Against whose charms faith melteth into blood.
Do it in notes.
Benedick.—Now, divine air, now is his soul ravished.
Much Ado about Nothing.
Morton visited his cousin, Miss Fanny Euston, a guest, for a few days, at a friend's house in town. By good fortune, as he thought it, he found her alone; and, as he conversed2 with her, he employed himself—after a practice usual with him—in studying her character, and making internal comments upon it. These insidious3 reflections, condensed into a paragraph, would have been somewhat as follows:—
"A fine figure, and a very handsome face; but there is a lurking4 devil in her eye, and about the corners of her mouth." Here some ten minutes of animated5 dialogue ensued before his observations had shaped themselves into further results. "She is exceedingly clever; she knows how to think and act for herself. I should not like to cross her will. There is fire enough in her to make a hundred women interesting. She is none of our frosty New England beauties. She could love a man to the death, and hate him as well. She could be a heroine or a tigress. Every thing about her is wild and chaotic6, the unformed elements of a superb woman."
Here, the conversation having lasted a half hour or more, his imagination began to disturb the deductions7 of his philosophy, and he was no longer in a mood of just psychological analysis, when, to his vexation, his cousin's hostess, Miss Jones, entering, brought his tête-à-tête to a close. She displayed a marvellous fluency8 of discourse9, and was eloquent10 upon books, parties, paintings, and the opera.
"I need not ask you, Mr. Morton, if you have seen Tennyson's new poem."
"Yes—at the bookseller's."
"But surely you have read it."
"No, I am behind the age."
"Then thank Heaven for it," exclaimed his unceremonious cousin; "for of all insipidity11, and affectation, and fine-spun, wire-drawn trash, Tennyson carries away the palm. Every body reads him because he is the fashion, and every body admires him because he is the fashion. But he is a bubble, a film, a gossamer12; there's nothing in him."
"May I ask," said Morton to his cousin, "who are your literary favorites?"
"Not the latter-day poets—the Tennysonian school; their puling mannerism14 is an insult to the Saxon tongue."
"But," urged Miss Jones, "you are not quite reasonable."
"Of course I am not. It's not a woman's province to be reasonable."
"On the contrary, I think that Tennyson has often great beauties."
"If he sometimes wrote like an angel," pursued Fanny Euston, "I should find no patience to see it in a man who could put upon paper such parrot rhymes as these:—
Thee to woo to thy tuwhit,
Thee to woo to thy tuwhit,
With a lengthened20 loud halloo,
Tuwhoo, tuwhit, tuwhit, tuwhoo-o-o!'
Bah! it puts one in a passion to hear such twaddle."
"I see," said her friend, "that nothing less than your own music will calm your indignation. Pray let us hear the ballad21 which you set to music this morning."
"I will sing, if you wish it; but not that ballad."
And she seated herself before the open piano.
"What do you choose, Mr. Morton?"
"Ah! you can choose well!"
And, running her fingers over the keys, she launched at once into the warlike strains of the hymn23 of revolution. Her voice and execution were admirable; and though by no means unconscious that she was producing an effect, she sang with a fire, energy, and seeming recklessness that thrilled like lightning through her auditor's veins24. He rose involuntarily from his seat. For that evening his study of character was ended, and philosophy dislodged from her last stronghold.
Half an hour later he was riding homeward in a mood quite novel to his experience. He pushed his horse to a keen trot25, as if by fierceness of motion to keep pace with the fiery26 influence that was kindling27 all his nerves.
"I have had my fancies before this," he thought,—"in fact I have almost been in love; but that feeling was no more like this than a draught28 from a clear spring is like a draught of spiced wine."
That night he fully29 expected to be haunted by a vision of Fanny Euston; but his slumbers30 were unromantically dreamless.
Three days later, he ventured another visit; but his cousin had returned to her home in the country. By this time he was conscious of a great abatement31 of ardor32; and his equanimity33 was little moved by the disappointment. In a week he had learned to look back on his transient emotion as an effervescence of the moment, and to regard his relative with no slight interest, indeed, yet by no means in a light which could blind him to her glaring faults. He summoned up all that he could recall of herself and her family, and chiefly of her father, whom he remembered in his boyhood as a rough, athletic34 man, whose black and bushy eyebrows35 were usually contracted into something which seemed like a frown. These boyish recollections were far from doing Euston justice. He was a man of masculine and determined36 character. His will was strong, his passions violent; he was full of prejudices, and when thwarted37 or contradicted, his rage was formidable. His honor was unquestioned; he was most bluntly and unmanageably honest. Yet through the rock and iron of his character, there ran, known to but few, a delicate vein of poetic16 feeling. The music of his daughter, or the verses of his favorite Burns, could often bring tears to his stern gray eyes. For his wife, whom he had married in a fit of pique38 and disappointment, when little more than a boy, he cared nothing; but his fondness for his daughter was unbounded. He alone could control her; for she loved him ardently39, and he was the only living thing of which she stood in awe40.
点击收听单词发音
1 wilt | |
v.(使)植物凋谢或枯萎;(指人)疲倦,衰弱 | |
参考例句: |
|
|
2 conversed | |
v.交谈,谈话( converse的过去式 ) | |
参考例句: |
|
|
3 insidious | |
adj.阴险的,隐匿的,暗中为害的,(疾病)不知不觉之间加剧 | |
参考例句: |
|
|
4 lurking | |
潜在 | |
参考例句: |
|
|
5 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
参考例句: |
|
|
6 chaotic | |
adj.混沌的,一片混乱的,一团糟的 | |
参考例句: |
|
|
7 deductions | |
扣除( deduction的名词复数 ); 结论; 扣除的量; 推演 | |
参考例句: |
|
|
8 fluency | |
n.流畅,雄辩,善辩 | |
参考例句: |
|
|
9 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
参考例句: |
|
|
10 eloquent | |
adj.雄辩的,口才流利的;明白显示出的 | |
参考例句: |
|
|
11 insipidity | |
n.枯燥无味,清淡,无精神;无生气状 | |
参考例句: |
|
|
12 gossamer | |
n.薄纱,游丝 | |
参考例句: |
|
|
13 forth | |
adv.向前;向外,往外 | |
参考例句: |
|
|
14 mannerism | |
n.特殊习惯,怪癖 | |
参考例句: |
|
|
15 subscribe | |
vi.(to)订阅,订购;同意;vt.捐助,赞助 | |
参考例句: |
|
|
16 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
参考例句: |
|
|
17 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
参考例句: |
|
|
18 heresies | |
n.异端邪说,异教( heresy的名词复数 ) | |
参考例句: |
|
|
19 whit | |
n.一点,丝毫 | |
参考例句: |
|
|
20 lengthened | |
(时间或空间)延长,伸长( lengthen的过去式和过去分词 ) | |
参考例句: |
|
|
21 ballad | |
n.歌谣,民谣,流行爱情歌曲 | |
参考例句: |
|
|
22 vein | |
n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
参考例句: |
|
|
23 hymn | |
n.赞美诗,圣歌,颂歌 | |
参考例句: |
|
|
24 veins | |
n.纹理;矿脉( vein的名词复数 );静脉;叶脉;纹理 | |
参考例句: |
|
|
25 trot | |
n.疾走,慢跑;n.老太婆;现成译本;(复数)trots:腹泻(与the 连用);v.小跑,快步走,赶紧 | |
参考例句: |
|
|
26 fiery | |
adj.燃烧着的,火红的;暴躁的;激烈的 | |
参考例句: |
|
|
27 kindling | |
n. 点火, 可燃物 动词kindle的现在分词形式 | |
参考例句: |
|
|
28 draught | |
n.拉,牵引,拖;一网(饮,吸,阵);顿服药量,通风;v.起草,设计 | |
参考例句: |
|
|
29 fully | |
adv.完全地,全部地,彻底地;充分地 | |
参考例句: |
|
|
30 slumbers | |
睡眠,安眠( slumber的名词复数 ) | |
参考例句: |
|
|
31 abatement | |
n.减(免)税,打折扣,冲销 | |
参考例句: |
|
|
32 ardor | |
n.热情,狂热 | |
参考例句: |
|
|
33 equanimity | |
n.沉着,镇定 | |
参考例句: |
|
|
34 athletic | |
adj.擅长运动的,强健的;活跃的,体格健壮的 | |
参考例句: |
|
|
35 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
参考例句: |
|
|
36 determined | |
adj.坚定的;有决心的 | |
参考例句: |
|
|
37 thwarted | |
阻挠( thwart的过去式和过去分词 ); 使受挫折; 挫败; 横过 | |
参考例句: |
|
|
38 pique | |
v.伤害…的自尊心,使生气 n.不满,生气 | |
参考例句: |
|
|
39 ardently | |
adv.热心地,热烈地 | |
参考例句: |
|
|
40 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
参考例句: |
|
|
欢迎访问英文小说网 |