INTRODUCTION

Every now and then in our reading we come suddenly face to face with first things,—the very elemental sources beyond which no man may go. There is a distinct satisfaction in dealing¹ with such beginnings, and, when they are those of literature, the sense of freshness is nothing short of inspiring. To share the same lofty outlook, to breathe the same high air with those who first sensed a whole era of creative thoughts, is the next thing to being the gods' chosen medium for those primal² expressions.

All this is not to say that the epic³ is the oldest form of literary expression, but it is the expression of the oldest literary ideas, for, even when the epic is not at all primitive⁴ in form, it deals essentially⁵ with elemental moods and ideals. Epical⁶ poetry is poetic⁷ not because it is metrical and conformative to rhythmical⁸ standards,—though it usually is both,—but it is poetry because of the high sweep of its emotional outlook, the bigness of its thought, the untamed passion of its language, and the musical flow of its utterance⁹.

Here, then, we have a veritable source book of the oldest ideas of the race; but not only that—we are also led into the penetralia of the earliest thought of many separate nations, for when the epic is national, it is true to the earliest genius of the people whose spirit it depicts¹⁰.

To be sure, much of literature, and particularly the literature of the epic, is true rather to the tone of a nation than to its literal history—by which I mean that Achilles was more really a Greek hero than any Greek who ever lived, because he was the apotheosis¹¹ of Greek chivalry¹², and as such was the expression of the Greeks rather than merely a Greek. The Iliad and the Odyssey¹³ are not merely epics¹⁴ of Greece—they are Greek.

This is an age of story-telling. Never before has the world turned so attentively¹⁵ to the shorter forms of fiction. Not only is this true of the printed short-story, of which some thousands, more or less new, are issued every year in English, but oral story-telling is taking its deserved place in the school, the home, and among clubs specially¹⁶ organized for its cultivation¹⁷. Teachers and parents must therefore be increasingly alert, not only to invent new stories, but—this even chiefly—to familiarize themselves with the oldest stories in the world.

So it is to such sources as these race-narratives that all story-telling must come for recurrent inspirations. The setting of each new story may be tinged¹⁸ with what wild or sophisticated life soever, yet must the narrator find the big, heart-swelling movements and passions and thraldoms and conquests and sufferings and elations of mankind stored in the great epics of the world.

It were a life-labor to become familiar with all of these in their expressive¹⁹ originals; even in translation it would be a titanic²⁰ task to read each one. Therefore how great is our indebtedness to the ripe scholarship and discreet²¹ choice of the author of this "Book of the Epic" for having brought to us not only the arguments but the very spirit and flavor of all this noble array. The task has never before been essayed, and certainly, now that it has been done for the first time, it is good to know that it has been done surpassingly well.

To find the original story-expression of a nation's myths, its legends, and its heroic creations is a high joy—a face-to-face interview with any great first-thing is a big experience; but to come upon whole scores of undefiled fountains is like multiplying the Pierian waters.

Even as all the epics herein collected in scenario²² were epoch-making, so will the gathering²³ of these side by side prove to be. Literary judgments²⁴ must be comparative, and now we may place each epic in direct comparison with any other, with a resultant light, both diffused²⁵ and concentrated, for the benefit of both critics and the general reader.

The delights of conversation—so nearly, alas²⁶, a lost art!—consist chiefly in the exchange of varied²⁷ views on single topics. So, when we note how the few primal story-themes and plot developments of all time were handled by those who first told the tales in literate²⁸ form, the satisfaction is proportionate.

One final word must be said regarding the interest of epical material. Heretofore a knowledge of the epics—save only a few of the better known—has been confined to scholars, or, at most, students; but it may well be hoped that the wide perusal²⁹ of this book may serve to show to the general reader how fascinating a store of fiction may be found in epics which have up till now been known to him only by name.

J. Berg Esenwein

1 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

2 primal   

adj.原始的；最重要的

参考例句：

• Jealousy is a primal emotion.嫉妒是最原始的情感。
• Money was a primal necessity to them.对于他们，钱是主要的需要。

3 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

4 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

5 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

6 epical   

adj.叙事诗的，英勇的

参考例句：

7 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

8 rhythmical   

adj.有节奏的，有韵律的

参考例句：

• His breathing became more rhythmical.他的呼吸变得更有节奏了。
• The music is strongly rhythmical.那音乐有强烈的节奏。

9 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

10 depicts   

描绘，描画( depict的第三人称单数 )； 描述

参考例句：

• The book vividly depicts French society of the 1930s. 这本书生动地描绘了20 世纪30 年代的法国社会。
• He depicts the sordid and vulgar sides of life exclusively. 他只描写人生肮脏和庸俗的一面。

11 apotheosis   

n.神圣之理想；美化；颂扬

参考例句：

• The legend of king arthur represent the apotheosis of chivalry.亚瑟王的传说代表骑士精神的顶峰。
• The Oriental in Bangkok is the apotheosis of the grand hotel.曼谷的东方饭店是豪华饭店的典范。

12 chivalry   

n.骑士气概，侠义；（男人）对女人彬彬有礼，献殷勤

参考例句：

• The Middle Ages were also the great age of chivalry.中世纪也是骑士制度盛行的时代。
• He looked up at them with great chivalry.他非常有礼貌地抬头瞧她们。

13 odyssey   

n.长途冒险旅行；一连串的冒险

参考例句：

• The march to Travnik was the final stretch of a 16-hour odyssey.去特拉夫尼克的这段路是长达16小时艰险旅行的最后一程。
• His odyssey of passion, friendship,love,and revenge was now finished.他的热情、友谊、爱情和复仇的漫长历程，到此结束了。

14 epics   

n.叙事诗( epic的名词复数 )；壮举；惊人之举；史诗般的电影（或书籍）

参考例句：

• one of the great Hindu epics 伟大的印度教史诗之一
• Homer Iliad and Milton's Paradise Lost are epics. 荷马的《伊利亚特》和弥尔顿的《失乐园》是史诗。 来自互联网

15 attentively   

adv.聚精会神地；周到地；谛；凝神

参考例句：

• She listened attentively while I poured out my problems. 我倾吐心中的烦恼时，她一直在注意听。 来自《简明英汉词典》
• She listened attentively and set down every word he said. 她专心听着，把他说的话一字不漏地记下来。 来自《简明英汉词典》

16 specially   

adv.特定地；特殊地；明确地

参考例句：

• They are specially packaged so that they stack easily.它们经过特别包装以便于堆放。
• The machine was designed specially for demolishing old buildings.这种机器是专为拆毁旧楼房而设计的。

17 cultivation   

n.耕作，培养，栽培（法），养成

参考例句：

• The cultivation in good taste is our main objective.培养高雅情趣是我们的主要目标。
• The land is not fertile enough to repay cultivation.这块土地不够肥沃，不值得耕种。

18 tinged   

v.（使）发丁丁声( ting的过去式和过去分词 )

参考例句：

• memories tinged with sadness 略带悲伤的往事
• white petals tinged with blue 略带蓝色的白花瓣

19 expressive   

adj.表现的，表达…的，富于表情的

参考例句：

• Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
• He had a mobile,expressive,animated face.他有一张多变的，富于表情的，生动活泼的脸。

20 titanic   

adj.巨人的，庞大的，强大的

参考例句：

• We have been making titanic effort to achieve our purpose.我们一直在作极大的努力，以达到我们的目的。
• The island was created by titanic powers and they are still at work today.台湾岛是由一个至今仍然在运作的巨大力量塑造出来的。

21 discreet   

adj.(言行)谨慎的；慎重的；有判断力的

参考例句：

• He is very discreet in giving his opinions.发表意见他十分慎重。
• It wasn't discreet of you to ring me up at the office.你打电话到我办公室真是太鲁莽了。

22 scenario   

n.剧本，脚本；概要

参考例句：

• But the birth scenario is not completely accurate.然而分娩脚本并非完全准确的。
• This is a totally different scenario.这是完全不同的剧本。

23 gathering   

n.集会，聚会，聚集

参考例句：

• He called on Mr. White to speak at the gathering.他请怀特先生在集会上讲话。
• He is on the wing gathering material for his novels.他正忙于为他的小说收集资料。

24 judgments   

判断( judgment的名词复数 )； 鉴定； 评价； 审判

参考例句：

• A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
• He is swift with his judgments. 他判断迅速。

25 diffused   

散布的，普及的，扩散的

参考例句：

• A drop of milk diffused in the water. 一滴牛奶在水中扩散开来。
• Gases and liquids diffused. 气体和液体慢慢混合了。

26 alas   

int.唉(表示悲伤、忧愁、恐惧等)

参考例句：

• Alas!The window is broken!哎呀！窗子破了！
• Alas,the truth is less romantic.然而，真理很少带有浪漫色彩。

27 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

28 literate   

n.学者；adj.精通文学的，受过教育的

参考例句：

• Only a few of the nation's peasants are literate.这个国家的农民中只有少数人能识字。
• A literate person can get knowledge through reading many books.一个受过教育的人可以通过读书而获得知识。

29 perusal   

n.细读，熟读；目测

参考例句：

• Peter Cooke undertook to send each of us a sample contract for perusal.彼得·库克答应给我们每人寄送一份合同样本供阅读。
• A perusal of the letters which we have published has satisfied him of the reality of our claim.读了我们的公开信后，他终于相信我们的要求的确是真的。