This is an age of strange and stirring beauty, of extraordinary romance and adventure, of new joys and pains. And yet our Christmas artists have nothing more to offer us than the old formalism of Yuletide convention. After a considerable amount of searching in the bazaars3 we have found not one Christmas card that showed even a glimmering4 of the true romance, which is to see the beauty or wonder or peril5 that lies around us. Most of the cards hark back to the stage-coach up to its hubs in snow, or the blue bird, with which Maeterlinck penalized6 us (what has a blue bird got to do with Christmas?), or the open fireplace and jug7 of mulled claret. Now these things are merry enough in their way, or they were once upon a time; but we plead for an honest romanticism in Christmas cards that will express something of the entrancing color and circumstance that surround us to-day. Is not a commuter's train, stalled in a drift, far more lively to our hearts than the mythical8 stage-coach? Or an inter-urban trolley9 winging its way through the dusk like a casket of golden light? Or even a country flivver, loaded down with parcels and holly10 and the Yuletide keg of root beer? Root beer may be but meager11 flaggonage compared to mulled claret, but at any rate 'tis honest, 'tis actual, 'tis tangible12 and potable. And where, among all the Christmas cards, is the airplane, that most marvelous and heart-seizing of all our triumphs? Where is the stately apartment house, looming13 like Gibraltar against a sunset sky? Must we, even at Christmas time, fool ourselves with a picturesqueness15 that is gone, seeing nothing of what is around us?
It is said that man's material achievements have outrun his imagination; that poets and painters are too puny16 to grapple with the world as it is. Certainly a visitor from another sphere, looking on our fantastic and exciting civilization, would find little reflection of it in the Christmas card. He would find us clinging desperately17 to what we have been taught to believe was picturesque14 and jolly, and afraid to assert that the things of to-day are comely18 too. Even on the basis of discomfort19 (an acknowledged criterion of picturesqueness) surely a trolley car jammed with parcel-laden passengers is just as satisfying a spectacle as any stage coach? Surely the steam radiator20, if not so lovely as a flame-gilded hearth21, is more real to most of us? And instead of the customary picture of shivering subjects of George III held up by a highwayman on Hampstead Heath, why not a deftly22 delineated sketch23 of victims in a steam-heated lobby submitting to the plunder24 of the hat-check bandit? Come, let us be honest! The romance of to-day is as good as any!
Many must have felt this same uneasiness in trying to find Christmas cards that would really say something of what is in their hearts. The sentiment behind the card is as lovely and as true as ever, but the cards themselves are outmoded bottles for the new wine. It seems a cruel thing to say, but we are impatient with the mottoes and pictures we see in the shops because they are a conventional echo of a beauty that is past. What could be more absurd than to send to a friend in a city apartment a rhyme such as this:
As round the Christmas fire you sit
And hear the bells with frosty chime,
Think, friendship that long love has knit
Grows sweeter still at Christmas time!
If that is sent to the janitor25 or the elevator boy we have no cavil26, for these gentlemen do actually see a fire and hear bells ring; but the apartment tenant27 hears naught28 but the hissing29 of the steam in the radiator, and counts himself lucky to hear that. Why not be honest and say to him:
I hope the janitor has shipped
You steam, to keep the cold away;
And if the hallboys have been tipped,
Then joy be thine on Christmas Day!
We had not meant to introduce this jocular note into our meditation30, for we are honestly aggrieved31 that so many of the Christmas cards hark back to an old tradition that is gone, and never attempt to express any of the romance of to-day. You may protest that Christmas is the oldest thing in the world, which is true; yet it is also new every year, and never newer than now.
点击收听单词发音
1 devoid | |
adj.全无的,缺乏的 | |
参考例句: |
|
|
2 inadequate | |
adj.(for,to)不充足的,不适当的 | |
参考例句: |
|
|
3 bazaars | |
(东方国家的)市场( bazaar的名词复数 ); 义卖; 义卖市场; (出售花哨商品等的)小商品市场 | |
参考例句: |
|
|
4 glimmering | |
n.微光,隐约的一瞥adj.薄弱地发光的v.发闪光,发微光( glimmer的现在分词 ) | |
参考例句: |
|
|
5 peril | |
n.(严重的)危险;危险的事物 | |
参考例句: |
|
|
6 penalized | |
对…予以惩罚( penalize的过去式和过去分词 ); 使处于不利地位 | |
参考例句: |
|
|
7 jug | |
n.(有柄,小口,可盛水等的)大壶,罐,盂 | |
参考例句: |
|
|
8 mythical | |
adj.神话的;虚构的;想像的 | |
参考例句: |
|
|
9 trolley | |
n.手推车,台车;无轨电车;有轨电车 | |
参考例句: |
|
|
10 holly | |
n.[植]冬青属灌木 | |
参考例句: |
|
|
11 meager | |
adj.缺乏的,不足的,瘦的 | |
参考例句: |
|
|
12 tangible | |
adj.有形的,可触摸的,确凿的,实际的 | |
参考例句: |
|
|
13 looming | |
n.上现蜃景(光通过低层大气发生异常折射形成的一种海市蜃楼)v.隐约出现,阴森地逼近( loom的现在分词 );隐约出现,阴森地逼近 | |
参考例句: |
|
|
14 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
参考例句: |
|
|
15 picturesqueness | |
参考例句: |
|
|
16 puny | |
adj.微不足道的,弱小的 | |
参考例句: |
|
|
17 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
参考例句: |
|
|
18 comely | |
adj.漂亮的,合宜的 | |
参考例句: |
|
|
19 discomfort | |
n.不舒服,不安,难过,困难,不方便 | |
参考例句: |
|
|
20 radiator | |
n.暖气片,散热器 | |
参考例句: |
|
|
21 hearth | |
n.壁炉炉床,壁炉地面 | |
参考例句: |
|
|
22 deftly | |
adv.灵巧地,熟练地,敏捷地 | |
参考例句: |
|
|
23 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
参考例句: |
|
|
24 plunder | |
vt.劫掠财物,掠夺;n.劫掠物,赃物;劫掠 | |
参考例句: |
|
|
25 janitor | |
n.看门人,管门人 | |
参考例句: |
|
|
26 cavil | |
v.挑毛病,吹毛求疵 | |
参考例句: |
|
|
27 tenant | |
n.承租人;房客;佃户;v.租借,租用 | |
参考例句: |
|
|
28 naught | |
n.无,零 [=nought] | |
参考例句: |
|
|
29 hissing | |
n. 发嘶嘶声, 蔑视 动词hiss的现在分词形式 | |
参考例句: |
|
|
30 meditation | |
n.熟虑,(尤指宗教的)默想,沉思,(pl.)冥想录 | |
参考例句: |
|
|
31 aggrieved | |
adj.愤愤不平的,受委屈的;悲痛的;(在合法权利方面)受侵害的v.令委屈,令苦恼,侵害( aggrieve的过去式);令委屈,令苦恼,侵害( aggrieve的过去式和过去分词) | |
参考例句: |
|
|
欢迎访问英文小说网 |