Yet I must admit that, when the anchor of the Negros splashed into the blue waters off Boeleleng, on the northern coast of the island, and a boat's crew of white-clad Filipinos rowed me ashore10, I half expected to find a Balinese edition of the Ziegfeld Follies11 chorus[144] waiting to greet me with demonstrations12 of welcome and garlands of flowers. What I did find on the wharf13 was a surly Dutch harbor-master, who, judging from his breath and disposition14, had been on a prolonged carouse15. Of the women whose beauty I had heard chanted in so many ports, or, indeed, of a native Balinese of any kind, there was no sign. Barring the harbor-master and a handful of Chinese, Boeleleng, which is a place of some size, appeared to be deserted16. Yet, as I strolled along its waterfront, I had the uncomfortable feeling that I was being watched by many pairs of unseen eyes.
"Where has everyone gone?" I demanded of the impassive Chinese steward17 who served me liquid refreshment18 at the Concordia Club. (Every town in the Insulinde has its Concordia Club, just as every Swiss town has its Grand Hotel.)
"Menjepee," he answered mystically, shrugging his shoulders. "Evlyone stay in house."
"Menjepee, eh?" I repeated. "Never heard of it. Some sort of disease, I suppose, like cholera19 or plague. If that's why everyone has run away I think that I'd better be leaving."
A ghost of a smile flitted across the Celestial's impassive countenance20.
"No clolra. No pleg," he assured me. "Menjepee make by pliest."
Before I could elucidate21 this curious statement there entered the club a young Hollander immaculate in pipe-clayed topée and freshly starched22 white linen23.
[145]"It's not a disease; it's a religious observance," he explained in perfect English, overhearing my last words. "They call it Menjepee, which, literally24 translated, means 'silence.' The Balinese are Hindus, you know—about the only ones left in the Islands—and they observe the Hindu festivals very strictly25. Their priests raise the very devil with them if they don't. During Menjepee, which lasts twenty-four hours, no native is permitted to set foot outside the wall of his kampong except for the most urgent reasons, and even then he has to get permission from his priest. If he is caught outside his kampong without permission he is heavily fined, to say nothing of being given the cold shoulder by his neighbors."
"I was told in Samarinda," I remarked carelessly, by way of introducing the topic in which I was most interested, "that some of the native girls here in Bali are remarkably26 good looking."
"I thought you'd be asking about them," the Hollander commented dryly. "That's usually the first question asked by everyone who comes to Bali. But you won't find them on this side of the island. If you want to see them you'll have to cross over to the south side. The prettiest girls are to be found in the vicinity of Den5 Pasar and Kloeng Kloeng."
"So I had heard," I told him. "I am going to cross the island by motor and have my boat pick me up on the other side. How far is it to Den Pasar?"
"Only about sixty miles and you'll have a tolerably[146] good mountain road all the way. But you can't go today."
"Why not?"
"Menjepee," was the laconic27 answer. "You won't be able to get anyone to take you. There are only four or five motor cars in Boeleleng and their drivers are all Hindus."
I smothered28 an expletive of annoyance29, for my time was limited and the Negros had already sailed.
"Surely you don't mean to tell me that there is no way in which I can get across the island today?" I demanded. "This Menjepee business is as infernal a nuisance as a taxicab strike in New York."
"Perhaps the Resident might be able to do something for you," my acquaintance suggested after a moment's consideration. "He's a good sort and he's always glad to meet visitors. We don't have many of them here, heaven knows. Look here. I've a sado outside. Suppose you hop30 in and I'll drive you up to the Residency and you can ask the Resident to help you out."
As we rattled31 in a sort of governess-cart, called sado, up the broad, palm-lined avenue which leads from Boeleleng to Singaradja, the seat of government, three miles away, I caught fleeting32 glimpses of natives peering at me furtively33 over the mud walls which surround their kampongs, but the instant they saw that they were observed they disappeared from view. The Resident I found to be a man of charm and culture who had twice crossed the United States on his[147] way to and from Holland. At first he was dubious34 whether anything could be done for me, explaining that Menjepee is as devoutly35 observed by the Hindus of Bali as the fasting month of Ramadan is by the Mohammedans of Turkey, and that the Dutch officials make it a rule never to interfere37 with the religious observances of the natives. He finally consented, however, to send for the chief priest and see if he could persuade him, in view of my limited time, to grant a special dispensation to a native who could drive a car. I don't know what arguments he used, but they must have been effective, for within the hour we heard the honk38 of a motor-horn at the Residency gate.
"We have no hotels in Bali," the Resident remarked as I was taking my departure, "but I'll telephone over to the Assistant Resident at Den Pasar to have a room ready for you at the passangrahan—that's the government rest-house, you know. And I'll also send word to the Controleur at Kloeng Kloeng that you are coming and ask him to arrange some native dances for you. He's very keen about that sort of thing and knows where to get the best dancers in the island."
"Tell me," I queried39, as I was about to enter the car, "are these girls I've heard so much about really pretty?"
The Resident smiled cynically40.
"Well," he replied, and I thought that I could detect a note of homesickness in his voice, "it depends upon the point of view. When you first arrive in Bali you swear that they are the prettiest brown-skinned[148] women in the world. But after you have been here a year or so you get so tired of everything connected with the tropics that you don't give the best of them a second glance. For my part, give me a plain, wholesome-looking Dutch girl with a lusty figure and corn-colored hair and cheeks like apples in preference to all the cafe-au-lait beauties in Bali."
"Au revoir," I called, as I signaled to the driver and the car leaped forward. "If I listen to you any longer I shall have no illusions left."
Save only its western end, which is covered with dense41 jungle inhabited by tigers and boa-constrictors, Bali is a vast garden, ablaze42 with the most gorgeous flowers that you can imagine and criss-crossed by a net-work of hard, white roads which alternately wind through huge cocoanut plantations43 or skirt interminable paddy fields. From the coast the ground rises steadily44 to a ridge45 formed by a central range of mountains, which culminate46 in the imposing47, cloud-wreathed Peak of Bali, two miles high. Streams rushing down from the mountains have cut the rich brown loam48 of the lowlands into deep ravines, down which the brawling49 torrents50 make their way to the sea between high banks smothered in tropical vegetation. The most remarkable51 feature of the landscape, however, are the rice terraces, built by hand at an incredible cost of time and labor52, which climb the slopes of the mountains, tier on tier, like the seats in a Roman ampitheatre, sometimes to a height of three thousand feet[149] or more, constituting one of the engineering marvels53 of the world.
The southern slope of the divide appeared to be much more thickly peopled than the northern, for, as we sped down the steep grades with brakes a-squeal, villages of mud-walled, straw-thatched huts became increasingly frequent, nor did the natives appear to be observing Menjepee as strictly as in the vicinity of Boeleleng, for they stood in the gateways54 of their kampongs and waved at us as we whirled past, and more than once we saw groups of them squatting56 in a circle beside the road, engaged in the national pastime of cock-fighting. Now we began to encounter the women whose beauty is famous throughout Malaysia: glorious, up-standing creatures with great masses of blue-black hair, a faint couleur de rose diffusing57 itself through their skins of brown satin. They were taller than any other women I saw in Malaysia, lithe58 and supple59 as Ruth St. Denis, and bearing themselves with a quiet dignity and lissome60 grace. From waist to ankle they were tightly wrapped in kains of brilliant batik, which defined, without revealing, every line and contour of their hips61 and lower limbs, but from the waist up they were entirely62 nude63, barring the flame-colored flowers in their dusky hair.
Unlike most Malays, the eyes of the Balinese, instead of being oblique64, are set straight in the head. The nose, which frequently mars what would otherwise be well-nigh perfect features, is generally small and flat, with too-wide nostrils65, though I saw a [150]number of Balinese women with noses which were distinctly aquiline—the result of a strain of European blood, perhaps. The lips are thick, yet well formed; the teeth are naturally regular and white but are all too often stained scarlet66 with betel-nut, which is to the Balinese girl what chewing-gum is to her sister of Broadway. The complexion67 ranges from a deep but rosy68 brown to a nuance69 no darker than that of a European brunette, but in the eyes of the Balinese themselves a golden-yellow complexion, the color of weak tea, is the perfection of female beauty. But the chief charm of these island Eves is found, after all, not in their faces but in their figures—slender, rounded, willowy, deep-bosomed, such as Botticelli loved to paint.
Despite the alluring70 tales brought back by South Sea travelers of the radiant creatures who go about unclad as when they were born, I have myself found no spot, save only Equatorial Africa, where women dispense71 with clothing habitually72 and without shame. Indeed, I have seen girls far more scantily73 clad on the stage of the Ziegfeld Roof or the Winter Garden than I ever have in those distant lands which have not yet received the blessings74 of civilization. In most of the Polynesian islands the painter or photographer can usually bribe75 a native girl to disrobe for him, just as in Paris or New York he can find models who for a consideration will pose in the nude, but when the picture is completed she promptly76 resumes the shapeless and hideous77 garments of Mother Hubbard cut which[151] the missionaries78 were guilty of introducing and whose all-enveloping folds, they na?vely believe, form a shield and a buckler against temptations of the flesh. But there are no missionaries in Bali, not one—though the Board of Foreign Missions may interest itself in the islanders after this book appears—and the women continue to dress as they should with such figures and in such a climate.
Because of a flat tire, the driver stopped the car beside a little stream in which two extremely pretty girls were bathing. With the evening sun glinting on their brown bodies and their piquant79, oval faces framed by the dusky torrents of their loosened hair, they looked like those bronze maidens80 which disport6 themselves in the fountain of the Piazza81 delle Terme in Rome, come to life. I felt certain that they would take to flight when Hawkinson unlimbered his motion-picture camera and trained it upon them, but they continued their joyous82 splashing without the slightest trace of self-consciousness or confusion. In fact, when a Balinese girl becomes embarrassed, she does not betray it by covering her body but by drawing over her face a veil which looks like a piece of black fishnet. Their bath completed, the maidens emerged from the water on to the farther bank, paused for a moment to arrange their hair, like wood nymphs of the Golden Age, then wound their gorgeous kains about them and vanished amid the trees. From somewhere on the distant hillside came the sweet, shrill83 quaver of a reed[152] instrument. The driver said it was a native flute84, but I knew better. It was the pipes of Pan....
Rather than that you should be scandalized when you visit Bali, let me make it quite clear that in matters of morality the Balinese women are as easy as an old shoe. Perhaps it would be more accurate to say that they are unmoral rather than immoral85. This is one of the conditions of life in the Insulinde which must be accepted by the traveler, just as he accepts as a matter of course the heat and the insects and the dirt. Though polygamy is practised, it is confined, because of the expense involved in maintaining a matrimonial stable, to the wealthier chiefs and other men of means. A Turkish pasha who maintained a large harem once told me that polygamy is as trying to the disposition as it is to the pocketbook, because of the incessant86 jealousies87 and bickerings among the wives. And I suppose the same conditions obtain in the seraglios of Bali. The former rajah of Kloeng Kloeng, now known as the Regent, a stout88 and jovial89 old gentleman arrayed in a cerise kain, a sky-blue head-cloth, and a white jacket with American twenty-dollar gold pieces for buttons, told me with a touch of pride that he had twenty-five wives in his harem. But his pride subsided90 like a pricked91 toy balloon when the Controleur, who had overheard the boast, mentioned that another regent, the ruler of a district at the western end of the island, possessed92 upward of three hundred wives—of the exact number he was not certain as it was [153]constantly fluctuating. To my great regret I could not spare the time to pay a visit to this Balinese Brigham Young. There were a number of questions relative to domestic economy and household administration which I should have liked to have asked him.
Until very recent years, the young Balinese girl who married an old husband incurred93 the risk of meeting an untimely and extremely unpleasant end, for the island was the last stronghold of that strange and dreadful Hindu custom, suttee—the burning of widows. The last public suttee in Bali was held as recently as 1907, but, in spite of the stern prohibition94 of the practise by the Dutch, it is said that some women faithful to the old customs and to their dead husbands continue to join the latter on the funeral pyre. In fact, the Controleur at Kloeng Kloeng told me that, only a few weeks before my arrival, two women had begged him on their knees for permission to be burned with the body of the dear departed, whom they wished to share in death as in life.
The Balinese, being devout36 Hindus, burn their dead, but the cremations are held only twice yearly, being observed as holidays, like Thanksgiving and the Fourth of July. If a man dies shortly before the cremation95 season is due, his remains96 are kept in the house until they can be incinerated with befitting ceremony—though I imagine that, in view of the torrid climate, the members of his family perforce move elsewhere for the time being—but if he is so inconsiderate as to postpone97 his dying until after one of these semi-annual[154] burnings, it becomes necessary to bury him. In a land where the thermometer frequently registers 100 and above, you couldn't keep a corpse98 around the house for several months, could you? When cremation day comes round again, however, he is dug up, taken to a temple and burned. There is no escaping the funeral-pyre in Bali. As we were leaving one of the cremation places I overheard the Doctor irreverently humming a paraphrase99 of a song which was very popular in the army during the war:
"Ashes to ashes and dust to dust, If the grave don't get you the wood-pile must."
Unlike the South Sea islanders, who are rapidly dying out as the result of diseases introduced by Europeans, the population of Bali—which is one of the most densely100 peopled regions in the world, with 325 inhabitants to the square mile—is rapidly increasing, having more than doubled in the last fifteen years. This is due in some measure, no doubt, to the climate, which, though hot, is healthy save in certain low-lying coastal101 districts, but much more, I imagine, to the fact that there are scarcely a hundred Europeans on the island, and that, as there are no harbors worthy102 the name, European vessels103 rarely touch there. It is well for the Balinese that their enchanted104 island has no harbors, for harbors mean ships, and ships mean white men, and white men, particularly sailors, all too often[155] leave undesirable105 mementoes of their visits behind them.
The men of Bali are a fine, strong, dignified106, rather haughty107 race, fit mates in physique for their women. They are considerably108 taller than any other Malays whom I saw and possess less Mongoloid and Negroid characteristics, these being subdued109 by some strong primeval alien strain which is undoubtedly110 Caucasian. Though now peaceable enough, every Balinese man carries in his sash a kris—the long, curly-bladed knife which is the national weapon of Malaysia. Most of the krises that I examined were more ornamental111 than serviceable, some of them having scabbards of solid gold and hilts set with precious stones. Moreover, they are worn against the middle of the back, where they must be difficult to reach in an emergency. I imagine that the kris, universal though it is, serves as a symbol of former militancy112 rather than as a fighting weapon, just as the buttons at the back of our tailcoats serve to remind us that their original purpose was to support a sword-belt. But, though the Balinese have made no serious trouble for their Dutch rulers for upward of a decade, they long resisted European domination, as evidenced by the four bloody113 uprisings in the last three-quarters of a century—the last was in 1908—which were suppressed only with difficulty and considerable loss of life. When the shells from the gunboats began to burst over their towns, the rajahs, recognizing that their cause was lost, nerved themselves with opium114 and committed the traditional[156] puputan, or, with their wives, threw themselves on the Dutch bayonets. But, though the Balinese have bowed perforce to the authority of the stout young woman who dwells in The Hague, they have none of the cringing115 servility, that look of pathetic appeal such as you see in the eyes of dogs which have been mistreated, so characteristic of the Javanese.
Though the three-quarters of a million natives in Bali have behind them the traditions of countless116 wars, the Dutch, who seem to possess an extraordinary talent for governing brown-skinned peoples, maintain their authority with a few companies of native soldiery officered by a handful of Europeans. The success of the Dutch in ruling Malays, who are notoriously turbulent and warlike, is largely due to the fact that, so long as the customs of the natives are not inimical to good government or to their own well-being117, they studiously refrain from interfering118 with them. Nor is there the same social chasm119 separating Europeans and natives in the Insulinde which is found in Britain's Eastern possessions. Were a British official in India to marry a native woman he would be promptly recalled in disgrace; if a Dutch official marries a native woman she is accorded the same social recognition as her husband. Though in the old days probably ninety per cent of the Dutch officials and planters in the Insulinde lived with native women, these unions are constantly decreasing, today probably not more than ten per cent of the Europeans thus solving their domestic problems. It struck me, moreover,[157] that the Dutch are more in sympathy with their native subjects, that they understand them better, than the British. It is a remarkable thing, when you stop to think of it, that a little nation like Holland, with a colonial army of less than thirty-five thousand men and no fleet worthy of the name, should be able to maintain its authority over fifty millions of natives, ten thousand miles away, with so little friction120.
We passed the night in the small rest-house at Den Pasar which the government maintains for the use of its officials. I have said that we passed the night, mark you; I refuse to toy with the truth to the extent of saying that we slept. Why they call it a rest-house I cannot imagine. Never that I can recall, save only in a zoo, have I found myself on such intimate terms with so many forms of animal life as in that passangrahan. Cockroaches121 nearly as large as mice (before you raise your eyebrows122 at this statement talk with anyone who has traveled in Malaysia), spiders, centipedes, ants and beetles123 made my bedroom an entomologist's paradise. Some large winged animal, presumably a fruit-bat or a flying-fox, entered by the window and circled the room like an airplane; and, judging from the sounds which proceeded from beneath the bed, I gathered that the room also harbored a snake or a large rat, though which I was not certain as I saw no reason for investigating. A family of lizards124 disported themselves on the ceiling and when I menaced them with a stick they departed so hastily that one of them abandoned his tail, which dropped on the[158] wash-stand. A squadron of mosquitoes—a sort of escadrille de chasse, as it were—kept me awake until daybreak, when they were relieved by a skirmishing party of cimex lectulariae, which are well known in America under a shorter and less polite name. Fishes only were absent, but I am convinced that their neglect of me was due to ignorance of my presence. Had they known of it I feel certain that the climbing fish, which is one of the curiosities of these waters, would have flopped125 on to my pillow.
Upon our arrival at Kloeng Kloeng I found the Controleur, who had been notified by the Resident at Singaradja of our coming, had made arrangements for an elaborate series of native dances to be given that afternoon on the lawn of the residency. It is a simple matter to arrange a dance in Bali, for every village, no matter how small, supports a ballet, and usually a troupe126 of actors as well, just as an American community supports a baseball team. The money for the gorgeous costumes worn by the dancers is raised by local subscription127 and the ballet frequently visits the neighboring towns to give exhibitions or to engage in competitions, contingents128 of the dancers' townspeople usually going along to root for them.
The Balinese dances require many years of arduous129 and constant training. A girl is scarcely out of the sling130 by which Balinese children are carried on the mother's back before, under the tutelage of her mother, who has herself perhaps been a dancing-girl in her time, she begins the severe course of gymnastics[159] and muscle training which are the foundations of all Eastern dances. From infancy131 until, not yet in her teens, she becomes a member of the village ballet or enters the harem of a local rajah, she is as assiduously trained and groomed132 as a race-horse entered for the Derby. From morning until night, day after day, year after year, the muscles of her shoulders, her back, her hips, her legs, her abdomen133 are suppled134 and developed until they will respond to her wishes as readily as her slender, henna-stained fingers.
The lawn on which the dances were held sloped down, like a great green rug, from the squat55 white residency to an ancient Hindu temple, whose walls, of red-brown sandstone, were transformed by the setting sun into rosy coral. The Bali temples are but open courtyards enclosed within high walls, their entrances flanked by towering gate-posts, grotesquely135 carved. Within the courtyards, which have arrangements for the cremation of the dead as well as for the refreshment of the living, are numerous roofed platforms and small, elevated shrines136, reached by steep flights of narrow steps, every square inch being covered with intricate and fantastic carvings137. These carvings are for the most part beautifully colored, so that, when illuminated138 by the sun, they look like those porcelain139 bas-reliefs which one buys in Florence, or, if the colors are undimmed by age, like Persian enamel140. In some of the temples which I visited, the colorings had been ruthlessly obliterated141 by coats of whitewash142, but in those communities where Hinduism is still a living[160] force, the inhabitants frequently impoverish143 themselves in order to provide the gold-leaf with which the interiors of the shrines are covered, just as the congregations of American churches praise God with carven pulpits and windows of stained glass.
The stage setting for the dances consisted of a small, portable pagoda144, heavily gilded145 and set with mirrors—nothing more, unless you include the backdrop provided by the Indian Ocean. On either side of the pagoda, which was set in the centre of the lawn, squatted146 a motionless native holding a long-handled parasol of gold, known as a payong. So far as I could discover, the purpose of these parasol holders147 was purely148 ornamental, like the palms that flank a concert stage, for they never stirred throughout the four hours that the dancing lasted. The dancers themselves were extremely young—barely in their teens, I should say—but I could only guess their ages as their faces were so heavily enameled149 that they might as well have been wearing masks. Their costumes, faithful reproductions of those depicted in the carvings on the walls of the temples, were of a gorgeousness which made the creations of Bakst seem colorless and tame: tightly-wound kains of cloth-of-gold over which were draped silks in all the colors of the chromatic150 scale. Their necks and arms, which were stained a saffron yellow, were hung with jewels or near-jewels. On their heads were towering, indescribable affairs of feathers, flowers and tinsel, faintly reminiscent of those[161] fantastic headdresses affected151 by the lamented152 Gaby. The music was furnished by a gamelan, or orchestra, of half-a-hundred musicians playing on drums, gongs and reeds, with a few xylophones thrown in for good measure. I am no judge of music, but it seemed to me that when the gamelan was working at full speed it compared very favorably with an American jazz orchestra.
All the dances illustrated153 episodes from the Ramayana or other Hindu mythologies154 localized, the story being recited in a monotonous155, sing-song chant, in the old Kawi or sacred language, by a professional accompanist who sat, cross-legged, in the orchestra. As a result of constant drilling since babyhood, the Balinese dancers attain156 a perfection of technique unknown on the western stage, but the visitor who expects to see the verve and abandon of the Indian dances as portrayed157 by Ruth St. Denis is certain to be disappointed. To tell the truth, the dances of Bali, like those I saw in Java and Cambodia, are rather tedious performances, beautiful, it is true, but almost totally lacking in that fire and spirit which we associate with the East. It is probable, however, that I am not sufficiently158 educated in the art of Terpsichore to appreciate them. It was as though I had been given a selection from Die Niebelungen Lied when I had looked for rag-time. But the natives are passionately159 fond of them, it being by no means uncommon160, I was told, for a dance to begin in the late afternoon and continue without interruption until daybreak. The Controleur told me that he planned[162] to utilize161 his next long leave in taking a native ballet to Europe, and, perhaps, to the United States. So, should you see the Bali dancers advertised to appear on Broadway, I strongly advise you not to miss them.
Instead of going to Palm Beach next winter, or to Havana, or to the Riviera, why don't you go out to Bali and see its lovely women, its curious customs, and its superb scenery for yourself? You can get there in about eight weeks, provided you make good connections at Singapore and Surabaya. With no railways, no street-cars, no hotels, no newspapers, no theatres, no movies, it is a very restful place. You can lounge the lazy days away in the cool depths of flower-smothered verandahs, with a brown house-boy pulling at the punkah-rope and another bringing you cool drinks in tall, thin glasses—for the Volstead Act does not run west of the 160th meridian—or you can stroll in the moonlight on the long white beaches with lithe brown beauties who wear passion-flowers in their raven162 hair. Or, should you weary of so dolce far niente an existence, you can sail across to Java with the opium-runners in their fragile prahaus, or climb a two-mile-high volcano, or in the jungles at the western extremity of the island stalk the clouded tiger. And you can wear pajamas163 all day long without apologizing. Everything considered, Bali offers more inducements than any place I know to the tired business man or the absconding164 bank cashier.

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extremity
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n.末端,尽头;尽力;终极;极度 | |
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depicted
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描绘,描画( depict的过去式和过去分词 ); 描述 | |
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isle
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n.小岛,岛 | |
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fragrant
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adj.芬香的,馥郁的,愉快的 | |
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den
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n.兽穴;秘密地方;安静的小房间,私室 | |
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disport
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v.嬉戏,玩 | |
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disported
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v.嬉戏,玩乐,自娱( disport的过去式和过去分词 ) | |
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skeptical
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adj.怀疑的,多疑的 | |
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isles
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岛( isle的名词复数 ) | |
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ashore
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adv.在(向)岸上,上岸 | |
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follies
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罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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demonstrations
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证明( demonstration的名词复数 ); 表明; 表达; 游行示威 | |
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wharf
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n.码头,停泊处 | |
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disposition
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n.性情,性格;意向,倾向;排列,部署 | |
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carouse
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v.狂欢;痛饮;n.狂饮的宴会 | |
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deserted
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adj.荒芜的,荒废的,无人的,被遗弃的 | |
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steward
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n.乘务员,服务员;看管人;膳食管理员 | |
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refreshment
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n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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cholera
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n.霍乱 | |
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countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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elucidate
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v.阐明,说明 | |
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starched
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adj.浆硬的,硬挺的,拘泥刻板的v.把(衣服、床单等)浆一浆( starch的过去式和过去分词 ) | |
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linen
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n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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literally
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adv.照字面意义,逐字地;确实 | |
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strictly
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adv.严厉地,严格地;严密地 | |
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26
remarkably
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ad.不同寻常地,相当地 | |
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27
laconic
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adj.简洁的;精练的 | |
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28
smothered
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(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制 | |
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29
annoyance
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n.恼怒,生气,烦恼 | |
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30
hop
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n.单脚跳,跳跃;vi.单脚跳,跳跃;着手做某事;vt.跳跃,跃过 | |
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31
rattled
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慌乱的,恼火的 | |
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32
fleeting
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adj.短暂的,飞逝的 | |
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33
furtively
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adv. 偷偷地, 暗中地 | |
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34
dubious
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adj.怀疑的,无把握的;有问题的,靠不住的 | |
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35
devoutly
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adv.虔诚地,虔敬地,衷心地 | |
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36
devout
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adj.虔诚的,虔敬的,衷心的 (n.devoutness) | |
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37
interfere
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v.(in)干涉,干预;(with)妨碍,打扰 | |
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38
honk
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n.雁叫声,汽车喇叭声 | |
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39
queried
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v.质疑,对…表示疑问( query的过去式和过去分词 );询问 | |
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40
cynically
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adv.爱嘲笑地,冷笑地 | |
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41
dense
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a.密集的,稠密的,浓密的;密度大的 | |
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42
ablaze
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adj.着火的,燃烧的;闪耀的,灯火辉煌的 | |
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43
plantations
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n.种植园,大农场( plantation的名词复数 ) | |
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44
steadily
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adv.稳定地;不变地;持续地 | |
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45
ridge
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n.山脊;鼻梁;分水岭 | |
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46
culminate
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v.到绝顶,达于极点,达到高潮 | |
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47
imposing
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adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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48
loam
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n.沃土 | |
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49
brawling
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n.争吵,喧嚷 | |
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50
torrents
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n.倾注;奔流( torrent的名词复数 );急流;爆发;连续不断 | |
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51
remarkable
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adj.显著的,异常的,非凡的,值得注意的 | |
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52
labor
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n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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53
marvels
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n.奇迹( marvel的名词复数 );令人惊奇的事物(或事例);不平凡的成果;成就v.惊奇,对…感到惊奇( marvel的第三人称单数 ) | |
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54
gateways
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n.网关( gateway的名词复数 );门径;方法;大门口 | |
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55
squat
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v.蹲坐,蹲下;n.蹲下;adj.矮胖的,粗矮的 | |
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56
squatting
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v.像动物一样蹲下( squat的现在分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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57
diffusing
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(使光)模糊,漫射,漫散( diffuse的现在分词 ); (使)扩散; (使)弥漫; (使)传播 | |
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58
lithe
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adj.(指人、身体)柔软的,易弯的 | |
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59
supple
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adj.柔软的,易弯的,逢迎的,顺从的,灵活的;vt.使柔软,使柔顺,使顺从;vi.变柔软,变柔顺 | |
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60
lissome
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adj.柔软的;敏捷的 | |
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61
hips
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abbr.high impact polystyrene 高冲击强度聚苯乙烯,耐冲性聚苯乙烯n.臀部( hip的名词复数 );[建筑学]屋脊;臀围(尺寸);臀部…的 | |
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62
entirely
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ad.全部地,完整地;完全地,彻底地 | |
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63
nude
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adj.裸体的;n.裸体者,裸体艺术品 | |
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64
oblique
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adj.斜的,倾斜的,无诚意的,不坦率的 | |
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65
nostrils
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鼻孔( nostril的名词复数 ) | |
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66
scarlet
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n.深红色,绯红色,红衣;adj.绯红色的 | |
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67
complexion
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n.肤色;情况,局面;气质,性格 | |
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68
rosy
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adj.美好的,乐观的,玫瑰色的 | |
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69
nuance
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n.(意义、意见、颜色)细微差别 | |
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70
alluring
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adj.吸引人的,迷人的 | |
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71
dispense
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vt.分配,分发;配(药),发(药);实施 | |
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72
habitually
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ad.习惯地,通常地 | |
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73
scantily
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adv.缺乏地;不充足地;吝啬地;狭窄地 | |
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74
blessings
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n.(上帝的)祝福( blessing的名词复数 );好事;福分;因祸得福 | |
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75
bribe
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n.贿赂;v.向…行贿,买通 | |
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76
promptly
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adv.及时地,敏捷地 | |
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77
hideous
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adj.丑陋的,可憎的,可怕的,恐怖的 | |
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78
missionaries
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n.传教士( missionary的名词复数 ) | |
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79
piquant
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adj.辛辣的,开胃的,令人兴奋的 | |
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80
maidens
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处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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81
piazza
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n.广场;走廊 | |
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82
joyous
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adj.充满快乐的;令人高兴的 | |
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83
shrill
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adj.尖声的;刺耳的;v尖叫 | |
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84
flute
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n.长笛;v.吹笛 | |
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85
immoral
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adj.不道德的,淫荡的,荒淫的,有伤风化的 | |
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86
incessant
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adj.不停的,连续的 | |
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87
jealousies
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n.妒忌( jealousy的名词复数 );妒羡 | |
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89
jovial
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adj.快乐的,好交际的 | |
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90
subsided
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v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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91
pricked
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刺,扎,戳( prick的过去式和过去分词 ); 刺伤; 刺痛; 使剧痛 | |
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92
possessed
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adj.疯狂的;拥有的,占有的 | |
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93
incurred
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[医]招致的,遭受的; incur的过去式 | |
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94
prohibition
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n.禁止;禁令,禁律 | |
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95
cremation
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n.火葬,火化 | |
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96
remains
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n.剩余物,残留物;遗体,遗迹 | |
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97
postpone
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v.延期,推迟 | |
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98
corpse
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n.尸体,死尸 | |
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99
paraphrase
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vt.将…释义,改写;n.释义,意义 | |
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100
densely
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ad.密集地;浓厚地 | |
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101
coastal
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adj.海岸的,沿海的,沿岸的 | |
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102
worthy
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adj.(of)值得的,配得上的;有价值的 | |
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103
vessels
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n.血管( vessel的名词复数 );船;容器;(具有特殊品质或接受特殊品质的)人 | |
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104
enchanted
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adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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105
undesirable
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adj.不受欢迎的,不良的,不合意的,讨厌的;n.不受欢迎的人,不良分子 | |
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106
dignified
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a.可敬的,高贵的 | |
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107
haughty
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adj.傲慢的,高傲的 | |
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108
considerably
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adv.极大地;相当大地;在很大程度上 | |
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109
subdued
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adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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110
undoubtedly
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adv.确实地,无疑地 | |
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111
ornamental
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adj.装饰的;作装饰用的;n.装饰品;观赏植物 | |
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112
militancy
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n.warlike behavior or tendency | |
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113
bloody
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adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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114
opium
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n.鸦片;adj.鸦片的 | |
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115
cringing
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adj.谄媚,奉承 | |
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116
countless
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adj.无数的,多得不计其数的 | |
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117
well-being
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n.安康,安乐,幸福 | |
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118
interfering
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adj. 妨碍的 动词interfere的现在分词 | |
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119
chasm
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n.深坑,断层,裂口,大分岐,利害冲突 | |
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120
friction
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n.摩擦,摩擦力 | |
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121
cockroaches
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n.蟑螂( cockroach的名词复数 ) | |
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122
eyebrows
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眉毛( eyebrow的名词复数 ) | |
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123
beetles
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n.甲虫( beetle的名词复数 ) | |
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124
lizards
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n.蜥蜴( lizard的名词复数 ) | |
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125
flopped
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v.(指书、戏剧等)彻底失败( flop的过去式和过去分词 );(因疲惫而)猛然坐下;(笨拙地、不由自主地或松弛地)移动或落下;砸锅 | |
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126
troupe
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n.剧团,戏班;杂技团;马戏团 | |
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127
subscription
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n.预订,预订费,亲笔签名,调配法,下标(处方) | |
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128
contingents
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(志趣相投、尤指来自同一地方的)一组与会者( contingent的名词复数 ); 代表团; (军队的)分遣队; 小分队 | |
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129
arduous
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adj.艰苦的,费力的,陡峭的 | |
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130
sling
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vt.扔;悬挂;n.挂带;吊索,吊兜;弹弓 | |
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131
infancy
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n.婴儿期;幼年期;初期 | |
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132
groomed
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v.照料或梳洗(马等)( groom的过去式和过去分词 );使做好准备;训练;(给动物)擦洗 | |
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133
abdomen
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n.腹,下腹(胸部到腿部的部分) | |
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134
suppled
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使柔软,使柔顺(supple的过去式与过去分词形式) | |
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135
grotesquely
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adv. 奇异地,荒诞地 | |
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136
shrines
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圣地,圣坛,神圣场所( shrine的名词复数 ) | |
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137
carvings
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n.雕刻( carving的名词复数 );雕刻术;雕刻品;雕刻物 | |
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138
illuminated
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adj.被照明的;受启迪的 | |
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139
porcelain
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n.瓷;adj.瓷的,瓷制的 | |
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140
enamel
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n.珐琅,搪瓷,瓷釉;(牙齿的)珐琅质 | |
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141
obliterated
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v.除去( obliterate的过去式和过去分词 );涂去;擦掉;彻底破坏或毁灭 | |
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142
whitewash
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v.粉刷,掩饰;n.石灰水,粉刷,掩饰 | |
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143
impoverish
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vt.使穷困,使贫困 | |
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144
pagoda
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n.宝塔(尤指印度和远东的多层宝塔),(印度教或佛教的)塔式庙宇 | |
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145
gilded
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a.镀金的,富有的 | |
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146
squatted
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v.像动物一样蹲下( squat的过去式和过去分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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147
holders
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支持物( holder的名词复数 ); 持有者; (支票等)持有人; 支托(或握持)…之物 | |
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148
purely
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adv.纯粹地,完全地 | |
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149
enameled
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涂瓷釉于,给…上瓷漆,给…上彩饰( enamel的过去式和过去分词 ) | |
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150
chromatic
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adj.色彩的,颜色的 | |
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151
affected
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adj.不自然的,假装的 | |
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152
lamented
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adj.被哀悼的,令人遗憾的v.(为…)哀悼,痛哭,悲伤( lament的过去式和过去分词 ) | |
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153
illustrated
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adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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154
mythologies
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神话学( mythology的名词复数 ); 神话(总称); 虚构的事实; 错误的观点 | |
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155
monotonous
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adj.单调的,一成不变的,使人厌倦的 | |
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156
attain
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vt.达到,获得,完成 | |
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157
portrayed
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v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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158
sufficiently
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adv.足够地,充分地 | |
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159
passionately
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ad.热烈地,激烈地 | |
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160
uncommon
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adj.罕见的,非凡的,不平常的 | |
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161
utilize
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vt.使用,利用 | |
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162
raven
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n.渡鸟,乌鸦;adj.乌亮的 | |
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163
pajamas
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n.睡衣裤 | |
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absconding
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v.(尤指逃避逮捕)潜逃,逃跑( abscond的现在分词 ) | |
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