"Mythology9, which was the interpretation10 of nature, and legend, which is the idealization of history," are the main elements of the epic. Being the "living history of the people," an epic should have "the breadth and volume of a river." All epics11 have therefore generally been "the first-fruits of the earliest experience of nature and life on the part of imaginative races"; and the real poet has been, as a rule, the race itself.
There are almost as many definitions of an epic and rules for its composition as there are nations and poets. For that reason, instead of selecting only such works as in the writer's opinion can justly claim the title of epic, each nation's verdict has been accepted, without question, in regard to its national work of this class, be it in verse or prose.
The following pages therefore contain almost every variety of epic, from that which treats of the deity12 in dignified13 hexameters, strictly14 conforms to the rule "one hero, one time, and one action of many parts," and has "the massiveness and dignity of sculpture," to the simplest idylls, such as the Japanese "White Aster," or that exquisite15 French mediaeval compound of poetry and prose, "Aucassin et Nicolette." Not only are both Christian16 and pagan epics impartially17 admitted in this volume, but the representative works of each nation in the epic field are grouped, according to the languages in which they were composed.
Many of the ancient epics are so voluminous that even one of them printed in full would fill twenty-four volumes as large as this. To give even the barest outline of one or two poems in each language has therefore required the utmost condensation18. So, only the barest outline figures in these pages, and, although the temptation to quote many choice passages has been well-nigh irresistible19, space has precluded20 all save the scantiest21 quotations22.
The main object of this volume consists in outlining clearly and briefly23, for the use of young students or of the busy general reader, the principal examples of the time-honored stories which have inspired our greatest poets and supplied endless material to painters, sculptors24, and musicians ever since art began.
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1 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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2 oracle | |
n.神谕,神谕处,预言 | |
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3 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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4 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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5 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
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6 dirge | |
n.哀乐,挽歌,庄重悲哀的乐曲 | |
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7 skilfully | |
adv. (美skillfully)熟练地 | |
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8 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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9 mythology | |
n.神话,神话学,神话集 | |
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10 interpretation | |
n.解释,说明,描述;艺术处理 | |
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11 epics | |
n.叙事诗( epic的名词复数 );壮举;惊人之举;史诗般的电影(或书籍) | |
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12 deity | |
n.神,神性;被奉若神明的人(或物) | |
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13 dignified | |
a.可敬的,高贵的 | |
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14 strictly | |
adv.严厉地,严格地;严密地 | |
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15 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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16 Christian | |
adj.基督教徒的;n.基督教徒 | |
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17 impartially | |
adv.公平地,无私地 | |
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18 condensation | |
n.压缩,浓缩;凝结的水珠 | |
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19 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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20 precluded | |
v.阻止( preclude的过去式和过去分词 );排除;妨碍;使…行不通 | |
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21 scantiest | |
adj.(大小或数量)不足的,勉强够的( scanty的最高级 ) | |
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22 quotations | |
n.引用( quotation的名词复数 );[商业]行情(报告);(货物或股票的)市价;时价 | |
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23 briefly | |
adv.简单地,简短地 | |
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24 sculptors | |
雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座 | |
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