When twelve years old, he went, alone and on foot, to Florence, the seat of the fine arts, possessed3 of no money, and, in fact, completely without resources of any kind. Notwithstanding this gloomy aspect of affairs, he did not lose his courage, but still persevered4 in a resolution he had thus early formed, to become "an eminent5 painter." Pietro knew of no person to whom he could apply for assistance in Florence, excepting a poor boy from Cortona, who was then a scullion in the kitchen of Cardinal6 Sachetti. Pietro sought him out; his little countryman welcomed him very kindly7, shared with him his humble8 meal, offered him the half of his little bed as a lodging9, and[Pg 94] promised to supply him with food from the spare meat of his kitchen.
Thus provided with the necessaries of life, Pietro applied10 himself with indefatigable11 diligence to the art to which he had devoted12 himself, and soon made such progress in it, as, in his own opinion, amply recompensed him for all the toil13, privation and difficulties he had undergone. It was interesting to observe this poor, destitute14 child, without a friend to guide his conduct or direct his studies, devoting himself with such unceasing assiduity to his own improvement. His little friend, the scullion, did not relax in kindness and generosity15 towards him; for all that he possessed he shared with Pietro, and the latter, in return, brought him all the drawings he made, and with these he adorned16 the walls of the little garret in which they slept.
Pietro was in the habit of wandering to a distance from Florence, to take views of the beautiful scenery in the environs of that city. When night overtook him unawares, which was often the case, he very contentedly17 slept under the shelter of a tree, and arose as soon as daylight dawned to renew his employment. During his absence, on one of these excursions, some of his pictures accidentally fell into the hands of Cardinal Sachetti, who, struck with the merit that distinguished18 them, inquired by what artist they were executed. He was not a little astonished to hear that they were the performances of a poor child, who had, for more than two years, been supported by the bounty19 of one of his kitchen boys. The cardinal desired to see Pietro; and when the[Pg 95] young artist was brought before him, he received him in a kind manner, assigned him a pension and placed him as a scholar under one of the best painters of Rome.
Pietro afterwards became a very eminent painter, and made the most grateful returns to his friend, the scullion, for the kindness he had shown him in poverty and wretchedness. He spent the latter part of his life at Rome, where he enjoyed the patronage20 of successive pontiffs, and was made a knight21 by Pope Alexander III. He was an architect as well as a painter, and designed the church of Saint Martin, at Rome, where he was buried, and to which he bequeathed a hundred thousand crowns. He died 1669, full of wealth and honors. His works display admirable talents, and his history affords a striking example of native genius, overcoming all obstacles, and hewing22 its way to success in that pursuit for which nature had seemed to create it.
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1 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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2 precluded | |
v.阻止( preclude的过去式和过去分词 );排除;妨碍;使…行不通 | |
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3 possessed | |
adj.疯狂的;拥有的,占有的 | |
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4 persevered | |
v.坚忍,坚持( persevere的过去式和过去分词 ) | |
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5 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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6 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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7 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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8 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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9 lodging | |
n.寄宿,住所;(大学生的)校外宿舍 | |
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10 applied | |
adj.应用的;v.应用,适用 | |
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11 indefatigable | |
adj.不知疲倦的,不屈不挠的 | |
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12 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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13 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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14 destitute | |
adj.缺乏的;穷困的 | |
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15 generosity | |
n.大度,慷慨,慷慨的行为 | |
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16 adorned | |
[计]被修饰的 | |
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17 contentedly | |
adv.心满意足地 | |
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18 distinguished | |
adj.卓越的,杰出的,著名的 | |
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19 bounty | |
n.慷慨的赠予物,奖金;慷慨,大方;施与 | |
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20 patronage | |
n.赞助,支援,援助;光顾,捧场 | |
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21 knight | |
n.骑士,武士;爵士 | |
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22 hewing | |
v.(用斧、刀等)砍、劈( hew的现在分词 );砍成;劈出;开辟 | |
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