Looking about her in this unfamiliar8 region, her eye fell on a door that seemed to open into the wall; she had noticed a similar door on the story above,—one of the closet doors that had been nailed up by Aunt Jane’s order. As she looked, however, a chill breath blew in from another direction, extinguishing her lamp. This air came from the outer door of the cellar, and she had just time to withdraw into a corner before a man’s steps approached, passing close by her.
Even Hope’s strong nerves had begun to yield, and a cold shudder9 went through her. Not daring to move, she pressed herself against the wall, and her heart seemed to stop as the unseen stranger passed. Instead of his ascending10 where she had come down, as she had expected, she heard him grope his way toward the door she had seen in the wall.
There he seemed to find a stairway, and when his steps were thus turned from her, she was seized by a sudden impulse and followed him, groping her way as she could. She remembered that the girls had talked of secret stairways in that house, though she had no conception whither they could lead, unless to some of the shut-up closets.
She steadily11 followed, treading cautiously upon each creaking step. The stairway was very narrow, and formed a regular spiral as in a turret12. The darkness and the curving motion confused her brain, and it was impossible to tell how high in the house she was, except when once she put her hand upon what was evidently a door, and moreover saw through its cracks the lamp she had left burning in the upper hall. This glimpse of reality reassured13 her. She had begun to discover where she was. The doors which Aunt Jane had closed gave access, not to mere14 closets, but to a spiral stairway, which evidently went from top to bottom of the house, and was known to some one else beside herself.
Relieved of that slight shudder at the supernatural which sometimes affects the healthiest nerves, Hope paused to consider. To alarm the neighborhood was her first thought. A slight murmuring from above dispelled15 it; she must first reconnoitre a few steps farther. As she ascended16 a little way, a gleam shone upon her, and down the damp stairway came a fragrant17 odor, as from some perfumed chamber18. Then a door was shut and reopened. Eager beyond expression, she followed on. Another step, and she stood at the door of Malbone’s apartment.
The room was brilliant with light; the doors and windows were heavily draped. Fruit and flowers and wine were on the table. On the sofa lay Emilia in a gay ball-dress, sunk in one of her motionless trances, while Malbone, pale with terror, was deluging19 her brows with the water he had just brought from the well below.
Hope stopped a moment and leaned against the door, as her eyes met Malbone’s. Then she made her way to a chair, and leaning on the back of it, which she fingered convulsively, looked with bewildered eyes and compressed lips from the one to the other. Malbone tried to speak, but failed; tried again, and brought forth20 only a whisper that broke into clearer speech as the words went on. “No use to explain,” he said. “Lambert is in New York. Mrs. Meredith is expecting her—to-night after the ball. What can we do?”
Hope covered her face as he spoke21; she could bear anything better than to have him say “we,” as if no gulf22 had opened between them. She sank slowly on her knees behind her chair, keeping it as a sort of screen between herself and these two people,—the counterfeits23, they seemed, of her lover and her sister. If the roof in falling to crush them had crushed her also, she could scarcely have seemed more rigid24 or more powerless. It passed, and the next moment she was on her feet again, capable of action.
“She must be taken,” she said very clearly, but in a lower tone than usual, “to my chamber.” Then pointing to the candles, she said, more huskily, “We must not be seen. Put them out.” Every syllable25 seemed to exhaust her. But as Philip obeyed her words, he saw her move suddenly and stand by Emilia’s side.
She put out both arms as if to lift the young girl, and carry her away.
“You cannot,” said Philip, putting her gently aside, while she shrank from his touch. Then he took Emilia in his arms and bore her to the door, Hope preceding.
Motioning him to pause a moment, she turned the lock softly, and looked out into the dark entry. All was still. She went out, and he followed with his motionless burden. They walked stealthily, like guilty things, yet every slight motion seemed to ring in their ears. It was chilly26, and Hope shivered. Through the great open window on the stairway a white fog peered in at them, and the distant fog-whistle came faintly through; it seemed as if the very atmosphere were condensing about them, to isolate27 the house in which such deeds were done. The clock struck twelve, and it seemed as if it struck a thousand.
When they reached Hope’s door, she turned and put out her arms for Emilia, as for a child. Every expression had now gone from Hope’s face but a sort of stony28 calmness, which put her infinitely29 farther from Malbone than had the momentary30 struggle. As he gave the girlish form into arms that shook and trembled beneath its weight, he caught a glimpse in the pier-glass of their two white faces, and then, looking down, saw the rose-tints yet lingering on Emilia’s cheek. She, the source of all this woe31, looked the only representative of innocence32 between two guilty things.
How white and pure and maidenly33 looked Hope’s little room,—such a home of peace, he thought, till its door suddenly opened to admit all this passion and despair! There was a great sheaf of cardinal34 flowers on the table, and their petals35 were drooping36, as if reluctant to look on him. Scheffer’s Christus Consolator was upon the walls, and the benign37 figure seemed to spread wider its arms of mercy, to take in a few sad hearts more.
Hope bore Emilia into the light and purity and warmth, while Malbone was shut out into the darkness and the chill. The only two things to which he clung on earth, the two women between whom his unsteady heart had vibrated, and both whose lives had been tortured by its vacillation38, went away from his sight together, the one victim bearing the other victim in her arms. Never any more while he lived would either of them be his again; and had Dante known it for his last glimpse of things immortal39 when the two lovers floated away from him in their sad embrace, he would have had no such sense of utter banishment40 as had Malbone then.
点击收听单词发音
1 sobbing | |
<主方>Ⅰ adj.湿透的 | |
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2 monologue | |
n.长篇大论,(戏剧等中的)独白 | |
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3 gliding | |
v. 滑翔 adj. 滑动的 | |
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4 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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5 descended | |
a.为...后裔的,出身于...的 | |
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6 descending | |
n. 下行 adj. 下降的 | |
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7 thoroughly | |
adv.完全地,彻底地,十足地 | |
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8 unfamiliar | |
adj.陌生的,不熟悉的 | |
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9 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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10 ascending | |
adj.上升的,向上的 | |
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11 steadily | |
adv.稳定地;不变地;持续地 | |
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12 turret | |
n.塔楼,角塔 | |
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13 reassured | |
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词) | |
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14 mere | |
adj.纯粹的;仅仅,只不过 | |
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15 dispelled | |
v.驱散,赶跑( dispel的过去式和过去分词 ) | |
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16 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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17 fragrant | |
adj.芬香的,馥郁的,愉快的 | |
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18 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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19 deluging | |
v.使淹没( deluge的现在分词 );淹没;被洪水般涌来的事物所淹没;穷于应付 | |
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20 forth | |
adv.向前;向外,往外 | |
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21 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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22 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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23 counterfeits | |
v.仿制,造假( counterfeit的第三人称单数 ) | |
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24 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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25 syllable | |
n.音节;vt.分音节 | |
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26 chilly | |
adj.凉快的,寒冷的 | |
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27 isolate | |
vt.使孤立,隔离 | |
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28 stony | |
adj.石头的,多石头的,冷酷的,无情的 | |
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29 infinitely | |
adv.无限地,无穷地 | |
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30 momentary | |
adj.片刻的,瞬息的;短暂的 | |
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31 woe | |
n.悲哀,苦痛,不幸,困难;int.用来表达悲伤或惊慌 | |
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32 innocence | |
n.无罪;天真;无害 | |
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33 maidenly | |
adj. 像处女的, 谨慎的, 稳静的 | |
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34 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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35 petals | |
n.花瓣( petal的名词复数 ) | |
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36 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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37 benign | |
adj.善良的,慈祥的;良性的,无危险的 | |
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38 vacillation | |
n.动摇;忧柔寡断 | |
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39 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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40 banishment | |
n.放逐,驱逐 | |
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