"Now, Elsie, keep warm at night; don't forget to eat plenty of Brand's essence of beef—it's the brown parcel, not the white one—and write directly you arrive."
[Pg 18]
Between us we had succeeded in taking my ticket and registering the luggage, and now my mother stood at the door of the carriage, exchanging with me those last farewells which always seem so much too long and so much too short.
It must be owned, this journey of mine bore to us both the aspect of a great event. We had always been poor, most of our friends were poor, and we were not familiarized with the easy modern notions of travel, which make nothing of a visit to the North Pole, or a little trip to China by way of Peru. And as the train steamed out at last from the station my heart sank suddenly within me, and I could scarcely see the black-clothed familiar figure on the platform, for the tears which sprang to my eyes blinded me.
My first new experience was not a pleasant one, and as I lay moaning with sickness in a second-class cabin, I wondered how I or any one else could ever have complained of anything while we stood on terra firma. All past worries and sorrows faded momentarily into nothingness before this present all-engulfing evil. It seemed an age before we reached Calais, where, limp, bewildered, and miserable2, I was jostled into a crowded second-class carriage en route for Basle. The train jolted3 and shook, and I grew more and more unhappy,[Pg 19] mentally and physically4, with every minute. My fellow-passengers, a sorry, battered-looking assortment5 of women, produced large untempting supplies of food from their travelling-bags, and fell to with good appetite. I myself, after some hesitation6, sought consolation7 in the little tin of Brand's essence; after which, squeezed in between the window and a perfectly8 unclassifiable specimen9 of Englishwoman, I fell asleep.
I was stiff, cramped11, and dishevelled, but yesterday's depression had given place to a new, delicious feeling of excitement. The porters hurrying to and fro, and shouting in their guttural Swiss-German, the people standing12 on the platform, the unfamiliar13 advertisements and announcements posted and painted about the station, all appeared to me objects of surpassing interest. The glamour14 of strangeness lay over all. A keen exhilarating morning breeze blew from the mountains, and as I stepped on to the platform it seemed as if I trod on air. With a feeling of adventure, which I firmly believe Columbus himself could never have experienced more keenly, I made my way into the crowded refreshment-room, and[Pg 20] ordered breakfast. I was very hungry, and thought that I had never tasted anything better than the coffee and rolls, the shavings of white butter, and the adulterated honey in its little glass pot. As I sat there contentedly15 I found it difficult to realize that less than twenty-four hours separated me from the familiar life at Islington. It seemed incredible that so short a space of time had sufficed to land me on this strange sea of new experiences, into this dream-like, disorganized life, where night was scarcely divided from day, and the common incident of a morning meal could induce, of itself, a dozen new sensations. The rest of that day was unmixed delight. I scarcely moved my eyes from the window as the train sped on through the St. Gothard pass into Italy. What a wondrous16 panorama17 unrolled itself before me!
First, the mysterious, silent world of mountains, all black and white, like a photograph, with here and there the still, green waters of a mighty18 lake; the gentler scenes—trees, meadows, villages; last of all, the wide, blue waters of the Italian lakes, with their fringe of purple hills, and the little white villas19 clustered round them, and the red, red sunset reflected on their surfaces.
The train was late, and I missed the express at[Pg 21] Genoa, passing several desolate20 hours in the great deserted21 station. It was not till eleven o'clock the next morning that a tired, dishevelled, and decidedly dirty young woman found herself standing on the platform at Pisa, her travelling rug trailing ignominiously22 behind her as she held out her luggage check in dumb entreaty24 to a succession of unresponsive porters.
The pleasant excitement of yesterday had faded, and I was conscious of being exceedingly tired and rather forlorn. Here was no exhilarating mountain air, but a damp breeze, at once chilly25 and enervating26, made me shiver where I stood.
I succeeded at last, in spite of a complete absence of Italian, in conveying myself and my luggage into a fly, and in directing the driver to the Palazzo Brogi. As we jolted along slowly enough, I looked out, expecting every minute to see the Leaning Tower; but I saw only tall, grey streets, narrow and often without sidewalks, in which a sparse27 but picturesque28 population was moving to and fro. But I was roused, tired as I was, to considerable interest as we crossed the bridge, and my eye took in the full sweep of the river, with the noble curve of palaces along its bank, the distant mountains, beautiful in the sunshine, and the clear and delicate light which lay over all.
[Pg 22]
I had not long, however, to observe these things, for in another minute the drosky had stopped before a great square house in grey stone, with massive iron scrolls29 guarding the lower windows, and the driver, coming to the door, announced that this was the Palazzo Brogi.
My heart sank as I dismounted, and going up the steps, pulled timidly at the bell. The great door was standing open, and I could see beyond into a gloomy and cavernous vista30 of corridors.
No one answered the bell, but just as I was about to pull for the second time a gentleman, dressed in a grey morning suit à l'anglais, strolled out inquiringly into the passage. He was rather stout31, of middle height, with black hair parted in the middle, and a pale, good-looking face. The fact that no one had answered the bell seemed neither to disconcert nor surprise him; he called out a few words in Italian, and, advancing towards me, bowed with charming courtesy.
"You are Miss Meredith," he said, speaking in English, slowly, with difficulty, but in the softest voice in the world; "my mother did not expect you by the early train." Here his English seemed to break down suddenly, and he looked at me a moment with his dark[Pg 23] and gentle eyes. There was something reassuring32 in his serious, simple dignity of manner; I forgot my fears, forgot also the fact that I was as black as a coal, and had lost nearly all my hair-pins, and said, composedly, "I missed the express from Genoa. The train across the St. Gothard was late."
At this point there emerged from the shadowy region at the back a servant in livery, who very deliberately33, and without explanation of his tardiness34, proceeded to help the driver in carrying my box into the hall.
The gentleman bowed himself away, and in another moment I was following the servant up a vast and interminable flight of stone stairs.
The vaulted35 roof rose high above us, half lost to sight in shadow; everywhere were glimpses of galleries and corridors, and over everything hung that indescribable atmosphere of chill stuffiness36 which I have since learned to connect with Italian palaces.
Anything less homelike, less suggestive of a place where ordinary human beings carried on the daily, pleasant avocations37 of life, it would be impossible to conceive. A stifling38 sensation rose in my throat as we passed through a folding glass-door, across a dim corridor, into a large room, where my guide left me[Pg 24] with a remark which of course I did not understand. With a sense of unutterable relief I perceived the room to be empty, and I sat down on a yellow damask sofa, feeling an ignominious23 desire to cry. The shutters39 were closed before the great windows, but through the gloom I could see that the place was furnished very stiffly with yellow damask furniture, while enormous and elaborate chests and writing-tables filled up the corners. A big chandelier shrouded40 in yellow muslin hung from the ceiling, which rose to a great height, and was painted in fresco41. There was no fire, and I looked at the empty gilt42 stove, which had neither bars nor fire-irons, with a shiver.
It was not long before an inner door was thrown open to admit two ladies, who came towards me with greetings in French. The Marchesa Brogi was a small, vivacious43, dried-up woman of middle age, with an evident sense of her own dignity, looking very cold and carrying a little muff in her hands.
She curtseyed slightly as we shook hands, then motioned me to a seat beside her on the sofa. "This is my daughter Bianca," she said, turning to the girl who had followed her into the room.
I looked anxiously at my pupil, whose aspect was not altogether reassuring. She was a tall, pale, high-shouldered [Pg 25]young person, elaborately dressed, with a figure so artificially bolstered44 up that only by a great stretch of imagination could one realize that she was probably built on average anatomical lines. Her hair, dressed on the top of her head and struck through with tortoiseshell combs, produced by its unnatural45 neatness the same effect of unreality. She was decidedly plain withal, and her manners struck me as being inferior to those of her mother and brother. She took up her seat at some little distance from the sofa, and whenever I glanced in her direction, I saw a pair of sharp eyes fixed46 on my face, with something of the unsparing criticism of a hostile child in their gaze.
I began to be terribly conscious of my disordered appearance—I am not one of those people who can afford to affect the tempestuous47 petticoat—and grew more and more bewildered in my efforts to follow the little Marchesa through the mazes48 of her fluent but curiously49 accentuated50 French.
It was with a feeling of relief that I saw one of the inner doors open, and a stout, good-tempered looking lady, in a loose morning jacket, come smiling into the room. She shook hands with me cordially, and taking a chair opposite the sofa, began to nod and smile in[Pg 26] the most reassuring fashion. She spoke51 no English and very little French, but was determined52 that so slight an obstacle should not stand in the way of pressing her goodwill53 towards me.
I began to like this fat, silly lady, who showed her gums so unbecomingly when she smiled, and to wonder at her position in the household.
The door opened yet again, and in came my first acquaintance, the gentleman in the grey suit.
I was growing more and more confused with each fresh arrival, and dimly wondered how long it would be before I fell off the hard yellow sofa from sheer weariness. The strange faces surged before me, an indistinguishable mass; the strange voices reached me, meaningless and incoherent, through a thick veil.
"She is very tired," some one said in French; and not long after this I was led across half a dozen rooms to a great bedroom, where, without taking in any details of my surroundings, I undressed, went to bed, and fell asleep till the next morning.
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1
feverish
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| adj.发烧的，狂热的，兴奋的 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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jolted
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| （使）摇动， （使）震惊( jolt的过去式和过去分词 ) | |
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physically
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| adj.物质上，体格上，身体上，按自然规律 | |
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assortment
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| n.分类，各色俱备之物，聚集 | |
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6
hesitation
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| n.犹豫，踌躇 | |
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7
consolation
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| n.安慰，慰问 | |
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8
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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9
specimen
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| n.样本，标本 | |
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gliding
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| v. 滑翔 adj. 滑动的 | |
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11
cramped
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| a.狭窄的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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13
unfamiliar
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| adj.陌生的，不熟悉的 | |
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glamour
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| n.魔力，魅力；vt.迷住 | |
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contentedly
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| adv.心满意足地 | |
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wondrous
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| adj.令人惊奇的，奇妙的；adv.惊人地；异乎寻常地；令人惊叹地 | |
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17
panorama
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| n.全景，全景画，全景摄影，全景照片[装置] | |
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18
mighty
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| adj.强有力的；巨大的 | |
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villas
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| 别墅，公馆( villa的名词复数 )； （城郊）住宅 | |
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20
desolate
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| adj.荒凉的，荒芜的；孤独的，凄凉的；v.使荒芜，使孤寂 | |
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21
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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ignominiously
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| adv.耻辱地，屈辱地，丢脸地 | |
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ignominious
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| adj.可鄙的，不光彩的，耻辱的 | |
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entreaty
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| n.恳求，哀求 | |
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chilly
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| adj.凉快的，寒冷的 | |
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enervating
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| v.使衰弱，使失去活力( enervate的现在分词 ) | |
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sparse
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| adj.稀疏的，稀稀落落的，薄的 | |
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picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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29
scrolls
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| n.（常用于录写正式文件的）纸卷( scroll的名词复数 )；卷轴；涡卷形（装饰）；卷形花纹v.（电脑屏幕上）从上到下移动（资料等），卷页( scroll的第三人称单数 )；（似卷轴般）卷起；（像展开卷轴般地）将文字显示于屏幕 | |
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30
vista
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| n.远景，深景，展望，回想 | |
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32
reassuring
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| a.使人消除恐惧和疑虑的，使人放心的 | |
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deliberately
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| adv.审慎地；蓄意地；故意地 | |
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34
tardiness
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| n.缓慢；迟延；拖拉 | |
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35
vaulted
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| adj.拱状的 | |
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36
stuffiness
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| n.不通风，闷热；不通气 | |
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avocations
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| n.业余爱好，嗜好( avocation的名词复数 )；职业 | |
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stifling
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| a.令人窒息的 | |
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39
shutters
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| 百叶窗( shutter的名词复数 )； （照相机的）快门 | |
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shrouded
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| v.隐瞒( shroud的过去式和过去分词 )；保密 | |
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41
fresco
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| n.壁画；vt.作壁画于 | |
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42
gilt
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| adj.镀金的；n.金边证券 | |
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43
vivacious
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| adj.活泼的，快活的 | |
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44
bolstered
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| v.支持( bolster的过去式和过去分词 )；支撑；给予必要的支持；援助 | |
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45
unnatural
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| adj.不自然的；反常的 | |
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46
fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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47
tempestuous
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| adj.狂暴的 | |
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48
mazes
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| 迷宫( maze的名词复数 )； 纷繁复杂的规则； 复杂难懂的细节； 迷宫图 | |
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49
curiously
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| adv.有求知欲地；好问地；奇特地 | |
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50
accentuated
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| v.重读( accentuate的过去式和过去分词 )；使突出；使恶化；加重音符号于 | |
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51
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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52
determined
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| adj.坚定的；有决心的 | |
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53
goodwill
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| n.善意，亲善，信誉，声誉 | |
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