"Do you recognize the coin I now hand you?"
"I do."
"What is it?"
"The unique gold coin of Wulfric of Mercia, belonging to the Museum."
"You have absolutely no doubt as to its identity?"
"Absolutely none whatsoever6."
"Does it differ in any respect from the same coin as you previously7 saw it?"
"Yes. It has been clipped round the edge with a sharp instrument, and a slight dent2 has been made by pressure on the obverse side, just below the W of Wulfric."
"Did you suspect the prisoner at the bar of having mutilated it?"
"I did, and I asked him whether he had a knife in his possession. He answered no. I then asked him whether he would submit to be searched for a knife. He consented, and on my looking in his pocket I found the pair of nail-scissors I now produce, with a small file on either side."
"Do you believe the coin might have been clipped with those scissors?"
"I do. The gold is very soft, having little alloy8 in its composition; and it could easily be cut by a strong-wristed man with a knife or scissors."
As I listened, I didn't wonder that the jury looked as if they already considered me guilty: but I smiled to myself when I thought how utterly9 Emily's and the ploughman's evidence would rebut10 this unworthy suspicion.
The next witness was the Museum cleaner. His evidence at first produced nothing fresh, but just at last, counsel set before him a paper, containing a few scraps11 of yellow metal, and asked him triumphantly12 whether he recognized them. He answered yes.[Pg 88]
There was a profound silence. The court was interested and curious. I couldn't quite understand it all, but I felt a terrible sinking.
"What are they?" asked the hostile barrister.
"They are some fragments of gold which I found in shaking the cocoa-nut matting on the floor of gallery 27 the Saturday after the attempted theft."
I felt as if a mine had unexpectedly been sprung beneath me. How on earth those fragments of soft gold could ever have got there I couldn't imagine; but I saw the damaging nature of this extraordinary and inexplicable13 coincidence in half a second.
My counsel cross-examined all the witnesses for the prosecution14, but failed to elicit15 anything of any value from any one of them. On the contrary, his questions put to the metallurgist of the Mint, who was called to prove the quality of the gold, only brought out a very strong opinion to the effect that the clippings were essentially16 similar in character to the metal composing the clipped Wulfric.
No wonder the jury seemed to think the case was going decidedly against me.
Then my counsel called his witnesses. I listened in the profoundest suspense17 and expectation.
The first witness was the ploughman from Lichfield. He was a well-meaning but very puzzle-headed old man, and he was evidently frightened at being confronted by so many clever wig-wearing barristers.
Nevertheless, my counsel managed to get the true story out of him at last with infinite patience, dexterity18, and skill. The old man told us finally how he had found the coins and sold them to me for five pounds; and how one of them was of gold, with a queer head and goggle19 eyes pointed20 full face upon its surface.
When he had finished, the counsel for the Crown began his cross-examination. He handed the ploughman a gold[Pg 89] coin. "Did you ever see that before?" he asked quietly.
"To be sure I did," the man answered, looking at it open-mouthed.
"What is it?"
"It's the bit I sold Mr. Tait there—the bit as I got out o' the old basin."
Counsel turned triumphantly to the judge. "My lord," he said, "this thing to which the witness swears is a gold piece of Ethelwulf of Wessex, by far the commonest and cheapest gold coin of the whole Anglo-Saxon period."
It was handed to the jury side by side with the Wulfric of Mercia; and the difference, as I knew myself, was in fact extremely noticeable. All that the old man could have observed in common between them must have been merely the archaic22 Anglo-Saxon character of the coinage.
As I heard that, I began to feel that it was really all over.
My counsel tried on the re-examination to shake the old man's faith in his identification, and to make him transfer his story to the Wulfric which he had actually sold me. But it was all in vain. The ploughman had clearly the dread23 of perjury24 for ever before his eyes, and wouldn't go back for any consideration upon his first sworn statement. "No, no, mister," he said over and over again in reply to my counsel's bland25 suggestion, "you ain't going to make me forswear myself for all your cleverness."
The next witness was Emily. She went into the box pale and red-eyed, but very confident. My counsel examined her admirably; and she stuck to her point with womanly persistence26, that she had herself seen the clipped Wulfric, and no other coin, on the morning of the supposed theft. She knew it was so, because she distinctly remembered the inscription27, "Wulfric Rex," and the peculiar28[Pg 90] way the staring open eyes were represented with barbaric puerility29.
Counsel for the Crown would only trouble the young lady with two questions. The first was a painful one, but it must be asked in the interests of justice. Were she and the prisoner at the bar engaged to be married to one another?
The answer came, slowly and timidly, "Yes."
Counsel drew a long breath, and looked her hard in the face. Could she read the inscription on that coin now produced?—handing her the Ethelwulf.
Great heavens! I saw at once the plot to disconcert her, but was utterly powerless to warn her against it.
Emily looked at it long and steadily30. "No," she said at last, growing deadly pale and grasping the woodwork of the witness-box convulsively; "I don't know the character in which it is written."
Of course not: for the inscription was in the peculiar semi-runic Anglo-Saxon letters! She had never read the words "Wulfric Rex" either. I had read them to her, and she had carried them away vaguely31 in her mind, imagining no doubt that she herself had actually deciphered them.
There was a slight pause, and I felt my blood growing cold within me. Then the counsel for the Crown handed her again the genuine Wulfric, and asked her whether the letters upon it which she professed32 to have read were or were not similar to those of the Ethelwulf.
Instead of answering, Emily bent33 down her head between her hands, and burst suddenly into tears.
I was so much distressed34 at her terrible agitation35 that I forgot altogether for the moment my own perilous37 position, and I cried aloud, "My lord, my lord, will you not interpose to spare her any further questions?"
"I think," the judge said to the counsel for the Crown, "you might now permit the witness to stand down."[Pg 91]
"I wish to re-examine, my lord," my counsel put in hastily.
"No," I said in his ear, "no. Whatever comes of it, not another question. I had far rather go to prison than let her suffer this inexpressible torture for a single minute longer."
Emily was led down, still crying bitterly, into the body of the court, and the rest of the proceedings38 went on uninterrupted.
The theory of the prosecution was a simple and plausible39 one. I had bought a common Anglo-Saxon coin, probably an Ethelwulf, valued at about twenty-two shillings, from the old Lichfield ploughman. I had thereupon conceived the fraudulent idea of pretending that I had a duplicate of the rare Wulfric. I had shown the Ethelwulf, clipped in a particular fashion, to the lady whom I was engaged to marry. I had then defaced and altered the genuine Wulfric at the Museum into the same shape with the aid of my pocket nail-scissors. And I had finally made believe to drop the coin accidentally upon the floor, while I had really secreted40 it in my waistcoat pocket. The theory for the defence had broken down utterly. And then there was the damning fact of the gold scrapings found in the cocoa-nut matting of the British Museum, which was to me the one great inexplicable mystery in the whole otherwise comprehensible mystification.
I felt myself that the case did indeed look very black against me. But would a jury venture to convict me on such very doubtful evidence?
The jury retired41 to consider their verdict. I stood in suspense in the dock, with my heart loudly beating. Emily remained in the body of the court below, looking up at me tearfully and penitently42.
After twenty minutes the jury retired.
"Guilty or not guilty?"
The foreman answered aloud, "Guilty."[Pg 92]
There was a piercing cry in the body of the court, and in a moment Emily was carried out half fainting and half hysterical43.
The judge then calmly proceeded to pass sentence. He dwelt upon the enormity of my crime in one so well connected and so far removed from the dangers of mere21 vulgar temptations. He dwelt also upon the vandalism of which I had been guilty—myself a collector—in clipping and defacing a valuable and unique memorial of antiquity44, the property of the nation. He did not wish to be severe upon a young man of hitherto blameless character; but the national collection must be secured against such a peculiarly insidious45 and cunning form of depredation46. The sentence of the court was that I should be kept in—
Five years' penal47 servitude.
Crushed and annihilated48 as I was, I had still strength to utter a single final word. "My lord," I cried, "the missing Wulfric will yet be found, and will hereafter prove my perfect innocence49."
"Remove the prisoner," said the judge, coldly.
They took me down to the courtyard unresisting, where the prison van was standing50 in waiting.
On the steps I saw Emily and her mother, both crying bitterly. They had been told the sentence already, and were waiting to take a last farewell of me.
"Oh, Harold!" Emily cried, flinging her arms around me wildly, "it's all my fault! It's my fault only! By my foolish stupidity I've lost your case. I've sent you to prison. Oh, Harold, I can never forgive myself. I've sent you to prison. I've sent you to prison."
"Dearest," I said, "it won't be for long. I shall soon be free again. They'll find the Wulfric sooner or later, and then of course they'll let me out again."
"Harold," she cried, "oh, Harold, Harold, don't you see? Don't you understand? This is a plot against you.[Pg 93] It isn't lost. It isn't lost. That would be nothing. It's stolen; it's stolen!"
A light burst in upon me suddenly, and I saw in a moment the full depth of the peril36 that surrounded me.
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1
superintendent
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| n.监督人，主管，总监；(英国)警务长 | |
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2
dent
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| n.凹痕，凹坑；初步进展 | |
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3
detailed
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| adj.详细的，详尽的，极注意细节的，完全的 | |
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indignity
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| n.侮辱，伤害尊严，轻蔑 | |
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specimen
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| n.样本，标本 | |
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6
whatsoever
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| adv.（用于否定句中以加强语气）任何；pron.无论什么 | |
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7
previously
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| adv.以前，先前（地） | |
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8
alloy
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| n.合金，(金属的)成色 | |
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9
utterly
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| adv.完全地，绝对地 | |
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10
rebut
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| v.辩驳，驳回 | |
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11
scraps
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| 油渣 | |
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12
triumphantly
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| ad.得意洋洋地；得胜地；成功地 | |
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13
inexplicable
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| adj.无法解释的，难理解的 | |
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14
prosecution
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| n.起诉，告发，检举，执行，经营 | |
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15
elicit
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| v.引出,抽出,引起 | |
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16
essentially
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| adv.本质上，实质上，基本上 | |
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17
suspense
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| n.（对可能发生的事）紧张感，担心，挂虑 | |
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18
dexterity
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| n.(手的)灵巧，灵活 | |
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19
goggle
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| n.瞪眼，转动眼珠，护目镜；v.瞪眼看，转眼珠 | |
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20
pointed
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| adj.尖的，直截了当的 | |
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21
mere
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| adj.纯粹的；仅仅，只不过 | |
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22
archaic
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| adj.(语言、词汇等)古代的，已不通用的 | |
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23
dread
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| vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧 | |
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24
perjury
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| n.伪证；伪证罪 | |
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25
bland
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| adj.淡而无味的，温和的，无刺激性的 | |
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26
persistence
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| n.坚持，持续，存留 | |
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27
inscription
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| n.（尤指石块上的）刻印文字，铭文，碑文 | |
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28
peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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29
puerility
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| n.幼稚，愚蠢；幼稚、愚蠢的行为、想法等 | |
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30
steadily
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| adv.稳定地；不变地；持续地 | |
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31
vaguely
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| adv.含糊地，暖昧地 | |
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32
professed
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| 公开声称的，伪称的，已立誓信教的 | |
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33
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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34
distressed
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| 痛苦的 | |
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35
agitation
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| n.搅动；搅拌；鼓动，煽动 | |
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36
peril
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| n.(严重的)危险；危险的事物 | |
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37
perilous
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| adj.危险的，冒险的 | |
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38
proceedings
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| n.进程，过程，议程；诉讼(程序)；公报 | |
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39
plausible
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| adj.似真实的，似乎有理的，似乎可信的 | |
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40
secreted
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| v.（尤指动物或植物器官）分泌( secrete的过去式和过去分词 )；隐匿，隐藏 | |
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41
retired
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| adj.隐退的，退休的，退役的 | |
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42
penitently
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43
hysterical
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| adj.情绪异常激动的，歇斯底里般的 | |
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44
antiquity
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| n.古老；高龄；古物，古迹 | |
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45
insidious
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| adj.阴险的，隐匿的，暗中为害的，（疾病）不知不觉之间加剧 | |
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46
depredation
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| n.掠夺，蹂躏 | |
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47
penal
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| adj.刑罚的；刑法上的 | |
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48
annihilated
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| v.（彻底）消灭( annihilate的过去式和过去分词 )；使无效；废止；彻底击溃 | |
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49
innocence
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| n.无罪；天真；无害 | |
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50
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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