Long Island and spring—the conjunction gives us a particular thrill. There are more beautiful places than the Long Island flats, but it was there that we earned our first pay envelope, and it was there that we first set up housekeeping; and as long as we live the station platform of Jamaica will move us strangely—not merely from one train to another, but also inwardly. There is no soil that receives a more brimming benison12 of sunshine than Long Island in late April. As the train moves across the plain it seems to swim in a golden tide of light. Billboards13 have been freshly painted and announce the glories[Pg 209] of phonographs in screaming scarlets14 and purples, or the number of miles that divide you from a Brooklyn department store. Out at Hillside the stones that demarcate the territory of an old-fashioned house are new and snowily whitewashed15. At Hollis the trees are a cloud of violent mustard-yellow (the colour of a safety-matchbox label). Magnolias (if that is what they are) are creamy pink. Moving vans are bustling16 along the road. Across the wide fields of Bellaire there is a view of the brown woods on the ridge17, turning a faint olive as the leaves gain strength. Gus Wuest's roadhouse at Queens looks inviting18 as of old, and the red-brown of the copper19 beeches20 reminds one of the tall amber21 beakers. Here is the little park by the station in Queens, the flag on the staff, the forsythia bushes the colour of scrambled22 eggs.
Is it the influence of the Belmont Park race track? There seem to be, in the smoking cars, a number of men having the air of those accustomed to associate (in a not unprofitable way) with horses. Here is one, a handsome person, who holds our eye as a bright flower might. He wears a flowing overcoat of fleecy fawn23 colour and a derby of biscuit brown. He has a gray suit and joyful24 socks of heavy wool, yellow and black and green in patterned squares which are so vivid they seem cubes rather than squares. He has a close-cut dark moustache, his shaven cheeks are a magnificent sirloin tint25, his chin[Pg 210] splendidly blue by the ministration of the razor. His shirt is blue with a stripe of sunrise pink, and the collar to match. He talks briskly and humorously to two others, leaning over in the seat behind them. As he argues, we see his brown low shoe tapping on the floor. One can almost see his foot think. It pivots26 gently on the heel, the toe wagging in air, as he approaches the climax27 of each sentence. Every time he drives home a point in his talk down comes the whole foot, softly, but firmly. He relights his cigar in the professional manner, not by inhaling28 as he applies the match, but by holding the burned portion in the flame, away from his mouth, until it has caught. His gold watch has a hunting case; when he has examined it, it shuts again with a fine rich snap, which we can hear even above the noise of the car.
On this early morning train there are others voyaging for amusement. Here are two golfing zealots, puffing29 pipes and discussing with amazing persistence30 the minuti? of their sport. Their remarks are addressed to a very fashionable-looking curate, whose manners are superb. Whether he is going to play golf we know not; at any rate, he smiles mildly and politely to all they say. Perhaps he is going round the course with them, in the hope of springing some ecclesiastical strategy while they are softened31 and chastened by the glee of the game. The name of their Maker32, it is only fair to suspect, has more than once been mentioned[Pg 211] on the putting green; and if it should slip out, the curate will seize the cue and develop it. In the meantime, one of the enthusiasts33 (while his companion is silenced in the act of lighting34 his pipe) is explaining to the cloth how his friend plays golf. “I'll tell you how he plays,” he says. “Imagine him sitting down in a low chair and swinging a club. Then take the chair away and he still keeps the same position. That's what he looks like when he drives.” The curate smiles at this and prepares his face to smile with equal gentleness when the other retorts.
After Floral Park the prospect35 becomes more plainly rural. The Mineola trolley36 zooms37 along, between wide fields of tilled brown earth. There is an occasional cow; here and there a really old barn and farmhouse38 standing39, incongruously, among the settlements of modern kindling-wood cottages; and a mysterious agricultural engine at work with a spinning fly-wheel. Against the bright horizon stand the profiles of Garden City: the thin cathedral spire40, the bulk of St. Paul's school, the white cupola of the hotel. The tree-lined vistas41 of Mineola are placidly42 simmering in the morning sun. A white dog with erect43 and curly tail trots44 very purposefully round the corner of the First National Bank. We think that we see the spreading leaves of some rhubarb plants in a garden; and there are some of those (to us very enigmatic, as we are no gardener)[Pg 212] little glass window frames set in the soil, as though a whole house, shamed by the rent the owner wanted to charge, had sunk out of sight, leaving only a skylight.
As we leave East Williston we approach more interesting country, with a semblance45 of hills, and wooded thickets46 still brownly tapestried47 with the dry funeral of last year's leaves. On the trees the new foliage48 sways in little clusters, catching49 the light like the wings of perching green butterflies. Some of the buds are a coppery green, some a burning red, but the prevailing50 colour is the characteristic sulphur yellow of early spring. And now we are set down at Salamis, where the first and most surprising impression is of the unexpected abundance of competitive taxicabs. Having reached the terminus of our space, we can only add that we found our estate still there—and there are a few stalks of rhubarb surviving from an earlier plantation51.
点击收听单词发音
1 delightful | |
adj.令人高兴的,使人快乐的 | |
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2 harassed | |
adj. 疲倦的,厌烦的 动词harass的过去式和过去分词 | |
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3 beset | |
v.镶嵌;困扰,包围 | |
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4 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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5 proceedings | |
n.进程,过程,议程;诉讼(程序);公报 | |
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6 coverts | |
n.隐蔽的,不公开的,秘密的( covert的名词复数 );复羽 | |
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7 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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8 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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9 sufficiently | |
adv.足够地,充分地 | |
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10 uncertainties | |
无把握( uncertainty的名词复数 ); 不确定; 变化不定; 无把握、不确定的事物 | |
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11 apparently | |
adv.显然地;表面上,似乎 | |
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12 benison | |
n.祝福 | |
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13 billboards | |
n.广告牌( billboard的名词复数 ) | |
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14 scarlets | |
鲜红色,猩红色( scarlet的名词复数 ) | |
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15 whitewashed | |
粉饰,美化,掩饰( whitewash的过去式和过去分词 ) | |
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16 bustling | |
adj.喧闹的 | |
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17 ridge | |
n.山脊;鼻梁;分水岭 | |
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18 inviting | |
adj.诱人的,引人注目的 | |
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19 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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20 beeches | |
n.山毛榉( beech的名词复数 );山毛榉木材 | |
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21 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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22 scrambled | |
v.快速爬行( scramble的过去式和过去分词 );攀登;争夺;(军事飞机)紧急起飞 | |
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23 fawn | |
n.未满周岁的小鹿;v.巴结,奉承 | |
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24 joyful | |
adj.欢乐的,令人欢欣的 | |
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25 tint | |
n.淡色,浅色;染发剂;vt.着以淡淡的颜色 | |
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26 pivots | |
n.枢( pivot的名词复数 );最重要的人(或事物);中心;核心v.(似)在枢轴上转动( pivot的第三人称单数 );把…放在枢轴上;以…为核心,围绕(主旨)展开 | |
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27 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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28 inhaling | |
v.吸入( inhale的现在分词 ) | |
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29 puffing | |
v.使喷出( puff的现在分词 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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30 persistence | |
n.坚持,持续,存留 | |
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31 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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32 maker | |
n.制造者,制造商 | |
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33 enthusiasts | |
n.热心人,热衷者( enthusiast的名词复数 ) | |
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34 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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35 prospect | |
n.前景,前途;景色,视野 | |
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36 trolley | |
n.手推车,台车;无轨电车;有轨电车 | |
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37 zooms | |
n.嗡嗡声( zoom的名词复数 );隆隆声;(车辆等)疾驰的声音;变焦 | |
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38 farmhouse | |
n.农场住宅(尤指主要住房) | |
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39 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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40 spire | |
n.(教堂)尖顶,尖塔,高点 | |
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41 vistas | |
长条形景色( vista的名词复数 ); 回顾; 展望; (未来可能发生的)一系列情景 | |
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42 placidly | |
adv.平稳地,平静地 | |
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43 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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44 trots | |
小跑,急走( trot的名词复数 ); 匆匆忙忙地走 | |
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45 semblance | |
n.外貌,外表 | |
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46 thickets | |
n.灌木丛( thicket的名词复数 );丛状物 | |
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47 tapestried | |
adj.饰挂绣帷的,织在绣帷上的v.用挂毯(或绣帷)装饰( tapestry的过去式和过去分词 ) | |
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48 foliage | |
n.叶子,树叶,簇叶 | |
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49 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
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50 prevailing | |
adj.盛行的;占优势的;主要的 | |
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51 plantation | |
n.种植园,大农场 | |
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