CHAPTER XLIV.

 IN WHICH THE LAST THREE WORDS OF THE LAST CHAPTER ARE MADE THE TEXT OF DISCOURSE¹, WHICH WILL BE SURE OF RECEIVING MORE OR LESS ATTENTION FROM THOSE READERS WHO DO NOT SKIP IT.

 

"Quite an original:" A phrase, we fancy, rather oftener used by the young, or the unlearned, or the untraveled, than by the old, or the well-read, or the man who has made the grand tour. Certainly, the sense of originality² exists at its highest in an infant, and probably at its lowest in him who has completed the circle of the sciences.

 

As for original characters in fiction, a grateful reader will, on meeting with one, keep the anniversary of that day. True, we sometimes hear of an author who, at one creation, produces some two or three score such characters; it may be possible. But they can hardly be original in the sense that Hamlet is, or Don Quixote, or Milton's Satan. That is to say, they are not, in a thorough sense, original at all. They are novel, or singular, or striking, or captivating, or all four at once.

 

More likely, they are what are called odd characters; but for that, are no more original, than what is called [373] an odd genius, in his way, is. But, if original, whence came they? Or where did the novelist pick them up?

 

Where does any novelist pick up any character? For the most part, in town, to be sure. Every great town is a kind of man-show, where the novelist goes for his stock, just as the agriculturist goes to the cattle-show for his. But in the one fair, new species of quadrupeds are hardly more rare, than in the other are new species of characters—that is, original ones. Their rarity may still the more appear from this, that, while characters, merely singular, imply but singular forms so to speak, original ones, truly so, imply original instincts.

 

In short, a due conception of what is to be held for this sort of personage in fiction would make him almost as much of a prodigy³ there, as in real history is a new law-giver, a revolutionizing philosopher, or the founder⁴ of a new religion.

 

In nearly all the original characters, loosely accounted such in works of invention, there is discernible something prevailingly local, or of the age; which circumstance, of itself, would seem to invalidate the claim, judged by the principles here suggested.

 

Furthermore, if we consider, what is popularly held to entitle characters in fiction to being deemed original, is but something personal—confined to itself. The character sheds not its characteristic on its surroundings, whereas, the original character, essentially⁵ such, is like a revolving⁶ Drummond light, raying away from itself [374] all round it—everything is lit by it, everything starts up to it (mark how it is with Hamlet), so that, in certain minds, there follows upon the adequate conception of such a character, an effect, in its way, akin⁷ to that which in Genesis attends upon the beginning of things.

 

For much the same reason that there is but one planet to one orbit, so can there be but one such original character to one work of invention. Two would conflict to chaos⁸. In this view, to say that there are more than one to a book, is good presumption⁹ there is none at all. But for new, singular, striking, odd, eccentric, and all sorts of entertaining and instructive characters, a good fiction may be full of them. To produce such characters, an author, beside other things, must have seen much, and seen through much: to produce but one original character, he must have had much luck.

 

There would seem but one point in common between this sort of phenomenon in fiction and all other sorts: it cannot be born in the author's imagination—it being as true in literature as in zoology¹⁰, that all life is from the egg.

 

In the endeavor to show, if possible, the impropriety of the phrase, Quite an Original, as applied¹¹ by the barber's friends, we have, at unawares, been led into a dissertation¹² bordering upon the prosy, perhaps upon the smoky. If so, the best use the smoke can be turned to, will be, by retiring under cover of it, in good trim as may be, to the story.

 

1 discourse   

n.论文，演说；谈话；话语；vi.讲述，著述

参考例句：

• We'll discourse on the subject tonight.我们今晚要谈论这个问题。
• He fell into discourse with the customers who were drinking at the counter.他和站在柜台旁的酒客谈了起来。

2 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

3 prodigy   

n.惊人的事物，奇迹，神童，天才，预兆

参考例句：

• She was a child prodigy on the violin.她是神童小提琴手。
• He was always a Negro prodigy who played barbarously and wonderfully.他始终是一个黑人的奇才，这种奇才弹奏起来粗野而惊人。

4 Founder   

n.创始者，缔造者

参考例句：

• He was extolled as the founder of their Florentine school.他被称颂为佛罗伦萨画派的鼻祖。
• According to the old tradition,Romulus was the founder of Rome.按照古老的传说，罗穆卢斯是古罗马的建国者。

5 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

6 revolving   

adj.旋转的，轮转式的；循环的v.（使）旋转( revolve的现在分词 )；细想

参考例句：

• The theatre has a revolving stage. 剧院有一个旋转舞台。
• The company became a revolving-door workplace. 这家公司成了工作的中转站。

7 akin   

adj.同族的，类似的

参考例句：

• She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
• Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。

8 chaos   

n.混乱，无秩序

参考例句：

• After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
• The typhoon left chaos behind it.台风后一片混乱。

9 presumption   

n.推测，可能性，冒昧，放肆，[法律]推定

参考例句：

• Please pardon my presumption in writing to you.请原谅我很冒昧地写信给你。
• I don't think that's a false presumption.我认为那并不是错误的推测。

10 zoology   

n.动物学，生态

参考例句：

• I would like to brush up my zoology.我想重新温习一下动物学。
• The library didn't stock zoology textbooks.这家图书馆没有动物学教科书。

11 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

12 dissertation   

n.（博士学位）论文，学术演讲，专题论文

参考例句：

• He is currently writing a dissertation on the Somali civil war.他目前正在写一篇关于索马里内战的论文。
• He was involved in writing his doctoral dissertation.他在聚精会神地写他的博士论文。