Monsieur Alphonse Giraud, unlike many men, had an aim in life—a daily purpose with which he rose in the morning at, it must be admitted, a shockingly late hour—without which he rarely sought his couch even when it was not reached until the foolish birds were astir.
The son of the celebrated1 Baron2 Giraud sought, in a word, to be mistaken for an Englishman—and what higher ambition could we, who modestly set such store upon our nationality, desire him to cherish?
In view of this praiseworthy object, Alphonse Giraud wore a mustache only, and this—oh! inconsistency of great minds—he laboriously3 twirled heavenwards in the French fashion. It was, in fact, the guileless Alphonse's chief tribulation4 that, however industriously5 he cultivated that devil-may-care upward sweep, the sparse6 ornament7 to his upper lip invariably drooped8 downwards9 again before long.[50] In the sunny land of France it is held that the mustache worn "en croc" not only confers upon its possessor an air of distinction, but renders that happy individual particularly irresistible10 in the eyes of the fair. Readers of modern French fiction are aware that the heroes of those edifying11 tales invariably wear the mustache "hardiment retroussée," which habit doubtless adds a subtle charm to their singularly puerile12 and fatuous13 conversation imperceptible to the mere14 reader.
Alphonse Giraud was a small man, and would have given a thousand pounds for another inch, as he frankly15 told his friends. His outward garments were fashioned in London, whence also came his hats, gloves and boots. But within all these he was hopelessly and absolutely French. The English boots trod the pavement—they knew no other path in life—in a manner essentially16 Gallic. The check trousers, of a pattern somewhat loud and startling, had the mincing17 gait in them of any "pantalon de fantasie," purchased à prix fixe in the Boulevard St. Germain, across the water. It is useless to lift a Lincoln and Bennett from a little flat-topped head, cut, as they say, to the rat and fringed all over with black, upright hair.
But young Giraud held manfully to his purpose, and even essayed to copy the attitudes of his own groom18, a thin-legged man from Streatham, who[51] knew a thing or two, let him tell you, about a 'oss. There was no harm in Alphonse. There is, indeed, less harm in Frenchmen than they—sad dogs!—would have you believe. They are, as a rule, domesticated19 individuals, with a pretty turn for mixing a salad. Within the narrow but gay waistcoat of this son of Paris there beat as kind a little eager French heart as one may wish to deal with.
"Bon Dieu!" Alphonse would exclaim, when convinced that he had been robbed or cheated. "What will you? I am like that. I daresay the poor devil wanted the money badly—and I do not miss it."
It was the Baron Giraud's great desire that Alphonse should be a gentleman of the great world, moving in his narrow orbit in the first circles of Parisian society, which was nothing to boast of in those days, and has steadily21 declined ever since. To attain22 such an eminence23, the astute24 financier knew as well as any that only one thing was really necessary—namely, money. This he gave to his son with an open hand, and only gasped25 when he heard whither it went and how freely Alphonse spent it.
"There is plenty more," he said, "behind." And his little porcine eyes twinkled amid their yel[52]low wrinkles. "I am a man of substance. You must be a man of position. But do not lend to the wrong people. Rather give to the right and be done with it. They will take it—bon Dieu! You need not shake your head. There is no man who will refuse money if you offer him enough."
And who shall say that the Baron Giraud was wrong?
A young man possessing a light heart and a heavy purse will never want a friend in this kind world of ours. And Alphonse Giraud possessed26, moreover, a few of the better sort of friends, who had well-filled purses of their own, and wanted nothing from him but his gay laugh and good-fellowship. These were true friends, who did not scruple27 to tell him, when they encountered him in the Bois de Boulogne, afoot or on horseback, that while the right-hand side of his mustache was most successfully en croc, the other extremity28 of the ornament pointed29 earthwards. And, let it be remembered, that to tell a man of a defect in his personal appearance is always a doubtful kindness.
"Ah, heavens!" Alphonse would exclaim to these true comrades, "I have evil luck, and two minutes ago I bowed to the beautiful Comtesse de Peudechose in her buggy."
Alphonse affected30 the society of Englishmen, was a member of the clubs frequented by the sons[53] of Albion resident in Paris, and sought the society of the young gentlemen of the Embassy. It was in the apartments of one of these that he made the acquaintance of Phillip Gayerson, a young fellow intended for the diplomatic service. Phillip Gayerson, be it known at once, was the brother of that Isabella Gayerson to whose hand, heart and estate the present chronicler was accredited31 by a fond father, and about whom, indeed, he had quarrelled with the author of his being.
The name of Dick Howard being at that time unknown to the little Frenchman, Alphonse Giraud made no mention of it to Gayerson a self-absorbed man, who had probably forgotten my existence at this time.
My countryman, as I afterwards learned, had come to Paris with the object of learning the language, which by reason of its subtlety32 lends itself most readily to diplomatic purposes, the most expressive33 language, to my thinking, that the world has yet evolved, not excepting the much-vaunted tongue in which Homer wrote. Phillip and I had been boys together, and of all the comrades of my youth I should have selected him the last to distinguish himself in statecraft. He was a quiet, unobservant, and, as previously34 noted35, self-absorbed man, with a sense of the picturesque36, which took the form of mediocre37 water-colour sketching38. His ap[54]pearance was in his favour, for he was visibly a gentleman; a man, moreover, of refined thought and habit, whom burly Norfolk squires39 dubbed40 effeminate.
Alphonse Giraud liked him—the world is sunny to those who look at it through sunny eyes—and took him up, as the saying goes, without hesitation41. He procured42 for him an invitation to a semi-state ball, held, as some no doubt remember, in the autumn of 1869. It was Lucille de Clericy's first ball, and Giraud renewed there a childish friendship with one whose hair he confessed to have pulled in the unchivalrous days of his infancy43.
Alphonse, who was of a frank nature, as are many of his countrymen, told Madame de Clericy, whom he escorted to the refreshment44 room after dancing with her daughter, that he loved Lucille.
"But my dear Alphonse," retorted that lady, "you had forgotten her existence until this evening."
This objection to his passion the lightsome Alphonse waived45 aside with a perfectly46 gloved little hand.
"But," he answered earnestly, "unknown to myself her vision must always have been here."
And he touched his shirt-front with the tips of his fingers gently, remembering the delicacy47 of his linen48.[55]
"It is an angel!" he added, with an upward glance of his bright little eyes, and tossed off a glass of champagne49 cup.
Madame de Clericy sipped50 her coffee slowly, and said nothing; but her eyes travelled downward from the crown of her companion's head to his dapper feet. And during that scrutiny51 there is little doubt that she reckoned the value of Monsieur Alphonse Giraud. What she saw was a pleasant spoken young man, plus twenty thousand pounds a year. No wonder the Vicomtesse smiled softly.
"And I," went on the Frenchman in half humorous humility52, "what am I? Not clever, not handsome, not even tall!"
"C'est la vie," she said; a favourite reflection with her.
"Yes, and life and I are equal," replied Alphonse, with his gay laugh. "We are both short! And now I wish to present to you and to Lucille my best friend, Phillip Gayerson. He stands over there by the table, he in English clothes. He only arrived in Paris ten days ago, and speaks French indifferently. But he is charming, quite charming, my dearest friend."
"Did you know him before he came to Paris?"
"Oh, no! Excuse me. I will bring him."
Madame made no remark, but watched Giraud[56] with her quiet smile as he went to seek this dear friend of eight days' standing54.
Phillip Gayerson was distinguished55 by a slight shyness. It was as little known or understood in Paris in the decadent56 days of the Second Empire as it is now in the time of our own social collapse57 in England.
Thus, when the introduction was complete, Phillip Gayerson found that he had nothing to say to this elderly French lady, and was glad when Lucille came up, radiant on the arm of her partner. Alphonse presented his friend at once, and here Phillip felt more at his ease, being a better dancer than talker, and asked for the honour of a waltz without delay.
"I have but two left," answered Mademoiselle de Clericy, with a gay glance of happiness towards her mother. "They are at the end of the programme, and I promised to reserve them for Monsieur Howard."
She handed him her engagement card, in frank confirmation58 of this statement.
"R. H.," said Gayerson, deciphering the initials Lucille herself had scribbled59. "If this is Dick Howard I will take the first of his two dances, and risk the consequence. It will not be the first time that Dick and I have fallen out."
"THEN YOU KNOW MR. HOWARD?" SAID LUCILLE, WITH ANOTHER
GLANCE AT HER MOTHER. "YES," ... ANSWERED GAYERSON, BUT HAD NO TIME
FOR MORE, FOR THE NEXT DANCE WAS GIRAUD'S, WHO WAS ALREADY BOWING
BEFORE HER, AS BEFORE A DEITY60. "THEN YOU KNOW MR. HOWARD?" SAID LUCILLE, WITH ANOTHER GLANCE AT HER MOTHER. "YES," ... ANSWERED GAYERSON, BUT HAD NO TIME FOR MORE, FOR THE NEXT DANCE WAS GIRAUD'S, WHO WAS ALREADY BOWING BEFORE HER, AS BEFORE A DEITY.
[57]
He wrote his name over mine, and returned the card to its owner.
"Then you know Mr. Howard?" said Lucille, with another glance at her mother.
"Yes," ... answered Gayerson, but had no time for more, for the next dance was Giraud's, who was already bowing before her, as before a deity.
Madame de Clericy made a little movement, as if to speak to Gayerson, but that young gentleman failed to see the gesture, and moved away to find his partner for the coming waltz.
With the great people gathered at this assembly we have nothing to do, though the writer and the reader, no doubt, love to rub elbows with such lofty persons, if it be only in a public room. Many of them, be it noted, were not nearly so important as they considered themselves, and the greatness of some was built upon a base too frail61 to withstand the storm and stress of the coming years.
Through the brilliant throng62 Lucille moved gaily63 and happily, taking, with the faith of youth, dross64 for gold, and a high head for the token of a noble heart. When Phillip Gayerson claimed his dance he found her a little tired, but still dazzled and excited by the brilliance65 of the occasion.
"Is it not splendid?" she exclaimed, taking his[58] arm. "It is my first ball. I am sure I shall never be too old to dance, as mother says she is. Is it not absurd to say such a thing?"
Gayerson laughed, and as was his wont—a habit, indeed, with many shy men—came straight to the point.
"Do you know Dick Howard, then?" he asked.
"Yes, a little. Has he arrived? This is his dance, you know."
"I cannot tell you if he has arrived, Mademoiselle," answered the Englishman, in his halting French. "I know him at home—in Norfolk. I was not aware that he was in Paris. But he will not be here to-night."
"Why?"
"Because his father is dead."
Lucille said nothing. She obeyed the movements of his arm, and they danced, mingling66 with that gay throng, where the feet were lighter67 than the hearts, we may be sure. They went through the whole dance in silence, as Phillip afterwards told me—and he tried in vain to engage Lucille's full attention to matters of passing interest.
"We must find my mother," she said at length, when the music had ceased. "Mr. Howard does not know. He has been travelling in the South with my father. His letters have not been forwarded to him."[59]
Phillip Gayerson guided his partner through the laughing throng.
"It will be bad news for Dick," he said, "for his father has left him penniless."
"No. He quarrelled with his father, who left him without a sou. But Howard knew it before he quitted England."
Lucille did not speak again until they had joined her mother, to whom she said something so hurriedly that Gayerson did not catch the import of her words.
At this moment I entered the room, and made my way towards them, feeling more fit for my bed than a ball-room, for I had travelled night and day to dance a waltz with Lucille. As I approached, Gayerson bowed to the ladies and took his departure.
"My dance, Mademoiselle," I said, "if you have been so kind as to remember it."
"Yes," answered Lucille, coldly as it seemed, "but I am tired, and we are going home."
I looked towards Madame, and saw something in her face, I knew not what.
"Your arm, mon ami," she said, lifting her hand; "we had better go home."
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1
celebrated
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| adj.有名的，声誉卓著的 | |
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baron
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| n.男爵；(商业界等)巨头，大王 | |
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laboriously
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| adv.艰苦地；费力地；辛勤地；（文体等）佶屈聱牙地 | |
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tribulation
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| n.苦难，灾难 | |
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industriously
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sparse
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| adj.稀疏的，稀稀落落的，薄的 | |
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ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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8
drooped
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| 弯曲或下垂，发蔫( droop的过去式和过去分词 ) | |
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9
downwards
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| adj./adv.向下的（地），下行的（地） | |
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irresistible
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| adj.非常诱人的，无法拒绝的，无法抗拒的 | |
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edifying
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| adj.有教训意味的，教训性的，有益的v.开导，启发( edify的现在分词 ) | |
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puerile
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| adj.幼稚的，儿童的 | |
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fatuous
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| adj.愚昧的；昏庸的 | |
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14
mere
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| adj.纯粹的；仅仅，只不过 | |
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frankly
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| adv.坦白地，直率地；坦率地说 | |
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16
essentially
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| adv.本质上，实质上，基本上 | |
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mincing
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| adj.矫饰的；v.切碎；切碎 | |
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18
groom
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| vt.给（马、狗等）梳毛，照料，使...整洁 | |
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19
domesticated
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| adj.喜欢家庭生活的；（指动物）被驯养了的v.驯化( domesticate的过去式和过去分词 ) | |
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needy
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| adj.贫穷的，贫困的，生活艰苦的 | |
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steadily
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| adv.稳定地；不变地；持续地 | |
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attain
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| vt.达到，获得，完成 | |
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eminence
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| n.卓越，显赫；高地，高处；名家 | |
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astute
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| adj.机敏的，精明的 | |
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gasped
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| v.喘气( gasp的过去式和过去分词 )；喘息；倒抽气；很想要 | |
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26
possessed
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| adj.疯狂的；拥有的，占有的 | |
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scruple
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| n./v.顾忌，迟疑 | |
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28
extremity
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| n.末端，尽头；尽力；终极；极度 | |
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pointed
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| adj.尖的，直截了当的 | |
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affected
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| adj.不自然的，假装的 | |
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accredited
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| adj.可接受的；可信任的；公认的；质量合格的v.相信( accredit的过去式和过去分词 )；委托；委任；把…归结于 | |
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32
subtlety
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| n.微妙，敏锐，精巧；微妙之处，细微的区别 | |
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33
expressive
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| adj.表现的，表达…的，富于表情的 | |
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34
previously
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| adv.以前，先前（地） | |
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35
noted
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| adj.著名的，知名的 | |
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36
picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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37
mediocre
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| adj.平常的，普通的 | |
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sketching
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| n.草图 | |
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squires
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| n.地主，乡绅( squire的名词复数 ) | |
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40
dubbed
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| v.给…起绰号( dub的过去式和过去分词 )；把…称为；配音；复制 | |
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41
hesitation
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| n.犹豫，踌躇 | |
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42
procured
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| v.（努力）取得， （设法）获得( procure的过去式和过去分词 )；拉皮条 | |
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43
infancy
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| n.婴儿期；幼年期；初期 | |
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44
refreshment
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| n.恢复，精神爽快，提神之事物；（复数）refreshments:点心，茶点 | |
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45
waived
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| v.宣布放弃( waive的过去式和过去分词 )；搁置；推迟；放弃（权利、要求等） | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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delicacy
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| n.精致，细微，微妙，精良；美味，佳肴 | |
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48
linen
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| n.亚麻布，亚麻线，亚麻制品；adj.亚麻布制的，亚麻的 | |
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49
champagne
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| n.香槟酒；微黄色 | |
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50
sipped
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| v.小口喝，呷，抿( sip的过去式和过去分词 ) | |
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51
scrutiny
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| n.详细检查，仔细观察 | |
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52
humility
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| n.谦逊，谦恭 | |
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53
shrugged
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| vt.耸肩（shrug的过去式与过去分词形式） | |
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54
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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55
distinguished
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| adj.卓越的，杰出的，著名的 | |
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56
decadent
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| adj.颓废的，衰落的，堕落的 | |
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57
collapse
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| vi.累倒；昏倒；倒塌；塌陷 | |
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58
confirmation
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| n.证实，确认，批准 | |
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59
scribbled
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| v.潦草的书写( scribble的过去式和过去分词 )；乱画；草草地写；匆匆记下 | |
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60
deity
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| n.神，神性；被奉若神明的人(或物) | |
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61
frail
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| adj.身体虚弱的；易损坏的 | |
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62
throng
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| n.人群，群众；v.拥挤，群集 | |
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63
gaily
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| adv.欢乐地，高兴地 | |
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64
dross
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| n.渣滓；无用之物 | |
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65
brilliance
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| n.光辉，辉煌，壮丽，（卓越的）才华，才智 | |
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66
mingling
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| adj.混合的 | |
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67
lighter
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| n.打火机，点火器；驳船；v.用驳船运送；light的比较级 | |
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68
attentively
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| adv.聚精会神地；周到地；谛；凝神 | |
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69
bouquet
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| n.花束，酒香 | |
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