The break up of the home of one’s childhood is no trifling6 matter, and it often carries with it removal from many friends and neighbours whose society has become an integral part of life. It is no wonder that the blow was severe, yet Jane was of a cheerful disposition7, a disposition that could make its own happiness anywhere, [213] and it was not long before she entered with alacrity8 into all the needful preparations.
She wrote not long after, “I get more and more reconciled to the idea of our removal. We have lived long enough in this neighbourhood; the Basingstoke balls are certainly on the decline; there is something interesting in the bustle9 of going away, and the prospect10 of spending future summers by the sea or in Wales is very delightful11. For a time we shall now possess many of the advantages which I have often thought of with envy in the wives of sailors or soldiers. It must not be generally known, however, that I am not sacrificing a great deal in quitting the country, or I can expect to inspire no tender interest in those we leave behind.”
Mr. Austen was perfectly13 justified14 in his decision to stop work; he was then seventy, and had held the two livings for thirty-six years, his son James was ready to take them up, he was living in the neighbourhood, and had been of assistance to his father for some time past. We learn this from many casual sentences in the letters, such as the following: “James called by my father’s desire on Mr. Bayle to enquire15 into the cause of his being so horrid16. Mr. Bayle did not attempt to deny his being horrid, and made many apologies for it; he did not plead his having a drunken self, he talked only of a drunken foreman, etc., and gave hopes of the tables being at Steventon on Monday se’nnight next.”
Mr. Austen died in 1805, only four years after the removal, which shows that he had not withdrawn17 from active life at all too soon. In giving up country life he had to give up also many of the hobbies in which he had taken delight; his pigs and his sheep could not accompany him to Bath. References to these animals often occur in his daughter’s lively letters. “My father furnishes him [Edward] with a pig from Cheesedown; it is [214] already killed and cut up, but it is not to weigh more than nine stone; the season is too far advanced to get him a larger one. My mother means to pay herself for the salt and the trouble of ordering it to be cured, by the spareribs, the souse, and the lard.”
“Mr. Lyford gratified us very much yesterday by his praises of my father’s mutton, which they all think was the finest that was ever ate.”
“You must tell Edward that my father gave twenty-five shillings apiece to Seward for his last lot of sheep.”
In Bath, pigs, poultry18, and a garden would be impossible, but there would be compensating19 advantages. The country life had but narrow interests, and trifles had to be made the most of.
Jane’s letters for the last few years before leaving Steventon show some of the decadence20 due to trivial surroundings, and her remarks are apt to be spiced with unkindness. Evidently her sister-in-law, James’s wife, was not a favourite; she objected to her husband’s being so much at Steventon, though Jane notes that he persevered21 in coming “in spite of Mary’s reproaches.” But Jane’s sharpness is also extended to her remarks on her acquaintances. “The Debaries persist in being afflicted22 at the death of their uncle, of whom they now say they saw a great deal in London.”
Poor Debaries, it is quite possible that his death had showed them how much they had cared for him, at all events, after his death they could have had nothing to gain by any display of affection!
After a small ball Jane writes: “There were very few beauties, and such as there were were not very handsome. Miss Iremonger did not look well, and Mrs. Blount was the only one much admired. She appeared exactly as she did in September, with the same broad face, diamond bandeau, white shoes, pink husband, and [215] fat neck. The two Miss Coxes were there; I traced in one the remains23 of the vulgar, broad-featured girl who danced at Enham eight years ago; the other is refined into a nice composed-looking girl like Catherine Bigg. I looked at Sir Thomas Champneys and thought of poor Rosalie; I looked at his daughter, and thought her a queer animal with a white neck.” And later she adds: “I had the comfort of finding out the other evening who all the fat girls with long noses were that disturbed me at the 1st H. ball.” It is obvious that a wider horizon would do the writer of these remarks no harm.
The income which the family would have is indicated in the following remark of Jane’s made about this time: “My father is doing all in his power to increase his income, by raising his tithes24, etc., and I do not despair of getting very nearly six hundred a year.”
Once the great fact of the removal was settled, there remained the minor25 difficulty as to which part of Bath would be the best to live in; of this Jane writes: “There are three parts of Bath which we have thought of as likely to have houses in them—Westgate Buildings, Charles Street, and some of the short streets leading from Laura Place or Pulteney Street. Westgate Buildings, though quite in the lower part of the town, are not badly situated26 themselves. The street is broad and has rather a good appearance. Charles Street, however, I think is preferable. The buildings are new, and its nearness to Kingsmead Fields would be a pleasant circumstance. Perhaps you may remember, or perhaps you may forget, that Charles Street leads from the Queen’s Square Chapel27 to the two Green Park Streets. The houses in the streets near Laura Place I should expect to be above our price. Gay Street would be too high, except only the lower house on the left hand side as you descend28. Towards that [216] my mother has no disinclination; it used to be lower rented than any other house in the row, from some inferiority in the apartments. But above all others her wishes are at present fixed30 on the corner house in Chapel Row which opens into Prince Street. Her knowledge of it, however, is confined only to the outside, and therefore she is equally uncertain of its being really desirable as of its being to be had. In the meantime she assures you that she will do everything in her power to avoid Trim Street, although you have not expressed the fearful presentiment31 of it, which was rather expected. We know that Mrs. Perrot will want to get us into Oxford32 Buildings, but we all unite in particular dislike of that part of the town, and therefore hope to escape.” This was from Steventon in January 1801.
The Mrs. Perrot is the aunt, Mrs. Leigh-Perrot, before mentioned, she was sister-in-law to Mrs. Austen, and her husband had taken the additional name of Perrot. It was from him that Mr. Austen-Leigh inherited the additional name of Leigh when he came into the estate. The Austen family seem to have been almost as much in the habit of changing their names as of marrying twice.
The topography of the letter can only be appreciated by those who know Bath, and requires little comment. The various streets mentioned are still existing, and we can pass through the despised Trim Street, survey the house in Gay Street lower rented than the others, or cross over the river to Laura Place to see the neighbourhood Jane feared would be too expensive, just as well now, as she could then.
In May of 1801, Jane, with her father and mother, went to Bath and stayed with Mr. and Mrs. Leigh-Perrot at Paragon33, in order to hunt for a house. [217] Paragon remains unchanged, the doorways34 enclosed by pent-house and pilasters remain the very type of late eighteenth-century architecture.
It is easy to imagine the difficulties that had to be encountered by the Austens in their quest.
“In our morning’s circuit we looked at two houses in Green Park Buildings, one of which pleased me very well. We walked all over it except into the garret; the dining-room is of a comfortable size, just as large as you like to fancy it; the second room about fourteen feet square. The apartment over the drawing-room pleased me particularly, because it is divided into two, the smaller one, a very nice sized dressing35-room which upon occasion might admit a bed. The aspect is south-east. The only doubt is about the dampness of the offices, of which there were symptoms.”
“Yesterday morning we looked into a house in Seymour Street which there is reason to suppose will soon be empty; as we are assured from many quarters that no inconvenience from the river is felt in those buildings, we are at liberty to fix on them if we can. But this house was not inviting36; the largest room downstairs was not much more than fourteen feet square, with a western aspect.”
“I went with my mother to look at some houses in New King Street, towards which she felt some kind of inclination29, but their size has now satisfied her. They were smaller than I expected to find them; one in particular out of the two was quite monstrously37 little; the best of the sitting-rooms not as large as the little parlour at Steventon, and the second room in every floor about capacious enough to admit a very small single bed.”
“Our views on G.P. Buildings seem all at an end; the observation of the damp still remaining in the offices [218] of a house which has only been vacated a week, with reports of discontented families and putrid38 fevers, has given the coup-de-grace. We have now nothing in view.”
Anyone who has ever been house-hunting will sympathise with the difficulties sketched39 in these remarks. It was finally decided that the family should go to 4 Sydney Place, and later they removed to the despised Green Park Buildings after all.
The sale of the effects at Steventon had begun before the family left, and continued after.
“My father and mother, wisely aware of the difficulty of finding in all Bath such a bed as their own, have resolved on taking it with them; all the beds, indeed, that we shall want are to be removed.... I do not think it will be worth while to remove any of our chests of drawers, we shall be able to get some of a much more commodious40 sort, made of deal, and painted to look very neat ... we have thought at times of removing the sideboard, or a Pembroke table, or some other piece of furniture, but on the whole it has ended in thinking that the trouble and risk of the removal would be more than the advantage of having them at a place where everything may be purchased.”
In another letter she imagines that the appraisement41 of the furniture for sale will amount to about two hundred pounds, and when actually at Bath she sends the following details:—
“Sixty-one guineas and a half for the three cows gives one some support under the blow of only eleven guineas for the tables. Eight for my pianoforte is about what I really expected to get.” “Mr. Bent42 seems bent upon being very detestable, for he values the books at only seventy pounds. Ten shillings for Dodsley’s Poems, however, please me to the quick, and I do not care how often I sell them again for as much.”
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Sydney Place is on the east side of the River overlooking Sydney Gardens, which had been opened for public entertainment in 1795; the following description of the Gardens is given in a guide contemporary with Jane’s residence in Bath. “The Kennet and Avon Canal runs through the garden, with two elegant cast-iron bridges thrown over it, after the manner of the Chinese. There are swings, bowling43 greens, and a Merlin’s swing in the labyrinth44. During the summer are public nights, with music, fireworks, and superb illuminations.” Before Jane herself lived here, while she was staying in Queen Square with her brother and his family, she had been to a grand gala in Sydney Gardens, with illuminations, and fireworks which “surpassed” her expectations. It was a pleasant part of Bath, and probably the Austens were comfortable enough here. The house is still standing45; it is one of a solid uniform row facing nearly due east, and bears a plate stating “Here lived Jane Austen from 1801-1805,” an inscription46 not quite accurate as the Austens left in 1804. It is one great charm of Bath that, electric trams and modern buildings notwithstanding, the place is so very much the same as it was when Jane knew it. The narrow intricate streets, the little courts and passages, and jutting47 houses are everywhere to be seen. The town is essentially48 late eighteenth century, and the modern buildings are mere49 additions that do not in any way interfere50 with its character.
The beautiful abbey had in her time been more or less repaired, and the choir51 was used as a parish church. But the pinnacles52 were added to the spire12 only in 1834, and the complete restoration took place in 1874. The Pump Room, near at hand, was built in 1796, replacing one which had existed for forty-five years. If we except a few trifles, such as electric [220] pendants to the great central chandelier, we see it as it was in Jane’s day. The fluted53 pilasters running up to the ceiling are very characteristic of the florid Georgian taste. In a print of the interior of the Pump Room, dated 1804, we see all the women, even the attendants, with bare arms and necks, quite uncovered,—a fashion revived in 1905,—and some of the women wear a kind of modified poke-bonnet with “coquelicot” plumes54. In the alcove55 at the end is a statue of fat little Beau Nash, who was the regenerator56 and in some sense the maker57 of Bath.
But Nash’s name is associated even more with the Assembly Rooms than the Pump Room. The Assembly Rooms are some distance from the Pump Rooms and the Baths, being situated not far from the famous crescent. In Jane’s time there were two sets of Assembly Rooms, upper and lower, governed by two different masters of the ceremonies, positions which were much coveted58. In 1820 the Lower Rooms were burnt down and not rebuilt, but the Upper are still used, and the names over the doors of the rooms, Card-room, Tea-room, etc., recall many a scene in Jane Austen’s novels.
Bath really began to be fashionable in the early part of Queen Anne’s reign59, but it was Nash who consolidated60 its attractions, and brought it up to its highest pitch of popularity.
FA?ADE OF THE PUMP ROOM, BATH, IN THE EIGHTEENTH CENTURY
When he went there “the amusements of the place were neither elegant nor conducted with delicacy61. General society among people of rank or fortune was by no means established. The nobility still preserved a tincture of Gothic haughtiness62, and refused to keep company with the gentry63 at any of the public entertainments of the place. Smoking in the rooms was permitted; gentlemen and ladies appeared in a disrespectful [221] manner at public entertainments in aprons64 and boots. With an eagerness common to those whose pleasures come but seldom, they generally continued them too long, and thus they were rendered disgusting by too free an enjoyment65. If the company liked each other they danced till morning. If any person lost at cards he insisted on continuing the game till luck should turn. The lodgings66 for visitants were paltry67, though expensive, the dining-rooms and other chambers68 were floored with boards coloured brown with soot69 and small beer to hide the dirt; the walls were covered with unpainted wainscot, the furniture corresponded with the meanness of the architecture; a few oak chairs, a small looking-glass, with a fender and tongs70, composed the magnificence of these temporary habitations. The city was in itself mean and contemptible71, no elegant buildings, no open streets, no uniform squares.”
Thither72 Nash came in 1705. He was the man of all others to organise73 fashionable entertainments. Under his severe, yet fatherly rule, the place sprang quickly into popularity. Houses were built, streets repaved, balls and entertainments followed each other in quick succession. An Assembly Room was built, and good music engaged; but it was not until 1769, eight years after Nash’s death, that the present building was erected74. Nash’s code of rules continued in force for long after his death, before which he had sunk from the position of esteem75 which he had once enjoyed. His rules throw some light on the conduct of these delightful assemblies, and are worth quoting—
1. That a visit of ceremony at first coming, and another at going away, are all that are expected or desired by ladies of quality and fashion—except impertinents.
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2. That ladies coming to the ball appoint a time for their footmen coming to wait on them home, to prevent disturbance76 and inconvenience to themselves and others.
3. That gentlemen of fashion never appearing in a morning before the ladies in gowns and caps show breeding and respect.
4. That no person take it ill that anyone goes to another’s play or breakfast and not theirs; except captious77 by nature.
5. That no gentleman give his ticket for the balls to any but gentlewomen. N.B.—Unless he has none of his acquaintance.
6. That gentlemen crowding before the ladies at the ball show ill manners; and that none do so for the future except such as respect nobody but themselves.
7. That no gentleman or lady takes it ill that another dances before them; except such as have no pretence78 to dance at all.
8. That the elder ladies and children be content with a second bench at a ball, as being past or not come to perfection.
9. That the younger ladies take notice how many eyes observe them.
10. That all whisperers of lies or scandal be taken for their authors.
11. That all repeaters of such lies and scandal be shunned79 by the company; except such as have been guilty of the same crime.
Nash’s rigour in regard to appearances in the case of top-boots is elsewhere mentioned, he disliked quite as much the aprons which smart ladies then wore on many occasions, and when the Duchess of Queensberry entered one evening in one of these, he snatched it off and flung it over the back benches among the ladies’ maids.
The rules for balls were probably very much the same when Jane Austen attended them as when Nash was living. Everything was to be performed in proper [223] order. Each ball was to open with a minuet danced by two persons of the highest distinction present. When the minuet concluded the lady was to return to her seat, and Mr. Nash was to bring the gentleman a new partner. The minuets generally continued two hours. At eight the country dances began, ladies of quality according to their rank standing up first. About nine o’clock a short interval80 was allowed for rest, and for the gentlemen to help their partners to tea, the ball having begun, it must be remembered, about six. The company pursued their amusements until the clock struck eleven, when the music ceased instantly; and Nash never allowed this rule to be broken, even when the Princess Amelia herself pleaded for one dance more.
Among other rules was one mentioned by Mr. Austen-Leigh, that ladies who intended to dance minuets were requested to wear lappets to distinguish them. Also, in order that every lady may have an opportunity of dancing, gentlemen should change their partners every two dances. We see in this last rule how the transition from one partner for the whole evening to the continual change of partners came to pass.
After returning from Lyme Regis in the autumn of 1804, the Austens left Sydney Place, and went to Green Park Buildings, which had been among the houses first considered. They were here when Mr. Austen’s death occurred in January 1805; and then Mrs. Austen and her daughters moved into lodgings in Gay Street.
Mrs. Lybbe Powys gives us a lively word-picture of Bath in 1805—
“The Dress Ball, Upper Rooms immensely crowded at ten; but the number of card parties quite spoilt the balls, as ‘tis fashionable to attend five or six before [224] you go to the room. It was endeavoured to alter these hours, but fortunately for the old people, and those who drink the waters, it was not permitted, and at eleven, if in the middle of a dance, the music stops. But I suppose ‘tis reckoned vulgar to come early, one sees nothing of the dancing or company for the crowds. The rooms are not half so agreeable as they were some years ago, when the late London hours were not thought of; and how prejudicial must they be to the health of all, is very visible in the young as in the old.... Sixteen thousand strangers at Bath in the season 1805!”
Of Bath itself we hear in the satirical skit81 called The New Guide—
“Of all the gay places the world can afford,
By gentle and simple for pastime adored,
Fine balls, and fine concerts, fine buildings and springs,
Fine walks and fine views and a thousand fine things,
Not to mention the sweet situation and air,
What place, my dear mother, with Bath can compare?”
There is little reason to doubt that Jane would thoroughly82 enjoy the change afforded by such constant opportunity for diversion, such delightful mingling83 with a crowd in which her bright humour must have found frequent opportunities for indulgence.
As we have seen, she had written her first Bath book, Northanger Abbey, many years before, and while she sat in the Pump Room, awaited a partner in the Assembly Rooms, or shopped in Milsom Street, she must have recalled her own creations, Catherine Morland and Isabella Thorpe, Henry Tilney and Mrs. Allen, quite as vividly84 as if they were real persons of her acquaintance.
The second Bath book, Persuasion85, was not written until many years after, yet these two, chronologically86 [225] so far apart, topographically so near each other, have always been, owing to conditions of length, bound together.
This is Jane’s own account of her first ball after coming to live at Bath: “I dressed myself as well as I could, and had all my finery much admired at home. By nine o’clock my uncle, aunt, and I entered the Rooms, and linked Miss Winstone on to us. Before tea it was rather a dull affair; but then tea did not last long, for there was only one dance, danced by four couple, think of four couple surrounded by about an hundred people dancing in the Upper Rooms at Bath! After tea we cheered up; the breaking up of private parties sent some scores more to the ball, and though it was shockingly and inhumanly87 thin for this place, there were people enough, I suppose, to have made five or six very pretty Basingstoke assemblies.”
It is interesting to compare this with her account of her heroine, Catherine Morland’s first appearance: “Mrs. Allen was so long in dressing, that they did not enter the ball-room till late. The season was full, the room crowded, and the two ladies squeezed in as well as they could. As for Mr. Allen he repaired directly to the card-room and left them to enjoy a mob by themselves. With more care for the safety of her new gown than for the comfort of her protegée, Mrs. Allen made her way through the throng88 of men by the door, as swiftly as the necessary caution would allow; Catherine, however, kept close at her side, and linked her arm too firmly within her friend’s to be torn asunder89 by any common effort of a struggling assembly. But to her utter amazement90 she found that to proceed along the room was by no means the way to disengage themselves from the crowd; it seemed rather to increase as they went on; whereas she had imagined that when [226] once fairly within the door, they should easily find seats, and be able to watch the dances with perfect convenience. But this was far from being the case; and though by unwearied diligence they gained even the top of the room, their situation was just the same; they saw nothing of the dancers, but the high feathers of some of the ladies. Still they moved on, something better was yet in view; and by a continued exertion91 of strength and ingenuity92 they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball, she longed to dance, but she had not an acquaintance in the room.... Everybody was shortly in motion for tea, and they must squeeze out like the rest ... and when they at last arrived in the tea-room ... they were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to except each other.... After some time they received an offer of tea from one of their neighbours; it was thankfully accepted, and this introduced a light conversation with the gentleman who offered it, which was the only time that anybody spoke93 to them during the evening, till they were discovered and joined by Mr. Allen when the dance was over.
“‘Well, Miss Morland,’ said he directly, ‘I hope you have had an agreeable ball.’
“‘Very agreeable indeed,’ she replied, vainly endeavouring to hide a great yawn.”
But poor Catherine was much more fortunate in her second essay, being introduced to Henry Tilney, [227] the hero, who captivated her girlish admiration94, and who at last, struck by her na?vété and earnest affection for himself, fell in love with her and made her his wife.
In Northanger Abbey, Jane places the Thorpes in Edgar Buildings, which she always spells “Edgar’s,” the Tilneys in Milsom Street, and Catherine Morland with the Allens in Pulteney Street. Her topography is always very exact and unimpeachable95. Milsom Street also plays a large part in Persuasion. It is here that Anne comes across Admiral Croft looking into a print shop window, from whence he accompanies her back to Camden Place where her father and sister are, and in the course of the walk Anne learns, to her infinite relief, that Louisa Musgrove is engaged to Captain Benwick, so that the terrible thought that she might hear any day of her engagement to Captain Wentworth is dispelled96 for ever. In Milsom Street also, while sheltering in a shop from the rain, she first sees Captain Wentworth after his arrival in Bath, and on his coming accidentally into the same shop with some friends, both he and she are unable to hide their signs of perturbation. But it is at a concert in the Upper Rooms that Anne goes through far worse disquietude, while, with the tormenting97 uncertainty98 of an undeclared love, she sits wondering whether he will come to speak to her or not.
It is at the White Hart Inn, which overlooked the entrance to the Pump Room Arcade99, that the real crisis of the book takes place. Here Anne, on coming to spend the day with her sister Mary, Mrs. Charles Musgrove, who is staying there with her husband, finds Captain Harville and Captain Wentworth. It is her conversation with the former that reveals to the latter her own unchanged feelings, and gives him the courage [228] to write her a letter declaring once more his own love, after the lapse100 of many years. Anne is thereby101 rewarded for her gentle loyalty102, and when in going up union Street with her brother-in-law she is overtaken by Captain Wentworth, and handed over to his charge, mutual103 explanations are made and mutual happiness reached.
Certainly to the lovers of Jane Austen’s books these characters people the streets quite as vividly as any flesh-and-blood persons who have ever lived in them.
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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conclave
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| n.秘密会议，红衣主教团 | |
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propriety
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| n.正当行为；正当；适当 | |
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dictates
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| n.命令，规定，要求( dictate的名词复数 )v.大声讲或读( dictate的第三人称单数 )；口授；支配；摆布 | |
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mooted
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| adj.未决定的，有争议的，有疑问的v.提出…供讨论( moot的过去式和过去分词 ) | |
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trifling
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disposition
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| n.性情，性格；意向，倾向；排列，部署 | |
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alacrity
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| n.敏捷，轻快，乐意 | |
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bustle
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| v.喧扰地忙乱，匆忙，奔忙；n.忙碌；喧闹 | |
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prospect
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| n.前景，前途；景色，视野 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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spire
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| n.(教堂)尖顶，尖塔，高点 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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justified
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| a.正当的，有理的 | |
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enquire
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| v.打听，询问；调查，查问 | |
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horrid
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| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
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withdrawn
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| vt.收回；使退出；vi.撤退，退出 | |
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poultry
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compensating
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decadence
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persevered
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afflicted
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remains
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| n.剩余物，残留物；遗体，遗迹 | |
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tithes
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| n.（宗教捐税）什一税，什一的教区税，小部分( tithe的名词复数 ) | |
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minor
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situated
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chapel
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| n.小教堂，殡仪馆 | |
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descend
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| vt./vi.传下来，下来，下降 | |
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inclination
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| n.倾斜；点头；弯腰；斜坡；倾度；倾向；爱好 | |
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fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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presentiment
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| n.预感，预觉 | |
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Oxford
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| n.牛津（英国城市） | |
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paragon
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| n.模范，典型 | |
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doorways
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| n.门口，门道( doorway的名词复数 ) | |
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dressing
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| n.(食物)调料；包扎伤口的用品，敷料 | |
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inviting
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| adj.诱人的，引人注目的 | |
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monstrously
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putrid
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| adj.腐臭的；有毒的；已腐烂的；卑劣的 | |
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sketched
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| v.草拟（sketch的过去式与过去分词形式） | |
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commodious
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| adj.宽敞的；使用方便的 | |
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appraisement
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| n.评价，估价；估值 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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bowling
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| n.保龄球运动 | |
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labyrinth
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| n.迷宫；难解的事物；迷路 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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inscription
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| n.（尤指石块上的）刻印文字，铭文，碑文 | |
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jutting
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| v.（使）突出( jut的现在分词 )；伸出；（从…）突出；高出 | |
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essentially
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| adv.本质上，实质上，基本上 | |
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mere
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| adj.纯粹的；仅仅，只不过 | |
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interfere
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| v.(in)干涉，干预；(with)妨碍，打扰 | |
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choir
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| n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱 | |
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pinnacles
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| 顶峰( pinnacle的名词复数 )； 顶点； 尖顶； 小尖塔 | |
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fluted
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| a.有凹槽的 | |
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plumes
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| 羽毛( plume的名词复数 )； 羽毛饰； 羽毛状物； 升上空中的羽状物 | |
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alcove
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| n.凹室 | |
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regenerator
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| n.收革者，交流换热器，再生器；蓄热器 | |
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maker
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| n.制造者，制造商 | |
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coveted
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| adj.令人垂涎的；垂涎的，梦寐以求的v.贪求，觊觎(covet的过去分词)；垂涎；贪图 | |
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reign
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| n.统治时期，统治，支配，盛行；v.占优势 | |
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consolidated
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| a.联合的 | |
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delicacy
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| n.精致，细微，微妙，精良；美味，佳肴 | |
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haughtiness
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| n.傲慢；傲气 | |
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gentry
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| n.绅士阶级，上层阶级 | |
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aprons
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| 围裙( apron的名词复数 )； 停机坪，台口（舞台幕前的部份） | |
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enjoyment
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| n.乐趣；享有；享用 | |
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lodgings
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| n. 出租的房舍, 寄宿舍 | |
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paltry
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| adj.无价值的，微不足道的 | |
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chambers
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| n.房间( chamber的名词复数 )；（议会的）议院；卧室；会议厅 | |
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soot
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| n.煤烟，烟尘；vt.熏以煤烟 | |
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tongs
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| n.钳；夹子 | |
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contemptible
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| adj.可鄙的，可轻视的，卑劣的 | |
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thither
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| adv.向那里；adj.在那边的，对岸的 | |
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organise
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| vt.组织，安排，筹办 | |
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ERECTED
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| adj. 直立的，竖立的，笔直的 vt. 使 ... 直立，建立 | |
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esteem
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| n.尊敬，尊重；vt.尊重，敬重；把…看作 | |
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disturbance
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| n.动乱，骚动；打扰，干扰；(身心)失调 | |
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captious
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| adj.难讨好的，吹毛求疵的 | |
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pretence
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| n.假装，作假；借口，口实；虚伪；虚饰 | |
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shunned
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| v.避开，回避，避免( shun的过去式和过去分词 ) | |
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interval
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| n.间隔，间距；幕间休息，中场休息 | |
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81
skit
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| n.滑稽短剧；一群 | |
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82
thoroughly
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| adv.完全地，彻底地，十足地 | |
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mingling
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| adj.混合的 | |
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vividly
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| adv.清楚地，鲜明地，生动地 | |
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persuasion
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| n.劝说；说服；持有某种信仰的宗派 | |
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86
chronologically
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| ad. 按年代的 | |
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inhumanly
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| adv.无人情味地，残忍地 | |
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throng
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| n.人群，群众；v.拥挤，群集 | |
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asunder
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| adj.分离的，化为碎片 | |
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amazement
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| n.惊奇，惊讶 | |
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exertion
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| n.尽力，努力 | |
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ingenuity
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| n.别出心裁；善于发明创造 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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unimpeachable
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| adj.无可指责的；adv.无可怀疑地 | |
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dispelled
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| v.驱散，赶跑( dispel的过去式和过去分词 ) | |
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tormenting
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| 使痛苦的，使苦恼的 | |
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98
uncertainty
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| n.易变，靠不住，不确知，不确定的事物 | |
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99
arcade
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| n.拱廊；(一侧或两侧有商店的)通道 | |
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lapse
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| n.过失，流逝，失效，抛弃信仰，间隔；vi.堕落，停止，失效，流逝；vt.使失效 | |
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101
thereby
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| adv.因此，从而 | |
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102
loyalty
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| n.忠诚，忠心 | |
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103
mutual
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| adj.相互的，彼此的；共同的，共有的 | |
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