He did not move one inch out of his way to see her, because he saw her all day long. She appeared all over his studio in countless10 designs in clay. But from this image of the beauty of the race, his deepening insight drove him to interpret the tragedy also, and he sought out from the slums and small synagogues of the East End strange forlorn figures, with ragged11 curls and wistful eyes. It was from one of these figures that he learnt to his astonishment12 that the dream of Zion, whereof he imagined himself the sole dreamer, was shared by myriads13, and had even materialized into a national movement.
[100]He joined the movement, and it led him into strange conventicles. He was put on a committee which met in a little back-room, and which at first treated him and his arguments with deference14, soon with familiarity, and occasionally with contempt. Hucksters and cigar-makers held forth15 much more eloquently16 on their ideals than he could, with far greater command of Talmudic quotation17, while their knowledge of how to run their local organization was naturally superior. But throughout all the mean surroundings, the petty wrangles18, and the grotesque19 jealousies20 that tarnished21 the movement he retained his inner exaltation. He had at last found himself and found his art. He fell to work upon a great Michel-angelesque figure of the awakening22 genius of his people, blowing the trumpet23 of resurrection. It was sent for exhibition to a Zionist Congress, where it caused a furore, and where the artist met other artists who had long been working under the very inspiration which was so novel to him, and whose work was all around him in plaque24 and picture, in bust25 and book, and even postcard. Some of them were setting out for Palestine to start a School of Arts and Crafts.
Barstein began to think of joining them. Meantime the Bohemian circles which he had adorned26 with his gaiety and good-fellowship had been wondering what had become of him. His new work in the Exhibitions supplied a sort of answer, and the few who chanced to meet him reported dolefully that he was a changed man. Gone was the light-hearted and light-footed dancer of the Paris pavement. Silent the licentious27 wit of the neo-Pagan. This was a new being with brooding brow and pained eyes that lit up only when they beheld28 his dream. Never had Bohemia known such a transformation29.

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1
stifled
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(使)窒息, (使)窒闷( stifle的过去式和过去分词 ); 镇压,遏制; 堵 | |
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2
revival
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n.复兴,复苏,(精力、活力等的)重振 | |
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3
syllables
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n.音节( syllable的名词复数 ) | |
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4
tune
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n.调子;和谐,协调;v.调音,调节,调整 | |
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5
tenacity
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n.坚韧 | |
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6
reigned
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vi.当政,统治(reign的过去式形式) | |
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7
aspiration
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n.志向,志趣抱负;渴望;(语)送气音;吸出 | |
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8
physically
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adj.物质上,体格上,身体上,按自然规律 | |
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9
incarnate
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adj.化身的,人体化的,肉色的 | |
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10
countless
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adj.无数的,多得不计其数的 | |
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11
ragged
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adj.衣衫褴褛的,粗糙的,刺耳的 | |
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12
astonishment
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n.惊奇,惊异 | |
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13
myriads
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n.无数,极大数量( myriad的名词复数 ) | |
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14
deference
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n.尊重,顺从;敬意 | |
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15
forth
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adv.向前;向外,往外 | |
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16
eloquently
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adv. 雄辩地(有口才地, 富于表情地) | |
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17
quotation
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n.引文,引语,语录;报价,牌价,行情 | |
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18
wrangles
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n.(尤指长时间的)激烈争吵,口角,吵嘴( wrangle的名词复数 )v.争吵,争论,口角( wrangle的第三人称单数 ) | |
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19
grotesque
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adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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20
jealousies
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n.妒忌( jealousy的名词复数 );妒羡 | |
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21
tarnished
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(通常指金属)(使)失去光泽,(使)变灰暗( tarnish的过去式和过去分词 ); 玷污,败坏 | |
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22
awakening
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n.觉醒,醒悟 adj.觉醒中的;唤醒的 | |
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23
trumpet
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n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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24
plaque
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n.饰板,匾,(医)血小板 | |
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25
bust
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vt.打破;vi.爆裂;n.半身像;胸部 | |
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26
adorned
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[计]被修饰的 | |
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27
licentious
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adj.放纵的,淫乱的 | |
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28
beheld
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v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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29
transformation
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n.变化;改造;转变 | |
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