XV BLAKE

Blake’s poetry, with the exception of four or five lovely lyrics¹ and here and there in the other pieces a startling gleam of unquestionable genius, is mere² drivel. A sensible person can easily distinguish between that which he cannot understand and that in which there is nothing to be understood. Mr. W. Rossetti, who is an enthusiast³ for “the much-maligned Paris Commune” and for Blake’s poetry, says of some of the latter, where it is nearly at its worst, “We feel its potent⁴ and arcane⁵ influence, but cannot dismember this into articulated meanings.” This sentence, if put into less exalted⁶ English, expresses tolerably well the aspect of mind with which we regard much of the writing of the Prophets and of the great ancient and modern mystics. Some light of their meaning forces itself through the, in most cases, purposely obscure cloud of their words and imagery; but when, by chance,{98} a glimpse of the disk itself is caught, it is surprisingly strong, bright, and intelligible⁷. Such writers are only spoken of with irreverence⁸ by those that would have given their verdict in favour of the famous Irishman who, being confronted with one witness swearing to having seen him take a handkerchief from another gentleman’s pocket, brought four who testified with equal solemnity to not having seen him do any such thing. The obvious rule in regard to such writers is, “When you cannot understand a man’s ignorance, think yourself ignorant of his understanding.” Again, if a man’s sayings are wholly unintelligible⁹ to us, he may claim the benefit of a small possibility of a doubt that his meanings may be too great and necessarily “arcane” for our powers of reception. But when a writer’s works consist of a few passages of great beauty and such simplicity¹⁰ that a child may understand them—like Blake’s “Chimney-Sweep,” “Tiger,” “Piping down the valleys wild,” “Why was Cupid a boy?” and “Auguries of Innocence”—and a great deal more that is mere ill-expressed but perfectly¹¹ intelligible platitude¹² and commonplace mixed with petty spite, and a far larger quantity still which to the ear of the natural understanding is mere gibberish, he has no right to claim, as Blake does, that the latter shall be regarded as plenarily inspired, or, indeed, as being{99} anything better than the delirious¹³ rubbish it obviously is.

Mr. W. Rossetti, though he goes a great way further in his admiration¹⁴ of Blake than reason can be shown for, does the cause of reason a good service in declaring his opinion that the poet was probably mad. “When,” says he, “I find a man pouring forth¹⁵ conceptions and images for which he professes¹⁶ himself not responsible, and which are in themselves in the highest degree remote, nebulous, and intangible, and putting some of these, moreover, into words wherein congruent sequence and significance of expression or analogy are not to be traced, then I cannot resist a strong presumption¹⁷ that that man was in some true sense of the word mad.” As Pope “could not take his tea without a stratagem,” so Blake could not “mix his colours with diluted¹⁸ glue” without declaring that “the process was revealed to him by St. Joseph”; and it was the ghost of his brother who taught him the new, though, had we not been told otherwise, the not supernaturally wonderful device of saving the expense of ordinary typography by etching the words of his verses on the copper¹⁹ plate which bore their illustrations. Blake was morally as well as intellectually mad; proposing on one occasion, for example, that his wife should allow him to introduce a second partner to his bed, and{100} doing so with a bona fide unconsciousness of anything amiss in such a suggestion as perfect as that with which Shelley urged his wife to come and share the delights of a tour in Switzerland with him and his mistress Mary Godwin.

That “great wits to madness nearly are allied” is not true; but it is not only true but psychologically explicable that small “geniuses” often are so. Most children are geniuses before the dawn of moral and intellectual responsibilities; and there are some who remain, not children, but moral and intellectual manikins, all their lives. It must be confessed that conscience makes, not only cowards, but more or less dullards, of us all. The child, that
Mighty²⁰ prophet, seer blest,
On whom those truths do rest
Which we are toiling²¹ all our lives to find,

owes his power of vision to his not being able to see the flaming sword of conscience which turns every way, and hinders all men but a very few from getting a glimpse through the closed gates of Paradise. Yet it is better to be a purblind²² man with a conscience than a seeing manikin with none. It is better still, and best of all, when the man of developed intellect and fully²³ accepted responsibilities retains a cherished memory of and an innocent sympathy with the knowledge that came{101} to him in childhood and early youth, and uses his trained powers of expression in order to make the world partakers of those thoughts and feelings which had no tongue when they first arose in him, and leave no memory in the mass of men until the man of true and sane²⁴ genius touches chords of recollection that would otherwise have slept in them for ever. One of the few really good things ever said by Hazlitt is that “men of genius spend their lives in teaching the world what they themselves learned before they were twenty.”

For the time, however, the manikin type of genius is all the fashion, especially with a class of critics who have it in their power to give notoriety, if they cannot give fame. Craziness alone passes at present for a strong presumption of genius, and where genius is really found in company therewith it is at once pronounced “supreme.” This is partly because most people can see that craziness has something abnormal about it, and are ready, therefore, to identify it with genius, of which most persons only know that it also is “abnormal”; and partly because the manikin mind is always red republican, and ardent²⁵ in its hatred²⁶ of kings, priests, “conventions,” the “monopoly” of property and of women, and all other hindrances²⁷ put in the way of virtue²⁸, liberty, and happiness by the wicked “civilizee.{102}”

Blake, as an artist, is a more important figure than Blake the poet; and naturally so, for the smallest good poem involves a consecutiveness²⁹ and complexity³⁰ of thought which are only required in paintings of a character which Blake rarely attempted. Yet, even as a painter his reputation has until lately been much exaggerated. The recent exhibition of his collected drawings and paintings was a great blow to the fame which had grown up from a haphazard³¹ acquaintance by his admirers with a few sketches³² or an illustrated³³ poem. Here and there there was a gleam of such pure and simple genius as is often revealed in the speech of a finely natured child amid its ordinary chatter³⁴; here and there the expression of a tender or distempered dream, which was not like anything else in the spectator’s experience; now and then an outline that had a look of Michael Angelo, with sometimes hints which might have formed the themes of great works, and which justified³⁵ the saying of Fuseli that “Blake is damned good to steal from”; but the effect of the whole collection was dejecting and unimpressive, and did little towards confirming its creator’s opinion that Titian, Reynolds, and Gainsborough were bad artists, and Blake, Barry, and Fuseli good ones.

1 lyrics   

n.歌词

参考例句：

• music and lyrics by Rodgers and Hart 由罗杰斯和哈特作词作曲
• The book contains lyrics and guitar tablatures for over 100 songs. 这本书有100多首歌的歌词和吉他奏法谱。

2 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

3 enthusiast   

n.热心人，热衷者

参考例句：

• He is an enthusiast about politics.他是个热衷于政治的人。
• He was an enthusiast and loved to evoke enthusiasm in others.他是一个激情昂扬的人，也热中于唤起他人心中的激情。

4 potent   

adj.强有力的，有权势的；有效力的

参考例句：

• The medicine had a potent effect on your disease.这药物对你的病疗效很大。
• We must account of his potent influence.我们必须考虑他的强有力的影响。

5 arcane   

adj.神秘的，秘密的

参考例句：

• The technique at one time was arcane in the minds of most chemists.这种技术在大多数化学家心目中一度是神秘的。
• Until a few months ago few people outside the arcane world of contemporary music had heard of Gorecki.直至几个月前，在现代音乐神秘殿堂之外很少有人听说了戈莱斯基。

6 exalted   

adj.(地位等)高的，崇高的；尊贵的，高尚的

参考例句：

• Their loveliness and holiness in accordance with their exalted station.他们的美丽和圣洁也与他们的崇高地位相称。
• He received respect because he was a person of exalted rank.他因为是个地位崇高的人而受到尊敬。

7 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

8 irreverence   

n.不尊敬

参考例句：

• True irreverence is disrespect for another man's god.真正的大不敬是不尊重别人的神。
• Mark Twain said irreverence is the champion of liberty,if not its only defender.马克·吐温说过，不敬若不是自由唯一的捍卫者，也会是它的拥护者。

9 unintelligible   

adj.无法了解的，难解的，莫明其妙的

参考例句：

• If a computer is given unintelligible data, it returns unintelligible results.如果计算机得到的是难以理解的数据，它给出的也将是难以理解的结果。
• The terms were unintelligible to ordinary folk.这些术语一般人是不懂的。

10 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

11 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

12 platitude   

n.老生常谈，陈词滥调

参考例句：

• The talk is no more than a platitude. 这番话无非是老生常谈。
• His speech is full of platitude. 他的讲话充满了陈词滥调。

13 delirious   

adj.不省人事的，神智昏迷的

参考例句：

• He was delirious,murmuring about that matter.他精神恍惚，低声叨念着那件事。
• She knew that he had become delirious,and tried to pacify him.她知道他已经神志昏迷起来了，极力想使他镇静下来。

14 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

15 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

16 professes   

声称( profess的第三人称单数 )； 宣称； 公开表明； 信奉

参考例句：

• She still professes her innocence. 她仍然声称自己无辜。
• He professes himself to be sad but doesn't look it. 他自称感到悲伤，但外表却看不出来。

17 presumption   

n.推测，可能性，冒昧，放肆，[法律]推定

参考例句：

• Please pardon my presumption in writing to you.请原谅我很冒昧地写信给你。
• I don't think that's a false presumption.我认为那并不是错误的推测。

18 diluted   

无力的，冲淡的

参考例句：

• The paint can be diluted with water to make a lighter shade. 这颜料可用水稀释以使色度淡一些。
• This pesticide is diluted with water and applied directly to the fields. 这种杀虫剂用水稀释后直接施用在田里。

19 copper   

n.铜；铜币；铜器；adj.铜(制)的；(紫)铜色的

参考例句：

• The students are asked to prove the purity of copper.要求学生们检验铜的纯度。
• Copper is a good medium for the conduction of heat and electricity.铜是热和电的良导体。

20 mighty   

adj.强有力的；巨大的

参考例句：

• A mighty force was about to break loose.一股巨大的力量即将迸发而出。
• The mighty iceberg came into view.巨大的冰山出现在眼前。

21 toiling   

长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉

参考例句：

• The fiery orator contrasted the idle rich with the toiling working classes. 这位激昂的演说家把无所事事的富人同终日辛劳的工人阶级进行了对比。
• She felt like a beetle toiling in the dust. She was filled with repulsion. 她觉得自己像只甲虫在地里挣扎，心中涌满愤恨。

22 purblind   

adj.半盲的；愚笨的

参考例句：

• If an administrator has no access to information,it's as if he was purblind and hard of hearing and had a stuffed nose.做管理工作的人没有信息，就是耳目不灵，鼻子不通。
• Even his most purblind supporters knows this is nonsense.即使他最愚蠢的支持者也知道这是无稽之谈。

23 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

24 sane   

adj.心智健全的，神志清醒的，明智的，稳健的

参考例句：

• He was sane at the time of the murder.在凶杀案发生时他的神志是清醒的。
• He is a very sane person.他是一个很有头脑的人。

25 ardent   

adj.热情的，热烈的，强烈的，烈性的

参考例句：

• He's an ardent supporter of the local football team.他是本地足球队的热情支持者。
• Ardent expectations were held by his parents for his college career.他父母对他的大学学习抱着殷切的期望。

26 hatred   

n.憎恶，憎恨，仇恨

参考例句：

• He looked at me with hatred in his eyes.他以憎恨的眼光望着我。
• The old man was seized with burning hatred for the fascists.老人对法西斯主义者充满了仇恨。

27 hindrances   

阻碍者( hindrance的名词复数 )； 障碍物； 受到妨碍的状态

参考例句：

• She also speaks out against the traditional hindrances to freedom. 她甚至大声疾呼，反对那些阻挡自由的、统礼教的绊脚石。
• When this stage is reached then the hindrances and karma are overcome. 唯此状态达到后，则超越阻碍和因果。

28 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

29 consecutiveness   

Consecutiveness

参考例句：

30 complexity   

n.复杂(性)，复杂的事物

参考例句：

• Only now did he understand the full complexity of the problem.直到现在他才明白这一问题的全部复杂性。
• The complexity of the road map puzzled me.错综复杂的公路图把我搞糊涂了。

31 haphazard   

adj.无计划的，随意的，杂乱无章的

参考例句：

• The town grew in a haphazard way.这城镇无计划地随意发展。
• He regrerted his haphazard remarks.他悔不该随口说出那些评论话。

32 sketches   

n.草图( sketch的名词复数 )；素描；速写；梗概

参考例句：

• The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
• You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》

33 illustrated   

adj. 有插图的，列举的 动词illustrate的过去式和过去分词

参考例句：

• His lecture was illustrated with slides taken during the expedition. 他在讲演中使用了探险时拍摄到的幻灯片。
• The manufacturing Methods: Will be illustrated in the next chapter. 制作方法将在下一章说明。

34 chatter   

vi.／n.喋喋不休；短促尖叫；(牙齿)打战

参考例句：

• Her continuous chatter vexes me.她的喋喋不休使我烦透了。
• I've had enough of their continual chatter.我已厌烦了他们喋喋不休的闲谈。

35 justified   

a.正当的，有理的

参考例句：

• She felt fully justified in asking for her money back. 她认为有充分的理由要求退款。
• The prisoner has certainly justified his claims by his actions. 那个囚犯确实已用自己的行动表明他的要求是正当的。