Félicie, who was being dressed by Madame Michon, reproached her doctor with having nothing to say to her. Yet it was she who, preoccupied2, her mind concentrated upon the part which she was about to play, was not listening to him. She gave orders that nobody should be allowed to come into her dressing-room. For all that, she received Constantin Marc's visit with pleasure, for she found him sympathetic.
He was getting excited. In order to conceal3 his agitation4 he made a pretence5 of talking about his woods in the Vivarais, and began to tell shooting stories and peasants' tales, which he did not finish.
He denied feeling any anxiety. She insisted:
[Pg 221]
"Now confess that you wish it were all over."
"Well, since you insist, perhaps I would rather it were over."
Whereupon Dr. Socrates, with a simple expression and in a quiet voice, asked him the following question:
"Do you not believe that what must be accomplished7 has already been accomplished, and has been accomplished from all time?"
And without waiting for a reply he added:
"If the world's phenomena8 reach our consciousness in succession, we must not conclude from that that they are really successive, and we have still fewer reasons to believe that they are produced at the moment when we perceive them."
"That's obvious," said Constantin Marc, who had not listened.
"The universe," continued the doctor, "appears to us perpetually imperfect, and we are all under the illusion that it is perpetually completing itself. Since we perceive phenomena successively, we actually believe that they follow one another. We imagine that those which we no longer see are in the past, and those which we do not yet see are in the future. But it is possible to conceive beings built in such fashion that they perceive simultaneously9 what we regard as the past and the future. We may conceive beings who perceive phenomena in a retrograde [Pg 222] order, and see them unroll themselves from our future to our past. Animals disposing of space otherwise than ourselves, and able, for instance, to move at a speed greater than that of light, would conceive an idea of the succession of phenomena which would differ greatly from our own."
"If only Durville is not going to rag me on the stage!" exclaimed Félicie, while Madame Michon was putting on her stockings under her skirt.
Constantin Marc assured her that Durville did not even dream of any such thing, and begged her not to be uneasy.
"We ourselves, of a clear night, when we gaze at Spica Virginis, which is throbbing11 above the top of a poplar, can see at one and the same time that which was and that which is. And it may be said with equal truth that we see that which is and that which will be. For if the star, such as it appears to us, represents the past as compared with the tree, the tree constitutes the future as compared with the star. Yet the star, which, from afar, shows us its tiny, fiery12 countenance13, not as it is to-day, but as it was in the time of our youth, perhaps even before our birth, and the poplar-tree, whose young leaves are trembling in the fresh night air, come together within us in the same moment of time, and to us are present simultaneously. We say of a thing that [Pg 223] it is in the present when we have a precise perception of it. We say that it is in the past when we preserve but an indistinct image of it. A thing may have been accomplished millions of years ago, yet if it makes the strongest possible impression upon us it will not be for us a thing of the past; it will be present. The order in which things revolve14 in the depths of the universe is unknown to us. We know only the order of our perceptions. To believe that the future does not exist, because we do not know it, is like believing that a book is not finished because we have not finished reading it."
The doctor paused for a moment. And Nanteuil, in the silence which followed, heard the sound of her heart beating. She exclaimed:
"Continue, my dear Socrates, continue, I beg you. If you only knew how much good you do me by talking! You think that I am not listening to a word you say. But it distracts me to hear you talking of far-away things; it makes me feel that there is something else besides my entrance; it prevents me from giving way to the blues15. Talk about anything you like, but do not stop."
The wise Socrates, who had doubtless anticipated the benign16 influence which his speech was exerting over the actress, resumed his lecture:
"The universe is constructed inevitably17 as a triangle of which two angles and one side are given. [Pg 224] Future things are determined18. They are from that moment finished. They are as if they existed. Indeed, they exist already. They exist to such a degree that we know them in part. And, if that part is infinitesimal in proportion to their immensity, it is none the less very appreciable19 in proportion to the part of accomplished things of which we can have any knowledge. It is permissible20 to say that, for us, the future is not much more obscure than the past. We know that generations will follow generations in labour, joy and suffering. I look beyond the duration of the human race. I see the constellations21 slowly changing in the heavens those forms of theirs which seem immutable22; I see the Wain unharnessed from its ancient team, the shield of Orion broken in twain, Sirius extinguished. We know that the sun will rise to-morrow and that for a long time to come it will rise every morning amid the dense23 clouds or in light mists."
Adolphe Meunier entered discreetly24 on tiptoe.
The doctor grasped his hand warmly.
"Good day, Monsieur Meunier. We can see next month's new moon. We do not see her as distinctly as to-night's new moon, because we do not know in what grey or ruddy sky she will reveal her old saucepan-lid over my roof, amid the stove-flues capped with pointed26 hats and romantic hoods27, to the gaze of the amorous28 cats. But this coming rising [Pg 225] of the moon—if we were expert enough to know it in advance, in its most minute particulars, every one of which is essential, we should conceive as clear an idea of the night whereof I speak as of the night now with us; both would be equally present to us.
"The knowledge that we have of the facts is the sole reason which leads us to believe in their reality. We know that certain facts are bound to occur. We must therefore believe them to be real. And, if they are real, they are realized. It is therefore credible29, my dear Constantin Marc, that your play has been played a thousand years ago, or half an hour ago, which comes absolutely to the same thing. It is credible that we have all been dead for some time past. Think it, and your mind will be at rest."
Constantin Marc, who had paid scant30 attention to his remarks and who did not perceive their relevance31 or their propriety32, answered, in a somewhat irritable33 tone, that all that was to be found in Bossuet.
"In Bossuet!" exclaimed the indignant physician. "I challenge you to show me anything resembling it in his works. Bossuet knew nothing of philosophy."
Nanteuil turned to the doctor. She was wearing a big lawn bonnet34 with a tall round coif; it was bound tightly upon her head with a wide blue ribbon, [Pg 226] and its lappets, one above another, fell on either side of her face, shading her forehead and cheeks. She had transformed herself into a fiery blonde. Reddish-brown hair fell in curls about her shoulders. An organdie neckerchief was crossed over her bosom35 and held at the waist by a broad purple girdle. Her white and pink striped petticoat, which flowed as though wet and clinging from the somewhat high waist, made her appear very tall. She looked like a figure in a dream.
"Delage, too," she said, "rags one in the most rotten way. Have you heard what he did to Marie-Claire? They were playing together in Les Femmes savantes. He put an egg into her hand, on the stage. She couldn't get rid of it until the end of the act."
On hearing the call boy's summons she went downstairs, followed by Constantin Marc. They heard the roar of the house, the mutterings of the monster, and it seemed to them that they were entering into the flaming mouth of the apocalyptic36 beast.
La Grille was favourably37 received. Coming at the end of the season, with little hope of a long run, it found favour with all. By the middle of the first act the public were conscious of the style, the poetry, and, here and there, the obscurities of the play. Thenceforward they respected it, pretended to enjoy [Pg 227] it, and wished they could understand it. They forgave the play its slight dramatic value. It was literary, and for once the style found acceptance.
Constantin Marc as yet knew no one in Paris. He had invited to the theatre three or four landed proprietors38 from the Vivarais, who sat blushing in the stalls in their white ties, rolled their round eyes, and did not dare to applaud. As he had no friends nobody dreamt of spoiling his success. And even in the corridors there were those who set his talent above that of other dramatists. Greatly excited, nevertheless, he wandered from dressing-room to dressing-room or collapsed39 into a chair at the back of the director's stage-box. He was worrying about the critics.
"Set your mind at rest," Romilly told him. "They will say of your play the good or bad things they think of Pradel. And for the time being they think more ill than good of him."
Adolphe Meunier informed him, with a pale smile, that the house was a good one, and that the critics thought the play showed very careful writing. He expected, in return, a few complimentary40 words concerning his Pandolphe et Clarimonde. But it did not enter Constantin Marc's head to vouchsafe41 them.
Romilly shook his head.
"We must look forward to slatings. Monsieur [Pg 228] Meunier knows it well. The press has shown itself ferociously42 unjust to him."
"Alas," sighed Meunier, "they will never say as many hard things about us as were said of Shakespeare and Molière."
Nanteuil had a great success which was marked less by vociferous43 calls before the curtain than by the deeper and more discreet25 approval of discriminating44 playgoers. She had revealed qualities with which she had not hitherto been credited; purity of diction, nobility of pose, and a proud, modest grace.
On the stage, during the last interval45, the Minister congratulated her in person. This was a sign that the public was favourably disposed, for Ministers never express individual opinions. Behind the Grand Master of the University pressed a flattering crowd of public officials, society folk, and dramatic authors. With arms extended toward her like pump-handles they all simultaneously assured her of their admiration46. And Madame Doulce, stifled47 by their numbers, left on the buttons of the men's garments shreds48 of her countless49 adornments of cotton lace.
The last act was Nanteuil's triumph. She obtained better things from the public than tears and shouts. She won from all eyes that moist yet tearless gaze, from every breast that deep yet almost [Pg 229] silent murmur50, which beauty alone has power to compel.
She felt that she had grown immeasurably in a single instant, and when the curtain fell she whispered:
"This time I've done it!"
She was unrobing herself in her dressing-room, which was filled with baskets of orchids51, bouquets52 of roses, and bunches of lilac, when a telegram was brought to her. She tore it open. It was a message from The Hague containing these words:
"My heartfelt congratulations on your undoubted success—Robert."
Just as she finished reading it Dr. Trublet entered the dressing-room.
She flung her arms, burning with joy and fatigue53, round his neck; she drew him to her warm moist bosom, and planted on his meditative54 Silenus-like face a smacking55 kiss from her intoxicated56 lips.
Socrates, who was a wise man, took the kiss as a gift from the gods, knowing full well that it was not intended for him, but was dedicated57 to glory and to love.
Nanteuil realized herself that in her intoxication58 she had perhaps charged her lips with too ardent59 a breath, for, throwing her arms apart, she exclaimed:
"It can't be helped! I am so happy!"
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收听单词发音
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1
rehearsal
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| n.排练，排演；练习 | |
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preoccupied
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| adj.全神贯注的，入神的；被抢先占有的；心事重重的v.占据（某人）思想，使对…全神贯注，使专心于( preoccupy的过去式) | |
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conceal
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| v.隐藏，隐瞒，隐蔽 | |
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agitation
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| n.搅动；搅拌；鼓动，煽动 | |
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pretence
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| n.假装，作假；借口，口实；虚伪；虚饰 | |
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qualms
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| n.不安；内疚 | |
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7
accomplished
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| adj.有才艺的；有造诣的；达到了的 | |
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8
phenomena
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| n.现象 | |
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simultaneously
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| adv.同时发生地，同时进行地 | |
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10
discourse
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| n.论文，演说；谈话；话语；vi.讲述，著述 | |
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throbbing
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| a. 跳动的,悸动的 | |
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fiery
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| adj.燃烧着的，火红的；暴躁的；激烈的 | |
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13
countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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14
revolve
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| vi.(使)旋转；循环出现 | |
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15
blues
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| n.抑郁，沮丧；布鲁斯音乐 | |
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16
benign
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| adj.善良的，慈祥的；良性的，无危险的 | |
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inevitably
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| adv.不可避免地；必然发生地 | |
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18
determined
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| adj.坚定的；有决心的 | |
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appreciable
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| adj.明显的，可见的，可估量的，可觉察的 | |
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permissible
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| adj.可允许的，许可的 | |
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21
constellations
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| n.星座( constellation的名词复数 )；一群杰出人物；一系列（相关的想法、事物）；一群（相关的人） | |
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22
immutable
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| adj.不可改变的，永恒的 | |
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23
dense
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| a.密集的，稠密的，浓密的；密度大的 | |
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24
discreetly
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| ad.(言行)审慎地，慎重地 | |
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discreet
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| adj.(言行)谨慎的；慎重的；有判断力的 | |
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pointed
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| adj.尖的，直截了当的 | |
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hoods
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| n.兜帽( hood的名词复数 )；头巾；（汽车、童车等的）折合式车篷；汽车发动机罩v.兜帽( hood的第三人称单数 )；头巾；（汽车、童车等的）折合式车篷；汽车发动机罩 | |
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28
amorous
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| adj.多情的；有关爱情的 | |
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credible
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| adj.可信任的，可靠的 | |
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30
scant
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| adj.不充分的，不足的；v.减缩，限制，忽略 | |
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31
relevance
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| n.中肯，适当，关联，相关性 | |
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32
propriety
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| n.正当行为；正当；适当 | |
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33
irritable
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| adj.急躁的；过敏的；易怒的 | |
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34
bonnet
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| n.无边女帽；童帽 | |
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35
bosom
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| n.胸，胸部；胸怀；内心；adj.亲密的 | |
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apocalyptic
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| adj.预示灾祸的，启示的 | |
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37
favourably
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| adv. 善意地，赞成地 =favorably | |
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proprietors
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| n.所有人，业主( proprietor的名词复数 ) | |
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collapsed
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| adj.倒塌的 | |
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40
complimentary
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| adj.赠送的，免费的，赞美的，恭维的 | |
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41
vouchsafe
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| v.惠予，准许 | |
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42
ferociously
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| 野蛮地，残忍地 | |
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43
vociferous
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| adj.喧哗的，大叫大嚷的 | |
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discriminating
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| a.有辨别能力的 | |
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45
interval
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| n.间隔，间距；幕间休息，中场休息 | |
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46
admiration
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| n.钦佩，赞美，羡慕 | |
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47
stifled
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| （使）窒息， （使）窒闷( stifle的过去式和过去分词 )； 镇压，遏制； 堵 | |
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48
shreds
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| v.撕碎，切碎( shred的第三人称单数 )；用撕毁机撕毁（文件） | |
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49
countless
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| adj.无数的，多得不计其数的 | |
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50
murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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51
orchids
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| n.兰花( orchid的名词复数 ) | |
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52
bouquets
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| n.花束( bouquet的名词复数 )；（酒的）芳香 | |
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53
fatigue
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| n.疲劳，劳累 | |
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54
meditative
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| adj.沉思的，冥想的 | |
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55
smacking
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| 活泼的，发出响声的，精力充沛的 | |
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56
intoxicated
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| 喝醉的，极其兴奋的 | |
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57
dedicated
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| adj.一心一意的；献身的；热诚的 | |
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58
intoxication
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| n.wild excitement;drunkenness；poisoning | |
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ardent
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| adj.热情的，热烈的，强烈的，烈性的 | |
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