The evening sheets were sure to make a spread. The actors were bound to gossip, and the stage-hands. Somebody would tell some reporter and gain a little credit or a
little excitement. Therefore almost everybody would join in the race for publication.
Reben understood this, and he held a council of war with Starr Coleman as to the best form of presentation. He had a natural and not unjustified desire to have the
story do the least possible harm to his play. He collaborated2 with his press agent for hours over the campaign, and they decided3 upon a formal telegram to be given to
the Associated Press and the other bureaus. They would flash it to all the crannies of the continent. It was too bad that such easy publicity4 should be wasted on an
expiring instead of a rising star.
For the Chicago papers Reben decided upon an interview which he would give with seeming reluctance5 at the solicitation6 of Coleman on behalf of the reporters.
The loss of Sheila was a serious blow. The problem was whether or not “Hamlet” could succeed with Hamlet omitted; or, rather, if “As You Like It” would prosper
without Rosalind.
Reben had been tempted7 to close the theater at once; then get Winfield’s money out of him if he had to levy8 on his father’s business, which, the manager had learned,
But his egotism revolted at such a procedure, and in a fine burst of pride he had written the letter to Bret and, tearing the “I O U” to shreds10, sealed it in. At the
same time he resolved not to give up the ship. It was never easy to tell who made the success of a play. He had known road companies to take in more money without a
famous star than with one.
He rounded up Batterson, got him out of bed, and sent for Dulcie Ormerod to meet him in the deserted11 hotel parlor12 and begin rehearsals13 at once. She could make up her
sleep later in the day or next week. Then he went to his own bed.
Sometimes luck conspires14 with the brave. The first stage-hand who met the first early morning reporter and sold him the story for a drink had the usual hazy15 idea one
brings away from a fist-battle. According to him Winfield had come back on the stage drunk and started a row by striking at Mr. Eldon.
Eldon knocked Winfield backward into the arms of Batterson and McNish, and would have finished him off if Sheila had not sheltered him. Thereupon Eldon ordered
Winfield out of the theater, and he retreated under the protection of his wife, for it seemed that the poor girl had been deluded16 into marrying the hound.
The reporter was overjoyed at this glorious find. He hunted up Sheila and Winfield first. Sheila answered the telephone, and at Bret’s advice refused to see or be
seen. She gave the reporter the message that her husband had absolutely nothing to say.
It is a safe statement at times, but just now it confirmed the reporter in a beautiful theory that Eldon had beaten Winfield up so badly that he was in no condition to
be seen.
The reporter found Batterson next and told him his suspicions. Batterson, surly with wrecked17 slumber18, was pleased to confirm the theory and make a few additions. He
owed Winfield no courtesies.
When Starr Coleman and Reben were found they needed no prompting to set that snowball rolling and to play up Eldon’s heroism19. Coleman added the excellent thought that
Winfield’s motive20 was one of professional jealousy21 because Eldon had run away with the play and the star’s laurels22 were threatened. For that reason she had basely
deserted the ship; but the ship would go on. Mr. Reben, in fact, had felt that Miss Kemble was an unfortunate selection for the play and had already decided to
substitute his wonderful discovery, the brilliant, beautiful Dulcie Ormerod—photographs herewith.
That was the story that Bret and Sheila read when it occurred to them to send down for an evening paper. Bret was desperate with rage—rage at Eldon, at Reben, at the
entire press, and the whole world. But he remembered that his father, who had been a politician, had used as his motto: “Don’t fight to-day’s paper till next week.
Sheila was frantic24 with remorses of every variety. She blamed Eldon for it all. She did not absolve25 him even when a little note arrived from him:
Dear Mrs. Winfield,—After the exciting events of last night I overslept this morning. I have but this minute seen the outrageous26 stories in the newspapers. I beg you
to believe that I had no part in them and that I shall do what I can to deny the ridiculous r?le they put upon me.
Yours faithfully,
Floyd Eldon.
Eldon’s denials were as welcome as denials of picturesque27 newspaper stories always are. They were suppressed or set in small type, with statements that Mr. Eldon very
charmingly and chivalrously28 and with his characteristic modesty29 attempted to minimize his share in a most unpleasant matter.
Bret was so annoyed by a chance encounter with a group of cross-examining reporters, and found himself so hampered30 by his inability to explain his own anger at Eldon
and the theater without implying gross suspicion of his wife’s behavior, that he broke away, returned to the policy of silence that he ought not to have left, and,
The play profited by the advertisement, and Dulcie Ormerod slid into the established r?le like a hand going into a glove several sizes too large. Eldon was doubly a
hero now, and Reben went back to New York with triumph perched on his cigar.
点击收听单词发音
1 impromptu | |
adj.即席的,即兴的;adv.即兴的(地),无准备的(地) | |
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2 collaborated | |
合作( collaborate的过去式和过去分词 ); 勾结叛国 | |
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3 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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4 publicity | |
n.众所周知,闻名;宣传,广告 | |
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5 reluctance | |
n.厌恶,讨厌,勉强,不情愿 | |
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6 solicitation | |
n.诱惑;揽货;恳切地要求;游说 | |
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7 tempted | |
v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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8 levy | |
n.征收税或其他款项,征收额 | |
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9 solvent | |
n.溶剂;adj.有偿付能力的 | |
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10 shreds | |
v.撕碎,切碎( shred的第三人称单数 );用撕毁机撕毁(文件) | |
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11 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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12 parlor | |
n.店铺,营业室;会客室,客厅 | |
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13 rehearsals | |
n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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14 conspires | |
密谋( conspire的第三人称单数 ); 搞阴谋; (事件等)巧合; 共同导致 | |
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15 hazy | |
adj.有薄雾的,朦胧的;不肯定的,模糊的 | |
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16 deluded | |
v.欺骗,哄骗( delude的过去式和过去分词 ) | |
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17 wrecked | |
adj.失事的,遇难的 | |
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18 slumber | |
n.睡眠,沉睡状态 | |
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19 heroism | |
n.大无畏精神,英勇 | |
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20 motive | |
n.动机,目的;adv.发动的,运动的 | |
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21 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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22 laurels | |
n.桂冠,荣誉 | |
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23 cyclone | |
n.旋风,龙卷风 | |
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24 frantic | |
adj.狂乱的,错乱的,激昂的 | |
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25 absolve | |
v.赦免,解除(责任等) | |
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26 outrageous | |
adj.无理的,令人不能容忍的 | |
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27 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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28 chivalrously | |
adv.象骑士一样地 | |
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29 modesty | |
n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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30 hampered | |
妨碍,束缚,限制( hamper的过去式和过去分词 ) | |
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31 gathering | |
n.集会,聚会,聚集 | |
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