Lucian tells the same story in the Philopseudus, with some ridiculous additions, thoroughly9 in keeping with the surroundings.
An almost exactly similar story has been preserved by Robert Wodrow, the indefatigable10 collector, in a notebook which he appears to have intended to be the foundation of a scientific collection of marvellous tales. Wodrow died early in the eighteenth century. Gilbert Rule, the founder11 and first Principal of Edinburgh University, once reached a desolate12 inn in a lonely spot on the Grampians. The inn was full, and they were obliged to make him up a bed in a house near-by that had been vacant for thirty years. "He walked some time in the room," says Wodrow,[31] "and committed himself to God's protection, and went to bed. There were two candles left on the table, and these he put out. There was a large bright fire remaining. He had not been long in bed till the room door is opened and an apparition in shape of a country tradesman came in, and opened the curtains without speaking a word. Mr. Rule was resolved to do nothing till it should speak or attack him, but lay still with full composure, committing himself to the Divine protection and conduct. The apparition went to the table, lighted the two candles, brought them to the bedside, and made some steps toward the door, looking still to the bed, as if he would have Mr. Rule rising and following. Mr. Rule still lay still, till he should see his way further cleared. Then the apparition, who the whole time spoke13 none, took an effectual way to raise the doctor. He carried back the candles to the table and went to the fire, and with the tongs14 took down the kindled15 coals, and laid them on the deal chamber16 floor. The doctor then thought it time to rise and put on his clothes, in the time of which the spectre laid up the coals again in the chimney, and, going to the table, lifted the candles and went to the door, opened it, still looking to the Principal, as he would have him following the candles, which he now, thinking there was something extraordinary in the case, after looking to God for direction, inclined to do. The apparition went down some steps with the candles, and carried them into a long trance, at the end of which there was a stair which carried down to a low room. This the spectre went down, and stooped, and set down the lights on the lowest step of the stair, and straight disappears."
"The learned Principal," continues Burton, "whose courage and coolness deserve the highest commendation, lighted himself back to bed with the candles, and took the remainder of his rest undisturbed. Being a man of great sagacity, on ruminating17 over his adventure, he informed the Sheriff of the county 'that he was much of the mind there was murder in the case.' The stone whereon the candles were placed was raised, and there 'the plain remains of a human body were found, and bones, to the conviction of all.' It was supposed to be an old affair, however, and no traces could be got of the murderer. Rule undertook the functions of the detective, and pressed into the service the influence of his own profession. He preached a great sermon on the occasion, to which all the neighbouring people were summoned; and behold18 in the time of his sermon, an old man near eighty years was awakened19, and fell a-weeping, and before the whole company acknowledged that at the building of that house, he was the murderer."
The main features of the story have changed very little in the course of ages, except in the important point of the conviction of the murderer, which would have been effected in a very different way in a Greek story. Doubtless a similar tale could be found in the folk-lore of almost any nation.
Plutarch[32] relates how, in his native city of Ch?ron?a, a certain Damon had been murdered in some baths. Ghosts continued to haunt the spot ever afterwards, and mysterious groans20 were heard, so that at last the doors were walled up. "And to this very day," he continues, "those who live in the neighbourhood imagine that they see strange sights and are terrified with cries of sorrow."
It is quite clear from Plautus that ghost stories, even if not taken very seriously, aroused a wide-spread interest in the average Roman of his day, just as they do in the average Briton of our own. They were doubtless discussed in a half-joking way. The apparitions21 were generally believed to frighten people, just as they are at present, though the well-authenticated stories of such occurrences would seem to show that genuine ghosts, or whatever one likes to call them, have the power of paralyzing fear.
In the Mostellaria,[33] Plautus uses a ghost as a recognized piece of supernatural machinery22. The regulation father of Roman comedy has gone away on a journey, and in the meantime the son has, as usual, almost reached the end of his father's fortune. The father comes back unexpectedly, and the son turns in despair to his faithful slave, Tranio, for help. Tranio is equal to the occasion, and undertakes to frighten the inconvenient23 parent away again. He gives an account of an apparition that has been seen, and has announced that it is the ghost of a stranger from over-seas, who has been dead for six years.
"Here must I dwell," it had declared, "for the gods of the lower world will not receive me, seeing that I died before my time. My host murdered me, his guest, villain24 that he was, for the gold that I carried, and secretly buried me, without funeral rites25, in this house. Be gone hence, therefore, for it is accursed and unholy ground." This story is enough for the father. He takes the advice, and does not return till Tranio and his dutiful son are quite ready for him.
Great battlefields are everywhere believed to be haunted. Tacitus[34] relates how, when Titus was besieging26 Jerusalem, armies were seen fighting in the sky; and at a much later date, after a great battle against Attila and the Huns, under the walls of Rome, the ghosts of the dead fought for three days and three nights, and the clash of their arms was distinctly heard.[35] Marathon is no exception to the rule. Pausanias[36] says that any night you may hear horses neighing and men fighting there. To go on purpose to see the sight never brought good to any man; but with him who unwittingly lights upon it the spirits are not angry. He adds that the people of Marathon worship the men who fell in the battle as heroes; and who could be more worthy27 of such honour than they? The battle itself was not without its marvellous side. Epizelus, the Athenian, used to relate how a huge hoplite, whose beard over-shadowed all his shield, stood over against him in the thick of the fight. The apparition passed him by and killed the man next him, but Epizelus came out of the battle blind, and remained so for the rest of his life.[37] Plutarch[38] also relates of a place in B?otia where a battle had been fought, that there is a stream running by, and that people imagine that they hear panting horses in the roaring waters.
But the strangest account of the habitual28 haunting of great battlefields is to be found in Philostratus's Heroica, which represents the spirits of the Homeric heroes as still closely connected with Troy and its neighbourhood. How far the stories are based on local tradition it is impossible to say; they are told by a vine-dresser, who declares that he lives under the protection of Protesilaus. At one time he was in danger of being violently ousted29 from all his property, when the ghost of Protesilaus appeared to the would-be despoiler30 in a vision, and struck him blind. The great man was so terrified at this event that he carried his depredations31 no further; and the vine-dresser has since continued to cultivate what remained of his property under the protection of the hero, with whom he lives on most intimate terms. Protesilaus often appears to him while he is at work and has long talks with him, and he keeps off wild beasts and disease from the land.
Not only Protesilaus, but also his men, and, in fact, virtually all of the "giants of the mighty32 bone and bold emprise" who fought round Troy, can be seen on the plain at night, clad like warriors34, with nodding plumes35. The inhabitants are keenly interested in these apparitions, and well they may be, as so much depends upon them. If the heroes are covered with dust, a drought is impending36; if with sweat, they foreshadow rain. Blood upon their arms means a plague; but if they show themselves without any distinguishing mark, all will be well.
Though the heroes are dead, they cannot be insulted with impunity37. Ajax was popularly believed, owing to the form taken by his madness, to be especially responsible for any misfortune that might befall flocks and herds38. On one occasion some shepherds, who had had bad luck with their cattle, surrounded his tomb and abused him, bringing up all the weak points in his earthly career recorded by Homer. At last they went too far for his patience, and a terrible voice was heard in the tomb and the clash of armour39. The offenders40 fled in terror, but came to no harm.
On another occasion some strangers were playing at draughts41 near his shrine42, when Ajax appeared and begged them to stop, as the game reminded him of Palamedes.
Hector was a far more dangerous person. Maximus of Tyre[39] says that the people of Ilium often see him bounding over the plain at dead of night in flashing armour—a truly Homeric picture. Maximus cannot, indeed, boast of having seen Hector, though he also has had his visions vouchsafed43 him. He had seen Castor and Pollux, like twin stars, above his ship, steering44 it through a storm. ?sculapius also he has
seen—not in a dream, by Hercules, but with his waking eyes. But to return to Hector. Philostratus says that one day an unfortunate boy insulted him in the same way in which the shepherds had treated Ajax. Homer, however, did not satisfy this boy, and as a parting shaft45 he declared that the statue in Ilium did not really represent Hector, but Achilles. Nothing happened immediately, but not long afterwards, while the boy was driving a team of ponies46, Hector appeared in the form of a warrior33 in a brook47 which was, as a rule, so small as not even to have a name. He was heard shouting in a foreign tongue as he pursued the boy in the stream, finally overtaking and drowning him with his ponies. The bodies were never afterwards recovered.
Philostratus gives us a quantity of details about the Homeric heroes, which the vine-dresser has picked up in his talks with Protesilaus. Most of the heroes can be easily recognized. Achilles, for instance, enters into conversation with various people, and goes out hunting. He can be recognized by his height and his beauty and his bright armour; and as he rushes past he is usually accompanied by a whirlwind—ποδ?ρκη?, δ?ο?, even after death.
Then we hear the story of the White Isle48. Helen and Achilles fell in love with one another, though they had never met—the one hidden in Egypt, the other fighting before Troy. There was no place near Troy suited for their eternal life together, so Thetis appealed to Poseidon to give them an island home of their own. Poseidon consented, and the White Isle rose up in the Black Sea, near the mouth of the Danube. There Achilles and Helen, the manliest49 of men and the most feminine of women, first met and first embraced; and Poseidon himself, and Amphitrite, and all the Nereids, and as many river gods and spirits as dwell near the Euxine and M?otis, came to the wedding. The island is thickly covered with white trees and with elms, which grow in regular order round the shrine; and on it there dwell certain white birds, fragrant50 of the salt sea, which Achilles is said to have tamed to his will, so that they keep the glades51 cool, fanning them with their wings and scattering52 spray as they fly along the ground, scarce rising above it. To men sailing over the broad bosom53 of the sea the island is holy when they disembark, for it lies like a hospitable54 home to their ships. But neither those who sail thither55, nor the Greeks and barbarians56 living round the Black Sea, may build a house upon it; and all who anchor and sacrifice there must go on board at sunset. No man may pass the night upon the isle, and no woman may even land there. If the wind is favourable57, ships must sail away; if not, they must put out and anchor in the bay and sleep on board. For at night men say that Achilles and Helen drink together, and sing of each other's love, and of the war, and of Homer. Now that his battles are over, Achilles cultivates the gift of song he had received from Calliope. Their voices ring out clear and godlike over the water, and the sailors sit trembling with emotion as they listen. Those who had anchored there declared that they had heard the neighing of horses, and the clash of arms, and shouts such as are raised in battle.
Maximus of Tyre[40] also describes the island, and tells how sailors have often seen a fair-haired youth dancing a war-dance in golden armour upon it; and how once, when one of them unwittingly slept there, Achilles woke him, and took him to his tent and entertained him. Patroclus poured the wine and Achilles played the lyre, while Thetis herself is said to have been present with a choir58 of other deities59.
If they anchor to the north or the south of the island, and a breeze springs up that makes the harbours dangerous, Achilles warns them, and bids them change their anchorage and avoid the wind. Sailors relate how, "when they first behold the island, they embrace each other and burst into tears of joy. Then they put in and kiss the land, and go to the temple to pray and to sacrifice to Achilles." Victims stand ready of their own accord at the altar, according to the size of the ship and the number of those on board.
Pausanias also mentions the White Isle.[41] On one occasion, Leonymus, while leading the people of Croton against the Italian Locrians, attacked the spot where he was informed that Ajax O?leus, on whom the people of Locris had called for help, was posted in the van. According to Conon,[42] who, by the way, calls the hero Autoleon, when the people of Croton went to war, they also left a vacant space for Ajax in the forefront of their line. However this may be, Leonymus was wounded in the breast, and as the wound refused to heal and weakened him considerably60, he applied61 to Delphi for advice. The god told him to sail to the White Isle, where Ajax would heal him of his wound. Thither, therefore, he went, and was duly healed. On his return he described what he had seen—how that Achilles was now married to Helen; and it was Leonymus who told Stesichorus that his blindness was due to Helen's wrath62, and thus induced him to write the Palinode.
Achilles himself is once said to have appeared to a trader who frequently visited the island. They talked of Troy, and then the hero gave him wine, and bade him sail away and fetch him a certain Trojan maiden63 who was the slave of a citizen of Ilium. The trader was surprised at the request, and ventured to ask why he wanted a Trojan slave. Achilles replied that it was because she was of the same race as Hector and his ancestors, and of the blood of the sons of Priam and Dardanus. The trader thought that Achilles was in love with the girl, whom he duly brought with him on his next visit to the island. Achilles thanked him, and bade him keep her on board the ship, doubtless because women were not allowed to land. In the evening he was entertained by Achilles and Helen, and his host gave him a large sum of money, promising64 to make him his guest-friend and to bring luck to his ship and his business. At daybreak Achilles dismissed him, telling him to leave the girl on the shore. When they had gone about a furlong from the island, a horrible cry from the maiden reached their ears, and they saw Achilles tearing her to pieces, rending65 her limb from limb.
In this brutal66 savage67 it is impossible to recognize Homer's chivalrous68 hero, who sacrificed the success of a ten years' war, fought originally for the recovery of one woman, to his grief at the loss of another, and has thus made it possible to describe the Iliad as the greatest love-poem ever written. One cannot help feeling that Pindar's Isle of the Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling ?dipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with its reddening rays. Helen gazes across the sea, but King Mark opens his arms to Iseult, and the fair head sinks on the mighty beard. Clytemnestra stands by the shore with the Queen of Scots. They bathe their white arms in the waves, but the waves recoil69 swollen70 with red blood, while the wailing71 of the hapless women echoes along the rocky strand72. Among these heroic souls Shelley alone of modern poets—that Titan spirit in a maiden's form—may find a place, according to Carducci, caught up by Sophocles from the living embrace of Thetis.
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1 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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2 emaciated | |
adj.衰弱的,消瘦的 | |
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3 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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4 apparition | |
n.幽灵,神奇的现象 | |
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5 beckoned | |
v.(用头或手的动作)示意,召唤( beckon的过去式和过去分词 ) | |
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6 magistrate | |
n.地方行政官,地方法官,治安官 | |
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7 rusty | |
adj.生锈的;锈色的;荒废了的 | |
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8 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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9 thoroughly | |
adv.完全地,彻底地,十足地 | |
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10 indefatigable | |
adj.不知疲倦的,不屈不挠的 | |
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11 Founder | |
n.创始者,缔造者 | |
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12 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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13 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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14 tongs | |
n.钳;夹子 | |
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15 kindled | |
(使某物)燃烧,着火( kindle的过去式和过去分词 ); 激起(感情等); 发亮,放光 | |
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16 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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17 ruminating | |
v.沉思( ruminate的现在分词 );反复考虑;反刍;倒嚼 | |
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18 behold | |
v.看,注视,看到 | |
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19 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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20 groans | |
n.呻吟,叹息( groan的名词复数 );呻吟般的声音v.呻吟( groan的第三人称单数 );发牢骚;抱怨;受苦 | |
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21 apparitions | |
n.特异景象( apparition的名词复数 );幽灵;鬼;(特异景象等的)出现 | |
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22 machinery | |
n.(总称)机械,机器;机构 | |
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23 inconvenient | |
adj.不方便的,令人感到麻烦的 | |
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24 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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25 rites | |
仪式,典礼( rite的名词复数 ) | |
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26 besieging | |
包围,围困,围攻( besiege的现在分词 ) | |
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27 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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28 habitual | |
adj.习惯性的;通常的,惯常的 | |
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29 ousted | |
驱逐( oust的过去式和过去分词 ); 革职; 罢黜; 剥夺 | |
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30 despoiler | |
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31 depredations | |
n.劫掠,毁坏( depredation的名词复数 ) | |
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32 mighty | |
adj.强有力的;巨大的 | |
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33 warrior | |
n.勇士,武士,斗士 | |
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34 warriors | |
武士,勇士,战士( warrior的名词复数 ) | |
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35 plumes | |
羽毛( plume的名词复数 ); 羽毛饰; 羽毛状物; 升上空中的羽状物 | |
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36 impending | |
a.imminent, about to come or happen | |
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37 impunity | |
n.(惩罚、损失、伤害等的)免除 | |
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38 herds | |
兽群( herd的名词复数 ); 牧群; 人群; 群众 | |
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39 armour | |
(=armor)n.盔甲;装甲部队 | |
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40 offenders | |
n.冒犯者( offender的名词复数 );犯规者;罪犯;妨害…的人(或事物) | |
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41 draughts | |
n. <英>国际跳棋 | |
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42 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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43 vouchsafed | |
v.给予,赐予( vouchsafe的过去式和过去分词 );允诺 | |
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44 steering | |
n.操舵装置 | |
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45 shaft | |
n.(工具的)柄,杆状物 | |
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46 ponies | |
矮种马,小型马( pony的名词复数 ); £25 25 英镑 | |
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47 brook | |
n.小河,溪;v.忍受,容让 | |
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48 isle | |
n.小岛,岛 | |
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49 manliest | |
manly(有男子气概的)的最高级形式 | |
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50 fragrant | |
adj.芬香的,馥郁的,愉快的 | |
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51 glades | |
n.林中空地( glade的名词复数 ) | |
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52 scattering | |
n.[物]散射;散乱,分散;在媒介质中的散播adj.散乱的;分散在不同范围的;广泛扩散的;(选票)数量分散的v.散射(scatter的ing形式);散布;驱散 | |
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53 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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54 hospitable | |
adj.好客的;宽容的;有利的,适宜的 | |
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55 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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56 barbarians | |
n.野蛮人( barbarian的名词复数 );外国人;粗野的人;无教养的人 | |
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57 favourable | |
adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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58 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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59 deities | |
n.神,女神( deity的名词复数 );神祗;神灵;神明 | |
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60 considerably | |
adv.极大地;相当大地;在很大程度上 | |
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61 applied | |
adj.应用的;v.应用,适用 | |
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62 wrath | |
n.愤怒,愤慨,暴怒 | |
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63 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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64 promising | |
adj.有希望的,有前途的 | |
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65 rending | |
v.撕碎( rend的现在分词 );分裂;(因愤怒、痛苦等而)揪扯(衣服或头发等);(声音等)刺破 | |
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66 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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67 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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68 chivalrous | |
adj.武士精神的;对女人彬彬有礼的 | |
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69 recoil | |
vi.退却,退缩,畏缩 | |
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70 swollen | |
adj.肿大的,水涨的;v.使变大,肿胀 | |
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71 wailing | |
v.哭叫,哀号( wail的现在分词 );沱 | |
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72 strand | |
vt.使(船)搁浅,使(某人)困于(某地) | |
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