The first, both in point of time and merit, of American envoys2 was famous not less for the pastoral simplicity3 of his manners than for the politic4 grace of his mind. Viewed from a certain point, there was a touch of primeval orientalness in Benjamin Franklin. Neither is there wanting something like his Scriptural parallel. The history of the patriarch Jacob is interesting not less from the unselfish devotion which we are bound to ascribe to him, than from the deep worldly wisdom and polished Italian tact5, gleaming under an air of Arcadian unaffectedness. The diplomatist and the shepherd are blended; a union not without warrant; the apostolic serpent and dove. A tanned Machiavelli in tents.
Doubtless, too, notwithstanding his eminence6 as lord of the moving manor7, Jacob's raiment was of homespun; the economic envoy1's plain coat and hose, who has not heard of?
Franklin all over is of a piece. He dressed his person as his periods; neat, trim, nothing superfluous8, nothing deficient9. In some of his works his style is only surpassed by the unimprovable sentences of Hobbes of Malmsbury, the paragon10 of perspicuity11. The mental habits of Hobbes and Franklin in several points, especially in one of some moment, assimilated. Indeed, making due allowance for soil and era, history presents few trios more akin12, upon the whole, than Jacob, Hobbes, and Franklin; three labyrinth-minded, but plain-spoken Broadbrims, at once politicians and philosophers; keen observers of the main chance; prudent13 courtiers; practical magians in linsey-woolsey.
In keeping with his general habitudes, Doctor Franklin while at the French Court did not reside in the aristocratical faubourgs. He deemed his worsted hose and scientific tastes more adapted in a domestic way to the other side of the Seine, where the Latin Quarter, at once the haunt of erudition and economy, seemed peculiarly to invite the philosophical14 Poor Richard to its venerable retreats. Here, of gray, chilly15, drizzly16 November mornings, in the dark-stoned quadrangle of the time-honored Sorbonne, walked the lean and slippered17 metaphysician,—oblivious for the moment that his sublime18 thoughts and tattered19 wardrobe were famous throughout Europe,—meditating on the theme of his next lecture; at the same time, in the well-worn chambers20 overhead, some clayey-visaged chemist in ragged22 robe-de-chambre, and with a soiled green flap over his left eye, was hard at work stooping over retorts and crucibles23, discovering new antipathies24 in acids, again risking strange explosions similar to that whereby he had already lost the use of one optic; while in the lofty lodging-houses of the neighboring streets, indigent25 young students from all parts of France, were ironing their shabby cocked hats, or inking the whity seams of their small-clothes, prior to a promenade26 with their pink-ribboned little grisettes in the Garden of the Luxembourg.
Long ago the haunt of rank, the Latin Quarter still retains many old buildings whose imposing27 architecture singularly contrasts with the unassuming habits of their present occupants. In some parts its general air is dreary28 and dim; monastic and theurgic. In those lonely narrow ways—long-drawn prospectives of desertion—lined with huge piles of silent, vaulted29, old iron-grated buildings of dark gray stone, one almost expects to encounter Paracelsus or Friar Bacon turning the next corner, with some awful vial of Black-Art elixir30 in his hand.
But all the lodging-houses are not so grim. Not to speak of many of comparatively modern erection, the others of the better class, however stern in exterior31, evince a feminine gayety of taste, more or less, in their furnishings within. The embellishing32, or softening33, or screening hand of woman is to be seen all over the interiors of this metropolis34.. Like Augustus Caesar with respect to Rome, the Frenchwoman leaves her obvious mark on Paris. Like the hand in nature, you know it can be none else but hers. Yet sometimes she overdoes35 it, as nature in the peony; or underdoes it, as nature in the bramble; or—what is still more frequent—is a little slatternly about it, as nature in the pig-weed.
In this congenial vicinity of the Latin Quarter, and in an ancient building something like those alluded36 to, at a point midway between the Palais des Beaux Arts and the College of the Sorbonne, the venerable American Envoy pitched his tent when not passing his time at his country retreat at Passy. The frugality37 of his manner of life did not lose him the good opinion even of the voluptuaries of the showiest of capitals, whose very iron railings are not free from gilt38. Franklin was not less a lady's man, than a man's man, a wise man, and an old man. Not only did he enjoy the homage39 of the choicest Parisian literati, but at the age of seventy-two he was the caressed40 favorite of the highest born beauties of the Court; who through blind fashion having been originally attracted to him as a famous savan, were permanently41 retained as his admirers by his Plato-like graciousness of good humor. Having carefully weighed the world, Franklin could act any part in it. By nature turned to knowledge, his mind was often grave, but never serious. At times he had seriousness—extreme seriousness—for others, but never for himself. Tranquillity42 was to him instead of it. This philosophical levity43 of tranquillity, so to speak, is shown in his easy variety of pursuits. Printer, postmaster, almanac maker44, essayist, chemist, orator45, tinker, statesman, humorist, philosopher, parlor46 man, political economist47, professor of housewifery, ambassador, projector48, maxim-monger, herb-doctor, wit:—Jack of all trades, master of each and mastered by none—the type and genius of his land. Franklin was everything but a poet. But since a soul with many qualities, forming of itself a sort of handy index and pocket congress of all humanity, needs the contact of just as many different men, or subjects, in order to the exhibition of its totality; hence very little indeed of the sage21's multifariousness will be portrayed49 in a simple narrative50 like the present. This casual private intercourse51 with Israel, but served to manifest him in his far lesser52 lights; thrifty53, domestic, dietarian, and, it may be, didactically waggish54. There was much benevolent55 irony56, innocent mischievousness57, in the wise man. Seeking here to depict58 him in his less exalted59 habitudes, the narrator feels more as if he were playing with one of the sage's worsted hose, than reverentially handling the honored hat which once oracularly sat upon his brow.
So, then, in the Latin Quarter lived Doctor Franklin. And accordingly in the Latin Quarter tarried Israel for the time. And it was into a room of a house in this same Latin Quarter that Israel had been directed when the sage had requested privacy for a while.
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1 envoy | |
n.使节,使者,代表,公使 | |
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2 envoys | |
使节( envoy的名词复数 ); 公使; 谈判代表; 使节身份 | |
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3 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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4 politic | |
adj.有智虑的;精明的;v.从政 | |
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5 tact | |
n.机敏,圆滑,得体 | |
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6 eminence | |
n.卓越,显赫;高地,高处;名家 | |
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7 manor | |
n.庄园,领地 | |
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8 superfluous | |
adj.过多的,过剩的,多余的 | |
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9 deficient | |
adj.不足的,不充份的,有缺陷的 | |
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10 paragon | |
n.模范,典型 | |
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11 perspicuity | |
n.(文体的)明晰 | |
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12 akin | |
adj.同族的,类似的 | |
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13 prudent | |
adj.谨慎的,有远见的,精打细算的 | |
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14 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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15 chilly | |
adj.凉快的,寒冷的 | |
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16 drizzly | |
a.毛毛雨的(a drizzly day) | |
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17 slippered | |
穿拖鞋的 | |
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18 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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19 tattered | |
adj.破旧的,衣衫破的 | |
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20 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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21 sage | |
n.圣人,哲人;adj.贤明的,明智的 | |
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22 ragged | |
adj.衣衫褴褛的,粗糙的,刺耳的 | |
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23 crucibles | |
n.坩埚,严酷的考验( crucible的名词复数 ) | |
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24 antipathies | |
反感( antipathy的名词复数 ); 引起反感的事物; 憎恶的对象; (在本性、倾向等方面的)不相容 | |
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25 indigent | |
adj.贫穷的,贫困的 | |
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26 promenade | |
n./v.散步 | |
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27 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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28 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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29 vaulted | |
adj.拱状的 | |
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30 elixir | |
n.长生不老药,万能药 | |
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31 exterior | |
adj.外部的,外在的;表面的 | |
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32 embellishing | |
v.美化( embellish的现在分词 );装饰;修饰;润色 | |
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33 softening | |
变软,软化 | |
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34 metropolis | |
n.首府;大城市 | |
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35 overdoes | |
v.做得过分( overdo的第三人称单数 );太夸张;把…煮得太久;(工作等)过度 | |
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36 alluded | |
提及,暗指( allude的过去式和过去分词 ) | |
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37 frugality | |
n.节约,节俭 | |
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38 gilt | |
adj.镀金的;n.金边证券 | |
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39 homage | |
n.尊敬,敬意,崇敬 | |
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40 caressed | |
爱抚或抚摸…( caress的过去式和过去分词 ) | |
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41 permanently | |
adv.永恒地,永久地,固定不变地 | |
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42 tranquillity | |
n. 平静, 安静 | |
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43 levity | |
n.轻率,轻浮,不稳定,多变 | |
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44 maker | |
n.制造者,制造商 | |
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45 orator | |
n.演说者,演讲者,雄辩家 | |
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46 parlor | |
n.店铺,营业室;会客室,客厅 | |
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47 economist | |
n.经济学家,经济专家,节俭的人 | |
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48 projector | |
n.投影机,放映机,幻灯机 | |
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49 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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50 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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51 intercourse | |
n.性交;交流,交往,交际 | |
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52 lesser | |
adj.次要的,较小的;adv.较小地,较少地 | |
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53 thrifty | |
adj.节俭的;兴旺的;健壮的 | |
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54 waggish | |
adj.诙谐的,滑稽的 | |
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55 benevolent | |
adj.仁慈的,乐善好施的 | |
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56 irony | |
n.反语,冷嘲;具有讽刺意味的事,嘲弄 | |
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57 mischievousness | |
恶作剧 | |
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58 depict | |
vt.描画,描绘;描写,描述 | |
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59 exalted | |
adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
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