Meantime Yossel's departure was drawing nigh, and all those who had relatives in Palestine besieged8 him from miles around, plying9 him with messages, benedictions11, and even packages for their kinsfolk. And conversely, there was scarcely a Jewish inhabitant who had not begged for clods of Palestine earth or bottles of Jordan water. So great indeed were the demands that their supply would have constituted a distinct invasion of the sovereign rights of the Sultan, and dried up the Jordan.
With his grandmother's future thus off his mind, the artist had settled down to making a picture of the ruined castle which he commanded from his bedroom window. But when the through ticket for Jerusalem came from the agent at Vienna, and he had brazenly12 endured Yossel's blessings13 for the same, his artistic14 instinct demanded to see how the Bube was taking her hero's desertion. As he lifted the latch15 he heard her voice giving orders, and the door opened, not on the peaceful scene he expected of the spinster at her ingle nook, but of a bustling16 and apparently17 rejuvenated18 old lady supervising a packing menial. The greatest shock of all was that this menial proved to be Yossel himself squatted19 on the floor, his crutches20 beside him. Almost as in guilty confusion the hunchback hastily closed the sheet containing a huddle21 of articles, and tied it into a bundle before the artist's chaotic22 sense of its contents could change into clarity. But instantly a flash of explanation came to him.
'Aha, grandmother,' he said, 'I see you too are sending presents to Palestine.'
[327]The grandmother took snuff uneasily. 'Yes, it is going to the Land of Israel,' she said.
As the artist lifted his eyes from the two amorphous23 heaps on the floor—Yossel and his bundle—he became aware of a blank in the familiar interior.
'Why, where is the spinning-wheel?' he cried.
'I have given it to the widow Rubenstein—I shall spin no more.'
'And I thought of painting you as a spinster!' he murmured dolefully. Then a white patch in the darkened wood over the mantelpiece caught his eye. 'Why, your marriage certificate is gone too!'
'Yes, I have taken it down.'
'To give to the widow Rubenstein?'
'What an idea!' said his grandmother seriously. 'It is in the bundle.'
'You are sending it away to Palestine?'
The grandmother fumbled24 with her spectacles, and removing them with trembling fingers blinked downwards25 at the bundle. Yossel snatched up his crutches, and propped26 himself manfully upon them.
'Your grandmother goes with me,' he explained decisively.
'What!' the artist gasped27.
The grandmother's eyes met his unflinchingly; they had drawn fire from Yossel's. 'And why should I not go to Palestine too?' she said.
'But you are so old!'
'The more reason I should make haste if I am to be luckier than Moses our Master.' She readjusted her spectacles firmly.
'But the journey is so hard.'
[328]'Yossel has wisdom; he will find the way while alive as easily as others will roll thither28 after death.'
'You'll be dead before you get there,' said the artist brutally29.
'Ah, no! God will not let me die before I touch the holy soil!'
'You, too, want to die in Palestine?' cried the amazed artist.
'And where else shall a daughter of Israel desire to die? Ah, I forgot—your mother was an Epicurean with godless tresses; she did not bring you up in the true love of our land. But every day for seventy years and more have I prayed the prayer that my eyes should behold30 the return of the Divine Glory to Zion. That mercy I no longer expect in my own days, inasmuch as the Sultan hardens his heart and will not give us back our land, not though Moses our Master appears to him every night, and beats him with his rod. But at least my eyes shall behold the land of Israel.'
'Amen!' said Yossel, still propped assertively31 on his crutches. The grandson turned upon the interrupter. 'But you can't take her with you?'
'Why not?' said Yossel calmly.
Schneemann found himself expatiating32 upon the responsibility of looking after such an old woman; it seemed too absurd to talk of the scandal. That was left for the grandmother to emphasize.
'Would you have me arrive alone in Palestine?' she interposed impatiently. 'Think of the talk it would make in Jerusalem! And should I even be permitted to land? They say the Sultan's soldiers stand at the landing-place like the angels at the gates [329]of Paradise with swords that turn every way. But Yossel is cunning in the customs of the heathen; he will explain to the soldiers that he is an Austrian subject, and that I am his Frau.'
'What! Pass you off as his Frau!'
'Who speaks of passing off? He could say I was his sister, as Abraham our Father said of Sarah. But that was a sin in the sight of Heaven, and therefore as our sages10 explain——'
'It is simpler to be married,' Yossel interrupted.
'Married!' echoed the artist angrily.
'The witnesses are coming to my lodging33 this afternoon,' Yossel continued calmly. 'Dovidel and Yitzkoly from the Beth Hamedrash.'
'They think they are only coming to a farewell glass of brandy,' chuckled34 the grandmother. 'But they will find themselves at a secret wedding.'
'And to-morrow we shall depart publicly for Trieste,' Yossel wound up calmly.
'But this is too absurd!' the artist broke in. 'I forbid this marriage!'
A violent expression of amazement35 overspread the ancient dame's face, and the tone of the far-away years came into her voice. 'Silence, Vroomkely, or I'll smack36 your face. Do you forget you are talking to your grandmother?'
'I think Mr. Mandelstein forgets it,' the artist retorted, turning upon the heroic hunchback. 'Do you mean to say you are going to marry my grandmother?'
'And why not?' asked Yossel. 'Is there a greater lover of God in all Galicia?'
'Hush37, Yossel, I am a great sinner.' But her old [330]face was radiant. She turned to her grandson. 'Don't be angry with Yossel—all the fault is mine. He did not ask me to go with him to Palestine; it was I that asked him.'
'Do you mean that you asked him to marry you?'
'It is the same thing. There is no other way. How different would it have been had there been any other woman here who wanted to die in Palestine! But the women nowadays have no fear of Heaven; they wear their hair unshorn—they——'
'Yes, yes. So you asked Yossel to marry you.'
'Asked? Prayed, as one prays upon Atonement Day. For two years I prayed to him, but he always refused.'
'Then why——?' began the artist.
'Yossel is so proud. It is his only sin.'
'Oh, Yenta!' protested Yossel flushing, 'I am a very sinful man.'
'Yes, but your sin is all in a lump,' the Bube replied. 'Your iniquity38 is like your ugliness—some people have it scattered39 all over, but you have it all heaped up. And the heap is called pride.'
'Never mind his pride,' put in the artist impatiently. 'Why did he not go on refusing you?'
'I am coming to that. Only you were always so impatient, Vroomkely. When I was cutting you a piece of Kuchen, you would snatch greedily at the crumbs40 as they fell. You see Yossel is not made of the same clay as you and I. By an oversight41 the Almighty42 sent an angel into the world instead of a man, but seeing His mistake at the last moment, the All-High broke his wings short and left him a hunchback. But when Yossel's father made a match for him with [331]Leah, the rich corn-factor's daughter, the silly girl, when she was introduced to the bridegroom, could see only the hump, and scandalously refused to carry out the contract. And Yossel is so proud that ever since that day he curled himself up into his hump, and nursed a hatred43 for all women.'
'How can you say that, Yenta?' Yossel broke in again.
'Why else did you refuse my money?' the Bube retorted. 'Twice, ten, twenty times I asked him to go to Palestine with me. But obstinate44 as a pig he keeps grunting45 "I can't—I've got no money." Sooner than I should pay his fare he'd have seen us both die here.'
The artist collapsed46 upon the bundle; astonishment47, anger, and self-ridicule made an emotion too strong to stand under. So this was all his Machiavellian48 scheming had achieved—to bring about the very marriage it was meant to avert49! He had dug a pit and fallen into it himself. All this would indeed amuse Rozenoffski and Leopold Barstein. He laughed bitterly.
'Nay50, it was no laughing matter,' said the Bube indignantly. 'For I know well how Yossel longed to go with me to die in Jerusalem. And at last the All-High sent him the fare, and he was able to come to me and invite me to go with him.'
Here the artist became aware that Yossel's eyes and lips were signalling silence to him. As if, forsooth, one published one's good deeds! He had yet to learn on whose behalf the hunchback was signalling.
'So! You came into a fortune?' he asked Yossel gravely.
Yossel looked the picture of misery51. The Bube [332]unconsciously cut through the situation. 'A wicked man gave it to him,' she explained, 'to pray away his sins in Jerusalem.'
'Indeed!' murmured the artist. 'Anyone you know?'
'Heaven has spared her the pain of knowing him,' ambiguously interpolated her anxious protector.
'I don't even know his name,' added the Bube. 'Yossel keeps it hidden.'
'One must not shame a fellow-man,' Yossel urged. 'The sin of that is equal to the sin of shedding blood.'
The grandmother nodded her head approvingly. 'It is enough that the All-High knows his name. But for such an Epicurean much praying will be necessary. It will be a long work. And your first prayer, Yossel, must be that you shall not die very soon, else the labourer will not be worthy52 of his hire.'
Yossel took her yellow withered53 hand as in a lover's clasp. 'Be at peace, Yenta! He will be redeemed54 if only by your merits. Are we not one?'
点击收听单词发音
1 aspirant | |
n.热望者;adj.渴望的 | |
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2 wedlock | |
n.婚姻,已婚状态 | |
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3 avidly | |
adv.渴望地,热心地 | |
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4 skittish | |
adj.易激动的,轻佻的 | |
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5 canopy | |
n.天篷,遮篷 | |
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6 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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7 concession | |
n.让步,妥协;特许(权) | |
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8 besieged | |
包围,围困,围攻( besiege的过去式和过去分词 ) | |
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9 plying | |
v.使用(工具)( ply的现在分词 );经常供应(食物、饮料);固定往来;经营生意 | |
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10 sages | |
n.圣人( sage的名词复数 );智者;哲人;鼠尾草(可用作调料) | |
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11 benedictions | |
n.祝福( benediction的名词复数 );(礼拜结束时的)赐福祈祷;恩赐;(大写)(罗马天主教)祈求上帝赐福的仪式 | |
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12 brazenly | |
adv.厚颜无耻地;厚脸皮地肆无忌惮地 | |
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13 blessings | |
n.(上帝的)祝福( blessing的名词复数 );好事;福分;因祸得福 | |
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14 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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15 latch | |
n.门闩,窗闩;弹簧锁 | |
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16 bustling | |
adj.喧闹的 | |
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17 apparently | |
adv.显然地;表面上,似乎 | |
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18 rejuvenated | |
更生的 | |
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19 squatted | |
v.像动物一样蹲下( squat的过去式和过去分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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20 crutches | |
n.拐杖, 支柱 v.支撑 | |
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21 huddle | |
vi.挤作一团;蜷缩;vt.聚集;n.挤在一起的人 | |
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22 chaotic | |
adj.混沌的,一片混乱的,一团糟的 | |
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23 amorphous | |
adj.无定形的 | |
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24 fumbled | |
(笨拙地)摸索或处理(某事物)( fumble的过去式和过去分词 ); 乱摸,笨拙地弄; 使落下 | |
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25 downwards | |
adj./adv.向下的(地),下行的(地) | |
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26 propped | |
支撑,支持,维持( prop的过去式和过去分词 ) | |
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27 gasped | |
v.喘气( gasp的过去式和过去分词 );喘息;倒抽气;很想要 | |
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28 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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29 brutally | |
adv.残忍地,野蛮地,冷酷无情地 | |
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30 behold | |
v.看,注视,看到 | |
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31 assertively | |
断言地,独断地 | |
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32 expatiating | |
v.详述,细说( expatiate的现在分词 ) | |
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33 lodging | |
n.寄宿,住所;(大学生的)校外宿舍 | |
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34 chuckled | |
轻声地笑( chuckle的过去式和过去分词 ) | |
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35 amazement | |
n.惊奇,惊讶 | |
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36 smack | |
vt.拍,打,掴;咂嘴;vi.含有…意味;n.拍 | |
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37 hush | |
int.嘘,别出声;n.沉默,静寂;v.使安静 | |
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38 iniquity | |
n.邪恶;不公正 | |
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39 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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40 crumbs | |
int. (表示惊讶)哎呀 n. 碎屑 名词crumb的复数形式 | |
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41 oversight | |
n.勘漏,失察,疏忽 | |
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42 almighty | |
adj.全能的,万能的;很大的,很强的 | |
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43 hatred | |
n.憎恶,憎恨,仇恨 | |
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44 obstinate | |
adj.顽固的,倔强的,不易屈服的,较难治愈的 | |
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45 grunting | |
咕哝的,呼噜的 | |
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46 collapsed | |
adj.倒塌的 | |
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47 astonishment | |
n.惊奇,惊异 | |
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48 machiavellian | |
adj.权谋的,狡诈的 | |
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49 avert | |
v.防止,避免;转移(目光、注意力等) | |
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50 nay | |
adv.不;n.反对票,投反对票者 | |
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51 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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52 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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53 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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54 redeemed | |
adj. 可赎回的,可救赎的 动词redeem的过去式和过去分词形式 | |
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