It was pay day that afternoon and all the performers were in cheerful humour. Perhaps that was why the two outsiders, who played a very inconspicuous part in the vast show, were so gently treated. Certainly they had approached the Garden in some secret trepidation8. They had had visions of dire9 jests and grievous humiliations: of finding themselves suddenly astride the bare backs of berserk mules11, or hoisted12 by blazing petards, or douched with mysterious cascades13 of icy water. Pat Valdo had written: “I am glad to hear you are going to clown a bit. I hope you both will enjoy the experience.” To our overwrought imaginations this sounded a little ominous14. What would Pat and his lively confrères do to us?
We need not have feared. Not in the most genial15 club could we have been more kindly16 treated than in the dressing17 room where we found Pat Valdo opening his trunk and getting out the antic costumes he had provided. (The eye of a certain elephant, to tell the truth, was the only real embarrassment18 we suffered. We happened to stand by him as he was waiting to go on, and in his shrewd and critical orb19 we saw a complete disdain20. He spotted21 us at once. He knew us for interlopers. He knew that we were not[Pg 196] a real clown, and his eye showed a spark of scorn. We felt shamed, and slunk away.)
A liberal coating of clown-white, well rubbed into the palms before applying; a rich powdering of talcum; and decorations applied22 by Pat Valdo with his red and black paint-sticks—these give an effect that startles the amateur when he considers himself in the mirror. Topped with a skull-cap of white flannel23 (on which perches24 a supreme25 oddity in the way of a Hooligan hat) and enveloped26 in a baggy27 Pierrot garment—one is ready to look about and study the dressing room, where our fellows, in every kind of gorgeous grotesquerie, are preparing for the Grand Introductory Pageant—followed by the “Strange People.” (They don't call them Freaks any more.) Here is Johannes Joseffson, the Icelandic Gladiator, sitting on his trunk, with his bare feet gingerly placed on his slippers28 to keep them off the dusty floor while he puts on his wrestling tights. As he bends over with arched back, and raises one leg to insert it into the long pink stocking, one must admire the perfect muscular grace of his thighs29 and shoulders. Here is the equally muscular dwarf30, being massaged31 by a friend before he dons his pink frills and dashing plumed32 hat and becomes Mlle. Spangletti, “the marvel33 equestrienne, darling of the Parisian boulevards.” Here is the inevitable34 Charley Chaplin, and here the dean of all the clowns, an old gentleman of seventy-four, in his frolicsome[Pg 197] costume, as lively as ever. Here is a trunk inscribed35 Australian Woodchoppers, and sitting on it one of the woodchoppers himself, a quiet, humorous, cultivated gentleman with a great fund of philosophy. A rumour36 goes the rounds—as it does behind the scenes in every kind of show. “Do you know who we have with us to-day? I see one of the boxes is all decorated up.” “It's Mrs. Vincent Astor.” “Who's she?” interjects the Australian woodchopper, satirically. “It's General Wood.” “Did you hear, Wood and Pershing are here to-day?” Charley Chaplin asserts that he has “a good gag” that he's going to try out to-day and see how it goes. One of the other clowns in the course of dressing comes up to Pat Valdo, and Pat introduces his two pupils. “Newspaper men, hey?” says the latter. “What did you tell me for? I usually double-cross the newspaper men when they come up to do some clowning,” he explains to us. We are left wondering in what this double-crossing consists. Suddenly they all troop off down the dark narrow stairs for the triumphal entry. The splendour of this parade may not be marred37 by any clown costumes, so the two novices38 are left upstairs, peering through holes in the dressing-room wall. The big arena39 is all an expanse of eager faces. The band strikes up a stirring ditty. A wave of excitement sweeps through the dingy40 quarters of the Garden. The show is on, and how delirious41 it all is![Pg 198]
Downstairs, the space behind the arena is a fascinating jostle of odd sights. The elephants come swaying up the runway from the basement and stand in line waiting their turn. Here is a cage of trained bears. In the background stands the dogcatcher's cart, attached to the famous kicking mule10. From the ladies' dressing quarters come the aerial human butterflies in their wings and gauzy draperies. On the wall is a list of names, Mail Uncalled For. One of the names is “Toby Hamilton.” That must mean old Toby, and we fear the letter will never be called for now, for Toby Hamilton, the famous old Barnum and Bailey press agent, who cleaned up more “free space” than any man who ever lived, died in 1916. Suddenly appears a person clad in flesh tights and a barrel, carrying a label announcing himself as The Common People. Someone thrusts a large sign into the hands of one of the amateur clowns, and he is thrust upon the arena, to precede the barrelled Common People round the sawdust circuit. He has hardly time to see what the sign says—something about “On Strike Against $100 Suits.” The amateur clown is somewhat aghast at the huge display of friendly faces. Is he to try to be funny? Here is the flag-hung box, and he tries to see who is in it. He doesn't see either Wood, Pershing, or Mrs. Astor, who are not there; but a lot of wounded soldiers, who smile at him encouragingly. He feels better and proceeds, finding himself, with a[Pg 199] start, just beneath some flying acrobats42 who are soaring in air, hanging by their teeth. Common People shouts to him to keep the sign facing toward the audience. The tour is made without palpable dishonour43.
Things are now moving so fast it is hard to keep up with them. Pat Valdo is dressed as a prudish44 old lady with an enormous bustle45. Escorted by the clown policeman and the two amateurs, Pat sets out, fanning himself demurely46. Hullo! the bustle has detached itself from the old lady, but she proceeds, unconscious. The audience shouts with glee. Finally the cop sees what has happened and screams. The amateur clowns scream, too, and one of them, in a burst of inspiration, takes off his absurd hat to the bustle, which is now left yards behind. But Pat is undismayed, turns and beckons47 with his hand. The bustle immediately runs forward of its own accord and reattaches itself to the rear of the skirt. You see, there is a dwarf inside it. The two amateur clowns are getting excited by this time and execute some impromptu48 tumbling. One tackles the other and they roll over and over desperately49. In the scuffle one loses both his hat and skull-cap and flees shamefast from the scene. It is asserted by our partner that “this went big.” He swears it got a laugh. Pat Valdo hurries off to prepare for his boomerang throwing. Pat is a busy man, for he is not only a clown, but he and Mrs. Valdo also do[Pg 200] wonderful stunts51 of their own on Ring Number One.
And there are moments of sheer poetry, too. Into the darkened arena, crossed by dazzling shafts52 of light, speeds a big white motor car. Bird Millman descends53, tossing aside her cloak. “A fairy on a cobweb” the press agents call her, and as two humble54 clowns watch entranced through the peepholes in the big doors the phrase seems none too extravagant55. See her, in a foam56 of short fluffy57 green skirts, twirl and tiptoe on the glittering wire, all grace and slenderness and agile58 enchantment59. She bows in the dazzle of light and kisses her hands to the crowd. Then she hops60 into the big car and is borne back behind the scenes. Once behind the doors her gay vivacity61 ceases. She sits, wearily, several minutes, before getting out of the car. And then, later, comes Mlle. Leitzel. She, like all the other stars, is said to have “amazed all Europe.” We don't know whether Europe is harder to amaze than America. Certainly no one could be more admiringly astounded62 than the amateur clowns gazing entranced through the crack of the doorway63. To that nerve-tightening roll of drums she spins deliriously64 high up in giddy air, floating, a tiny human pin-wheel, in a shining cone65 of light. One can hear the crowd catch its breath. She walks back, all smiles, while her maid trots66 ahead saying something unintelligible67. Her tall husband is waiting for her at[Pg 201] the doorway. He catches her up like a child and carries her off, limp and exhausted68. One of the clowns (irreverent creature) makes a piteous squawk and begs us to carry him to his dressing room.
A trained pig, trotting69 cheerfully round in search of tidbits, is retrieved70 from under the hooves of Mrs. Curtis's horse, which is about to go out and dance. The dogcatcher's wagon71 is drawn72 up ready to rush forth73, and the trained terrier which accompanies it is leaping with excitement. He regards it as a huge lark74, and knows his cue perfectly75. When the right time comes he makes a dash for a clown dressed as an elderly lady and tears off her skirt. One of the amateurs was allowed to ride behind the kicking mule, but to his great chagrin76 the mule did not kick as well as usual. Here are Charley Chaplin and some others throwing enormous dice77 from a barrel. No matter how the dice are thrown they always turn up seven. Into this animated78 gamble the amateur clown enters with enjoyment79. All round him the wildest capers80 are proceeding81. The double-ended flivver is prancing82 about. John Barleycorn's funeral procession is going its way. “Give me plenty of space,” says Charley Chaplin to us, “so the people can watch me.” We do so, reverently83, for Charley's antics are worth watching. We make a wild dash, and plan to do a tumble in imitation of Charley's. To our disappointment we find that instead of sliding our feet dig into the soft sawdust, and the projected[Pg 202] collapse84 does not arrive. Intoxicated85 by the rich spice of circus odours, the booming calliope, the galloping86 horses, we hardly know what we are doing half the time. We hear Miss May Wirth, the Wonder Rider of the World, complaining bitterly that someone got in front of her when she was doing her particularly special stunt50. We wonder dubiously87 whether we were the guilty one. Alas88, it is all over but the washing up. Pat Valdo, gentlest of hosts, is taking off his trick hat with the water cistern89 concealed90 in it. He has a clean towel ready for his grateful pupils.
The band is playing “The Star-Spangled Banner,” and all the clowns, in various stages of undress, stand at attention. Our little peep into the gay, good-hearted, courageous91, and extraordinary world of the circus is over. Pat and his fellows will go on, twice a day, for the next six months. It takes patience and endurance. But it must be some consolation92 to know that nothing else in the world gives half as much pleasure to so many people.
点击收听单词发音
1 medley | |
n.混合 | |
参考例句: |
|
|
2 pungently | |
adv.苦痛地,尖锐地 | |
参考例句: |
|
|
3 sleek | |
adj.光滑的,井然有序的;v.使光滑,梳拢 | |
参考例句: |
|
|
4 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
参考例句: |
|
|
5 pallid | |
adj.苍白的,呆板的 | |
参考例句: |
|
|
6 jumble | |
vt.使混乱,混杂;n.混乱;杂乱的一堆 | |
参考例句: |
|
|
7 blurred | |
v.(使)变模糊( blur的过去式和过去分词 );(使)难以区分;模模糊糊;迷离 | |
参考例句: |
|
|
8 trepidation | |
n.惊恐,惶恐 | |
参考例句: |
|
|
9 dire | |
adj.可怕的,悲惨的,阴惨的,极端的 | |
参考例句: |
|
|
10 mule | |
n.骡子,杂种,执拗的人 | |
参考例句: |
|
|
11 mules | |
骡( mule的名词复数 ); 拖鞋; 顽固的人; 越境运毒者 | |
参考例句: |
|
|
12 hoisted | |
把…吊起,升起( hoist的过去式和过去分词 ) | |
参考例句: |
|
|
13 cascades | |
倾泻( cascade的名词复数 ); 小瀑布(尤指一连串瀑布中的一支); 瀑布状物; 倾泻(或涌出)的东西 | |
参考例句: |
|
|
14 ominous | |
adj.不祥的,不吉的,预兆的,预示的 | |
参考例句: |
|
|
15 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
参考例句: |
|
|
16 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
参考例句: |
|
|
17 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
参考例句: |
|
|
18 embarrassment | |
n.尴尬;使人为难的人(事物);障碍;窘迫 | |
参考例句: |
|
|
19 orb | |
n.太阳;星球;v.弄圆;成球形 | |
参考例句: |
|
|
20 disdain | |
n.鄙视,轻视;v.轻视,鄙视,不屑 | |
参考例句: |
|
|
21 spotted | |
adj.有斑点的,斑纹的,弄污了的 | |
参考例句: |
|
|
22 applied | |
adj.应用的;v.应用,适用 | |
参考例句: |
|
|
23 flannel | |
n.法兰绒;法兰绒衣服 | |
参考例句: |
|
|
24 perches | |
栖息处( perch的名词复数 ); 栖枝; 高处; 鲈鱼 | |
参考例句: |
|
|
25 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
参考例句: |
|
|
26 enveloped | |
v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
参考例句: |
|
|
27 baggy | |
adj.膨胀如袋的,宽松下垂的 | |
参考例句: |
|
|
28 slippers | |
n. 拖鞋 | |
参考例句: |
|
|
29 thighs | |
n.股,大腿( thigh的名词复数 );食用的鸡(等的)腿 | |
参考例句: |
|
|
30 dwarf | |
n.矮子,侏儒,矮小的动植物;vt.使…矮小 | |
参考例句: |
|
|
31 massaged | |
按摩,推拿( massage的过去式和过去分词 ) | |
参考例句: |
|
|
32 plumed | |
饰有羽毛的 | |
参考例句: |
|
|
33 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
参考例句: |
|
|
34 inevitable | |
adj.不可避免的,必然发生的 | |
参考例句: |
|
|
35 inscribed | |
v.写,刻( inscribe的过去式和过去分词 );内接 | |
参考例句: |
|
|
36 rumour | |
n.谣言,谣传,传闻 | |
参考例句: |
|
|
37 marred | |
adj. 被损毁, 污损的 | |
参考例句: |
|
|
38 novices | |
n.新手( novice的名词复数 );初学修士(或修女);(修会等的)初学生;尚未赢过大赛的赛马 | |
参考例句: |
|
|
39 arena | |
n.竞技场,运动场所;竞争场所,舞台 | |
参考例句: |
|
|
40 dingy | |
adj.昏暗的,肮脏的 | |
参考例句: |
|
|
41 delirious | |
adj.不省人事的,神智昏迷的 | |
参考例句: |
|
|
42 acrobats | |
n.杂技演员( acrobat的名词复数 );立场观点善变的人,主张、政见等变化无常的人 | |
参考例句: |
|
|
43 dishonour | |
n./vt.拒付(支票、汇票、票据等);vt.凌辱,使丢脸;n.不名誉,耻辱,不光彩 | |
参考例句: |
|
|
44 prudish | |
adj.装淑女样子的,装规矩的,过分规矩的;adv.过分拘谨地 | |
参考例句: |
|
|
45 bustle | |
v.喧扰地忙乱,匆忙,奔忙;n.忙碌;喧闹 | |
参考例句: |
|
|
46 demurely | |
adv.装成端庄地,认真地 | |
参考例句: |
|
|
47 beckons | |
v.(用头或手的动作)示意,召唤( beckon的第三人称单数 ) | |
参考例句: |
|
|
48 impromptu | |
adj.即席的,即兴的;adv.即兴的(地),无准备的(地) | |
参考例句: |
|
|
49 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
参考例句: |
|
|
50 stunt | |
n.惊人表演,绝技,特技;vt.阻碍...发育,妨碍...生长 | |
参考例句: |
|
|
51 stunts | |
n.惊人的表演( stunt的名词复数 );(广告中)引人注目的花招;愚蠢行为;危险举动v.阻碍…发育[生长],抑制,妨碍( stunt的第三人称单数 ) | |
参考例句: |
|
|
52 shafts | |
n.轴( shaft的名词复数 );(箭、高尔夫球棒等的)杆;通风井;一阵(疼痛、害怕等) | |
参考例句: |
|
|
53 descends | |
v.下来( descend的第三人称单数 );下去;下降;下斜 | |
参考例句: |
|
|
54 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
参考例句: |
|
|
55 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
参考例句: |
|
|
56 foam | |
v./n.泡沫,起泡沫 | |
参考例句: |
|
|
57 fluffy | |
adj.有绒毛的,空洞的 | |
参考例句: |
|
|
58 agile | |
adj.敏捷的,灵活的 | |
参考例句: |
|
|
59 enchantment | |
n.迷惑,妖术,魅力 | |
参考例句: |
|
|
60 hops | |
跳上[下]( hop的第三人称单数 ); 单足蹦跳; 齐足(或双足)跳行; 摘葎草花 | |
参考例句: |
|
|
61 vivacity | |
n.快活,活泼,精神充沛 | |
参考例句: |
|
|
62 astounded | |
v.使震惊(astound的过去式和过去分词);愕然;愕;惊讶 | |
参考例句: |
|
|
63 doorway | |
n.门口,(喻)入门;门路,途径 | |
参考例句: |
|
|
64 deliriously | |
adv.谵妄(性);发狂;极度兴奋/亢奋;说胡话 | |
参考例句: |
|
|
65 cone | |
n.圆锥体,圆锥形东西,球果 | |
参考例句: |
|
|
66 trots | |
小跑,急走( trot的名词复数 ); 匆匆忙忙地走 | |
参考例句: |
|
|
67 unintelligible | |
adj.无法了解的,难解的,莫明其妙的 | |
参考例句: |
|
|
68 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
参考例句: |
|
|
69 trotting | |
小跑,急走( trot的现在分词 ); 匆匆忙忙地走 | |
参考例句: |
|
|
70 retrieved | |
v.取回( retrieve的过去式和过去分词 );恢复;寻回;检索(储存的信息) | |
参考例句: |
|
|
71 wagon | |
n.四轮马车,手推车,面包车;无盖运货列车 | |
参考例句: |
|
|
72 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
参考例句: |
|
|
73 forth | |
adv.向前;向外,往外 | |
参考例句: |
|
|
74 lark | |
n.云雀,百灵鸟;n.嬉戏,玩笑;vi.嬉戏 | |
参考例句: |
|
|
75 perfectly | |
adv.完美地,无可非议地,彻底地 | |
参考例句: |
|
|
76 chagrin | |
n.懊恼;气愤;委屈 | |
参考例句: |
|
|
77 dice | |
n.骰子;vt.把(食物)切成小方块,冒险 | |
参考例句: |
|
|
78 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
参考例句: |
|
|
79 enjoyment | |
n.乐趣;享有;享用 | |
参考例句: |
|
|
80 capers | |
n.开玩笑( caper的名词复数 );刺山柑v.跳跃,雀跃( caper的第三人称单数 ) | |
参考例句: |
|
|
81 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
参考例句: |
|
|
82 prancing | |
v.(马)腾跃( prance的现在分词 ) | |
参考例句: |
|
|
83 reverently | |
adv.虔诚地 | |
参考例句: |
|
|
84 collapse | |
vi.累倒;昏倒;倒塌;塌陷 | |
参考例句: |
|
|
85 intoxicated | |
喝醉的,极其兴奋的 | |
参考例句: |
|
|
86 galloping | |
adj. 飞驰的, 急性的 动词gallop的现在分词形式 | |
参考例句: |
|
|
87 dubiously | |
adv.可疑地,怀疑地 | |
参考例句: |
|
|
88 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
参考例句: |
|
|
89 cistern | |
n.贮水池 | |
参考例句: |
|
|
90 concealed | |
a.隐藏的,隐蔽的 | |
参考例句: |
|
|
91 courageous | |
adj.勇敢的,有胆量的 | |
参考例句: |
|
|
92 consolation | |
n.安慰,慰问 | |
参考例句: |
|
|
欢迎访问英文小说网 |