Closing the door upon himself, Israel advanced to the middle of the chamber3, and looked curiously4 round him.
A dark tessellated floor, but without a rug; two mahogany chairs, with embroidered5 seats, rather the worse for wear; one mahogany bed, with a gay but tarnished6 counterpane; a marble wash-stand, cracked, with a china vessel7 of water, minus the handle. The apartment was very large; this part of the house, which was a very extensive one, embracing the four sides of a quadrangle, having, in a former age, been the hotel of a nobleman. The magnitude of the chamber made its stinted8 furniture look meagre enough.
But in Israel's eyes, the marble mantel (a comparatively recent addition) and its appurtenances, not only redeemed9 the rest, but looked quite magnificent and hospitable10 in the extreme. Because, in the first place, the mantel was graced with an enormous old-fashioned square mirror, of heavy plate glass, set fast, like a tablet, into the wall. And in this mirror was genially11 reflected the following delicate articles:—first, two boquets of flowers inserted in pretty vases of porcelain12; second, one cake of white soap; third, one cake of rose-colored soap (both cakes very fragrant); fourth, one wax candle; fifth, one china tinder-box; sixth, one bottle of Eau de Cologne; seventh, one paper of loaf sugar, nicely broken into sugar-bowl size; eighth, one silver teaspoon13; ninth, one glass tumbler; tenth, one glass decanter of cool pure water; eleventh, one sealed bottle containing a richly hued14 liquid, and marked "Otard."
"I wonder now what O-t-a-r-d is?" soliloquised Israel, slowly spelling the word. "I have a good mind to step in and ask Dr. Franklin. He knows everything. Let me smell it. No, it's sealed; smell is locked in. Those are pretty flowers. Let's smell them: no smell again. Ah, I see—sort of flowers in women's bonnets—sort of calico flowers. Beautiful soap. This smells anyhow—regular soap-roses—a white rose and a red one. That long-necked bottle there looks like a crane. I wonder what's in that? Hallo! E-a-u—d-e—C-o-l-o-g-n-e. I wonder if Dr. Franklin understands that? It looks like his white wine. This is nice sugar. Let's taste. Yes, this is very nice sugar, sweet as—yes, it's sweet as sugar; better than maple15 sugar, such as they make at home. But I'm crunching16 it too loud, the Doctor will hear me. But here's a teaspoon. What's this for? There's no tea, nor tea-cup; but here's a tumbler, and here's drinking water. Let me see. Seems to me, putting this and that and the other thing together, it's a sort of alphabet that spells something. Spoon, tumbler, water, sugar,—brandy—that's it. O-t-a-r-d is brandy. Who put these things here? What does it all mean? Don't put sugar here for show, don't put a spoon here for ornament17, nor a jug18 of water. There is only one meaning to it, and that is a very polite invitation from some invisible person to help myself, if I like, to a glass of brandy and sugar, and if I don't like, let it alone. That's my reading. I have a good mind to ask Doctor Franklin about it, though, for there's just a chance I may be mistaken, and these things here be some other person's private property, not at all meant for me to help myself from. Cologne, what's that—never mind. Soap: soap's to wash with. I want to use soap, anyway. Let me see— no, there's no soap on the wash-stand. I see, soap is not given gratis19 here in Paris, to boarders. But if you want it, take it from the marble, and it will be charged in the bill. If you don't want it let it alone, and no charge. Well, that's fair, anyway. But then to a man who could not afford to use soap, such beautiful cakes as these lying before his eyes all the time, would be a strong temptation. And now that I think of it, the O-t-a-r-d looks rather tempting20 too. But if I don't like it now, I can let it alone. I've a good mind to try it. But it's sealed. I wonder now if I am right in my understanding of this alphabet? Who knows? I'll venture one little sip21, anyhow. Come, cork22. Hark!"
There was a rapid knock at the door.
Clapping down the bottle, Israel said, "Come in."
It was the man of wisdom.
"My honest friend," said the Doctor, stepping with venerable briskness23 into the room, "I was so busy during your visit to the Pont Neuf, that I did not have time to see that your room was all right. I merely gave the order, and heard that it had been fulfilled. But it just occurred to me, that as the landladies24 of Paris have some curious customs which might puzzle an entire stranger, my presence here for a moment might explain any little obscurity. Yes, it is as I thought," glancing towards the mantel.
"Oh, Doctor, that reminds me; what is O-t-a-r-d, pray?"
"Otard is poison."
"Shocking."
"Yes, and I think I had best remove it from the room forthwith," replied the sage25, in a business-like manner putting the bottle under his arm; "I hope you never use Cologne, do you?"
"What—what is that, Doctor?"
"I see. You never heard of the senseless luxury—a wise ignorance. You smelt26 flowers upon your mountains. You won't want this, either;" and the Cologne bottle was put under the other arm. "Candle— you'll want that. Soap—you want soap. Use the white cake."
"Is that cheaper, Doctor?"
"Yes, but just as good as the other. You don't ever munch27 sugar, do you? It's bad for the teeth. I'll take the sugar." So the paper of sugar was likewise dropped into one of the capacious coat pockets.
"Oh, you better take the whole furniture, Doctor Franklin. Here, I'll help you drag out the bedstead." "My honest friend," said the wise man, pausing solemnly, with the two bottles, like swimmer's bladders, under his arm-pits; "my honest friend, the bedstead you will want; what I propose to remove you will not want."
"Oh, I was only joking, Doctor."
"I knew that. It's a bad habit, except at the proper time, and with the proper person. The things left on the mantel were there placed by the landlady28 to be used if wanted; if not, to be left untouched. To-morrow morning, upon the chambermaid's coming in to make your bed, all such articles as remained obviously untouched would have been removed, the rest would have been charged in the bill, whether you used them up completely or not."
"Just as I thought. Then why not let the bottles stay, Doctor, and save yourself all this trouble?"
"Ah! why indeed. My honest friend, are you not my guest? It were unhandsome in me to permit a third person superfluously29 to entertain you under what, for the time being, is my own roof."
These words came from the wise man in the most graciously bland30 and flowing tones. As he ended, he made a sort of conciliatory half bow towards Israel.
Charmed with his condescending31 affability, Israel, without another word, suffered him to march from the room, bottles and all. Not till the first impression of the venerable envoy's suavity32 had left him, did Israel begin to surmise33 the mild superiority of successful strategy which lurked34 beneath this highly ingratiating air.
"Ah," pondered Israel, sitting gloomily before the rifled mantel, with the empty tumbler and teaspoon in his hand, "it's sad business to have a Doctor Franklin lodging in the next room. I wonder if he sees to all the boarders this way. How the O-t-a-r-d merchants must hate him, and the pastry-cooks too. I wish I had a good pie to pass the time. I wonder if they ever make pumpkin35 pies in Paris? So I've got to stay in this room all the time. Somehow I'm bound to be a prisoner, one way or another. Never mind, I'm an ambassador; that's satisfaction. Hark! The Doctor again.—Come in."
No venerable doctor, but in tripped a young French lass, bloom on her cheek, pink ribbons in her cap, liveliness in all her air, grace in the very tips of her elbows. The most bewitching little chambermaid in Paris. All art, but the picture of artlessness.
"Monsieur! pardon!"
"Oh, I pardon ye freely," said Israel. "Come to call on the Ambassador?"
"Monsieur, is de—de—" but, breaking down at the very threshold in her English, she poured out a long ribbon of sparkling French, the purpose of which was to convey a profusion36 of fine compliments to the stranger, with many tender inquiries37 as to whether he was comfortably roomed, and whether there might not be something, however trifling38, wanting to his complete accommodation. But Israel understood nothing, at the time, but the exceeding grace, and trim, bewitching figure of the girl.
She stood eyeing him for a few moments more, with a look of pretty theatrical39 despair, and, after vaguely40 lingering a while, with another shower of incomprehensible compliments and apologies, tripped like a fairy from the chamber. Directly she was gone Israel pondered upon a singular glance of the girl. It seemed to him that he had, by his reception, in some way, unaccountably disappointed his beautiful visitor. It struck him very strangely that she had entered all sweetness and friendliness41, but had retired42 as if slighted, with a sort of disdainful and sarcastic43 levity44, all the more stinging from its apparent politeness.
Not long had she disappeared, when a noise in the passage apprised45 him that, in her hurried retreat, the girl must have stumbled against something. The next moment he heard a chair scraping in the adjacent apartment, and there was another knock at the door.
It was the man of wisdom this time.
"My honest friend, did you not have a visitor, just now?"
"Yes, Doctor, a very pretty girl called upon me."
"Well, I just stopped in to tell you of another strange custom of Paris. That girl is the chambermaid, but she does not confine herself altogether to one vocation46. You must beware of the chambermaids of Paris, my honest friend. Shall I tell the girl, from you, that, unwilling47 to give her the fatigue48 of going up and down so many flights of stairs, you will for the future waive49 her visits of ceremony?"
"Why, Doctor Franklin, she is a very sweet little girl."
"I know it, my honest friend; the sweeter the more dangerous. Arsenic50 is sweeter than sugar. I know you are a very sensible young man, not to be taken in by an artful Ammonite, and so I think I had better convey your message to the girl forthwith."
So saying, the sage withdrew, leaving Israel once more gloomily seated before the rifled mantel, whose mirror was not again to reflect the form of the charming chambermaid.
"Every time he comes in he robs me," soliloquised Israel, dolefully; "with an air all the time, too, as if he were making me presents. If he thinks me such a very sensible young man, why not let me take care of myself?"
"This is poor sight-seeing," muttered he at last, "sitting here all by myself, with no company but an empty tumbler, reading about the fine things in Paris, and I myself a prisoner in Paris. I wish something extraordinary would turn up now; for instance, a man come in and give me ten thousand pounds. But here's 'Poor Richard;' I am a poor fellow myself; so let's see what comfort he has for a comrade."
Opening the little pamphlet, at random52, Israel's eyes fell on the following passages: he read them aloud—
"'So what signifies waiting and hoping for better times? We may make these times better, if we bestir ourselves. Industry need not wish, and he that lives upon hope will die fasting, as Poor Richard says. There are no gains, without pains. Then help hands, for I have no lands, as Poor Richard says.' Oh, confound all this wisdom! It's a sort of insulting to talk wisdom to a man like me. It's wisdom that's cheap, and it's fortune that's dear. That ain't in Poor Richard; but it ought to be," concluded Israel, suddenly slamming down the pamphlet.
He walked across the room, looked at the artificial flowers, and the rose-colored soap, and again went to the table and took up the two books.
"So here is the 'Way to Wealth,' and here is the 'Guide to Paris.' Wonder now whether Paris lies on the Way to Wealth? if so, I am on the road. More likely though, it's a parting-of-the-ways. I shouldn't be surprised if the Doctor meant something sly by putting these two books in my hand. Somehow, the old gentleman has an amazing sly look—a sort of wild slyness—about him, seems to me. His wisdom seems a sort of sly, too. But all in honor, though. I rather think he's one of those old gentlemen who say a vast deal of sense, but hint a world more. Depend upon it, he's sly, sly, sly. Ah, what's this Poor Richard says: 'God helps them that help themselves:' Let's consider that. Poor Richard ain't a Dunker, that's certain, though he has lived in Pennsylvania. 'God helps them that help themselves.' I'll just mark that saw, and leave the pamphlet open to refer to it again—Ah!"
At this point, the Doctor knocked, summoning Israel to his own apartment. Here, after a cup of weak tea, and a little toast, the two had a long, familiar talk together; during which, Israel was delighted with the unpretending talkativeness, serene53 insight, and benign54 amiability55 of the sage. But, for all this, he could hardly forgive him for the Cologne and Otard depredations56.
Discovering that, in early life, Israel had been employed on a farm, the man of wisdom at length turned the conversation in that direction; among other things, mentioning to his guest a plan of his (the Doctor's) for yoking57 oxen, with a yoke58 to go by a spring instead of a bolt; thus greatly facilitating the operation of hitching59 on the team to the cart. Israel was very much struck with the improvement; and thought that, if he were home, upon his mountains, he would immediately introduce it among the farmers.
点击收听单词发音
1 initiated | |
n. 创始人 adj. 新加入的 vt. 开始,创始,启蒙,介绍加入 | |
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2 lodging | |
n.寄宿,住所;(大学生的)校外宿舍 | |
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3 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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4 curiously | |
adv.有求知欲地;好问地;奇特地 | |
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5 embroidered | |
adj.绣花的 | |
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6 tarnished | |
(通常指金属)(使)失去光泽,(使)变灰暗( tarnish的过去式和过去分词 ); 玷污,败坏 | |
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7 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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8 stinted | |
v.限制,节省(stint的过去式与过去分词形式) | |
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9 redeemed | |
adj. 可赎回的,可救赎的 动词redeem的过去式和过去分词形式 | |
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10 hospitable | |
adj.好客的;宽容的;有利的,适宜的 | |
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11 genially | |
adv.亲切地,和蔼地;快活地 | |
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12 porcelain | |
n.瓷;adj.瓷的,瓷制的 | |
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13 teaspoon | |
n.茶匙 | |
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14 hued | |
有某种色调的 | |
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15 maple | |
n.槭树,枫树,槭木 | |
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16 crunching | |
v.嘎吱嘎吱地咬嚼( crunch的现在分词 );嘎吱作响;(快速大量地)处理信息;数字捣弄 | |
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17 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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18 jug | |
n.(有柄,小口,可盛水等的)大壶,罐,盂 | |
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19 gratis | |
adj.免费的 | |
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20 tempting | |
a.诱人的, 吸引人的 | |
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21 sip | |
v.小口地喝,抿,呷;n.一小口的量 | |
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22 cork | |
n.软木,软木塞 | |
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23 briskness | |
n.敏捷,活泼 | |
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24 landladies | |
n.女房东,女店主,女地主( landlady的名词复数 ) | |
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25 sage | |
n.圣人,哲人;adj.贤明的,明智的 | |
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26 smelt | |
v.熔解,熔炼;n.银白鱼,胡瓜鱼 | |
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27 munch | |
v.用力嚼,大声咀嚼 | |
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28 landlady | |
n.女房东,女地主 | |
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29 superfluously | |
过分地; 过剩地 | |
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30 bland | |
adj.淡而无味的,温和的,无刺激性的 | |
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31 condescending | |
adj.谦逊的,故意屈尊的 | |
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32 suavity | |
n.温和;殷勤 | |
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33 surmise | |
v./n.猜想,推测 | |
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34 lurked | |
vi.潜伏,埋伏(lurk的过去式与过去分词形式) | |
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35 pumpkin | |
n.南瓜 | |
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36 profusion | |
n.挥霍;丰富 | |
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37 inquiries | |
n.调查( inquiry的名词复数 );疑问;探究;打听 | |
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38 trifling | |
adj.微不足道的;没什么价值的 | |
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39 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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40 vaguely | |
adv.含糊地,暖昧地 | |
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41 friendliness | |
n.友谊,亲切,亲密 | |
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42 retired | |
adj.隐退的,退休的,退役的 | |
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43 sarcastic | |
adj.讥讽的,讽刺的,嘲弄的 | |
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44 levity | |
n.轻率,轻浮,不稳定,多变 | |
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45 apprised | |
v.告知,通知( apprise的过去式和过去分词 );评价 | |
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46 vocation | |
n.职业,行业 | |
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47 unwilling | |
adj.不情愿的 | |
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48 fatigue | |
n.疲劳,劳累 | |
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49 waive | |
vt.放弃,不坚持(规定、要求、权力等) | |
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50 arsenic | |
n.砒霜,砷;adj.砷的 | |
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51 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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52 random | |
adj.随机的;任意的;n.偶然的(或随便的)行动 | |
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53 serene | |
adj. 安详的,宁静的,平静的 | |
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54 benign | |
adj.善良的,慈祥的;良性的,无危险的 | |
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55 amiability | |
n.和蔼可亲的,亲切的,友善的 | |
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56 depredations | |
n.劫掠,毁坏( depredation的名词复数 ) | |
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57 yoking | |
配轭,矿区的分界 | |
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58 yoke | |
n.轭;支配;v.给...上轭,连接,使成配偶 | |
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59 hitching | |
搭乘; (免费)搭乘他人之车( hitch的现在分词 ); 搭便车; 攀上; 跃上 | |
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