A short article published some years ago in Lippincott’s Magazine may be said to be the nucleus4 of the present volume, the writer’s interest in the subject having been awakened5 by the study necessary to its preparation.
We enter a house through the portico6 or vestibule. We form acquaintances on somewhat the same principle. We begin perhaps with the weather, we exchange comments on trifles, we pass through an introductory stage of intercourse7 before we reach the real heart of the man or woman who, in time, becomes our dearest friend. Skip the introduction if you will, busy[ii] reader, but metaphorically8 it forms the portico or vestibule of the Egyptian House.
From the darkness which envelopes the centuries modern research has brought to light much that was unknown or forgotten. With almost the creative touch it has made the dry bones to live again and link by link drawn9 out the long chain of the years. What was once a mere2 roll of names with a wide hiatus here and there has grown to be a record of the words and deeds of men of like passions with ourselves. We feel once more in touch with the past, as it is the aim of the highest altruism10 to beat responsive to the heart of the present and the by-gone faces look forth11 by the side of modern man and claim the universal brotherhood12.
Well may we marvel13 at the faith, the patience, the ingenuity14 which has unraveled so much of the tangled15 skein in “The Story of the Nations.” Like Cuvier, from a single bone elaborating a whole animal, the Egyptologist has patiently evolved from shreds16 of parchment, from fragments of pottery17, from broken plinth and capital a more or less complete whole. He has woven a tapestry18 from which some of the figures start forth with a lifelike vigor19.
Few countries claim such antiquity20 as Egypt and of none were the estimated dates more widely apart. Sometimes involving periods of hundreds and thousands of years. An accumulation of difficulties meets the student as it does the explorer. A cycle of time, beside which modern life seems like a single breath. A language, at first indecipherable, and even now[iii] imperfectly read. The hasty guesses of scholars anxious to prove some point or be in the vanguard of discovery; broken monuments, rifled tombs, and inscriptions21, mutilated, erased22 and altered by the monarchs23 of succeeding generations. Among all these difficulties lies the way. But with patience and care we are rewarded and with “imagination for a servant,” not a master, one “arrives,” as the French say (at least in a measure), at last.
The list of authorities consulted by the author would be too long to enumerate24, but among them may be mentioned Rawlinson, Wilkinson, Maspero, Erman, Ebers and later Edwards, Sayce, Petrie and Mahaffy, whose interest is so absorbing and the researches of some of whom are of such recent date. To these may be added the study of all available pictures and photographs, and the experiences of late travel and travellers.
点击收听单词发音
1 craves | |
渴望,热望( crave的第三人称单数 ); 恳求,请求 | |
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2 mere | |
adj.纯粹的;仅仅,只不过 | |
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3 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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4 nucleus | |
n.核,核心,原子核 | |
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5 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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6 portico | |
n.柱廊,门廊 | |
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7 intercourse | |
n.性交;交流,交往,交际 | |
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8 metaphorically | |
adv. 用比喻地 | |
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9 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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10 altruism | |
n.利他主义,不自私 | |
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11 forth | |
adv.向前;向外,往外 | |
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12 brotherhood | |
n.兄弟般的关系,手中情谊 | |
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13 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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14 ingenuity | |
n.别出心裁;善于发明创造 | |
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15 tangled | |
adj. 纠缠的,紊乱的 动词tangle的过去式和过去分词 | |
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16 shreds | |
v.撕碎,切碎( shred的第三人称单数 );用撕毁机撕毁(文件) | |
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17 pottery | |
n.陶器,陶器场 | |
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18 tapestry | |
n.挂毯,丰富多采的画面 | |
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19 vigor | |
n.活力,精力,元气 | |
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20 antiquity | |
n.古老;高龄;古物,古迹 | |
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21 inscriptions | |
(作者)题词( inscription的名词复数 ); 献词; 碑文; 证劵持有人的登记 | |
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22 erased | |
v.擦掉( erase的过去式和过去分词 );抹去;清除 | |
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23 monarchs | |
君主,帝王( monarch的名词复数 ) | |
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24 enumerate | |
v.列举,计算,枚举,数 | |
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