Walt Whitman's death can have taken no one by surprise. For years he had been at the brink1 of the grave, and the end comes as a relief. A great soul may be cheerful, or at least serene2, in all circumstances; but there is neither pleasure nor dignity in living on as the ghost of one's self.
Few superber specimens3 of physical manhood than Walt Whitman's have appeared on this planet. "He looks like a man," said Abraham Lincoln, as his gaze followed the poet past a window of the White House. Whitman stood six feet two, his limbs and torso were splendid, and his head was magnificently proportioned. His vitality4 must have been wonderful, and his health was absolutely perfect until after the War, during which he too assiduously nursed the sick and wounded, to the lasting5 detriment6 of his phenomenal constitution. The flame of his life burnt on for another thirty years, but his strength was seriously undermined, and he is far better entitled to be called a martyr7 than many who have more cheaply earned the distinction.
Walt Whitman's great personality can hardly be disputed. He impressed himself as something colossal8 on all who came into close contact with him. The magnetism9 of his presence in the military hospitals was more sanative than the doctors' physic. Men, women, and children felt glad and satisfied in his company. His large, frank, healthy nature radiated a perpetual benediction10. One who knew him intimately has said that he never saw upon Whitman's features any trace of mean or evil passions. The man was thoroughly11 wholesome12. Even his occasionally free utterances14 on sexuality are only sins against decorum. They do not violate nature. He never spoke15 on this subject with the slobbery grin of the voluptuary, or the leer of prurience16. He was at such moments simply unreticent. Meaning no harm, he suspected none. In this respect he belonged to a less self-conscious antiquity17, when nothing pertaining18 to man was common or unclean, and even the worship of the powers of generation was not without dignity and solemnity.
Some of the foremost Englishmen of our time have acknowledged Whitman's greatness and sanity—notably Carlyle, Ruskin, and Tennyson. Mr. Swinburne is the only one who has unsaid his praise.
Tennyson's intimacy19 with Whitman—always through correspondence—was simply beautiful. A superficial reader of human nature might have inquired what they had in common—the rough, amorphous20 American poet, and the exquisite21 English poet, a flower of millenniums of culture. But there is something deeper than form. It is substance. There is something deeper than language. It is manhood. And on the common ground of the deeper things of life, the American and English poets—otherwise so diverse—clasped hands, as it were, across the sundering22 ocean.
Whitman's claim to be considered a great poet, or even a poet at all, has been the subject of hot dispute. But such questions are not so settled. Only give time enough, and every writer falls by mere23 gravitation into his proper place, from which all the controversies24 in the world can never shift him. Where the evidence is largely subjective25, as it must be in appraising26 genius, there is sure to be much in our judgment27 that is incommunicable. The logic28 of events, as we say in politics; or the proof of the pudding, as we say in the vernacular29; is not so brilliant as logical sword-play, but it has the merit of being decisive.
Whitman's poetry looks strange to a reader accustomed to conventional models. It positively30 offends his eyesight. The ear may detect a certain rhythm, but where are the set lengths of orthodox versification? Here, however, there lurks31 a fallacy. Poetry is not the antithesis32 of prose. The antithesis of prose is verse. Some of the finest and noblest poetry in the world's literature is not cast in rhyme, though rhythm—often subtler than all possible rules—is indispensable. Yet there is something precious in poetical33 form; ay, and something durable34. Many an exquisite lyric35, with no great depth of feeling or reach of thought, has come down the stream of time, and will float upon it for ever. No doubt Dr. Johnson was right in calling it a waste of time to carve cherrystones, but precious stones are the more valued and admired for the art of the lapidary36. Whitman did not cultivate versification. He almost despised it. He sneered37 at "dulcet38 rhymes." Yet this may hinder his access to posterity39. Mr. Meredith hints as much in his sonnet40 entitled "An Orson of the Muse41," which surely refers to Whitman. He allows him to be the Muse's son, though he will not wear her livery.
Him, whom he blows of Earth, and Man, and Fate,
The Muse will hearken to with graver ear
Than many of her train can waken: him
Would fain have taught what fruitful things and dear
Must sink beneath the tidewaves, of their weight,
That Whitman, however, could do great things with rhythm, and without rhyme, is proved by his "Funeral Hymn43 of President Lincoln," which James Thomson ranked with Shelley's "Adonais," and Mr. Swinburne called "the most sublime44 nocturne ever chanted in the cathedral of the world." That this is a great poem, and will live, we have not the slightest doubt. Some other of Whitman's poems will doubtless live with it, but whole masses of his poetry will probably sink to the bottom—not, however, before doing their work and delivering their message.
Because of his want of form, Whitman suffers more than other poets in extracts. We shall make none, but refer the reader to the whole body of his poetry, Some of it is almost wearisome; the rest will repay study. It contains the utterance13 of a great soul, full of love and friendship, patriotism45 and humanity, brooding over the everlasting46 problems of life and death. Untrammelled by schools and systems, Whitman was a true Freethinker. Cosmopolitan47 as he was, he preached the gospel of individuality.
"This is what you shall do: love the earth and the sun and the animals, despise riches, give alms to everyone that asks, stand up for the stupid and the crazy, devote your income and labor48 to others, hate tyrants49, argue not concerning God, have patience and indulgence towards the people, take off your hat to nothing known or unknown, or to any man or number of men, go freely with powerful uneducated persons and with the young and mothers of families, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem, and have the richest fluency50, not only in its words, but in the silent lines of its lips and face, and between the lashes51 of your eyes, and in every motion and joint52 of your body."
Whitman appealed to the brotherhood53 of all and the dignity of each. He declared he would have nothing which every other man might not have on equal terms. The business of the great poet was "to cheer up slaves and horrify54 despots." Men, too, should keep in close communion with Nature, yet always feel that they could "be good or grand only of the consciousness of the supremacy55 within them."
"What do you think is the grandeur56 of storms and dismemberments, and the deadliest battles and wrecks57, and the wildest fury of the elements, and the power of the sea, and the motion of nature, and of the throes of human desires, and dignity and hate and love? It is that something in the soul which says-Rage on, whirl on, I tread master here and everywhere; master of the spasms58 of the sky and of the shatter of the sea, of all terror and all pain."
America, perhaps even more than England, has need of Whitman's teaching as the poet of Democracy. He derided59 "the mania60 of owning things," he scorned distinctions of caste and class, he sang the divineness of comradeship—and, what is more, he practised it. Full-blooded, strong-limbed, rich-brained, large-hearted men and women are a nation's best products, and if a nation does not yield them, its wealth will only hasten its doom61 and pollute its grave.
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1 brink | |
n.(悬崖、河流等的)边缘,边沿 | |
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2 serene | |
adj. 安详的,宁静的,平静的 | |
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3 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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4 vitality | |
n.活力,生命力,效力 | |
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5 lasting | |
adj.永久的,永恒的;vbl.持续,维持 | |
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6 detriment | |
n.损害;损害物,造成损害的根源 | |
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7 martyr | |
n.烈士,殉难者;vt.杀害,折磨,牺牲 | |
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8 colossal | |
adj.异常的,庞大的 | |
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9 magnetism | |
n.磁性,吸引力,磁学 | |
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10 benediction | |
n.祝福;恩赐 | |
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11 thoroughly | |
adv.完全地,彻底地,十足地 | |
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12 wholesome | |
adj.适合;卫生的;有益健康的;显示身心健康的 | |
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13 utterance | |
n.用言语表达,话语,言语 | |
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14 utterances | |
n.发声( utterance的名词复数 );说话方式;语调;言论 | |
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15 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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16 prurience | |
n.好色;迷恋;淫欲;(焦躁等的)渴望 | |
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17 antiquity | |
n.古老;高龄;古物,古迹 | |
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18 pertaining | |
与…有关系的,附属…的,为…固有的(to) | |
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19 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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20 amorphous | |
adj.无定形的 | |
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21 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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22 sundering | |
v.隔开,分开( sunder的现在分词 ) | |
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23 mere | |
adj.纯粹的;仅仅,只不过 | |
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24 controversies | |
争论 | |
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25 subjective | |
a.主观(上)的,个人的 | |
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26 appraising | |
v.估价( appraise的现在分词 );估计;估量;评价 | |
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27 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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28 logic | |
n.逻辑(学);逻辑性 | |
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29 vernacular | |
adj.地方的,用地方语写成的;n.白话;行话;本国语;动植物的俗名 | |
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30 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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31 lurks | |
n.潜在,潜伏;(lurk的复数形式)vi.潜伏,埋伏(lurk的第三人称单数形式) | |
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32 antithesis | |
n.对立;相对 | |
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33 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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34 durable | |
adj.持久的,耐久的 | |
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35 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
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36 lapidary | |
n.宝石匠;adj.宝石的;简洁优雅的 | |
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37 sneered | |
讥笑,冷笑( sneer的过去式和过去分词 ) | |
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38 dulcet | |
adj.悦耳的 | |
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39 posterity | |
n.后裔,子孙,后代 | |
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40 sonnet | |
n.十四行诗 | |
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41 muse | |
n.缪斯(希腊神话中的女神),创作灵感 | |
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42 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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43 hymn | |
n.赞美诗,圣歌,颂歌 | |
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44 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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45 patriotism | |
n.爱国精神,爱国心,爱国主义 | |
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46 everlasting | |
adj.永恒的,持久的,无止境的 | |
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47 cosmopolitan | |
adj.世界性的,全世界的,四海为家的,全球的 | |
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48 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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49 tyrants | |
专制统治者( tyrant的名词复数 ); 暴君似的人; (古希腊的)僭主; 严酷的事物 | |
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50 fluency | |
n.流畅,雄辩,善辩 | |
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51 lashes | |
n.鞭挞( lash的名词复数 );鞭子;突然猛烈的一击;急速挥动v.鞭打( lash的第三人称单数 );煽动;紧系;怒斥 | |
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52 joint | |
adj.联合的,共同的;n.关节,接合处;v.连接,贴合 | |
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53 brotherhood | |
n.兄弟般的关系,手中情谊 | |
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54 horrify | |
vt.使恐怖,使恐惧,使惊骇 | |
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55 supremacy | |
n.至上;至高权力 | |
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56 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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57 wrecks | |
n.沉船( wreck的名词复数 );(事故中)遭严重毁坏的汽车(或飞机等);(身体或精神上)受到严重损伤的人;状况非常糟糕的车辆(或建筑物等)v.毁坏[毁灭]某物( wreck的第三人称单数 );使(船舶)失事,使遇难,使下沉 | |
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58 spasms | |
n.痉挛( spasm的名词复数 );抽搐;(能量、行为等的)突发;发作 | |
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59 derided | |
v.取笑,嘲笑( deride的过去式和过去分词 ) | |
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60 mania | |
n.疯狂;躁狂症,狂热,癖好 | |
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61 doom | |
n.厄运,劫数;v.注定,命定 | |
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