The élite of the Norwegians emigrated to Iceland for political reasons during the twelfth and thirteenth centuries. Owing to their geographical11 isolation12 and to the long winters, these people were thrown entirely13 on their own resources for amusement. The hours of darkness were beguiled14 by tales and songs, so young and old naturally delighted in the recitations of the skalds. This gave birth to an oral literature of great value, and, although many of the works of the skalds have perished, the Icelanders fortunately recovered in 1643,—after centuries of oblivion,—the Elder Edda, an eleventh-century collection of thirty-three poems on mythical and heroic subjects by Saemunt the Wise.
There is also a similar work in prose known as the Younger Edda, by
Snorro Sturluson, which contains tales of Scandinavian mythology15, and
this writer also collected many of the old hero tales in his
Heimskringla.
Many of the old sagas have been preserved in more or less perfect forms. They are generally divided into three groups, the first including sagas on historical themes, such as the Egilssaga, the Eyrbyggjasaga, the Njalssaga, the Laxdaelasaga, and the already mentioned Heimskringla.
The second, mythical, or heroic group comprises the Grettis saga and the Volsunga, the finest of all the sagas and one of the main sources of the Nibelungenlied and of Wagner's Trilogy. This epic has been wonderfully rendered in modern English by William Morris.
In the third and last group are massed together the romantic epics, translations or imitations of the Latin, French, and German epics and romances, relating to Alexander, Charlemagne, Parsival, etc. The finest saga in this group is the Gunnlaugssaga.
Norwegian literature goes back to the skald Bragi (c. 800), whose principal poem, Ragnarsdrapa, relates the marvellous adventures of the national hero Ragnar Lodbrog. This poem was incorporated by Snorro Sturluson in what is known as the Snorro Edda. Most of the poems in the Elder Edda are also of Norwegian origin, as well as Hvin's Haustl?ng or account of a famous warrior16. In the thirteenth century prose sagas were plentiful17 among the Danes, who took special pleasure in the Thidrekssaga (1250), or life and adventures of Dietrich von Bern; in the Karlamagnussaga, or story of Charlemagne; and in the Barlaamssaga ok Josaphats, or Hebrew tale of Barlaam and Josaphat.
Norway also possesses a rich fund of folk tales, which have been collected by Asbj?rnsen, and which, having many of the qualities of prose epics, have delighted many generations.
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1 chivalric | |
有武士气概的,有武士风范的 | |
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2 ballads | |
民歌,民谣,特别指叙述故事的歌( ballad的名词复数 ); 讴 | |
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3 mythical | |
adj.神话的;虚构的;想像的 | |
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4 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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5 epics | |
n.叙事诗( epic的名词复数 );壮举;惊人之举;史诗般的电影(或书籍) | |
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6 sundry | |
adj.各式各样的,种种的 | |
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7 saga | |
n.(尤指中世纪北欧海盗的)故事,英雄传奇 | |
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8 sagas | |
n.萨迦(尤指古代挪威或冰岛讲述冒险经历和英雄业绩的长篇故事)( saga的名词复数 );(讲述许多年间发生的事情的)长篇故事;一连串的事件(或经历);一连串经历的讲述(或记述) | |
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9 chivalry | |
n.骑士气概,侠义;(男人)对女人彬彬有礼,献殷勤 | |
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10 synopsis | |
n.提要,梗概 | |
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11 geographical | |
adj.地理的;地区(性)的 | |
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12 isolation | |
n.隔离,孤立,分解,分离 | |
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13 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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14 beguiled | |
v.欺骗( beguile的过去式和过去分词 );使陶醉;使高兴;消磨(时间等) | |
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15 mythology | |
n.神话,神话学,神话集 | |
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16 warrior | |
n.勇士,武士,斗士 | |
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17 plentiful | |
adj.富裕的,丰富的 | |
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