The body of the town is made up of a vast collection of houses and streets of a standard French pattern and little individuality. Viewed from any one of the heights that rise above it, Nice is picturesque4 and makes a glorious, widely diffused5 display of colour; but as it is approached the charm diminishes, the dull suburbs damp enthusiasm, and the bustling6, noisy, central streets complete the disillusion7. On its outskirts8 is a crescent of pretty villas9 and luxuriant gardens which encircle it as a garland may surround a plain, prosaic10 face. The country in the neighbourhood of this capital of the Alpes Maritimes is singularly charming, and, therefore, the abiding11 desire of the visitor to Nice is to get out of it.
Along the sea front is the much-photographed Promenade12 des Anglais with its line of palm trees. It is marked with a star and with capital letters in the guide books and it is quite worthy13 of this distinction. It appears to have been founded just one hundred years ago to provide work for the unemployed14. To judge from the crowd that frequents it, it is still the Promenade of the Unemployed.
The Promenade has great dignity. It is spacious15 and, above all, it is simple. As a promenade it is indeed ideal. It is free from the robust16 vulgarity, the intrusions, and the restlessness of the parade in an English popular seaside resort. There are no penny-in-the-slot machines, no bathing-houses daubed over with advertisements, no minstrels, no entertainments on the beach, no importunate17 boatmen, no persistent18 photographers. If it gives the French the idea that it is a model of a promenade of the English, it will lead to an awakening19 when the Frenchman visits certain much-frequented seaside towns in England.
A little pier20—the Jetée-Promenade—steps off from the main parade. On it is a casino which provides varied21 and excellent attractions. The building belongs to the Bank Holiday Period of architecture and is accepted without demur22 as exactly the type of structure that a joy-dispensing pier should produce. It is, however, rather disturbing to learn that this fragile casino, with its music-hall and its refreshment23 bars, is a copy of St. Sophia in Constantinople. That mosque24 is one of the most impressive and most inspiring ecclesiastical edifices25 in the world, as well as one of the most stupendous. Those who know Constantinople and have been struck by the lordly magnificence of its great religious fane will turn from this dreadful travesty26 with horror. It is a burlesque27 that hurts, as would the “Hallelujah Chorus” played on a penny whistle.
It is along the Promenade des Anglais—the Promenade of the Unemployed—that the great event of the Carnival28 of Nice, the Battle of Flowers, is held every year. The Carnival began probably as the modest festa of a village community, a picturesque expression of the religion of the time, a reverent29 homage30 to the country and to the flowers that made it beautiful. It seems to have been always associated with flowers and one can imagine the passing by of a procession of boys and girls with their elders, all decked with flowers, as a spectacle both gracious and beautiful.
It has developed now with the advancing ugliness of the times. The simple maiden31, clad in white, with her garland of wild flowers, has grown into a coarse, unseemly monster, blatant32 and indecorous, surrounded by a raucous33 mob carrying along with it the dust of a cyclone34. The humble35 village fête has become a means of making money and an opportunity for clamour, licence and display. Reverence36 of any kind or for anything is not a notable attribute of the modern mind; while with the advance of a pushing democracy gentle manners inevitably37 fade away.
It is pitiable that the Carnival has to do with flowers and that it is through them that it seeks to give expression to its loud and flamboyant38 taste. It is sad to see flowers put to base and meretricious40 uses, treated as mere39 dabs41 of paint, forced into unwonted forms, made up as anchors or crowns and mangled42 in millions. The festival is not so much a battle of flowers as a Massacre43 of Flowers, a veritable St. Bartholomew’s Day for buds and blossoms.
NICE: THE OLD TERRACES.
The author of a French guide book suggests that the visitor should attend the Carnival “at least once.” He makes this proposal with evident diffidence. He owns that the affair is one of animation44 incroyable, that the streets are occupied by une cohue de gens en délire and recommends the pleasure seeker to carry no valuables, to wear no clothes that are capable of being spoiled, no hat that would suffer from being bashed in, and to remember always that the dust is énorme.
Those who like a rollicking crowd, hustling45 through streets a-flutter with a thousand flags and hung with festoons by the kilometre, and those who have a passion for throwing things at other people might go even more than once. They will see in the procession much that is ludicrous, grotesque46 and puerile47, an exaggerated combination of a circus car parade and a native war dance, as well as a display of misapplied decoration of extreme ingenuity48.
On the other hand, the flower lover should escape to the mountains and hide until the days of the Carnival are over, and with him might go any who would prefer a chaplet of violets on the head of a girl to a laundry basket full of peonies on the bonnet49 of a motor.
On that side of the old town which borders upon the sea are relics50 which illustrate51 the more frivolous52 mood of Nice as it was expressed before the building of the Promenade des Anglais. These relics show in what manner the visitor to Nice in those far days sought joy in life. Parallel to the beach is the Cours Saleya, a long, narrow, open space shaded by trees. It was at one time a fashionable promenade, comparable to the Pantiles at Tunbridge Wells. It is now a flower and vegetable market. On the ocean side of this Cours are two lines of shops, very humble and very low. The roofs of these squat53 houses are level and continuous and so form two terraces running side by side and extending for a distance of 800 feet.
These are the famous Terrasses where the beaus and the beauties of Nice promenaded54, simpered, curtsied or bowed, and when this walk by the shore was vowed55 to be “monstrous fine, egad.”[1] The terraces are now deserted56, are paved with vulgar asphalt and edged by a disorderly row of tin chimneys. On one side, however, of this once crowded and fashionable walk are a number of stone benches, on which the ladies sat, received their friends, and displayed their Paris frocks. The terrace is as uninviting as a laundry drying ground and these grey, melancholy57 benches alone recall the fact that the place once rippled58 with colour and sparkled with life as if it were the enclosure at Ascot.
[1]
The first of these terraces was completed in 1780 and the second one in 1844.
点击收听单词发音
1 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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2 apparently | |
adv.显然地;表面上,似乎 | |
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3 inspection | |
n.检查,审查,检阅 | |
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4 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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5 diffused | |
散布的,普及的,扩散的 | |
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6 bustling | |
adj.喧闹的 | |
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7 disillusion | |
vt.使不再抱幻想,使理想破灭 | |
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8 outskirts | |
n.郊外,郊区 | |
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9 villas | |
别墅,公馆( villa的名词复数 ); (城郊)住宅 | |
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10 prosaic | |
adj.单调的,无趣的 | |
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11 abiding | |
adj.永久的,持久的,不变的 | |
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12 promenade | |
n./v.散步 | |
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13 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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14 unemployed | |
adj.失业的,没有工作的;未动用的,闲置的 | |
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15 spacious | |
adj.广阔的,宽敞的 | |
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16 robust | |
adj.强壮的,强健的,粗野的,需要体力的,浓的 | |
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17 importunate | |
adj.强求的;纠缠不休的 | |
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18 persistent | |
adj.坚持不懈的,执意的;持续的 | |
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19 awakening | |
n.觉醒,醒悟 adj.觉醒中的;唤醒的 | |
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20 pier | |
n.码头;桥墩,桥柱;[建]窗间壁,支柱 | |
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21 varied | |
adj.多样的,多变化的 | |
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22 demur | |
v.表示异议,反对 | |
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23 refreshment | |
n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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24 mosque | |
n.清真寺 | |
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25 edifices | |
n.大建筑物( edifice的名词复数 ) | |
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26 travesty | |
n.歪曲,嘲弄,滑稽化 | |
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27 burlesque | |
v.嘲弄,戏仿;n.嘲弄,取笑,滑稽模仿 | |
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28 carnival | |
n.嘉年华会,狂欢,狂欢节,巡回表演 | |
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29 reverent | |
adj.恭敬的,虔诚的 | |
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30 homage | |
n.尊敬,敬意,崇敬 | |
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31 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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32 blatant | |
adj.厚颜无耻的;显眼的;炫耀的 | |
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33 raucous | |
adj.(声音)沙哑的,粗糙的 | |
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34 cyclone | |
n.旋风,龙卷风 | |
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35 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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36 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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37 inevitably | |
adv.不可避免地;必然发生地 | |
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38 flamboyant | |
adj.火焰般的,华丽的,炫耀的 | |
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39 mere | |
adj.纯粹的;仅仅,只不过 | |
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40 meretricious | |
adj.华而不实的,俗艳的 | |
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41 dabs | |
少许( dab的名词复数 ); 是…能手; 做某事很在行; 在某方面技术熟练 | |
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42 mangled | |
vt.乱砍(mangle的过去式与过去分词形式) | |
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43 massacre | |
n.残杀,大屠杀;v.残杀,集体屠杀 | |
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44 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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45 hustling | |
催促(hustle的现在分词形式) | |
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46 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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47 puerile | |
adj.幼稚的,儿童的 | |
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48 ingenuity | |
n.别出心裁;善于发明创造 | |
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49 bonnet | |
n.无边女帽;童帽 | |
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50 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
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51 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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52 frivolous | |
adj.轻薄的;轻率的 | |
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53 squat | |
v.蹲坐,蹲下;n.蹲下;adj.矮胖的,粗矮的 | |
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54 promenaded | |
v.兜风( promenade的过去式和过去分词 ) | |
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55 vowed | |
起誓,发誓(vow的过去式与过去分词形式) | |
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56 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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57 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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58 rippled | |
使泛起涟漪(ripple的过去式与过去分词形式) | |
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