VIII PATHOS

Neither Aristotle nor Hegel, the two great expositors of the relation of the emotions to art, has discussed the nature of that which is understood by moderns as “pathos¹.” Aristotle has described in his Rhetoric², with the greatest acuteness and sensibility, the conditions and modes of exciting pity. But pity includes much that is excluded by pathos; and it may be useful to endeavour to ascertain³ what the limitations of the latter are, and what are its conditions in relation more particularly to art, in which it plays so important a part.

Pity, then, differs from pathos in this: the latter is simply emotional, and reaches no higher than the sensitive nature; though the sensitive nature, being dependent for its power and delicacy⁴ very much upon the cultivation⁵ of will and intellect, may be indefinitely developed by these active{50} factors of the soul. Pity is helpful, and is not deadened or repelled⁶ by circumstances which disgust the simply sensitive nature; and its ardour so far consumes such obstacles to merely emotional sympathy, that the person who truly pities finds the field of pathos extended far beyond the ordinary limits of the dainty passion which gives tears to the eyes of the selfish as well as the self-sacrificing. In an ideally perfect nature, indeed, pity and pathos, which is the feeling of pity, would be coextensive; and the latter would demand for its condition the existence of the former, with some ground of actual reality to work beneficially upon. On the other hand, entire selfishness would destroy even the faintest capacity for discerning pathos in art or circumstance. In the great mass of men and women there is sufficient virtue⁸ of pity—pity that would act if it had the opportunity—to extend in them the feeling of pity, that is pathos, to a far larger range of circumstances than their active virtue would be competent to encounter, even if it had the chance.

Suffering is of itself enough to stir pity; for absolute wickedness, with the torment⁹ of which all wholesome¹⁰ minds would be quite content, cannot be certainly predicated of any individual sufferer; but pathos, whether in a drawing-room tale of delicate distress¹¹ or in a tragedy of ?schylus{51} or Shakespeare, requires that some obvious goodness, or beauty, or innocence¹², or heroism¹³ should be the subject of suffering, and that the circumstance or narration¹⁴ of it should have certain conditions of repose¹⁵, contrast, and form. The range of pathos is immense, extending from the immolation¹⁶ of an Isaac or an Iphigenia to the death of a kitten that purrs and licks the hand about to drown it. Next to the fact of goodness, beauty, innocence, or heroism in the sufferer, contrast is the chief factor in artistic¹⁷ pathos. The celestial¹⁸ sadness of Desdemona’s death is immensely heightened by the black shadow of Iago; and perhaps the most intense touch of pathos in all history is that of Gordon murdered at Khartoum, while his betrayer occupies himself, between the acts of a comedy at the Criterion, in devising how best he may excuse his presence there by denying that he was aware of the contretemps or by representing his news of it as non-official. The singer of Fair Rosamund’s sorrows knew the value of contrast when he sang—
Hard was the heart that gave the blow,
Soft were the lips that bled.

Every one knows how irresistible¹⁹ are a pretty woman’s tears.{52}
Nought²⁰ is there under heav’n’s wide hollowness
That moves more dear compassion²¹ of mind
Than beauty brought to unworthy wretchedness.

It is partly the contrast of beauty, which is the natural appanage of happiness, that renders her tears so pathetic; but it is still more the way in which she is given to smiling through them. The author of the Rhetoric shows his usual incomparable subtilty of observation when he notes that a little good coming upon or in the midst of extremity²² of evil is a source of the sharpest pathos; and when the shaft²³ of a passionate²⁴ female sorrow is feathered with beauty and pointed²⁵ with a smile there is no heart that can refuse her her will. In absolute and uncontrolled suffering there is no pathos. Nothing in the Inferno²⁶ has this quality except the passage of Paolo and Francesca, still embracing, through the fiery²⁷ drift. It is the embrace that makes the pathos, “tempering extremities²⁸ with extreme sweet,” or at least with the memory of it. Our present sorrows generally owe their grace of pathos to their “crown,” which is “remembering happier things.” No one weeps in sympathy with the “base self-pitying tears” of Thersites, or with those of any whose grief is without some contrasting dignity of curb²⁹. Even a little child does not move us by its sorrow, when expressed by tears and cries, a tenth part so much{53} as by the quivering lip of attempted self-control. A great and present evil, coupled with a distant and uncertain hope, is also a source of pathos; if indeed it be not the same with that which Aristotle describes as arising from the sequence of exceeding ill and a little good. There is pathos in a departing pleasure, however small. It is the fact of sunset, not its colours—which are the same as those of sunrise—that constitutes its sadness; and in mere⁷ darkness there may be fear and distress, but not pathos. There are few things so pathetic in literature as the story of the supper which Amelia, in Fielding’s novel, had prepared for her husband, and to which he did not come, and that of Colonel Newcome becoming a Charterhouse pensioner³⁰. In each of these cases the pathos arises wholly from the contrast of noble reticence³¹ with a sorrow which has no direct expression. The same necessity for contrast renders reconciliations³³ far more pathetic than quarrels, and the march to battle of an army to the sound of cheerful military music more able to draw tears than the spectacle of the battle itself.

The soul of pathos, like that of wit, is brevity. Very few writers are sufficiently³⁴ aware of this. Humour is cumulative³⁵ and diffusive³⁶, as Shakespeare, Rabelais, and Dickens well knew; but how many a good piece of pathos has been spoiled by the{54} historian of Little Nell by an attempt to make too much of it! A drop of citric acid will give poignancy³⁷ to a feast; but a draught³⁸ of it——! Hence it is doubtful whether an English eye ever shed a tear over the Vita Nuova, whatever an Italian may have done. Next to the patient endurance of heroism, the bewilderment of weakness is the most fruitful source of pathos. Hence the exquisitely³⁹ touching⁴⁰ points in A Pair of Blue Eyes, Two on a Tower, The Trumpet-Major, and other of Hardy’s novels.

Pathos is the luxury of grief, and when it ceases to be other than a keen-edged pleasure it ceases to be pathos. Hence Tennyson’s question in “Love and Duty,” “Shall sharpest pathos blight⁴¹ us?” involves a misunderstanding of the word; although his understanding of the thing is well proved by such lyrics⁴² as “Tears, idle tears,” and “O well for the fisherman’s boy.” Pleasure and beauty—which may be said to be pleasure visible—are without their highest perfection if they are without a touch of pathos. This touch, indeed, accrues⁴³ naturally to profound pleasure and to great beauty by the mere fact of the incongruity⁴⁴ of their earthly surroundings and the sense of isolation⁴⁵, peril⁴⁶, and impermanence caused thereby⁴⁷. It is a doctrine⁴⁸ of that inexhaustible and (except by Dante) almost unworked mine of poetry, Catholic theology, that{55} the felicity of the angels and glorified⁴⁹ saints and of God Himself would not be perfect without the edge of pathos, which it receives from the fall and reconciliation³² of man. Hence, on Holy Saturday the Church exclaims, “O felix culpa!” and hence “there is more joy in heaven over one sinner that repenteth than over ninety and nine righteous who need no repentance⁵⁰.” Sin, says St. Augustine, is the necessary shadow of heaven; and pardon, says some other, is the highest light of its beatitude.

1 pathos   

n.哀婉，悲怆

参考例句：

• The pathos of the situation brought tears to our eyes.情况令人怜悯，看得我们不禁流泪。
• There is abundant pathos in her words.她的话里富有动人哀怜的力量。

2 rhetoric   

n.修辞学，浮夸之言语

参考例句：

• Do you know something about rhetoric?你懂点修辞学吗？
• Behind all the rhetoric,his relations with the army are dangerously poised.在冠冕堂皇的言辞背后，他和军队的关系岌岌可危。

3 ascertain   

vt.发现，确定，查明，弄清

参考例句：

• It's difficult to ascertain the coal deposits.煤储量很难探明。
• We must ascertain the responsibility in light of different situtations.我们必须根据不同情况判定责任。

4 delicacy   

n.精致，细微，微妙，精良；美味，佳肴

参考例句：

• We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
• He sensed the delicacy of the situation.他感觉到了形势的微妙。

5 cultivation   

n.耕作，培养，栽培（法），养成

参考例句：

• The cultivation in good taste is our main objective.培养高雅情趣是我们的主要目标。
• The land is not fertile enough to repay cultivation.这块土地不够肥沃，不值得耕种。

6 repelled   

v.击退( repel的过去式和过去分词 )；使厌恶；排斥；推开

参考例句：

• They repelled the enemy. 他们击退了敌军。 来自《简明英汉词典》
• The minister tremulously, but decidedly, repelled the old man's arm. 而丁梅斯代尔牧师却哆里哆嗦地断然推开了那老人的胳臂。 来自英汉文学 - 红字

7 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

8 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

9 torment   

n.折磨；令人痛苦的东西(人)；vt.折磨；纠缠

参考例句：

• He has never suffered the torment of rejection.他从未经受过遭人拒绝的痛苦。
• Now nothing aggravates me more than when people torment each other.没有什么东西比人们的互相折磨更使我愤怒。

10 wholesome   

adj.适合；卫生的；有益健康的；显示身心健康的

参考例句：

• In actual fact the things I like doing are mostly wholesome.实际上我喜欢做的事大都是有助于增进身体健康的。
• It is not wholesome to eat without washing your hands.不洗手吃饭是不卫生的。

11 distress   

n.苦恼，痛苦，不舒适；不幸；vt.使悲痛

参考例句：

• Nothing could alleviate his distress.什么都不能减轻他的痛苦。
• Please don't distress yourself.请你不要忧愁了。

12 innocence   

n.无罪；天真；无害

参考例句：

• There was a touching air of innocence about the boy.这个男孩有一种令人感动的天真神情。
• The accused man proved his innocence of the crime.被告人经证实无罪。

13 heroism   

n.大无畏精神，英勇

参考例句：

• He received a medal for his heroism.他由于英勇而获得一枚奖章。
• Stories of his heroism resounded through the country.他的英雄故事传遍全国。

14 narration   

n.讲述，叙述；故事；记叙体

参考例句：

• The richness of his novel comes from his narration of it.他小说的丰富多采得益于他的叙述。
• Narration should become a basic approach to preschool education.叙事应是幼儿教育的基本途径。

15 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

16 immolation   

n.牺牲品

参考例句：

• We still do;living in a world in which underclared aggression, war,hypocrisy,chicanery,anarchy and impending immolation are part of our daily lives, we all want a code to live by. 我们仍然有这种感觉；生活在一个不宣而战的侵略、战争、虚伪、诈骗、混乱以及迫在眉睫的杀戮充斥着我们日常生活的世界里，我们都想有一种能赖以生存的准则。
• The Emperor had these clay figures made instead of burying slave-workers alive as immolation. 秦始皇用泥塑造了这批俑，没有活埋奴隶作为殉葬。

17 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

18 celestial   

adj.天体的；天上的

参考例句：

• The rosy light yet beamed like a celestial dawn.玫瑰色的红光依然象天上的朝霞一样绚丽。
• Gravity governs the motions of celestial bodies.万有引力控制着天体的运动。

19 irresistible   

adj.非常诱人的，无法拒绝的，无法抗拒的

参考例句：

• The wheel of history rolls forward with an irresistible force.历史车轮滚滚向前，势不可挡。
• She saw an irresistible skirt in the store window.她看见商店的橱窗里有一条叫人着迷的裙子。

20 nought   

n.／adj.无，零

参考例句：

• We must bring their schemes to nought.我们必须使他们的阴谋彻底破产。
• One minus one leaves nought.一减一等于零。

21 compassion   

n.同情，怜悯

参考例句：

• He could not help having compassion for the poor creature.他情不自禁地怜悯起那个可怜的人来。
• Her heart was filled with compassion for the motherless children.她对于没有母亲的孩子们充满了怜悯心。

22 extremity   

n.末端，尽头；尽力；终极；极度

参考例句：

• I hope you will help them in their extremity.我希望你能帮助在穷途末路的他们。
• What shall we do in this extremity?在这种极其困难的情况下我们该怎么办呢？

23 shaft   

n.(工具的)柄，杆状物

参考例句：

• He was wounded by a shaft.他被箭击中受伤。
• This is the shaft of a steam engine.这是一个蒸汽机主轴。

24 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

25 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

26 inferno   

n.火海；地狱般的场所

参考例句：

• Rescue workers fought to get to victims inside the inferno.救援人员奋力营救大火中的受害者。
• The burning building became an inferno.燃烧着的大楼成了地狱般的地方。

27 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

28 extremities   

n.端点( extremity的名词复数 )；尽头；手和足；极窘迫的境地

参考例句：

• She was most noticeable, I thought, in respect of her extremities. 我觉得她那副穷极可怜的样子实在太惹人注目。 来自辞典例句
• Winters may be quite cool at the northwestern extremities. 西北边区的冬天也可能会相当凉。 来自辞典例句

29 curb   

n.场外证券市场，场外交易；vt.制止，抑制

参考例句：

• I could not curb my anger.我按捺不住我的愤怒。
• You must curb your daughter when you are in church.你在教堂时必须管住你的女儿。

30 pensioner   

n.领养老金的人

参考例句：

• The tax threshold for a single pensioner is$ 445.单身领退休年金者的纳税起点为445英镑。
• It was the pensioner's vote late in the day that influenced the election of Mr.Sweet.最后是领取养老金者的选票影响了斯威特先生的当选。

31 reticence   

n.沉默，含蓄

参考例句：

• He breaks out of his normal reticence and tells me the whole story.他打破了平时一贯沈默寡言的习惯，把事情原原本本都告诉了我。
• He always displays a certain reticence in discussing personal matters.他在谈论个人问题时总显得有些保留。

32 reconciliation   

n.和解，和谐，一致

参考例句：

• He was taken up with the reconciliation of husband and wife.他忙于做夫妻间的调解工作。
• Their handshake appeared to be a gesture of reconciliation.他们的握手似乎是和解的表示。

33 reconciliations   

和解( reconciliation的名词复数 )； 一致； 勉强接受； （争吵等的）止息

参考例句：

• You mean long-lost mother-son reconciliations in a restaurant? 你是说在餐厅调解分开多年的母子？
• Responsible for communications with financial institutions, daily cash processing and daily and monthly cash bank reconciliations. 负责与各财务机构的沟通，了解现金日流动状况，确认与银行往来的现金日对账单和月对账单。

34 sufficiently   

adv.足够地，充分地

参考例句：

• It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
• The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。

35 cumulative   

adj.累积的，渐增的

参考例句：

• This drug has a cumulative effect.这种药有渐增的效力。
• The benefits from eating fish are cumulative.吃鱼的好处要长期才能显现。

36 diffusive   

adj.散布性的，扩及的，普及的

参考例句：

• He had only the tendency to that diffusive form of gambling. 他有的是一种逢场作戏的赌博方式。 来自辞典例句
• He suggested that the varieties tested had different diffusive resistance to CO他提出，供试验用的品种对二氧化碳有不同的扩散阻力。 来自辞典例句

37 poignancy   

n.辛酸事，尖锐

参考例句：

• As she sat in church her face had a pathos and poignancy. 当她坐在教堂里时，脸上带着一种哀婉和辛辣的表情。
• The movie, "Trains, Planes, and Automobiles" treats this with hilarity and poignancy. 电影“火车，飞机和汽车”是以欢娱和热情庆祝这个节日。

38 draught   

n.拉，牵引，拖；一网（饮，吸，阵)；顿服药量，通风；v.起草，设计

参考例句：

• He emptied his glass at one draught.他将杯中物一饮而尽。
• It's a pity the room has no north window and you don't get a draught.可惜这房间没北窗，没有过堂风。

39 exquisitely   

adv.精致地；强烈地；剧烈地；异常地

参考例句：

• He found her exquisitely beautiful. 他觉得她异常美丽。 来自《简明英汉词典》
• He wore an exquisitely tailored gray silk and accessories to match. 他穿的是做工非常考究的灰色绸缎衣服，还有各种配得很协调的装饰。 来自教父部分

40 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

41 blight   

n.枯萎病；造成破坏的因素；vt.破坏，摧残

参考例句：

• The apple crop was wiped out by blight.枯萎病使苹果全无收成。
• There is a blight on all his efforts.他的一切努力都遭到挫折。

42 lyrics   

n.歌词

参考例句：

• music and lyrics by Rodgers and Hart 由罗杰斯和哈特作词作曲
• The book contains lyrics and guitar tablatures for over 100 songs. 这本书有100多首歌的歌词和吉他奏法谱。

43 accrues   

v.增加( accrue的第三人称单数 )；（通过自然增长）产生；获得；（使钱款、债务）积累

参考例句：

• If you put money in the bank, interest accrues. 如你将钱存于银行，则自然生息。 来自《现代英汉综合大词典》
• Interest accrues on a bank accout. 银行账户的利息在增长。 来自《简明英汉词典》

44 incongruity   

n.不协调，不一致

参考例句：

• She smiled at the incongruity of the question.面对这样突兀的问题，她笑了。
• When the particular outstrips the general,we are faced with an incongruity.当特别是超过了总的来讲，我们正面临着一个不协调。

45 isolation   

n.隔离，孤立，分解，分离

参考例句：

• The millionaire lived in complete isolation from the outside world.这位富翁过着与世隔绝的生活。
• He retired and lived in relative isolation.他退休后，生活比较孤寂。

46 peril   

n.(严重的)危险；危险的事物

参考例句：

• The refugees were in peril of death from hunger.难民有饿死的危险。
• The embankment is in great peril.河堤岌岌可危。

47 thereby   

adv.因此，从而

参考例句：

• I have never been to that city,,ereby I don't know much about it.我从未去过那座城市，因此对它不怎么熟悉。
• He became a British citizen,thereby gaining the right to vote.他成了英国公民，因而得到了投票权。

48 doctrine   

n.教义；主义；学说

参考例句：

• He was impelled to proclaim his doctrine.他不得不宣扬他的教义。
• The council met to consider changes to doctrine.宗教议会开会考虑更改教义。

49 glorified   

美其名的，变荣耀的

参考例句：

• The restaurant was no more than a glorified fast-food cafe. 这地方美其名曰餐馆，其实只不过是个快餐店而已。
• The author glorified the life of the peasants. 那个作者赞美了农民的生活。

50 repentance   

n.懊悔

参考例句：

• He shows no repentance for what he has done.他对他的所作所为一点也不懊悔。
• Christ is inviting sinners to repentance.基督正在敦请有罪的人悔悟。