How he had hated this grace as a boy—this pious task-work that almost spoilt the anticipation22 of meals! But to-night, after so long an interval23, he could look at it without prejudice, and with artistic aloofness24 render to himself a true impression of its spiritual value.
'We thank Thee, O Lord our God, because Thou didst give as an heritage unto our fathers a desirable, good, and ample land, and because Thou didst bring us forth25, O Lord our God, from the land of Egypt, and didst deliver us from the house of bondage26——'
Barstein heard no more for the moment; the paradox27 of this retrospective gratitude28 was too absorbing. What! Sir Asher was thankful because over three thousand years ago his ancestors had obtained—not without hard fighting for it—a land which had already been lost again for eighteen centuries. What a marvellous long memory for a race to have!
Delivered from the house of bondage, forsooth! Sir Asher, himself—and here a musing29 smile crossed the [95]artist's lips—had never even known a house of bondage, unless, indeed, the House of Commons (from which he had been delivered by the Radical30 reaction) might be so regarded, and his own house was, as he was fond of saying, Liberty Hall. But that the Russian Jew should still rejoice in the redemption from Egypt! O miracle of pious patience! O sublime31 that grazed the ridiculous!
But Sir Asher was still praying on:
'Have mercy, O Lord our God, upon Israel Thy people, upon Jerusalem Thy city, upon Zion the abiding32 place of Thy glory, upon the kingdom of the house of David, Thine anointed....'
Barstein lost himself in a fresh reverie. Here was indeed the Palestinian patriarch. Not with the corporation of Middleton, nor the lobbies of Westminster, not with his colossal33 business, not even with the glories of the British Empire, was Sir Asher's true heart. He had but caught phrases from the environment. To his deepest self he was not even a Briton. 'Have mercy, O Lord, upon Israel Thy people.' Despite all his outward pomp and prosperity, he felt himself one of that dispersed34 and maltreated band of brothers who had for eighteen centuries resisted alike the storm of persecution35 and the sunshine of tolerance36, and whose one consolation37 in the long exile was the dream of Zion. The artist in Barstein began to thrill. What more fascinating than to catch sight of the dreamer beneath the manufacturer, the Hebrew visionary behind the English M.P.!
This palatial38 dwelling-place with its liveried lackeys39 was, then, no fort of Philistinism in which an artist must needs asphyxiate40, but a very citadel41 of the spirit. A new respect for his host began to steal upon him. [96]Involuntarily he sought the face of the daughter; the secret of her beauty was, after all, not so mysterious. Old Asher had a soul, and 'the soul is form and doth the body make.'
Unconscious of the effect he was producing on the sensitive artist, the Rembrandtesque figure prayed on: 'And rebuild Jerusalem, the holy city, speedily and in our days....'
It was the climax42 of the romance that had so strangely stolen over the British dinner-table. Rebuild Jerusalem to-day! Did Jews really conceive it as a contemporary possibility? Barstein went hot and cold. The idea was absolutely novel to him; evidently as a boy he had not understood his own prayers or his own people. All his imagination was inflamed43. He conjured44 up a Zion built up by such virile45 hands as Sir Asher's, and peopled by such beautiful mothers as his daughter: the great Empire that would spring from the unity46 and liberty of a race which even under dispersion and oppression was one of the most potent47 peoples on the planet. And thus, when the ladies at last rose, he was in so deep a reverie that he almost forgot to rise too, and when he did rise, he accompanied the ladies outside the door. It was only Miss Aaronsberg's tactful 'Don't you want to smoke?' that saved him.
'Almost as long a grace as the dinner!' Tom Fuller murmured to him as he returned to the table. 'Do the Jews say that after every meal?'
'They're supposed to,' Barstein replied, a little jarred as he picked up a cigar.
'No wonder they beat the Christians,' observed the young Radical, who evidently took original views. [97]'So much time for digestion48 would enable any race to survive in this age of quick lunches. In America, now they should rule the roast. Literally,' he added, with a laugh.
'It's a beautiful grace,' said Barstein rebukingly49. 'The glamour50 of Zion thrown over the prose of diet.'
'You're not a Jew?' said Tom, with a sudden suspicion.
'Yes, I am,' the artist replied with a dignity that surprised himself.
'I should never have taken you for one!' said Tom ingenuously51.
Despite himself, Barstein felt a thrill of satisfaction. 'But why?' he asked himself instantly. 'To feel complimented at not being taken for a Jew—what does it mean? Is there a core of anti-Semitism in my nature? Has our race reached self-contempt?'
'I beg your pardon,' Tom went on. 'I didn't mean to be irreverent. I appreciate the picturesqueness52 of it all—hearing the very language of the Bible, and all that. And I do sympathize with your desire for Jewish Home Rule.'
'My desire?' murmured the artist, taken aback. Sir Asher here interrupted them by pressing his '48 port upon both, and directing the artist's attention in particular to the pictures that hung around the stately dining-room. There was a Gainsborough, a Reynolds, a Landseer. He drew Barstein round the walls.
'I am very fond of the English school,' he said. His cap was back in his coat-tail, and he had become again the bluff53 and burly Briton.
'You don't patronize the Italians at all?' asked the artist.
[98]'No,' said Sir Asher. He lowered his voice. 'Between you and I,' said he—it was his main fault of grammar—'in Italian art one is never safe from the Madonna, not to mention her Son.' It was a fresh reminder54 of the Palestinian patriarch. Sir Asher never discussed theology except with those who agreed with him. Nor did he ever, whether in private or in public, breathe an unfriendly word against his Christian11 fellow-citizens. All were sons of the same Father, as he would frequently say from the platform. But in his heart of hearts he cherished a contempt, softened55 by stupefaction, for the arithmetical incapacity of Trinitarians.
Christianity under any other aspect did not exist for him. It was a blunder impossible to a race with a genius for calculation. 'How can three be one?' he would demand witheringly of his cronies. The question was in his eye now as he summed up Italian art to the sculptor56, and a faint smile twitching57 about his lips invited his fellow-Jew to share with him his feeling of spiritual and intellectual superiority to the poor blind Christians at his table, as well as to Christendom generally.
But the artist refused to come up on the pedestal. 'Surely the Madonna was a very beautiful conception,' he said.
Sir Asher looked startled. 'Ah yes, you are an artist,' he remembered. 'You think only of the beautiful outside. But how can there be three-in-one or one-in-three?'
Barstein did not reply, and Sir Asher added in a low scornful tone: 'Neither confounding the persons, nor dividing the substance.'
点击收听单词发音
1 punctuated | |
v.(在文字中)加标点符号,加标点( punctuate的过去式和过去分词 );不时打断某事物 | |
参考例句: |
|
|
2 justification | |
n.正当的理由;辩解的理由 | |
参考例句: |
|
|
3 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
参考例句: |
|
|
4 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
参考例句: |
|
|
5 creed | |
n.信条;信念,纲领 | |
参考例句: |
|
|
6 benediction | |
n.祝福;恩赐 | |
参考例句: |
|
|
7 distinguished | |
adj.卓越的,杰出的,著名的 | |
参考例句: |
|
|
8 dabbed | |
(用某物)轻触( dab的过去式和过去分词 ); 轻而快地擦掉(或抹掉); 快速擦拭; (用某物)轻而快地涂上(或点上)… | |
参考例句: |
|
|
9 pious | |
adj.虔诚的;道貌岸然的 | |
参考例句: |
|
|
10 torrent | |
n.激流,洪流;爆发,(话语等的)连发 | |
参考例句: |
|
|
11 Christian | |
adj.基督教徒的;n.基督教徒 | |
参考例句: |
|
|
12 Christians | |
n.基督教徒( Christian的名词复数 ) | |
参考例句: |
|
|
13 parlous | |
adj.危险的,不确定的,难对付的 | |
参考例句: |
|
|
14 tenure | |
n.终身职位;任期;(土地)保有权,保有期 | |
参考例句: |
|
|
15 impatience | |
n.不耐烦,急躁 | |
参考例句: |
|
|
16 Oxford | |
n.牛津(英国城市) | |
参考例句: |
|
|
17 curiously | |
adv.有求知欲地;好问地;奇特地 | |
参考例句: |
|
|
18 scrupulously | |
adv.一丝不苟地;小心翼翼地,多顾虑地 | |
参考例句: |
|
|
19 cosmopolitanism | |
n. 世界性,世界主义 | |
参考例句: |
|
|
20 maliciously | |
adv.有敌意地 | |
参考例句: |
|
|
21 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
参考例句: |
|
|
22 anticipation | |
n.预期,预料,期望 | |
参考例句: |
|
|
23 interval | |
n.间隔,间距;幕间休息,中场休息 | |
参考例句: |
|
|
24 aloofness | |
超然态度 | |
参考例句: |
|
|
25 forth | |
adv.向前;向外,往外 | |
参考例句: |
|
|
26 bondage | |
n.奴役,束缚 | |
参考例句: |
|
|
27 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
参考例句: |
|
|
28 gratitude | |
adj.感激,感谢 | |
参考例句: |
|
|
29 musing | |
n. 沉思,冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
参考例句: |
|
|
30 radical | |
n.激进份子,原子团,根号;adj.根本的,激进的,彻底的 | |
参考例句: |
|
|
31 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
参考例句: |
|
|
32 abiding | |
adj.永久的,持久的,不变的 | |
参考例句: |
|
|
33 colossal | |
adj.异常的,庞大的 | |
参考例句: |
|
|
34 dispersed | |
adj. 被驱散的, 被分散的, 散布的 | |
参考例句: |
|
|
35 persecution | |
n. 迫害,烦扰 | |
参考例句: |
|
|
36 tolerance | |
n.宽容;容忍,忍受;耐药力;公差 | |
参考例句: |
|
|
37 consolation | |
n.安慰,慰问 | |
参考例句: |
|
|
38 palatial | |
adj.宫殿般的,宏伟的 | |
参考例句: |
|
|
39 lackeys | |
n.听差( lackey的名词复数 );男仆(通常穿制服);卑躬屈膝的人;被待为奴仆的人 | |
参考例句: |
|
|
40 asphyxiate | |
v.无法呼吸,窒息而死 | |
参考例句: |
|
|
41 citadel | |
n.城堡;堡垒;避难所 | |
参考例句: |
|
|
42 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
参考例句: |
|
|
43 inflamed | |
adj.发炎的,红肿的v.(使)变红,发怒,过热( inflame的过去式和过去分词 ) | |
参考例句: |
|
|
44 conjured | |
用魔术变出( conjure的过去式和过去分词 ); 祈求,恳求; 变戏法; (变魔术般地) 使…出现 | |
参考例句: |
|
|
45 virile | |
adj.男性的;有男性生殖力的;有男子气概的;强有力的 | |
参考例句: |
|
|
46 unity | |
n.团结,联合,统一;和睦,协调 | |
参考例句: |
|
|
47 potent | |
adj.强有力的,有权势的;有效力的 | |
参考例句: |
|
|
48 digestion | |
n.消化,吸收 | |
参考例句: |
|
|
49 rebukingly | |
参考例句: |
|
|
50 glamour | |
n.魔力,魅力;vt.迷住 | |
参考例句: |
|
|
51 ingenuously | |
adv.率直地,正直地 | |
参考例句: |
|
|
52 picturesqueness | |
参考例句: |
|
|
53 bluff | |
v.虚张声势,用假象骗人;n.虚张声势,欺骗 | |
参考例句: |
|
|
54 reminder | |
n.提醒物,纪念品;暗示,提示 | |
参考例句: |
|
|
55 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
参考例句: |
|
|
56 sculptor | |
n.雕刻家,雕刻家 | |
参考例句: |
|
|
57 twitching | |
n.颤搐 | |
参考例句: |
|
|
欢迎访问英文小说网 |