Mr Yeats's Swan Song

In the preface to The Wild Swans at Coole,[3] Mr W.B. Yeats speaks of 'the phantasmagoria through which alone I can express my convictions about the world.' The challenge could hardly be more direct. At the threshold we are confronted with a legend upon the door-post which gives us the essential plan of all that we shall find in the house if we enter in. There are, it is true, a few things capable of common use, verses written in the seeming-strong vernacular¹ of literary Dublin, as it were a hospitable² bench placed outside the door. They are indeed inside the house, but by accident or for temporary shelter. They do not, as the phrase goes, belong to the scheme, for they are direct transcriptions of the common reality, whether found in the sensible world or the emotion of the mind. They are, from Mr Yeats's angle of vision (as indeed from our own), essentially³ vers d'occasion.

[Footnote 3: The Wild Swans at Coole. By W.B. Yeats.(Macmillan.)]

The poet's high and passionate⁴ argument must be sought elsewhere, and precisely⁵ in his expression of his convictions about the world. And here, on the poet's word and the evidence of our search, we shall find phantasmagoria, ghostly symbols of a truth which cannot be otherwise conveyed, at least by Mr Yeats. To this, in itself, we make no demur⁶. The poet, if he is a true poet, is driven to approach the highest reality he can apprehend⁷. He cannot transcribe⁸ it simply because he does not possess the necessary apparatus⁹ of knowledge, and because if he did possess it his passion would flag. It is not often that Spinoza can disengage himself to write as he does at the beginning of the third book of the Ethics¹⁰, nor could Lucretius often kindle¹¹ so great a fire in his soul as that which made his material incandescent¹² in ?neadum genetrix. Therefore the poet turns to myth as a foundation upon which he can explicate his imagination. He may take his myth from legend or familiar history, or he may create one for himself anew, but the function it fulfils is always the same. It supplies the elements with which he can build the structure of his parable¹³, upon which he can make it elaborate enough to convey the multitudinous reactions of his soul to the world.

But between myths and phantasmagoria there is a great gulf¹⁴. The structural¹⁵ possibilities of the myth depend upon its intelligibility¹⁶. The child knows upon what drama, played in what world, the curtain will rise when he hears the trumpet-note: 'Of man's first disobedience….' And, even when the poet turns from legend and history to create his own myth, he must make one whose validity is visible, if he is not to be condemned¹⁷ to the sterility¹⁸ of a coterie¹⁹. The lawless and fantastic shapes of his own imagination need, even for their own perfect embodiment, the discipline of the common perception. The phantoms²⁰ of the individual brain, left to their own waywardness, lose all solidity and become like primary forms of life, instead of the penultimate forms they should be. For the poet himself must move securely among his visions; they must be not less certain and steadfast²¹ than men are. To anchor them he needs intelligible²² myth. Nothing less than a supremely²³ great genius can save him if he ventures into the vast without a landmark²⁴ visible to other eyes than his own. Blake had a supremely great genius and was saved in part. The masculine vigour²⁵ of his passion gave stability to the figures of his imagination. They are heroes because they are made to speak like heroes. Even in Blake's most recondite²⁶ work there is always the moment when the clouds are parted and we recognise the austere²⁷ and awful countenances²⁸ of gods. The phantasmagoria of the dreamer have been mastered by the sheer creative will of the poet. Like Jacob, he wrestled²⁹ until the going down of the sun with his angel and would not let him go.

The effort which such momentary³⁰ victories demand is almost superhuman; yet to possess the power to exert it is the sole condition upon which a poet may plunge³¹ into the world of phantasms. Mr Yeats has too little of the power to vindicate³² himself from the charge of idle dreaming. He knows the problem; perhaps he has also known the struggle. But the very terms in which he suggests it to us subtly convey a sense of impotence:—

  Hands, do what you're bid;
  Bring the balloon of the mind
  That bellies³³ and drags in the wind
  Into its narrow shed.

The languor³⁴ and ineffectuality of the image tell us clearly how the poet has failed in his larger task; its exactness, its precise expression of an ineffectuality made conscious and condoned³⁵, bears equal witness to the poet's minor³⁶ probity³⁷. He remains³⁸ an artist by determination, even though he returns downcast and defeated from the great quest of poetry. We were inclined at first, seeing those four lines enthroned in majestic³⁹ isolation⁴⁰ on a page, to find in them evidence of an untoward⁴¹ conceit⁴². Subsequently they have seemed to reveal a splendid honesty. Although it has little mysterious and haunting beauty, The Wild Swans at Coole is indeed a swan song. It is eloquent⁴³ of final defeat; the following of a lonely path has ended in the poet's sinking exhausted⁴⁴ in a wilderness⁴⁵ of gray. Not even the regret is passionate; it is pitiful.

  'I am worn out with dreams,
  A weather-worn, marble triton
  Among the streams;
  And all day long I look
  Upon this lady's beauty
  As though I had found in book
  A pictured beauty,
  Pleased to have filled the eyes
  Or the discerning ears,
  Delighted to be but wise,
  For men improve with the years;
  And yet, and yet
  Is this my dream, or the truth?
  O would that we had met
  When I had my burning youth;
  But I grow old among dreams,
  A weather-worn, marble triton
  Among the streams.'

It is pitiful because, even now in spite of all his honesty the poet mistakes the cause of his sorrow. He is worn out not with dreams, but with the vain effort to master them and submit them to his own creative energy. He has not subdued⁴⁶ them nor built a new world from them; he has merely followed them like will-o'-the-wisps away from the world he knew. Now, possessing neither world, he sits by the edge of a barren road that vanishes into a no-man's land, where is no future, and whence there is no way back to the past.

  'My country is Kiltartan Cross,
  My countrymen Kiltartan's poor;
  No likely end could bring them loss
  Or leave them happier than before.'

It may be that Mr Yeats has succumbed⁴⁷ to the malady⁴⁸ of a nation. We do not know whether such things are possible; we must consider him only in and for himself. From this angle we can regard him only as a poet whose creative vigour has failed him when he had to make the highest demands upon it. His sojourn⁴⁹ in the world of the imagination, far from enriching his vision, has made it infinitely⁵⁰ tenuous⁵¹. Of this impoverishment⁵², as of all else that has overtaken him, he is agonisedly aware.

  'I would find by the edge of that water
  The collar-bone of a hare,
  Worn thin by the lapping of the water,
  And pierce it through with a gimlet, and stare
  At the old bitter world where they marry in churches,
  And laugh over the untroubled water
  At all who marry in churches,
  Through the white thin bone of a hare.'

Nothing there remains of the old bitter world which for all its bitterness is a full world also; but nothing remains of the sweet world of imagination. Mr Yeats has made the tragic⁵³ mistake of thinking that to contemplate⁵⁴ it was sufficient. Had he been a great poet he would have made it his own, by forcing it into the fetters⁵⁵ of speech. By re-creating it, he would have made it permanent; he would have built landmarks⁵⁶ to guide him always back to where the effort of his last discovery had ended. But now there remains nothing but a handful of the symbols with which he was content:—

  'A Sphinx with woman breast and lion paw,
  A Buddha⁵⁷, hand at rest,
  Hand lifted up that blest;
  And right between these two a girl at play.'

These are no more than the dry bones in the valley of Ezekiel, and, alas⁵⁸! there is no prophetic fervour to make them live.

Whether Mr Yeats, by some grim fatality⁵⁹, mistook his phantasmagoria for the product of the creative imagination, or whether (as we prefer to believe) he made an effort to discipline them to his poetic⁶⁰ purpose and failed, we cannot certainly say. Of this, however, we are certain, that somehow, somewhere, there has been disaster. He is empty, now. He has the apparatus of enchantment⁶¹, but no potency⁶² in his soul. He is forced to fall back upon the artistic⁶³ honesty which has never forsaken⁶⁴ him. That it is an insufficient⁶⁵ reserve let this passage show:—

  'For those that love the world serve it in action,
  Grow rich, popular, and full of influence,
  And should they paint or write still it is action:
  The struggle of the fly in marmalade.
  The rhetorician would deceive his neighbours,
  The sentimentalist himself; while art
  Is but a vision of reality….'

Mr Yeats is neither rhetorician nor sentimentalist. He is by structure and impulse an artist. But structure and impulse are not enough. Passionate apprehension⁶⁶ must be added to them. Because this is lacking in Mr Yeats those lines, concerned though they are with things he holds most dear, are prose and not poetry.
[APRIL, 1919.

1 vernacular   

adj.地方的，用地方语写成的；n.白话；行话；本国语；动植物的俗名

参考例句：

• The house is built in a vernacular style.这房子按当地的风格建筑。
• The traditional Chinese vernacular architecture is an epitome of Chinese traditional culture.中国传统民居建筑可谓中国传统文化的缩影。

2 hospitable   

adj.好客的；宽容的；有利的，适宜的

参考例句：

• The man is very hospitable.He keeps open house for his friends and fellow-workers.那人十分好客，无论是他的朋友还是同事，他都盛情接待。
• The locals are hospitable and welcoming.当地人热情好客。

3 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

4 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

5 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

6 demur   

v．表示异议，反对

参考例句：

• Without demur, they joined the party in my rooms. 他们没有推辞就到我的屋里一起聚餐了。
• He accepted the criticism without demur. 他毫无异议地接受了批评。

7 apprehend   

vt.理解，领悟，逮捕，拘捕，忧虑

参考例句：

• I apprehend no worsening of the situation.我不担心局势会恶化。
• Police have not apprehended her killer.警察还未抓获谋杀她的凶手。

8 transcribe   

v.抄写，誉写；改编(乐曲)；复制，转录

参考例句：

• We need volunteers to transcribe this manuscript.我们需要自愿者来抄写这个文稿。
• I am able to take dictation in English and transcribe them rapidly into Chinese.我会英文记录，还能立即将其改写成中文。

9 apparatus   

n.装置，器械；器具，设备

参考例句：

• The school's audio apparatus includes films and records.学校的视听设备包括放映机和录音机。
• They had a very refined apparatus.他们有一套非常精良的设备。

10 ethics   

n.伦理学；伦理观，道德标准

参考例句：

• The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
• Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。

11 kindle   

v.点燃，着火

参考例句：

• This wood is too wet to kindle.这木柴太湿点不着。
• A small spark was enough to kindle Lily's imagination.一星光花足以点燃莉丽的全部想象力。

12 incandescent   

adj.遇热发光的， 白炽的，感情强烈的

参考例句：

• The incandescent lamp we use in daily life was invented by Edison.我们日常生活中用的白炽灯，是爱迪生发明的。
• The incandescent quality of his words illuminated the courage of his countrymen.他炽热的语言点燃了他本国同胞的勇气。

13 parable   

n.寓言，比喻

参考例句：

• This is an ancient parable.这是一个古老的寓言。
• The minister preached a sermon on the parable of the lost sheep.牧师讲道时用了亡羊的比喻。

14 gulf   

n.海湾；深渊，鸿沟；分歧，隔阂

参考例句：

• The gulf between the two leaders cannot be bridged.两位领导人之间的鸿沟难以跨越。
• There is a gulf between the two cities.这两座城市间有个海湾。

15 structural   

adj.构造的，组织的，建筑（用）的

参考例句：

• The storm caused no structural damage.风暴没有造成建筑结构方面的破坏。
• The North American continent is made up of three great structural entities.北美大陆是由三个构造单元组成的。

16 intelligibility   

n.可理解性，可理解的事物

参考例句：

• Further research on the effects of different characteristics on intelligibility is necessary. 不同的特征对字码可懂度的影响力的进一步研究是必要的。 来自互联网
• Demand concisely intelligibility, word number 30 or so thanks! 要求简洁明了，字数30左右谢谢啦！ 来自互联网

17 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

18 sterility   

n.不生育，不结果，贫瘠，消毒，无菌

参考例句：

• A major barrier to interspecific hybridization is sterility in the F1 progeny.种间杂交的主要障碍是F1代的不育性。
• Sterility is some permanent factor preventing procreation.不育是阻碍生殖的一种永久性因素。

19 coterie   

n.(有共同兴趣的)小团体，小圈子

参考例句：

• The name is known to only a small coterie of collectors.这个名字只有收藏家的小圈子才知道。
• Mary and her coterie gave a party to which we were not invited.玛利和她的圈内朋友举行派对，我们没被邀请。

20 phantoms   

n.鬼怪，幽灵( phantom的名词复数 )

参考例句：

• They vanished down the stairs like two phantoms. 他们像两个幽灵似的消失在了楼下。 来自辞典例句
• The horrible night that he had passed had left phantoms behind it. 他刚才度过的恐布之夜留下了种种错觉。 来自辞典例句

21 steadfast   

adj.固定的，不变的，不动摇的；忠实的；坚贞不移的

参考例句：

• Her steadfast belief never left her for one moment.她坚定的信仰从未动摇过。
• He succeeded in his studies by dint of steadfast application.由于坚持不懈的努力他获得了学业上的成功。

22 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

23 supremely   

adv.无上地，崇高地

参考例句：

• They managed it all supremely well. 这件事他们干得极其出色。
• I consider a supremely beautiful gesture. 我觉得这是非常优雅的姿态。

24 landmark   

n.陆标，划时代的事，地界标

参考例句：

• The Russian Revolution represents a landmark in world history.俄国革命是世界历史上的一个里程碑。
• The tower was once a landmark for ships.这座塔曾是船只的陆标。

25 vigour   

（=vigor）n.智力，体力，精力

参考例句：

• She is full of vigour and enthusiasm.她有热情，有朝气。
• At 40,he was in his prime and full of vigour.他40岁时正年富力强。

26 recondite   

adj.深奥的，难解的

参考例句：

• Her poems are modishly experimental in style and recondite in subject-matter.她的诗在风格上是时髦的实验派，主题艰深难懂。
• To a craftsman,the ancient article with recondite and scholastic words was too abstruse to understand.可是对一个车轮师父而言，这些之乎者也的文言文是太深而难懂的。

27 austere   

adj.艰苦的；朴素的，朴实无华的；严峻的

参考例句：

• His way of life is rather austere.他的生活方式相当简朴。
• The room was furnished in austere style.这间屋子的陈设都很简单朴素。

28 countenances   

n.面容( countenance的名词复数 )；表情；镇静；道义支持

参考例句：

• 'stood apart, with countenances of inflexible gravity, beyond what even the Puritan aspect could attain." 站在一旁，他们脸上那种严肃刚毅的神情，比清教徒们还有过之而无不及。 来自英汉 - 翻译样例 - 文学
• The light of a laugh never came to brighten their sombre and wicked countenances. 欢乐的光芒从来未照亮过他们那阴郁邪恶的面孔。 来自辞典例句

29 wrestled   

v.（与某人）搏斗( wrestle的过去式和过去分词 )；扭成一团；扭打；（与…）摔跤

参考例句：

• As a boy he had boxed and wrestled. 他小的时候又是打拳又是摔跤。
• Armed guards wrestled with the intruder. 武装警卫和闯入者扭打起来。 来自《简明英汉词典》

30 momentary   

adj.片刻的，瞬息的；短暂的

参考例句：

• We are in momentary expectation of the arrival of you.我们无时无刻不在盼望你的到来。
• I caught a momentary glimpse of them.我瞥了他们一眼。

31 plunge   

v.跳入，(使)投入，(使)陷入；猛冲

参考例句：

• Test pool's water temperature before you plunge in.在你跳入之前你应该测试水温。
• That would plunge them in the broil of the two countries.那将会使他们陷入这两国的争斗之中。

32 vindicate   

v.为…辩护或辩解，辩明；证明…正确

参考例句：

• He tried hard to vindicate his honor.他拼命维护自己的名誉。
• How can you vindicate your behavior to the teacher?你怎样才能向老师证明你的行为是对的呢？

33 bellies   

n.肚子( belly的名词复数 )；腹部；（物体的）圆形或凸起部份；腹部…形的

参考例句：

• They crawled along on their bellies. 他们匍匐前进。
• starving children with huge distended bellies 鼓着浮肿肚子的挨饿儿童

34 languor   

n.无精力，倦怠

参考例句：

• It was hot,yet with a sweet languor about it.天气是炎热的，然而却有一种惬意的懒洋洋的感觉。
• She,in her languor,had not troubled to eat much.她懒懒的，没吃多少东西。

35 condoned   

v.容忍，宽恕，原谅( condone的过去式和过去分词 )

参考例句：

• Terrorism can never be condoned. 决不能容忍恐怖主义。
• They condoned his sins because he repented. 由于他的悔悟，他们宽恕了他的罪。 来自辞典例句

36 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

37 probity   

n.刚直；廉洁，正直

参考例句：

• Probity and purity will command respect everywhere.为人正派到处受人尊敬。
• Her probity and integrity are beyond question.她的诚实和正直是无可争辩的。

38 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

39 majestic   

adj.雄伟的，壮丽的，庄严的，威严的，崇高的

参考例句：

• In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
• He looks majestic in uniform.他穿上军装显得很威风。

40 isolation   

n.隔离，孤立，分解，分离

参考例句：

• The millionaire lived in complete isolation from the outside world.这位富翁过着与世隔绝的生活。
• He retired and lived in relative isolation.他退休后，生活比较孤寂。

41 untoward   

adj.不利的，不幸的，困难重重的

参考例句：

• Untoward circumstances prevent me from being with you on this festive occasion.有些不幸的事件使我不能在这欢庆的时刻和你在一起。
• I'll come if nothing untoward happens.我要是没有特殊情况一定来。

42 conceit   

n.自负，自高自大

参考例句：

• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。
• She seems to be eaten up with her own conceit.她仿佛已经被骄傲冲昏了头脑。

43 eloquent   

adj.雄辩的，口才流利的；明白显示出的

参考例句：

• He was so eloquent that he cut down the finest orator.他能言善辩，胜过最好的演说家。
• These ruins are an eloquent reminder of the horrors of war.这些废墟形象地提醒人们不要忘记战争的恐怖。

44 exhausted   

adj.极其疲惫的，精疲力尽的

参考例句：

• It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长，到家时我们已筋疲力尽。
• Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。

45 wilderness   

n.杳无人烟的一片陆地、水等，荒漠

参考例句：

• She drove the herd of cattle through the wilderness.她赶着牛群穿过荒野。
• Education in the wilderness is not a matter of monetary means.荒凉地区的教育不是钱财问题。

46 subdued   

adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词

参考例句：

• He seemed a bit subdued to me. 我觉得他当时有点闷闷不乐。
• I felt strangely subdued when it was all over. 一切都结束的时候，我却有一种奇怪的压抑感。

47 succumbed   

不再抵抗（诱惑、疾病、攻击等）( succumb的过去式和过去分词 )； 屈从； 被压垮； 死

参考例句：

• The town succumbed after a short siege. 该城被围困不久即告失守。
• After an artillery bombardment lasting several days the town finally succumbed. 在持续炮轰数日后，该城终于屈服了。

48 malady   

n.病，疾病(通常做比喻)

参考例句：

• There is no specific remedy for the malady.没有医治这种病的特效药。
• They are managing to control the malady into a small range.他们设法将疾病控制在小范围之内。

49 sojourn   

v./n.旅居，寄居；逗留

参考例句：

• It would be cruel to begrudge your sojourn among flowers and fields.如果嫉妒你逗留在鲜花与田野之间，那将是太不近人情的。
• I am already feeling better for my sojourn here.我在此逗留期间，觉得体力日渐恢复。

50 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

51 tenuous   

adj.细薄的，稀薄的，空洞的

参考例句：

• He has a rather tenuous grasp of reality.他对现实认识很肤浅。
• The air ten miles above the earth is very tenuous.距离地面十公里的空气十分稀薄。

52 impoverishment   

n.贫穷，穷困；贫化

参考例句：

• Therefore, the spiritual impoverishment is a more fearful social phenomenon. 所以，精神贫困是一种比物质贫困更隐蔽更可怕的社会现象。 来自互联网
• Impoverishment is compounded by many elements, and can transmit to be a pernicious cycle. 贫困是由多种因素复合而成的，并且具有传递性，形成贫困的恶性循环。 来自互联网

53 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

54 contemplate   

vt.盘算，计议；周密考虑；注视，凝视

参考例句：

• The possibility of war is too horrifying to contemplate.战争的可能性太可怕了，真不堪细想。
• The consequences would be too ghastly to contemplate.后果不堪设想。

55 fetters   

n.脚镣( fetter的名词复数 )；束缚v.给…上脚镣，束缚( fetter的第三人称单数 )

参考例句：

• They were at last freed from the fetters of ignorance. 他们终于从愚昧无知的束缚中解脱出来。
• They will run wild freed from the fetters of control. 他们一旦摆脱了束缚，就会变得无法无天。 来自《简明英汉词典》

56 landmarks   

n.陆标( landmark的名词复数 )；目标；（标志重要阶段的）里程碑 ~ (in sth)；有历史意义的建筑物（或遗址）

参考例句：

• The book stands out as one of the notable landmarks in the progress of modern science. 这部著作是现代科学发展史上著名的里程碑之一。 来自《现代汉英综合大词典》
• The baby was one of the big landmarks in our relationship. 孩子的出世是我们俩关系中的一个重要转折点。 来自辞典例句

57 Buddha   

n.佛；佛像；佛陀

参考例句：

• Several women knelt down before the statue of Buddha and prayed.几个妇女跪在佛像前祈祷。
• He has kept the figure of Buddha for luck.为了图吉利他一直保存着这尊佛像。

58 alas   

int.唉(表示悲伤、忧愁、恐惧等)

参考例句：

• Alas!The window is broken!哎呀！窗子破了！
• Alas,the truth is less romantic.然而，真理很少带有浪漫色彩。

59 fatality   

n.不幸，灾祸，天命

参考例句：

• She struggle against fatality in vain.她徒然奋斗反抗宿命。
• He began to have a growing sense of fatality.他开始有一种越来越强烈的宿命感。

60 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

61 enchantment   

n.迷惑，妖术，魅力

参考例句：

• The beauty of the scene filled us with enchantment.风景的秀丽令我们陶醉。
• The countryside lay as under some dread enchantment.乡村好像躺在某种可怖的魔法之下。

62 potency   

n. 效力，潜能

参考例句：

• Alcohol increases the drug's potency.酒精能增加这种毒品的效力。
• Sunscreen can lose its potency if left over winter in the bathroom cabinet.如果把防晒霜在盥洗室的壁橱里放一个冬天，就有可能失效。

63 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

64 Forsaken   

adj. 被遗忘的, 被抛弃的 动词forsake的过去分词

参考例句：

• He was forsaken by his friends. 他被朋友们背弃了。
• He has forsaken his wife and children. 他遗弃了他的妻子和孩子。

65 insufficient   

adj.(for，of)不足的，不够的

参考例句：

• There was insufficient evidence to convict him.没有足够证据给他定罪。
• In their day scientific knowledge was insufficient to settle the matter.在他们的时代，科学知识还不能足以解决这些问题。

66 apprehension   

n.理解，领悟；逮捕，拘捕；忧虑

参考例句：

• There were still areas of doubt and her apprehension grew.有些地方仍然存疑，于是她越来越担心。
• She is a girl of weak apprehension.她是一个理解力很差的女孩。