,弹药;v.供应…军需品 | |
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31 fidelity | |
n.忠诚,忠实;精确 | |
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32 eldest | |
adj.最年长的,最年老的 | |
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33 determined | |
adj.坚定的;有决心的 | |
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34 dire | |
adj.可怕的,悲惨的,阴惨的,极端的 | |
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35 artillery | |
n.(军)火炮,大炮;炮兵(部队) | |
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36 demolished | |
v.摧毁( demolish的过去式和过去分词 );推翻;拆毁(尤指大建筑物);吃光 | |
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37 conqueror | |
n.征服者,胜利者 | |
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38 opposition | |
n.反对,敌对 | |
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39 breach | |
n.违反,不履行;破裂;vt.冲破,攻破 | |
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40 repelling | |
v.击退( repel的现在分词 );使厌恶;排斥;推开 | |
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41 thereby | |
adv.因此,从而 | |
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42 fortress | |
n.堡垒,防御工事 | |
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43 forth | |
adv.向前;向外,往外 | |
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44 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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45 solicitude | |
n.焦虑 | |
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46 envoys | |
使节( envoy的名词复数 ); 公使; 谈判代表; 使节身份 | |
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47 rumoured | |
adj.谣传的;传说的;风 | |
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48 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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49 rumours | |
n.传闻( rumour的名词复数 );风闻;谣言;谣传 | |
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50 credence | |
n.信用,祭器台,供桌,凭证 | |
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51 outraged | |
a.震惊的,义愤填膺的 | |
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52 lodged | |
v.存放( lodge的过去式和过去分词 );暂住;埋入;(权利、权威等)归属 | |
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53 discretion | |
n.谨慎;随意处理 | |
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54 withdrawal | |
n.取回,提款;撤退,撤军;收回,撤销 | |
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55 moor | |
n.荒野,沼泽;vt.(使)停泊;vi.停泊 | |
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56 overthrow | |
v.推翻,打倒,颠覆;n.推翻,瓦解,颠覆 | |
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57 situated | |
adj.坐落在...的,处于某种境地的 | |
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58 garrison | |
n.卫戍部队;驻地,卫戍区;vt.派(兵)驻防 | |
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59 victorious | |
adj.胜利的,得胜的 | |
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60 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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61 suites | |
n.套( suite的名词复数 );一套房间;一套家具;一套公寓 | |
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62 cardinals | |
红衣主教( cardinal的名词复数 ); 红衣凤头鸟(见于北美,雄鸟为鲜红色); 基数 | |
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63 orator | |
n.演说者,演讲者,雄辩家 | |
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64 orators | |
n.演说者,演讲家( orator的名词复数 ) | |
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65 wagons | |
n.四轮的运货马车( wagon的名词复数 );铁路货车;小手推车 | |
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66 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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67 bodyguard | |
n.护卫,保镖 | |
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68 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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69 heralds | |
n.使者( herald的名词复数 );预报者;预兆;传令官v.预示( herald的第三人称单数 );宣布(好或重要) | |
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70 altercation | |
n.争吵,争论 | |
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71 tiff | |
n.小争吵,生气 | |
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72 rabble | |
n.乌合之众,暴民;下等人 | |
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73 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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74 swarm | |
n.(昆虫)等一大群;vi.成群飞舞;蜂拥而入 | |
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75 briefly | |
adv.简单地,简短地 | |
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76 pageants | |
n.盛装的游行( pageant的名词复数 );穿古代服装的游行;再现历史场景的娱乐活动;盛会 | |
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77 pageant | |
n.壮观的游行;露天历史剧 | |
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78 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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79 asses | |
n. 驴,愚蠢的人,臀部 adv. (常用作后置)用于贬损或骂人 | |
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80 buffaloes | |
n.水牛(分非洲水牛和亚洲水牛两种)( buffalo的名词复数 );(南非或北美的)野牛;威胁;恐吓 | |
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81 tact | |
n.机敏,圆滑,得体 | |
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82 undoubtedly | |
adv.确实地,无疑地 | |
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83 insignificant | |
adj.无关紧要的,可忽略的,无意义的 | |
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84 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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85 expiration | |
n.终结,期满,呼气,呼出物 | |
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86 liberated | |
a.无拘束的,放纵的 | |
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87 intervention | |
n.介入,干涉,干预 | |
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88 hypocrisy | |
n.伪善,虚伪 | |
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89 paternal | |
adj.父亲的,像父亲的,父系的,父方的 | |
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90 mettle | |
n.勇气,精神 | |
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91 concurring | |
同时发生的,并发的 | |
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92 delegations | |
n.代表团( delegation的名词复数 );委托,委派 | |
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93 persuasions | |
n.劝说,说服(力)( persuasion的名词复数 );信仰 | |
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94 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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95 communal | |
adj.公有的,公共的,公社的,公社制的 | |
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96 usurped | |
篡夺,霸占( usurp的过去式和过去分词 ); 盗用; 篡夺,篡权 | |
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97 azure | |
adj.天蓝色的,蔚蓝色的 | |
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98 lieutenant | |
n.陆军中尉,海军上尉;代理官员,副职官员 | |
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99 bestowing | |
砖窑中砖堆上层已烧透的砖 | |
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100 baton | |
n.乐队用指挥杖 | |
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101 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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102 embellished | |
v.美化( embellish的过去式和过去分词 );装饰;修饰;润色 | |
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103 blessing | |
n.祈神赐福;祷告;祝福,祝愿 | |
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104 rites | |
仪式,典礼( rite的名词复数 ) | |
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105 conspiracy | |
n.阴谋,密谋,共谋 | |
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106 imprison | |
vt.监禁,关押,限制,束缚 | |
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107 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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108 pretext | |
n.借口,托词 | |
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109 entrust | |
v.信赖,信托,交托 | |
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110 augment | |
vt.(使)增大,增加,增长,扩张 | |
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111 promptly | |
adv.及时地,敏捷地 | |
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112 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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113 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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114 deign | |
v. 屈尊, 惠允 ( 做某事) | |
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115 countersigned | |
v.连署,副署,会签 (文件)( countersign的过去式 ) | |
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116 arena | |
n.竞技场,运动场所;竞争场所,舞台 | |
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117 displeases | |
冒犯,使生气,使不愉快( displease的第三人称单数 ) | |
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118 generosity | |
n.大度,慷慨,慷慨的行为 | |
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119 thronged | |
v.成群,挤满( throng的过去式和过去分词 ) | |
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120 mediocre | |
adj.平常的,普通的 | |
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121 consigned | |
v.把…置于(令人不快的境地)( consign的过去式和过去分词 );把…托付给;把…托人代售;丟弃 | |
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122 engrossed | |
adj.全神贯注的 | |
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123 remodelling | |
v.改变…的结构[形状]( remodel的现在分词 ) | |
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124 fortresses | |
堡垒,要塞( fortress的名词复数 ) | |
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125 distinguished | |
adj.卓越的,杰出的,著名的 | |
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126 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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