Of course, the great and abiding14 glory of Ireland in the way of bull-makers was the never-to-be-forgotten Sir Boyle Roche. This worthy15 knight16 once charged a political opponent with being “an enemy to both kingdoms who wishes to diminish the brotherly affection of the two sister countries.” He also said that “a man differs from a bird in not being able to be in two places at once,” and that “the Irish people were living[145] from hand to mouth, like the birds of the air.” A petition of the citizens of Belfast in favor of Catholic emancipation17 he stigmatized18 as “an airy fabric19 based upon a sandy foundation,” and he expressed his willingness “to give up, not only a part, but, if necessary, even the whole of our constitution to preserve the remainder.” In one of his most famous speeches there occurs the appended passage: “Mr. Speaker, if we once permitted the villainous French Masons to meddle20 with the buttresses21 and walls of our ancient constitution, they would never stop, nor stay, sir, until they brought the foundation stones tumbling down about the ears of the nation. If these Gallican villains22 should invade us, ’tis on that table maybe those honorable members might see their own destinies lying in heaps atop of one another. Here, perhaps, sir, the murderous crew would break in and cut us to pieces, and throw our bleeding heads upon that table to stare us in the face.”
[146]
“Is your father alive yet?” inquired one O’Brien of one M’Gorry. “No,” replied M’Gorry solemnly, “not yet!” A beggar called at a house and said: “For the love of hiven, ma’am, give me a crust of bread, for I’m so thirsty I don’t know where I’ll sleep to-night.” All of which is very funny and as who should say, very quaint23. But is it humor? It provokes a smile certainly, yet it points to simplicity24, rather than subtilty, in the Irish character. Indeed, the absolute truth about the bull is that it is the child of a plentiful25 lack of wit. A nice derangement26 of epitaphs, an opening of one’s mouth and a putting of one’s foot in it, may provoke mirth in other people, but it does not prove one to be either witty27 or merry. It is satisfactory to know that, according to the latest observations, the fine art of bull-making is going out of fashion among Irishmen. The Irish were the inventors of the bull, they brought it to its greatest perfection, they made it redound28 to their credit[147] as a witty nation; and one cannot deny their right to cease from its manufacture if they see fit. In the House of Commons a bull is nowadays seldom perpetrated, whether consciously or unconsciously, at any rate by the Irish Party. Irish Members of Parliament have grown too wary29 to be caught bulling. They walk delicately in English-cut frock-coats; they rather pride themselves on their ability to keep down the brogue, and at the bare mention of the word “bull,” they are prone30 to shiver.
There is one feature of Irish wit and humor which is worthy of admiration31 and imitation. It is a negative feature truly, but an excellent one. Irishmen do not seem capable of that last infirmary of the doting32 mind—the pun. To play effectively upon words is, of course, an art in itself, and kept within bounds it is an amusing art; but the man who drops out of art into sheer mechanism33, which is what has happened to the average punster, cannot be considered worthy of the respect[148] of his fellows. The Irish, as I have said, do not appear to have descended34 to these depths. They may be a worn-out, a weary, a dull-witted, an exhausted35, and a brooding and melancholy36 people, but they are not punsters. Herein they have a distinct advantage over the English, among whom the pun appears to obtain wider and wider currency. It is a lamentable37 fact that there are judges on the English Bench who never let slip an opportunity for punning. It makes juries and the gallery guffaw38, and it gets a judge the reputation of being a wit and the possessor of those minor39 literary graces which are supposed to be included in the judicial40 prerogative41. Judges are commonly understood to be irremovable, but I think that after their third pun retirement42 should be the only course for them. The man who makes a pun insults the intellect of his auditors43 and commits a gross outrage44 upon the language. Let all punsters, whether in high or low places, take heed45 that they are vulgar and[149] vicious persons, and neither witty nor wise. A thousand honest bulls are less to be deprecated than the weeniest pun that was ever let loose.
Before leaving this part of our subject it is perhaps desirable that we should remember that two of the very wittiest46 men of our own time have come to us from Ireland. One of them was the late Mr. Oscar Wilde and the other is Mr. George Bernard Shaw. Of Oscar Wilde, excepting that in his prime he was a wit of the first water, I shall say nothing. Mr. George Bernard Shaw, however, is another story. As a reformer and a serious writer I make small account of him. On the other hand, as a wit, he is a portent47. He has been an unconscionable time coming into his own, but in America, at any rate, people are beginning, by childlike, dim degrees, to perceive that he has brilliance48. If he had published the substance of his printed work in any other form but that of plays, he might have been a recognized and prosperous[150] humorist long ago. The people who supply the wit and humor of the day may be set down, without injustice49, for a sorry and indifferent company. Burnand, Payne, Emanuel, Jerome, Lucas, Sims, Hickory Wood, and Barrie—these are some of the names of them. And what do they stand for? Parts of Punch, Eliza, Three Men in a Boat, The Inside Completuar Britanniaware (O blood and knives!), Mustard and Cress, or, The Fat Man’s Sabbath Morning, The White Cat, or, Cooper’s Entire, Peter Pan, or, The Old Man’s Crèche. Heaven save us and keep us from wishing that this squad50 of awkward witlings had never been born! Mr. George Bernard Shaw in his sole person, and Irishman though he be, is worth a wilderness51 of them. Some day we shall find it out, and in that good hour Ireland will be able to boast that one of her sons was nearly as great, nearly as humorous, and nearly as popular as, say, Mr. Mark Twain.
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1
constable
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n.(英国)警察,警官 | |
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obliterated
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v.除去( obliterate的过去式和过去分词 );涂去;擦掉;彻底破坏或毁灭 | |
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3
abound
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vi.大量存在;(in,with)充满,富于 | |
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opaque
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adj.不透光的;不反光的,不传导的;晦涩的 | |
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5
sarcastically
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adv.挖苦地,讽刺地 | |
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standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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tickle
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v.搔痒,胳肢;使高兴;发痒;n.搔痒,发痒 | |
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pint
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n.品脱 | |
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conclusive
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adj.最后的,结论的;确凿的,消除怀疑的 | |
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10
spouse
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n.配偶(指夫或妻) | |
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determined
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adj.坚定的;有决心的 | |
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12
wan
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(wide area network)广域网 | |
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13
bawled
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v.大叫,大喊( bawl的过去式和过去分词 );放声大哭;大声叫出;叫卖(货物) | |
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14
abiding
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adj.永久的,持久的,不变的 | |
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15
worthy
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adj.(of)值得的,配得上的;有价值的 | |
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knight
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n.骑士,武士;爵士 | |
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emancipation
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n.(从束缚、支配下)解放 | |
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18
stigmatized
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v.使受耻辱,指责,污辱( stigmatize的过去式和过去分词 ) | |
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fabric
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n.织物,织品,布;构造,结构,组织 | |
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meddle
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v.干预,干涉,插手 | |
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buttresses
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n.扶壁,扶垛( buttress的名词复数 )v.用扶壁支撑,加固( buttress的第三人称单数 ) | |
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villains
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n.恶棍( villain的名词复数 );罪犯;(小说、戏剧等中的)反面人物;淘气鬼 | |
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23
quaint
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adj.古雅的,离奇有趣的,奇怪的 | |
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24
simplicity
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n.简单,简易;朴素;直率,单纯 | |
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25
plentiful
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adj.富裕的,丰富的 | |
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derangement
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n.精神错乱 | |
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witty
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adj.机智的,风趣的 | |
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redound
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v.有助于;提;报应 | |
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wary
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adj.谨慎的,机警的,小心的 | |
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prone
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adj.(to)易于…的,很可能…的;俯卧的 | |
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31
admiration
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n.钦佩,赞美,羡慕 | |
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32
doting
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adj.溺爱的,宠爱的 | |
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33
mechanism
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n.机械装置;机构,结构 | |
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34
descended
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a.为...后裔的,出身于...的 | |
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35
exhausted
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adj.极其疲惫的,精疲力尽的 | |
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melancholy
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n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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lamentable
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adj.令人惋惜的,悔恨的 | |
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guffaw
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n.哄笑;突然的大笑 | |
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minor
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adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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judicial
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adj.司法的,法庭的,审判的,明断的,公正的 | |
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prerogative
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n.特权 | |
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42
retirement
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n.退休,退职 | |
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auditors
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n.审计员,稽核员( auditor的名词复数 );(大学课程的)旁听生 | |
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44
outrage
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n.暴行,侮辱,愤怒;vt.凌辱,激怒 | |
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45
heed
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v.注意,留意;n.注意,留心 | |
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46
wittiest
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机智的,言辞巧妙的,情趣横生的( witty的最高级 ) | |
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portent
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n.预兆;恶兆;怪事 | |
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48
brilliance
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n.光辉,辉煌,壮丽,(卓越的)才华,才智 | |
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49
injustice
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n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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50
squad
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n.班,小队,小团体;vt.把…编成班或小组 | |
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51
wilderness
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n.杳无人烟的一片陆地、水等,荒漠 | |
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