XVII PUVIS DE CHAVANNES

Although he has been dead since October 24, 1898, critical battles are still fought over the artistic¹ merits of Puvis de Chavannes. Whether you agree with Huysmans and call this mural painter a pasticheur of the Italian Primitives³, or else the greatest artist in decoration since Paolo Veronese, depends much on your critical temperament⁴. There are many to whom Henri Martin's gorgeous colour—really the methods of Monet applied⁵ to vast spaces—or the blazing originality⁶ of Albert Besnard make more intimate appeal than the pallid⁷ poetry, solemn rhythms, and faded moonlit tonal gamut⁸ of Puvis. Because the names of Gustave Moreau and Puvis were often associated, Huysmans, ab irato, cries against the "obsequious⁹ heresy¹⁰" of the conjunction, forgetting that the two men were friends. Marius Vauchon, despite his excessive admiration¹¹ for Puvis has rendered a service to his memory in his study, because he has shown us the real, not the legendary¹² man. With Vauchon, we are far from Huysmans, and his succinct¹³, but disagreeable, epigram: C'est un vieux rigaudon qui s'essaie dans le requiem¹⁴. The truth is, that some [Pg 302] idealists were disappointed to find Puvis to be a sane¹⁵, healthy, solidly built man, a bon vivant in the best sense of the phrase, without a suggestion of the morbid¹⁶, vapouring pontiff or haughty¹⁷ Olympian. Personally he was not in the least like his art, a crime that sentimental¹⁸ persons seldom forgive. A Burgundian—born at Lyons, December 14, 1824—he possessed¹⁹ all the characteristics of his race. Asceticism²⁰ was the last quality to seek in him. A good dinner with old vintage, plenty of comrades, above all the society of his beloved Princess Cantacuzene, whose love of her husband was the one romance in his career; these, and twelve hours' toil²¹ a day in his atelier made up the long life of this distinguished²² painter. He lived for a half-century between his two ateliers, on the Place Pigalle, and at Neuilly. Notwithstanding his arduous²³ combat with the Institute and public indifference²⁴, his cannot be called an unhappy existence. He had his art, in the practice of which he was a veritable fanatic²⁵; he was rich through inheritance, and he was happy in his love; affluence²⁶, art, love, a triad to attain²⁷, for which most men yearn²⁸, came to Puvis. Yet the gadfly of ambition was in his flesh. He was a visionary, even a recluse²⁹, like his friend Moreau, but a fighter for his ideas; and those ideas have shown not only French artists, but the entire world, the path back to true mural tradition. It is not an exaggeration to say that Puvis created modern decorative³⁰ art.

[Pg 303] His father was chief engineer of mines, a strong-willed, successful man. Like father, like son, was true in this case, though the young De Chavannes, after some opposition³¹, elected painting as his profession. He had fallen ill, and a trip to Italy was ordained³². There he did not, as has been asserted, linger over Pompeii, or in the Roman Catacombs, but saved his time and enthusiasm for the Quattrocentisti. He admired the old Umbrian and Tuscan masters, he was ravished by the basilica of St. Francis at Assisi, and by Santa Maria Novella, Florence. Titian, Tintoretto, finally Veronese, riveted³³ his passion for what has been falsely styled the "archaic³⁴." Returning to Paris he was conducted by his friend Beauderon to the studio of Delacroix, whom he adored. He remained just fifteen days, when the shop was closed. Delacroix, in a rage because of the lack of talent and funds among his pupils, sent them away. Puvis had been under the tuition of Henri, the brother of Ary Scheffer, and for years spoke³⁵ with reverence³⁶ of that serious but mediocre³⁷ painter. He next sought the advice of Couture, and remained with him three months, not, however, quarrelling with the master, as did later another pupil, Edouard Manet. Puvis was tractable³⁸ enough; he had one failing—not always a sign of either talent or the reverse—he refused to see or paint as he was told by his teachers, or, indeed, like other pupils. Because of this stubbornness, his enemies, among whom [Pg 304] ranked the most powerful critics of Paris, declared that he had never been grounded in the elements of his art, that he could not draw or design, that his colour-sense only proved colour-blindness. To be sure, he does not boast a fulgurant brush, and his line is often stiff and awkward; but he had the fundamentals of decorative art well in hand.

After his death thousands of sketches³⁹, designs, pencilled memoranda⁴⁰, and cartoons were found, and then there was whistled another tune⁴¹. His draughtsmanship is that of a decorative artist, as the Rodin drawings are those of a sculptor⁴², not of a painter. Considering the rigid⁴³ standard by which the work of Puvis was judged, criticism was not altogether wrong, as was claimed when the wave of reaction set in. His easel pictures are not ingratiating. He does not show well in a gallery. He needs huge spaces in which to swim about; there he makes the compositions of other men seem pigmy. [It is the case of Wagner repeated, though there is little likeness⁴⁴ between the ideas of the Frenchman and the German, except an epical⁴⁵ bigness. Judged by the classical concert-room formulas, Wagner must not be compared with the miniaturist Mendelssohn. His form is the form of the music-drama, not the symphonic form.] Puvis adhered to one principle: A wall is a wall, and not an easel picture; it is flat, and that flatness must be emphasised, not disguised; decoration is the desideratum. He contrived⁴⁷ a [Pg 305] schematic painting that would harmonise with the flatness, with the texture⁴⁸ and the architectural surroundings, and, as George Moore has happily said: "No other painter ever kept this end so strictly⁴⁹ before his eyes. For this end Chavannes reduced his palette almost to a monochrome, for this end he models in two flat tints⁵⁰, for this end he draws in huge undisciplined masses.... Mural decoration, if it form part of the wall, should be a variant⁵¹ of the stonework." One might take exception to the word "undisciplined"—Puvis was one of the most calculating painters that ever used a brush, and one of the most cerebral⁵². His favourite aphorism⁵³ was: "Beauty is character." His figures have been called immobile, his palette impoverished⁵⁴; the unfair sex abused his lean, lanky⁵⁵ female creatures, and finally he was named a painter for Lent—for fast-days. Even the hieratic figures of Moreau were pronounced opulent in comparison with the pale moonlighted spectres of the Puvis landscapes. Courbet, in Paris, was known as the "furious madman"; Puvis, as the "tranquil⁵⁶ lunatic." Nine of his pictures were refused at the Salon⁵⁷, though in 1859 he exhibited there his Return from Hunting, and, in 1861, even received a second-class medal. His fecundity⁵⁸ was enormous. His principal work comprises the Life of Ste. Geneviève (the saint is a portrait of his princess), at the Panthéon; Summer and Winter at the H?tel de Ville, the decorations for the amphitheatre [Pg 306] of the Sorbonne, the decorations at Rouen, Inter² Artes et Naturam; at Rouen, The Sacred Wood, Vision Antique, The Rhone, The Sa?ne; the decorations at Amiens, War, Peace, Rest, Labour, Ave Picardia Nutrix, and two smaller grisailles, Vigilance and Fancy; at Marseilles, the Marseilles, Porte d' Orient, and Marseilles, the Greek Colony; the decorations for the Boston Public Library, and his easel picture, The Poor Fisherman, now in the Luxembourg. As to this latter, the painter explained that he had found the model in the person of a wretchedly poor fisherman at the estuary⁵⁹ of the Seine; the young girl is a sister, and the landscape is that of the surroundings, though, as is the case with Puvis, greatly generalised. The above is but a slender list. New York has at the Metropolitan⁶⁰ Museum at least one of his works, and in the collection here of John Quinn, Esq., there is the brilliant masterpiece, The Beheading of John the Baptist, and two large mural decorations, The River and The Vintage. They were painted in 1866. They are magnificent museum pictures.

All his frescoes⁶¹ are applied canvases. He didn't worry much over antique methods, nor can it be said that his work is an attempt to rehabilitate⁶² the Italian Primitives. On the contrary, Puvis is distinctly modern, and that is his chief offence in the eyes of official French art; while the fact that his "modernity" was transposed to decorative purposes, and appeared [Pg 307] in so strange a guise⁴⁶, caused the younger men to eye him suspiciously. (Just as some recalcitrant⁶³ music-critics refuse to recognise in certain compositions of Johannes Brahms the temperamental romantic.) Thus in the estimation of rival camps Puvis fell between two stools. He has been styled a latter-day Domenico Ghirlandajo, but this attribution rings more literary than literal.

Mr. Brownell with his accustomed sense of critical values has to our notion definitely summed up the question: "His classicism is absolutely unacademic, his romanticism unreal beyond the verge⁶⁴ of mysticism and so preoccupied⁶⁵ with visions that he may almost be called a man for whom the actual world does not exist—in the converse⁶⁶ of Gautier's phrase. His distinction is wholly personal. He lives evidently on a high plane, dwells habitually⁶⁷ in the delectable⁶⁸ highlands of the intellect. The fact that his work is almost wholly decorative is not at all accidental. His talent, his genius, if one chooses, requires large spaces, vast dimensions. There has been a good deal of profitless discussion as to whether he expressly imitates the Primitives or reproduces them sympathetically; but really he does neither, he deals with their subjects occasionally, but always in a completely modern as well as a thoroughly⁶⁹ personal way. His colour is as original as his general treatment and composition."

His men and women are not precisely⁷⁰ pagan, [Pg 308] nor are they biblical. But they reveal traits of both strained through a drastic "modern" intellect. They are not abstractions; the men are virile⁷¹, the women maternal⁷². There is the spirit of humanity, not of decadence⁷³. Puvis, like Moreau, did not turn his back to the rising sun. He admired Degas, Manet, Monet. At first he patterned after his friend Chasseriau, a fine and too-little-known painter, and at one time a mural decorator before he became immersed in Oriental themes. The lenten landscapes of Puvis are not merely scenic⁷⁵ backgrounds, but integral parts of the general decorative web, and they are not conceived in No Man's Land, but selected from the vicinity of Paris. Puvis is by no means a virtuoso⁷⁶. His pace is usually andante; but he knows how to evoke⁷⁷ a mood, summon the solemn music of mural spaces. His is a theme with variations. The wall or ceiling is ever the theme. His crabbed⁷⁸ fugues soon melt into the larger austere⁷⁹ music of the wall. His choral walls are true epopées. He is a master harmonist. He sounds oftener the symphonic than the lyric⁸⁰ note. He gains his most moving effects without setting in motion the creaking allegorical machinery⁸¹ of the academy. He shows the simple attitudes of life transfigured without rhetoric⁸². He avoids frigid⁸³ allegory, yet employs symbols. His tonal attenuations, elliptical and syncopated rhythms, his atmosphere of the remote, the mysterious—all these give the spectator the sense of serenity⁸⁴, [Pg 309] momentary⁸⁵ freedom from the feverishness⁸⁶ of every-day life, and suggest the lofty wisdom of the classic poets. But the serpent of futile⁸⁷ melancholy⁸⁸, of the brief cadence⁷⁴ of mortal dreams, and of the vanishing seconds that defile⁸⁹ down the corridor of time, has stolen into this Garden of the Hesperides. Puvis de Chavannes, no more than Gustave Moreau, could escape the inquietude of his times. He is occasionally Parisian and often pessimist⁹⁰.

The inability of his contemporaries to understand his profound decorative genius, his tact⁹¹ in the handling of the great problem of lighting—the key is always higher because of the different or softer light of public buildings and the gloom of churches—and his feeling for the wall, purely⁹² as wall, a flat space, not to be confounded with the pseudo art that would make the picture like an open window in the wall, but based on the flatness of the material and the aerial magic of his spacing, sorely troubled him for half a century. Doubtless it was his refusal to visit Boston and study there the architectural conditions of the Public Library that resulted in the hang-fire of his decorations, though they are of an exalted⁹³ order. One at least served as a spring-board for the decorative impulse of Besnard, as may be noted⁹⁴ in his frescoes on the ceiling at the H?tel de Ville, Paris.

That Puvis de Chavannes was not an unfeeling Bonze of art, but a man of tender heart and [Pg 310] warm affections was proved after the death of his much-loved Princess Marie Cantacuzene. Two months later sorrow over her loss killed him. He had painted the thousand and one expressive⁹⁵ moments in the life of our species as a hymn⁹⁶ to humanity, and their contours are eternal. Eternal? A vain phrase; but eternal till the canvas fades and the walls decay, that is nearer the truth. Art is long and appreciation⁹⁷ sometimes a chilly⁹⁸ consolation⁹⁹. Let us stick to the eternal verities¹⁰⁰. As D'Annunzio has it: Quella musica silenziosa delle linee immobili era così possente che creava il fantasma quasi visibile di una vita più ricca e più bella.

1 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

2 inter   

v.埋葬

参考例句：

• They interred their dear comrade in the arms.他们埋葬了他们亲爱的战友。
• The man who died in that accident has been interred.在那次事故中死的那个人已经被埋葬了。

3 primitives   

原始人（primitive的复数形式）

参考例句：

• Almost all operators work only with primitives. 几乎所有运算符都只能操作“主类型”(Primitives)。
• The anthropology of the future will not be concerned above all else with primitives. 未来的人类学不会以原始人为主要的研究对象。

4 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

5 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

6 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

7 pallid   

adj.苍白的，呆板的

参考例句：

• The moon drifted from behind the clouds and exposed the pallid face.月亮从云朵后面钻出来，照着尸体那张苍白的脸。
• His dry pallid face often looked gaunt.他那张干瘪苍白的脸常常显得憔悴。

8 gamut   

n.全音阶，(一领域的)全部知识

参考例句：

• The exhibition runs the whole gamut of artistic styles.这次展览包括了所有艺术风格的作品。
• This poem runs the gamut of emotions from despair to joy.这首诗展现了从绝望到喜悦的感情历程。

9 obsequious   

adj.谄媚的，奉承的，顺从的

参考例句：

• He looked at the two ladies with an obsequious air.他看着两位太太,满脸谄媚的神情。
• He was obsequious to his superiors,but he didn't get any favor.他巴结上司，但没得到任何好处。

10 heresy   

n.异端邪说；异教

参考例句：

• We should denounce a heresy.我们应该公开指责异端邪说。
• It might be considered heresy to suggest such a notion.提出这样一个观点可能会被视为异端邪说。

11 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

12 legendary   

adj.传奇（中）的，闻名遐迩的；n.传奇（文学）

参考例句：

• Legendary stories are passed down from parents to children.传奇故事是由父母传给孩子们的。
• Odysseus was a legendary Greek hero.奥狄修斯是传说中的希腊英雄。

13 succinct   

adj.简明的，简洁的

参考例句：

• The last paragraph is a succinct summary.最后这段话概括性很强。
• A succinct style lends vigour to writing.措辞简练使文笔有力。

14 requiem   

n.安魂曲，安灵曲

参考例句：

• I will sing a requiem for the land walkers.我会给陆地上走的人唱首安魂曲。
• The Requiem is on the list for today's concert.《安魂曲》是这次音乐会的演出曲目之一。

15 sane   

adj.心智健全的，神志清醒的，明智的，稳健的

参考例句：

• He was sane at the time of the murder.在凶杀案发生时他的神志是清醒的。
• He is a very sane person.他是一个很有头脑的人。

16 morbid   

adj.病的；致病的；病态的；可怕的

参考例句：

• Some people have a morbid fascination with crime.一些人对犯罪有一种病态的痴迷。
• It's morbid to dwell on cemeteries and such like.不厌其烦地谈论墓地以及诸如此类的事是一种病态。

17 haughty   

adj.傲慢的，高傲的

参考例句：

• He gave me a haughty look and walked away.他向我摆出傲慢的表情后走开。
• They were displeased with her haughty airs.他们讨厌她高傲的派头。

18 sentimental   

adj.多愁善感的，感伤的

参考例句：

• She's a sentimental woman who believes marriage comes by destiny.她是多愁善感的人，她相信姻缘命中注定。
• We were deeply touched by the sentimental movie.我们深深被那感伤的电影所感动。

19 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

20 asceticism   

n.禁欲主义

参考例句：

• I am not speaking here about asceticism or abstinence.我说的并不是苦行主义或禁欲主义。
• Chaucer affirmed man's rights to pursue earthly happiness and epposed asceticism.乔叟强调人权，尤其是追求今生今世幸福快乐的权力，反对神权与禁欲主义。

21 toil   

vi.辛劳工作，艰难地行动；n.苦工，难事

参考例句：

• The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
• Every single grain is the result of toil.每一粒粮食都来之不易。

22 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

23 arduous   

adj.艰苦的，费力的，陡峭的

参考例句：

• We must have patience in doing arduous work.我们做艰苦的工作要有耐性。
• The task was more arduous than he had calculated.这项任务比他所估计的要艰巨得多。

24 indifference   

n.不感兴趣，不关心，冷淡，不在乎

参考例句：

• I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
• He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。

25 fanatic   

n.狂热者，入迷者；adj.狂热入迷的

参考例句：

• Alexander is a football fanatic.亚历山大是个足球迷。
• I am not a religious fanatic but I am a Christian.我不是宗教狂热分子，但我是基督徒。

26 affluence   

n.充裕，富足

参考例句：

• Their affluence is more apparent than real.他们的富有是虚有其表。
• There is a lot of affluence in this part of the state because it has many businesses.这个州的这一部分相当富有，因为它有很多商行。

27 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

28 yearn   

v.想念；怀念；渴望

参考例句：

• We yearn to surrender our entire being.我们渴望着放纵我们整个的生命。
• Many people living in big cities yearn for an idyllic country life.现在的很多都市人向往那种田园化的生活。

29 recluse   

n.隐居者

参考例句：

• The old recluse secluded himself from the outside world.这位老隐士与外面的世界隔绝了。
• His widow became a virtual recluse for the remainder of her life.他的寡妻孤寂地度过了余生。

30 decorative   

adj.装饰的，可作装饰的

参考例句：

• This ware is suitable for decorative purpose but unsuitable for utility.这种器皿中看不中用。
• The style is ornate and highly decorative.这种风格很华丽，而且装饰效果很好。

31 opposition   

n.反对，敌对

参考例句：

• The party leader is facing opposition in his own backyard.该党领袖在自己的党內遇到了反对。
• The police tried to break down the prisoner's opposition.警察设法制住了那个囚犯的反抗。

32 ordained   

v.任命（某人）为牧师( ordain的过去式和过去分词 )；授予（某人）圣职；（上帝、法律等）命令；判定

参考例句：

• He was ordained in 1984. 他在一九八四年被任命为牧师。 来自《简明英汉词典》
• He was ordained priest. 他被任命为牧师。 来自辞典例句

33 riveted   

铆接( rivet的过去式和过去分词 )； 把…固定住； 吸引； 引起某人的注意

参考例句：

• I was absolutely riveted by her story. 我完全被她的故事吸引住了。
• My attention was riveted by a slight movement in the bushes. 我的注意力被灌木丛中的轻微晃动吸引住了。

34 archaic   

adj.(语言、词汇等)古代的，已不通用的

参考例句：

• The company does some things in archaic ways,such as not using computers for bookkeeping.这个公司有些做法陈旧，如记账不使用电脑。
• Shaanxi is one of the Chinese archaic civilized origins which has a long history.陕西省是中国古代文明发祥之一，有悠久的历史。

35 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

36 reverence   

n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬

参考例句：

• He was a bishop who was held in reverence by all.他是一位被大家都尊敬的主教。
• We reverence tradition but will not be fettered by it.我们尊重传统，但不被传统所束缚。

37 mediocre   

adj.平常的，普通的

参考例句：

• The student tried hard,but his work is mediocre. 该生学习刻苦，但学业平庸。
• Only lazybones and mediocre persons could hanker after the days of messing together.只有懒汉庸才才会留恋那大锅饭的年代。

38 tractable   

adj.易驾驭的；温顺的

参考例句：

• He was always tractable and quiet.他总是温顺、恬静。
• Gold and silver are tractable metals.金和银是容易加工的金属。

39 sketches   

n.草图( sketch的名词复数 )；素描；速写；梗概

参考例句：

• The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
• You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》

40 memoranda   

n. 备忘录, 便条 名词memorandum的复数形式

参考例句：

• There were memoranda, minutes of meetings, officialflies, notes of verbal di scussions. 有备忘录，会议记录，官方档案，口头讨论的手记。
• Now it was difficult to get him to address memoranda. 而现在，要他批阅备忘录都很困难。

41 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

42 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

43 rigid   

adj.严格的，死板的；刚硬的，僵硬的

参考例句：

• She became as rigid as adamant.她变得如顽石般的固执。
• The examination was so rigid that nearly all aspirants were ruled out.考试很严，几乎所有的考生都被淘汰了。

44 likeness   

n.相像，相似（之处）

参考例句：

• I think the painter has produced a very true likeness.我认为这位画家画得非常逼真。
• She treasured the painted likeness of her son.她珍藏她儿子的画像。

45 epical   

adj.叙事诗的，英勇的

参考例句：

46 guise   

n.外表，伪装的姿态

参考例句：

• They got into the school in the guise of inspectors.他们假装成视察员进了学校。
• The thief came into the house under the guise of a repairman.那小偷扮成个修理匠进了屋子。

47 contrived   

adj.不自然的，做作的；虚构的

参考例句：

• There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
• The plot seems contrived.情节看起来不真实。

48 texture   

n.(织物)质地；(材料)构造；结构；肌理

参考例句：

• We could feel the smooth texture of silk.我们能感觉出丝绸的光滑质地。
• Her skin has a fine texture.她的皮肤细腻。

49 strictly   

adv.严厉地，严格地；严密地

参考例句：

• His doctor is dieting him strictly.他的医生严格规定他的饮食。
• The guests were seated strictly in order of precedence.客人严格按照地位高低就座。

50 tints   

色彩( tint的名词复数 )； 带白的颜色； （淡色）染发剂； 痕迹

参考例句：

• leaves with red and gold autumn tints 金秋时节略呈红黄色的树叶
• The whole countryside glowed with autumn tints. 乡间处处呈现出灿烂的秋色。

51 variant   

adj.不同的，变异的；n.变体，异体

参考例句：

• We give professional suggestions according to variant tanning stages for each customer.我们针对每位顾客不同的日晒阶段，提供强度适合的晒黑建议。
• In a variant of this approach,the tests are data- driven.这个方法的一个变种，是数据驱动的测试。

52 cerebral   

adj.脑的，大脑的；有智力的，理智型的

参考例句：

• Your left cerebral hemisphere controls the right-hand side of your body.你的左半脑控制身体的右半身。
• He is a precise,methodical,cerebral man who carefully chooses his words.他是一个一丝不苟、有条理和理智的人，措辞谨慎。

53 aphorism   

n.格言，警语

参考例句：

• It is the aphorism of the Asian Games. 这是亚运会的格言。
• Probably the aphorism that there is no easy answer to what is very complex is true. 常言道,复杂的问题无简易的答案,这话大概是真的。

54 impoverished   

adj.穷困的，无力的，用尽了的v.使（某人）贫穷( impoverish的过去式和过去分词 )；使（某物）贫瘠或恶化

参考例句：

• the impoverished areas of the city 这个城市的贫民区
• They were impoverished by a prolonged spell of unemployment. 他们因长期失业而一贫如洗。 来自《简明英汉词典》

55 lanky   

adj.瘦长的

参考例句：

• He was six feet four,all lanky and leggy.他身高6英尺4英寸，瘦高个儿，大长腿。
• Tom was a lanky boy with long skinny legs.汤姆是一个腿很细的瘦高个儿。

56 tranquil   

adj. 安静的, 宁静的, 稳定的, 不变的

参考例句：

• The boy disturbed the tranquil surface of the pond with a stick. 那男孩用棍子打破了平静的池面。
• The tranquil beauty of the village scenery is unique. 这乡村景色的宁静是绝无仅有的。

57 salon   

n.[法]沙龙；客厅；营业性的高级服务室

参考例句：

• Do you go to the hairdresser or beauty salon more than twice a week?你每周去美容院或美容沙龙多过两次吗？
• You can hear a lot of dirt at a salon.你在沙龙上会听到很多流言蜚语。

58 fecundity   

n.生产力；丰富

参考例句：

• The probability of survival is the reciprocal of fecundity.生存的概率是生殖力的倒数。
• The boy's fecundity of imagination amazed his teacher.男孩想像力的丰富使教师感到惊异。

59 estuary   

n.河口，江口

参考例句：

• We live near the Thames estuary.我们的住处靠近泰晤士河入海口。
• The ship has touched bottom.The estuary must be shallower than we thought.船搁浅了。这河口的水比我们想像的要浅。

60 metropolitan   

adj.大城市的，大都会的

参考例句：

• Metropolitan buildings become taller than ever.大城市的建筑变得比以前更高。
• Metropolitan residents are used to fast rhythm.大都市的居民习惯于快节奏。

61 frescoes   

n.壁画( fresco的名词复数 )；温壁画技法，湿壁画

参考例句：

• The Dunhuang frescoes are gems of ancient Chinese art. 敦煌壁画是我国古代艺术中的瑰宝。 来自《现代汉英综合大词典》
• The frescoes in these churches are magnificent. 这些教堂里的壁画富丽堂皇。 来自《简明英汉词典》

62 rehabilitate   

vt.改造(罪犯)，修复；vi.复兴，(罪犯)经受改造

参考例句：

• There was no money to rehabilitate the tower.没有资金修复那座塔。
• He used exercise programmes to rehabilitate the patients.他采用体育锻炼疗法使患者恢复健康。

63 recalcitrant   

adj.倔强的

参考例句：

• The University suspended the most recalcitrant demonstraters.这所大学把几个反抗性最强的示威者开除了。
• Donkeys are reputed to be the most recalcitrant animals.驴被认为是最倔强的牲畜。

64 verge   

n.边，边缘；v.接近，濒临

参考例句：

• The country's economy is on the verge of collapse.国家的经济已到了崩溃的边缘。
• She was on the verge of bursting into tears.她快要哭出来了。

65 preoccupied   

adj.全神贯注的，入神的；被抢先占有的；心事重重的v.占据（某人）思想，使对…全神贯注，使专心于( preoccupy的过去式)

参考例句：

• He was too preoccupied with his own thoughts to notice anything wrong. 他只顾想着心事，没注意到有什么不对。
• The question of going to the Mount Tai preoccupied his mind. 去游泰山的问题盘踞在他心头。 来自《简明英汉词典》

66 converse   

vi.谈话，谈天，闲聊；adv.相反的，相反

参考例句：

• He can converse in three languages.他可以用3种语言谈话。
• I wanted to appear friendly and approachable but I think I gave the converse impression.我想显得友好、平易近人些,却发觉给人的印象恰恰相反。

67 habitually   

ad.习惯地，通常地

参考例句：

• The pain of the disease caused him habitually to furrow his brow. 病痛使他习惯性地紧皱眉头。
• Habitually obedient to John, I came up to his chair. 我已经习惯于服从约翰，我来到他的椅子跟前。

68 delectable   

adj.使人愉快的；美味的

参考例句：

• What delectable food you cook!你做的食品真好吃！
• But today the delectable seafood is no longer available in abundance.但是今天这种可口的海味已不再大量存在。

69 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

70 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

71 virile   

adj.男性的；有男性生殖力的；有男子气概的；强有力的

参考例句：

• She loved the virile young swimmer.她爱上了那个有男子气概的年轻游泳运动员。
• He wanted his sons to become strong,virile,and athletic like himself.他希望他的儿子们能长得像他一样强壮、阳刚而又健美。

72 maternal   

adj.母亲的，母亲般的，母系的，母方的

参考例句：

• He is my maternal uncle.他是我舅舅。
• The sight of the hopeless little boy aroused her maternal instincts.那个绝望的小男孩的模样唤起了她的母性。

73 decadence   

n.衰落，颓废

参考例句：

• The decadence of morals is bad for a nation.道德的堕落对国家是不利的。
• His article has the power to turn decadence into legend.他的文章具有化破朽为神奇的力量。

74 cadence   

n.（说话声调的）抑扬顿挫

参考例句：

• He delivered his words in slow,measured cadences.他讲话缓慢而抑扬顿挫、把握有度。
• He liked the relaxed cadence of his retired life.他喜欢退休生活的悠闲的节奏。

75 scenic   

adj.自然景色的，景色优美的

参考例句：

• The scenic beauty of the place entranced the visitors.这里的美丽风光把游客们迷住了。
• The scenic spot is on northwestern outskirts of Beijing.这个风景区位于北京的西北远郊。

76 virtuoso   

n.精于某种艺术或乐器的专家，行家里手

参考例句：

• He was gaining a reputation as a remarkable virtuoso.作为一位技艺非凡的大师，他声誉日隆。
• His father was a virtuoso horn player who belonged to the court orchestra.他的父亲是宫廷乐队中一个技巧精湛的圆号演奏家。

77 evoke   

vt.唤起，引起，使人想起

参考例句：

• These images are likely to evoke a strong response in the viewer.这些图像可能会在观众中产生强烈反响。
• Her only resource was the sympathy she could evoke.她以凭借的唯一力量就是她能从人们心底里激起的同情。

78 crabbed   

adj.脾气坏的；易怒的；（指字迹）难辨认的；（字迹等）难辨认的v.捕蟹( crab的过去式和过去分词 )

参考例句：

• His mature composi tions are generally considered the more cerebral and crabbed. 他成熟的作品一般被认为是触动理智的和难于理解的。 来自《现代英汉综合大词典》
• He met a crabbed, cantankerous director. 他碰上了一位坏脾气、爱争吵的主管。 来自辞典例句

79 austere   

adj.艰苦的；朴素的，朴实无华的；严峻的

参考例句：

• His way of life is rather austere.他的生活方式相当简朴。
• The room was furnished in austere style.这间屋子的陈设都很简单朴素。

80 lyric   

n.抒情诗，歌词；adj.抒情的

参考例句：

• This is a good example of Shelley's lyric poetry.这首诗是雪莱抒情诗的范例。
• His earlier work announced a lyric talent of the first order.他的早期作品显露了一流的抒情才华。

81 machinery   

n.(总称)机械，机器；机构

参考例句：

• Has the machinery been put up ready for the broadcast?广播器材安装完毕了吗？
• Machinery ought to be well maintained all the time.机器应该随时注意维护。

82 rhetoric   

n.修辞学，浮夸之言语

参考例句：

• Do you know something about rhetoric?你懂点修辞学吗？
• Behind all the rhetoric,his relations with the army are dangerously poised.在冠冕堂皇的言辞背后，他和军队的关系岌岌可危。

83 frigid   

adj.寒冷的，凛冽的；冷淡的；拘禁的

参考例句：

• The water was too frigid to allow him to remain submerged for long.水冰冷彻骨，他在下面呆不了太长时间。
• She returned his smile with a frigid glance.对他的微笑她报以冷冷的一瞥。

84 serenity   

n.宁静，沉着，晴朗

参考例句：

• Her face,though sad,still evoked a feeling of serenity.她的脸色虽然悲伤，但仍使人感觉安详。
• She escaped to the comparative serenity of the kitchen.她逃到相对安静的厨房里。

85 momentary   

adj.片刻的，瞬息的；短暂的

参考例句：

• We are in momentary expectation of the arrival of you.我们无时无刻不在盼望你的到来。
• I caught a momentary glimpse of them.我瞥了他们一眼。

86 feverishness   

参考例句：

87 futile   

adj.无效的，无用的，无希望的

参考例句：

• They were killed,to the last man,in a futile attack.因为进攻失败，他们全部被杀，无一幸免。
• Their efforts to revive him were futile.他们对他抢救无效。

88 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

89 defile   

v.弄污，弄脏；n.(山间)小道

参考例句：

• Don't defile the land of our ancestors!再不要污染我们先祖们的大地！
• We respect the faith of Islam, even as we fight those whose actions defile that faith.我们尊重伊斯兰教的信仰，并与玷污伊斯兰教的信仰的行为作斗争。

90 pessimist   

n.悲观者；悲观主义者；厌世

参考例句：

• An optimist laughs to forget.A pessimist forgets to laugh.乐观者笑着忘却，悲观者忘记怎样笑。
• The pessimist sees difficulty in every opportunity.The optimist sees opportunity in every difficulty.悲观者在每个机会中都看到困难，乐观者在每个困难中都看到机会。

91 tact   

n.机敏，圆滑，得体

参考例句：

• She showed great tact in dealing with a tricky situation.她处理棘手的局面表现得十分老练。
• Tact is a valuable commodity.圆滑老练是很有用处的。

92 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

93 exalted   

adj.(地位等)高的，崇高的；尊贵的，高尚的

参考例句：

• Their loveliness and holiness in accordance with their exalted station.他们的美丽和圣洁也与他们的崇高地位相称。
• He received respect because he was a person of exalted rank.他因为是个地位崇高的人而受到尊敬。

94 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

95 expressive   

adj.表现的，表达…的，富于表情的

参考例句：

• Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
• He had a mobile,expressive,animated face.他有一张多变的，富于表情的，生动活泼的脸。

96 hymn   

n.赞美诗，圣歌，颂歌

参考例句：

• They sang a hymn of praise to God.他们唱着圣歌，赞美上帝。
• The choir has sung only two verses of the last hymn.合唱团只唱了最后一首赞美诗的两个段落。

97 appreciation   

n.评价；欣赏；感谢；领会，理解；价格上涨

参考例句：

• I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
• I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。

98 chilly   

adj.凉快的，寒冷的

参考例句：

• I feel chilly without a coat.我由于没有穿大衣而感到凉飕飕的。
• I grew chilly when the fire went out.炉火熄灭后，寒气逼人。

99 consolation   

n.安慰，慰问

参考例句：

• The children were a great consolation to me at that time.那时孩子们成了我的莫大安慰。
• This news was of little consolation to us.这个消息对我们来说没有什么安慰。

100 verities   

n.真实( verity的名词复数 )；事实；真理；真实的陈述

参考例句：

• the eternal verities of life 生命永恒的真理