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CHAPTER X
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THE IMPORTANCE OF THE WORKS OF THE VISCHERS

THE position of the Vischers in the hierarchy1 of the artists not very difficult to appreciate, and it has perhaps been sufficiently2 indicated in the course of our enumeration3 of their works. They—for in forming an estimate of their work, we need not, nor cannot, separate father and sons—were great craftsmen4, interpreting the teachings of other and greater artists of other lands, but yet assuredly not without an individuality and original power of their own. The view once advanced by Heideloff cannot be for a moment entertained, the view, that is, that they were mere5 workers in bronze who reproduced in that material the ideas and drawings of others. The evidence of our eyes, which enable us to trace the development of their style, would be enough to refute that opinion, even if we were without the documentary evidence which shows that father and sons alike were patient and painstaking6 draughtsmen as well as craftsmen all their lives.

In the history of German art, then, their work represents, as we have remarked above, the transition from Gothic to the Renaissance7 style. It 131is eloquent8 to us of the passing from the conventions and the extravagances of late Gothic to a complete acceptance and delight in neo-paganism. And it was natural that, in the spirit of intense enthusiasm for Italian art which was upon them, these German craftsmen should reproduce what they had learnt from a Jacopo de’ Barbari, a Sansovino or a Donatello. They did, indeed, plagiarize9 when they wished with a splendid readiness and a fervour unashamed. They copied in a spirit of sincerest flattery an angel making music, or a symbol of an Evangelist from Donatello; an Apostle or a dolphin from an Italian building; a pose, a hand or the fold of a mantle10 from Leonardo da Vinci. The list could be expanded. But it would not prove that the Vischers were mere servile copyists. They could do more than imitate. They could apply the lessons they had learnt from their careful study of the Italian Masters, and apply them with successful originality11. It is in the energy which lives in the King Arthur, in the simple yet vigorous composition and execution of bas-reliefs, such as the Healing of the blind man on St. Sebald’s tomb, or the Tucher Memorial, with their wholly admirable treatment of lines and planes; it is in the tender and spiritual feeling infused into the greatest of their bronze portraits that the unanswerable vindication12 lies of an imitation proved not too slavish and of a study that has not deadened but inspired.

It may indeed be the case that the lessons which 132they thus taught were sterilizing13: that the very enthusiasm for Italian art which they showed and generated was destined14 to destroy the flower of native German art. Certain it is that the Vischers founded no school and that individuality in German art was, from this time forth15, blighted16 and crushed. But there are a dozen other causes to which this same decay of the native art may with as much probability be attributed. It is quite as likely to be due to the material facts of German domestic history as to the exotic influence of a foreign nation. But for us it remains17 only to take the work of these craftsmen as they gave it to the world, and to apportion18 to them the praise they have deserved. They aimed, with the most elaborate care and anxious perseverance19, at perfection of detail, and this perfection they did frequently attain20 without prejudice to the proportionment and simplicity21 of the whole. The artist who pays great attention to the minute is too often afflicted22 with a kind of ?sthetic myopia which prevents him from perceiving the defects of his complete design. His work becomes too curious or else florid and ineffective. This is the besetting23 sin of Teutonic art, and it is a danger to which metal-workers of all times and in all countries are especially liable. The Vischers in their best work succeeded in avoiding it, for there we find a repose24, a dignity, a simplicity and a spirituality which raises it to the level of the very best ever executed.

The End

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1 hierarchy 7d7xN     
n.等级制度;统治集团,领导层
参考例句:
  • There is a rigid hierarchy of power in that country.那个国家有一套严密的权力等级制度。
  • She's high up in the management hierarchy.她在管理阶层中地位很高。
2 sufficiently 0htzMB     
adv.足够地,充分地
参考例句:
  • It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
  • The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。
3 enumeration 3f49fe61d5812612c53377049e3c86d6     
n.计数,列举;细目;详表;点查
参考例句:
  • Predictive Categoriesinclude six categories of prediction, namely Enumeration, Advance Labeling, Reporting,Recapitulation, Hypotheticality, and Question. 其中预设种类又包括列举(Enumeration)、提前标示(Advance Labeling)、转述(Reporting)、回顾(Recapitulation)、假设(Hypotheticality)和提问(Question)。 来自互联网
  • Here we describe a systematic procedure which is basically "enumeration" in nature. 这里介绍一个本质上是属于“枚举法”的系统程序。 来自辞典例句
4 craftsmen craftsmen     
n. 技工
参考例句:
  • rugs handmade by local craftsmen 由当地工艺师手工制作的小地毯
  • The craftsmen have ensured faithful reproduction of the original painting. 工匠保证要复制一幅最接近原作的画。
5 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
6 painstaking 6A6yz     
adj.苦干的;艰苦的,费力的,刻苦的
参考例句:
  • She is not very clever but she is painstaking.她并不很聪明,但肯下苦功夫。
  • Through years of our painstaking efforts,we have at last achieved what we have today.大家经过多少年的努力,才取得今天的成绩。
7 renaissance PBdzl     
n.复活,复兴,文艺复兴
参考例句:
  • The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
  • The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。
8 eloquent ymLyN     
adj.雄辩的,口才流利的;明白显示出的
参考例句:
  • He was so eloquent that he cut down the finest orator.他能言善辩,胜过最好的演说家。
  • These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。
9 plagiarize U2Fz4     
v.剽窃,抄袭(别人学说、著作)
参考例句:
  • Never plagiarize your paper.课程论文千万不要抄袭。
  • It's not a viable option to plagiarize someone else's work.剽窃他人作品的行为是不可取的。
10 mantle Y7tzs     
n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红
参考例句:
  • The earth had donned her mantle of brightest green.大地披上了苍翠欲滴的绿色斗篷。
  • The mountain was covered with a mantle of snow.山上覆盖着一层雪。
11 originality JJJxm     
n.创造力,独创性;新颖
参考例句:
  • The name of the game in pop music is originality.流行音乐的本质是独创性。
  • He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。
12 vindication 1LpzF     
n.洗冤,证实
参考例句:
  • There is much to be said in vindication of his claim.有很多理由可以提出来为他的要求作辩护。
  • The result was a vindication of all our efforts.这一结果表明我们的一切努力是必要的。
13 sterilizing c63fac6e8072fc0113888b8681a95db0     
v.消毒( sterilize的现在分词 );使无菌;使失去生育能力;使绝育
参考例句:
  • The nurse is sterilizing the surgical instruments. 护士在把外科手术器具消毒。 来自辞典例句
  • By testing, steam is the ble sterilizing method for herbal medicine. 这些方法难以保证药性,或有残留,要不然就是费用昂贵。 来自互联网
14 destined Dunznz     
adj.命中注定的;(for)以…为目的地的
参考例句:
  • It was destined that they would marry.他们结婚是缘分。
  • The shipment is destined for America.这批货物将运往美国。
15 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
16 blighted zxQzsD     
adj.枯萎的,摧毁的
参考例句:
  • Blighted stems often canker.有病的茎往往溃烂。
  • She threw away a blighted rose.她把枯萎的玫瑰花扔掉了。
17 remains 1kMzTy     
n.剩余物,残留物;遗体,遗迹
参考例句:
  • He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
  • The remains of the meal were fed to the dog.残羹剩饭喂狗了。
18 apportion pVYzN     
vt.(按比例或计划)分配
参考例句:
  • It's already been agreed in principle to apportion the value of the patents.原则上已经同意根据专利的价值按比例来分配。
  • It was difficult to apportion the blame for the accident.很难分清这次事故的责任。
19 perseverance oMaxH     
n.坚持不懈,不屈不挠
参考例句:
  • It may take some perseverance to find the right people.要找到合适的人也许需要有点锲而不舍的精神。
  • Perseverance leads to success.有恒心就能胜利。
20 attain HvYzX     
vt.达到,获得,完成
参考例句:
  • I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
  • His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。
21 simplicity Vryyv     
n.简单,简易;朴素;直率,单纯
参考例句:
  • She dressed with elegant simplicity.她穿着朴素高雅。
  • The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。
22 afflicted aaf4adfe86f9ab55b4275dae2a2e305a     
使受痛苦,折磨( afflict的过去式和过去分词 )
参考例句:
  • About 40% of the country's population is afflicted with the disease. 全国40%左右的人口患有这种疾病。
  • A terrible restlessness that was like to hunger afflicted Martin Eden. 一阵可怕的、跟饥饿差不多的不安情绪折磨着马丁·伊登。
23 besetting 85f0362e7fd8b00cc5e729aa394fcf2f     
adj.不断攻击的v.困扰( beset的现在分词 );不断围攻;镶;嵌
参考例句:
  • Laziness is my besetting sin. 懒惰是我积重难返的恶习。 来自辞典例句
  • His besetting sin is laziness. 他所易犯的毛病就是懒惰。 来自辞典例句
24 repose KVGxQ     
v.(使)休息;n.安息
参考例句:
  • Don't disturb her repose.不要打扰她休息。
  • Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑,即使在睡眠时也是这样。


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