Two people mutually enamoured of an identical future are not long in coming to some understanding of each other’s hearts, particularly if the hearts in question possess more of the human element than the divine.
James Maltravers had succumbed6 seriously to interests that he had been almost brought to regard as the mere7 foibles of frivolity8. And since his honor was a somewhat opalescent9 thing, blue and sincere one moment, red the next when caught in certain rays of the sun, it may be imagined that his conscience was nimble in the justification10 of his cause. The dramaticisms of life are in the higher sense wholly a matter of character. There is nothing so impressive as the grand temptation of a fine spirit; nothing more mean and contemptible11 than the facile sinning of a corrupt12 one. Incidents are what our souls make them, the song of the swan or the death-slime of the snail14.
It had pleased Ophelia Strong to represent herself as a woman oppressed beneath a grievous and unkindly past. It had pleased her to pose picturesquely15 at her husband’s expense, to reverse the primitive16 fable17, and accuse the marital18 Adam of leading evil into Eden. The assumption was easily upheld by ingenuity19, much fanciful detail, and an intelligent disregard of truth. Having assumed an air of martyrdom, it was easy for her to procure20 artistic21 matter to color the romance.
As for the soldier, he was a man, and a sentimentalist in a somewhat florid school of realism. It was easy to discover chivalry22 in the affair—even to suffer chivalry to flame up into a more serious emotion. The woman stood in need of sympathy, made abundant pretence23 of desolation, posed very charmingly in the part like the interesting woman that she was. Maltravers soon discovered that sympathy was a very pleasant commodity for barter24. It cost nothing, supplied infinite recreation, enhanced the charms of billiards25 and the like. He was quite prepared to echo Ophelia’s humor. Let her but pipe to him and he would dance.
It is sufficient for the needs of the narrative26 to record certain remarks that passed on one occasion between Ophelia Strong and her most Platonic27 confidant. Golf was the excuse, a foursome on the Callydon links, in which Miss Mable Saker and a male friend formed the opposition28. Sundry29 disjointed sentences were possible as the game proceeded. The physical distractions30 present were useful in deducting31 from the gravity of the dialogue and shedding an air of flippant satiricism over the incidents.
“How is your bibliomaniac?” said the soldier, as the two were following on after a drive.
“Fairly frigid,” came the response.
“Has his magnificence favored you with a letter of late?”
“Not for ten days. You see, he is so much in demand as a genius.”
“Geniuses are dangerous folk—tar-barrels, dynamite32. They need damping.”
They passed about the hem13 of a larch-wood where a thousand emerald points were shimmering33 in the sun. The gorse was ablaze34 on either side of the track. Down in the valley beneath them a lake flickered35 under the heavens, and they could catch the faint roar of the water as it foamed36 over the weir37.
“I suppose your friends know all about it?” said the major, pulling the peak of his cap down to shade his eyes in the sun.
Ophelia glanced at his clean-shaven, jockey-like profile with critical approval.
“Not much.”
“Oh, but they ought to.”
Two small boys trespassed38 on the line of fire.
“Fore! you brats39.”
The soldier’s voice rang clear and clarion-like. It seemed to come from his chest with a brisk and healthful forcefulness, a strenuous40 virility41 that was unproblematic and easeful.
“My dear girl, you are much too amiable,” he said, as they waded42 through a lagoon43 of heather.
“Am I?”
“You women are so patient; you will stand hell and damnation for the man you are fond of.”
Ophelia smiled.
“And you think I am still fond of him?” she said.
“Don’t ask me to be a prophet.”
“I am not a Mary or a Prudence44.”
“Not so puritanically45 fatuous46.”
“Hardly.”
“Matters often sift47 themselves,” he said; “gentlemen of that class usually unbuckle the strap48 with their own fingers sooner or later. All the better for society, you know. Indiscretions brought to light, judicial49 interference, a decree nisi, etc. Oh yes, these things can be managed.”
点击收听单词发音
1 riotous | |
adj.骚乱的;狂欢的 | |
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2 prevailing | |
adj.盛行的;占优势的;主要的 | |
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3 verged | |
接近,逼近(verge的过去式与过去分词形式) | |
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4 melodrama | |
n.音乐剧;情节剧 | |
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5 voluptuousness | |
n.风骚,体态丰满 | |
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6 succumbed | |
不再抵抗(诱惑、疾病、攻击等)( succumb的过去式和过去分词 ); 屈从; 被压垮; 死 | |
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7 mere | |
adj.纯粹的;仅仅,只不过 | |
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8 frivolity | |
n.轻松的乐事,兴高采烈;轻浮的举止 | |
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9 opalescent | |
adj.乳色的,乳白的 | |
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10 justification | |
n.正当的理由;辩解的理由 | |
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11 contemptible | |
adj.可鄙的,可轻视的,卑劣的 | |
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12 corrupt | |
v.贿赂,收买;adj.腐败的,贪污的 | |
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13 hem | |
n.贴边,镶边;vt.缝贴边;(in)包围,限制 | |
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14 snail | |
n.蜗牛 | |
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15 picturesquely | |
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16 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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17 fable | |
n.寓言;童话;神话 | |
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18 marital | |
adj.婚姻的,夫妻的 | |
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19 ingenuity | |
n.别出心裁;善于发明创造 | |
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20 procure | |
vt.获得,取得,促成;vi.拉皮条 | |
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21 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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22 chivalry | |
n.骑士气概,侠义;(男人)对女人彬彬有礼,献殷勤 | |
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23 pretence | |
n.假装,作假;借口,口实;虚伪;虚饰 | |
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24 barter | |
n.物物交换,以货易货,实物交易 | |
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25 billiards | |
n.台球 | |
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26 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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27 platonic | |
adj.精神的;柏拉图(哲学)的 | |
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28 opposition | |
n.反对,敌对 | |
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29 sundry | |
adj.各式各样的,种种的 | |
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30 distractions | |
n.使人分心的事[人]( distraction的名词复数 );娱乐,消遣;心烦意乱;精神错乱 | |
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31 deducting | |
v.扣除,减去( deduct的现在分词 ) | |
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32 dynamite | |
n./vt.(用)炸药(爆破) | |
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33 shimmering | |
v.闪闪发光,发微光( shimmer的现在分词 ) | |
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34 ablaze | |
adj.着火的,燃烧的;闪耀的,灯火辉煌的 | |
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35 flickered | |
(通常指灯光)闪烁,摇曳( flicker的过去式和过去分词 ) | |
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36 foamed | |
泡沫的 | |
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37 weir | |
n.堰堤,拦河坝 | |
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38 trespassed | |
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39 brats | |
n.调皮捣蛋的孩子( brat的名词复数 ) | |
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40 strenuous | |
adj.奋发的,使劲的;紧张的;热烈的,狂热的 | |
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41 virility | |
n.雄劲,丈夫气 | |
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42 waded | |
(从水、泥等)蹚,走过,跋( wade的过去式和过去分词 ) | |
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43 lagoon | |
n.泻湖,咸水湖 | |
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44 prudence | |
n.谨慎,精明,节俭 | |
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45 puritanically | |
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46 fatuous | |
adj.愚昧的;昏庸的 | |
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47 sift | |
v.筛撒,纷落,详察 | |
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48 strap | |
n.皮带,带子;v.用带扣住,束牢;用绷带包扎 | |
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49 judicial | |
adj.司法的,法庭的,审判的,明断的,公正的 | |
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