VII THE MAGIC VERMEER Chapter 1

Who owns the thirty-fifth canvas by Jan Vermeer of Delft? And are there more than thirty-five works by this master of cool, clear daylight? I have seen nearly all the pictures attributed to the too little known Dutchman, and as far as was in my power I have read all the critical writings by such experts as Havard, Obreen, Bredius, Hofstede de Groot (Jan Vermeer van Delft en Carel Fabritius, 1907), Doctor Bode¹, Wauters, Arsène Alexandre, G. Geoffroy, Bürger, Taine, John Smith, Gustave Vanzype, and several others.

Doctor A. Bredius has printed an article entitled: A Pseudo-Vermeer in the Berlin gallery, which I have not been able to procure², but then the same worthy³ authority has contested the authenticity⁵ of the portrait of a young man in the Brussels Museum. It is not signed, this beautiful head, and at one time it was in the English collections of Humphry Ward⁶ and Peter Norton, and later in the Collection Otlet at Brussels. Smith catalogued it as a Rembrandt; indeed, it had the false signature of [Pg 142] the great master. Much later it was accredited⁷ to Jan Victoors, a Rembrandt pupil, and to Nicolas Maes, and under this name was sold in Paris in 1900. A. J. Wauters finally declared it a Vermeer, though neither Bredius nor Hofstede de Groot are of his opinion. And now we hear the question: Who owns the thirty-fifth Vermeer, Vermeer of the magical blue and yellow?

First let us ask: Who was Jan Vermeer, or Van der Meer? "What songs did the sirens sing?" puzzled good old Sir Thomas Browne, and we know far more about William Shakespeare or Sappho or Memling than we do of the enigmatic man from Delft who died a double death in 1675; not only the death of the body, but the death of the spirit, of his immortal⁸ art. For several centuries he was not accorded the paternity of his own pictures. To Terburg, Pieter de Hooch, Nicolas Maes, Metsu they were credited. Even the glorious Letter Reader of the Dresden gallery has been attributed to De Hooch, and by no less an authority than Charles Blanc. Fromentin, of all men, does not mention his name in his always admirable book on the art of the Low Countries; no doubt one cause for his neglect.

This is precisely¹⁰ what we know of Jan Vermeer of Delft, in which city—oddly enough—there is not a single canvas of his. In 1632 he was born there. In 1653 he married Catherine Bolnes; he was just twenty-one years old. His [Pg 143] admission to the corporation of painters as a master occurred the same year, as the books attest¹¹. In 1662 he was elected dean of the corporation, and again in 1670. In 1675 he died, in his forty-third year, and at the apogee¹² of his powers.

When he became a member of the corporation of painters at Delft he could not pay in full the initiation¹³ fee, six florins, and he gave on account one florin ten cents—the entry in the books attests¹⁴ this astounding¹⁵ fact. He was poor, but he had youth and genius, and he loved.

He had also eight or ten children and lived happily—as do most people without a history—on the Oude Langendyck, where he became at least a local celebrity¹⁶, according to a mention of him in the Journal des Voyages, by Balthazar de Moncouys (published 1665). Moncouys also recorded another interesting fact. "At Delft I saw the painter Vermeer," he writes, "but none of his works were at his atelier; at a baker's I saw a figure—for which was paid six hundred livres." At a bakeshop! Vermeer, then, literally¹⁷ painted for his bread.

In 1696, twenty years after his death, certain of his works (forty in the catalogue) brought only 100 florins, pictures that to-day are worth hundreds of thousands of dollars. And in 1719 the superb Milk Girl, now in the Rijks Museum, formerly¹⁸ from the Six Collection, was sold for 126 florins (it brought $100,000 when Mr. Six sold it to the museum), while at the same sale [Pg 144] the mediocre¹⁹ Gerard Dou fetched 6,000 florins for a canvas. Even nowadays the public has not been converted to the idea of the greatness of Vermeer. Go any time of the day into the Mauritshuis at The Hague and you will always discover a crowd before that clumsy, stupid bull with the wooden legs, by no means Paul Potter's masterpiece, while the gem²⁰ of The Hague gallery, the View of Delft, with its rich pate⁹, its flowing rhythms, its clear daylight, seldom draws a large audience. And I do not doubt that only the propinquity of Rembrandt's Young Saskia to Vermeer's Merry Company (otherwise known as The Courtesan) in the Dresden gallery attracts an otherwise indifferent public.

In 1696 there were 21 pictures of Vermeer sold at public auction²¹ in Amsterdam. Of these 21 the experts claim to have discovered 16. But the bother of the question is that 100 other pictures were also sold at the same time; furthermore, the sale is said to have taken place after the death of a venerable mediocrity, also named Vermeer, but hailing from Haarlem. (He died in 1691.) This confusion of names may have had something to do with the obscuring of the great Vermeer. But he had no vogue²² in 1696, as the prices at the sale prove only too well.

Vanzype gives the list, and its importance in any research of the Vermeer pictures is paramount²³. Here are the 21 canvases that are extant, [Pg 145] and the prices paid: No. 1—A young woman weighing gold, 155 florins; 2—A milk girl, 175 florins; 3—The portrait of the painter in his studio, 45 florins; 4—A young woman playing the guitar, 70 florins; 5—A gentleman in his chamber²⁴, 95 florins; 6—A young lady playing the clavecin, with a gentleman who listens, 30 florins; 7—A young woman taking a letter from her servant, 70 florins; 8—A servant who has drunk too much asleep at a table, 62 florins; 9—A merry company, 73 florins; 10—A young lady and a gentleman making music, 81 florins; 11—A soldier with a laughing girl, 44 florins; 12—A young lacemaker, 28 florins; 13—View of Delft, 200 florins; 14—A house at Delft, 72 florins; 15—A view of some houses, 48 florins; 16—A young woman writing, 63 florins; 17—A young woman, 30 florins; 18—Young woman at a clavecin, 42 florins; 19—A portrait in antique costume, 36 florins; 20 and 21—Two pendants, 34 florins.

The subsequent history of these pictures, while too copious²⁵ for transcription here, may be skeletonised. This may answer the question posed at the beginning of this little story. Gustave Vanzype asks: What has become of the young woman weighing gold, which reappeared at a sale in the year 1701, which Bürger thought he had found in the canvas, The Weigher of Gold. And the Intoxicated²⁶ Servant? The latter is in the Altman collection; the former at Philadelphia, [Pg 146] in Mr. Widener's gallery. But let us see how the wise doctors of paint dispute among themselves. How many Vermeers are there in existence, that is, known to the world, for there may be others, for all we know, hidden in the cabinets of collectors or sporting other names? Bürger, who called Vermeer the Sphinx among artists, has generously attributed to him 76 pictures. This was in 1866, and since then a more savant authority has reduced the number to 40. Havard admits 56. The Vermeer of Haarlem was to blame for this swollen²⁷ catalogue. Bredius and De Groot have attenuated²⁸ the list. The Morgan Vermeer in the Metropolitan²⁹ Museum, a Vermeer of first-class quality, is not in some of the catalogues, nor is the Woman Weighing Pearls, now in the possession of P. A. B. Widener, of Philadelphia, to be found accredited to Vermeer in Smith's Catalogue Raisonné. But not much weight can be attached to the opinions of the earlier critics of Vermeer. For them he was either practically unknown or else an imitator of Terburg, De Hooch, or Mieris, he whose work is never tight, hard, or slippery.

The following list of thirty-four admittedly genuine Vermeers may clear up the mystery of the 1696 sale at Amsterdam. Remember that the authenticity of these works is no longer contested.

In Holland at The Hague there are four Vermeers: The Toilette of Diana, the Head of a Young Girl, An Allegory of the New Testament³⁰, [Pg 147] and the View of Delft. At the Rijks Museum, Amsterdam, there are four: The Milk Girl, The Reader, The Letter, and A Street in Delft. (This latter is the House in Delft, which sold for seventy-two florins in 1696.) In Great Britain in the Coats collection at Castle Skalmorlie (Scotland) there is Christ at the House of Martha and Mary. In the National Gallery, a young woman standing³¹ in front of her clavecin. In the Beit collection, London, a young woman at her clavecin. Collection Salting, London, The Pianist. Windsor Castle, The Music Lesson. Beit collection, A Young Woman Writing. In the Joseph collection, A Soldier and a Laughing Girl. And the Sleeping Servant, formerly of the Kann collection, Paris, then in London, and later sold to Mr. Altman. In Germany we find the following: At the Berlin Museum, The Pearl Collar. The drop of Wine, in the same museum, Berlin. The Coquette, Brunswick Museum. The Lady and Her Servant, in the private collection of James Simon, Berlin. The Merry Company and The Reader in the Dresden gallery. The Geographer³² at the Window, in the St?del Institute, Frankfort. In France, The Astronomer³³ of the A. de Rothschild collection at Paris, and the little Lacemaker, in the Louvre Gallery. In Belgium, there was at Brussels the portrait of a girl, which was formerly in the Arenberg gallery. When I tried to see it I was told that it had been sold to some one in Germany. Its type, judging from the head of a girl at The Hague, [Pg 148] is not unlike The Geographer, in the collection of Viscount Du Bus de Gisegnies, Brussels. A Young Girl, collection of Jonkheer de Grez, Brussels. This last was discovered by Doctor Bredius in 1906, and is at the present writing in New York at the gallery of Mr. Knoedler.

In Austria-Hungary there are two noble Vermeers; one in the private gallery of Count Czernin, the portrait of the painter, the other in the Museum of Budapest, the portrait of a woman, the latter as solidly modelled as any Hals I ever viewed. The Czernin Vermeer is the only one in Vienna (the other Vermeer in this gallery is by Renèsse). It is a masterpiece. In it he grazes perfection.

The United States is, considering the brevity of the list, well off in Vermeers. There is at Philadelphia the Mandoliniste of John G. Johnson (without doubt, as M. Vanzype points out, the Young Woman Playing the Guitar of the 1696 sale). At Boston Mrs. John Gardner owns The Concert. At the Metropolitan Museum there is the Woman with the Jug³⁴ (Marquand); and the Morgan Letter Writer; H. C. Frick boasts The Singing Lesson (probably known at the 1696 sale as A Gentleman and Young Lady Making Music).

So the importance of the 1696 catalogue is indisputable. And now, after wading³⁵ through this dry forest of figures and dates and haphazard³⁶ or dogmatic attributions, we are at the  fatal number, thirty-four—only thirty-four authentic⁴ Vermeers in existence. Some one must be mistaken. Who owns the thirty-fifth Vermeer? I again ask.

1 bode   

v.预示

参考例句：

• These figures do not bode well for the company's future.这些数字显示出公司的前景不妙。
• His careful habits bode well for his future.他那认真的习惯预示著他会有好的前途。

2 procure   

vt.获得，取得，促成；vi.拉皮条

参考例句：

• Can you procure some specimens for me?你能替我弄到一些标本吗？
• I'll try my best to procure you that original French novel.我将尽全力给你搞到那本原版法国小说。

3 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

4 authentic   

a.真的，真正的；可靠的，可信的，有根据的

参考例句：

• This is an authentic news report. We can depend on it. 这是篇可靠的新闻报道, 我们相信它。
• Autumn is also the authentic season of renewal. 秋天才是真正的除旧布新的季节。

5 authenticity   

n.真实性

参考例句：

• There has been some debate over the authenticity of his will. 对于他的遗嘱的真实性一直有争论。
• The museum is seeking an expert opinion on the authenticity of the painting. 博物馆在请专家鉴定那幅画的真伪。

6 ward   

n.守卫，监护，病房，行政区，由监护人或法院保护的人（尤指儿童）；vt.守护，躲开

参考例句：

• The hospital has a medical ward and a surgical ward.这家医院有内科病房和外科病房。
• During the evening picnic,I'll carry a torch to ward off the bugs.傍晚野餐时，我要点根火把，抵挡蚊虫。

7 accredited   

adj.可接受的；可信任的；公认的；质量合格的v.相信( accredit的过去式和过去分词 )；委托；委任；把…归结于

参考例句：

• The discovery of distillation is usually accredited to the Arabs of the 11th century. 通常认为，蒸馏法是阿拉伯人在11世纪发明的。
• Only accredited journalists were allowed entry. 只有正式认可的记者才获准入内。

8 immortal   

adj.不朽的；永生的，不死的；神的

参考例句：

• The wild cocoa tree is effectively immortal.野生可可树实际上是不会死的。
• The heroes of the people are immortal!人民英雄永垂不朽！

9 pate   

n.头顶；光顶

参考例句：

• The few strands of white hair at the back of his gourd-like pate also quivered.他那长在半个葫芦样的头上的白发，也随着笑声一齐抖动着。
• He removed his hat to reveal a glowing bald pate.他脱下帽子，露出了发亮的光头。

10 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

11 attest   

vt.证明，证实；表明

参考例句：

• I can attest to the absolute truth of his statement. 我可以证实他的话是千真万确的。
• These ruins sufficiently attest the former grandeur of the place. 这些遗迹充分证明此处昔日的宏伟。

12 apogee   

n.远地点；极点；顶点

参考例句：

• The orbit of the artificial satellite has an apogee of 200 miles from the earth.这个人造卫星的轨道，其最远点在离地球200英里的地方。
• Apogean tides occur when the moon is at the apogee of its orbit.远月潮在月球位于其轨道的最远点时发生。

13 initiation   

n.开始

参考例句：

• her initiation into the world of marketing 她的初次涉足营销界
• It was my initiation into the world of high fashion. 这是我初次涉足高级时装界。

14 attests   

v.证明( attest的第三人称单数 )；证实；声称…属实；使宣誓

参考例句：

• The child's good health attests his mother's care. 这孩子健康的身体证实他母亲照料周到。 来自《现代英汉综合大词典》
• The boy's good health attests to his mother's care. 这个男孩的良好健康就是他母亲细心照顾的明证。 来自辞典例句

15 astounding   

adj.使人震惊的vt.使震惊，使大吃一惊astound的现在分词)

参考例句：

• There was an astounding 20% increase in sales. 销售量惊人地增加了20%。
• The Chairman's remarks were so astounding that the audience listened to him with bated breath. 主席说的话令人吃惊，所以听众都屏息听他说。 来自《简明英汉词典》

16 celebrity   

n.名人，名流；著名，名声，名望

参考例句：

• Tom found himself something of a celebrity. 汤姆意识到自己已小有名气了。
• He haunted famous men, hoping to get celebrity for himself. 他常和名人在一起, 希望借此使自己获得名气。

17 literally   

adv.照字面意义，逐字地；确实

参考例句：

• He translated the passage literally.他逐字逐句地翻译这段文字。
• Sometimes she would not sit down till she was literally faint.有时候，她不走到真正要昏厥了，决不肯坐下来。

18 formerly   

adv.从前，以前

参考例句：

• We now enjoy these comforts of which formerly we had only heard.我们现在享受到了过去只是听说过的那些舒适条件。
• This boat was formerly used on the rivers of China.这船从前航行在中国内河里。

19 mediocre   

adj.平常的，普通的

参考例句：

• The student tried hard,but his work is mediocre. 该生学习刻苦，但学业平庸。
• Only lazybones and mediocre persons could hanker after the days of messing together.只有懒汉庸才才会留恋那大锅饭的年代。

20 gem   

n.宝石，珠宝；受爱戴的人 [同]jewel

参考例句：

• The gem is beyond my pocket.这颗宝石我可买不起。
• The little gem is worth two thousand dollars.这块小宝石价值两千美元。

21 auction   

n.拍卖；拍卖会；vt.拍卖

参考例句：

• They've put the contents of their house up for auction.他们把房子里的东西全都拿去拍卖了。
• They bought a new minibus with the proceeds from the auction.他们用拍卖得来的钱买了一辆新面包车。

22 Vogue   

n.时髦，时尚；adj.流行的

参考例句：

• Flowery carpets became the vogue.花卉地毯变成了时髦货。
• Short hair came back into vogue about ten years ago.大约十年前短发又开始流行起来了。

23 paramount   

a.最重要的，最高权力的

参考例句：

• My paramount object is to save the Union and destroy slavery.我的最高目标是拯救美国，摧毁奴隶制度。
• Nitrogen is of paramount importance to life on earth.氮对地球上的生命至关重要。

24 chamber   

n.房间，寝室；会议厅；议院；会所

参考例句：

• For many,the dentist's surgery remains a torture chamber.对许多人来说，牙医的治疗室一直是间受刑室。
• The chamber was ablaze with light.会议厅里灯火辉煌。

25 copious   

adj.丰富的，大量的

参考例句：

• She supports her theory with copious evidences.她以大量的例证来充实自己的理论。
• Every star is a copious source of neutrinos.每颗恒星都是丰富的中微子源。

26 intoxicated   

喝醉的，极其兴奋的

参考例句：

• She was intoxicated with success. 她为成功所陶醉。
• They became deeply intoxicated and totally disoriented. 他们酩酊大醉，东南西北全然不辨。

27 swollen   

adj.肿大的，水涨的；v.使变大，肿胀

参考例句：

• Her legs had got swollen from standing up all day.因为整天站着，她的双腿已经肿了。
• A mosquito had bitten her and her arm had swollen up.蚊子叮了她，她的手臂肿起来了。

28 attenuated   

v.（使）变细( attenuate的过去式和过去分词 )；（使）变薄；（使）变小；减弱

参考例句：

• an attenuated form of the virus 毒性已衰减的病毒
• You're a seraphic suggestion of attenuated thought . 你的思想是轻灵得如同天使一般的。 来自辞典例句

29 metropolitan   

adj.大城市的，大都会的

参考例句：

• Metropolitan buildings become taller than ever.大城市的建筑变得比以前更高。
• Metropolitan residents are used to fast rhythm.大都市的居民习惯于快节奏。

30 testament   

n.遗嘱；证明

参考例句：

• This is his last will and testament.这是他的遗愿和遗嘱。
• It is a testament to the power of political mythology.这说明，编造政治神话可以产生多大的威力。

31 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

32 geographer   

n.地理学者

参考例句：

• His grandfather is a geographer.他的祖父是一位地理学家。
• Li Siguang is a famous geographer.李四光是一位著名的地理学家。

33 astronomer   

n.天文学家

参考例句：

• A new star attracted the notice of the astronomer.新发现的一颗星引起了那位天文学家的注意。
• He is reputed to have been a good astronomer.他以一个优秀的天文学者闻名于世。

34 jug   

n.(有柄，小口，可盛水等的)大壶，罐，盂

参考例句：

• He walked along with a jug poised on his head.他头上顶着一个水罐，保持着平衡往前走。
• She filled the jug with fresh water.她将水壶注满了清水。

35 wading   

（从水、泥等）蹚，走过，跋( wade的现在分词 )

参考例句：

• The man tucked up his trousers for wading. 那人卷起裤子，准备涉水。
• The children were wading in the sea. 孩子们在海水中走着。

36 haphazard   

adj.无计划的，随意的，杂乱无章的

参考例句：

• The town grew in a haphazard way.这城镇无计划地随意发展。
• He regrerted his haphazard remarks.他悔不该随口说出那些评论话。