The Domesticity of Detectives

 I have just been entertaining myself with the last sensational¹ story by the author of The Yellow Room, which was probably the best detective tale of our time, except Mr. Bentley’s admirable novel, Trent’s Last Case. The name of the author of The Yellow Room is Gaston Leroux; I have sometimes wondered whether it is the alternative nom de plume² of the writer called Maurice Leblanc who gives us the stories about Arsène Lupin, the gentleman burglar. There would be something very symmetrical in the inversion³ by which the red gentleman always writes about a detective, and the white gentleman always writes about a criminal. But I have no serious reason to suppose the red and white combination to be anything but a coincidence; and the tales are of two rather different types. Those of Gaston the Red are more strictly⁴ of the type of the mystery story, in the sense of resolving a single and central mystery. Those of Maurice the White are more properly adventure stories, in the sense of resolving a rapid succession of immediate⁵ difficulties. This is inherent in the position of the hero; the detective is always outside the event, while the criminal is inside the event. Some would express it by saying that the policeman is always outside the house when the burglar is inside the house. But there is one very French quality which both these French writers share, even when their writing is very far from their best. It is a spirit of definition which is itself not easy to define. To say it is scientific will only suggest that it is slow. It is much truer to say it is military; that is, it is something that has to be both scientific and swift. It can be seen in much greater Frenchmen, as compared with men still greater who were not Frenchmen. Jules Verne and H. G. Wells, for instance, both wrote fairy-tales of science; Mr. Wells has much the larger mind and interest in life; but he often lacks one power which Jules Verne possesses supremely—the power of going to the point. Verne is very French in his rigid⁶ relevancy; Wells is very English in his rich irrelevance⁷. He is there as English as Dickens, the best passages in whose stories are the stoppages, and even stopgaps. In a truly French tale there are no stoppages; every word, however dull, is deliberate, or directed towards the end. The comparison could be carried further back among the classics. The romance of Dumas may seem a mere⁸ riot of swords and feathers; it is often spoken of as a mere revel⁹ in adventure and variety; the madness of romance. But it is not a mere riot, but rather a military revolution, and even a disciplined revolution; certainly, a very French revolution. It is not a mere mad revel, but a very gorgeous and elaborate banquet planned by a great cook; a very French cook. Scott was a greater man than Dumas; and a greater novelist on the note of the serious humours of humanity. But he was not so great a story-teller, because he had less of something that can only be called the strategy of the soldier. The Three Musketeers advance like an army; with their three servants and their one ally, they march, man?uvre, deploy¹⁰, wheeling into positions and almost making patterns. They are always present wherever their author wants them; which is by no means true of all the characters of all the novelists. Dumas, and not Scott, ought to have written the life of Napoleon; Dumas was much nearer to Napoleon, in the fact that there was most emphatically method in his madness. Nobody ever called Scott mad; and certainly nobody could ever call him methodical. He was as incapable¹¹ of the conspiracy¹² which carried off General Monk¹³ in a box as Dumas was incapable of the curse of Meg Merrilies or the benediction¹⁴ of Di Vernon. But there is eternally present in the Frenchman something which may truly be called presence of mind. There to be an artist is not to be absent-minded, however harmless or happy the holidays of the mind may be. Art is to have the intellect and all its instruments on the spot and ready to go to the point; as when, but a little while ago, a great artist stood by the banks of the Marne and saved the world with one gesture of living logic¹⁵—the sword-thrust of the Latin.

But though the strategy of the French story is allied¹⁶ to the strategy by which the French army has always affected¹⁷ the larger matters of mankind, I doubt whether such a story ought to deal with such matters. I mentioned at the beginning M. Gaston Leroux’s last mystery story because I think I know why it is not anything like so good as his first mystery story. The truth is that there are two types of sensational romance between which our wilder sensationalists seem to waver; and I think they are generally at their strongest in dealing¹⁸ with the first type, and at their weakest in dealing with the second. For the sake of a convenient symbol, I may call them respectively the romance of the Yellow Room and the romance of the Yellow Peril¹⁹. We might say that the great detective story deals with small things; while the small or silly detective story generally deals with great things. It deals with diabolical²⁰ diplomatists darting²¹ about between Vienna and Paris and Petrograd; with vast cosmopolitan²² conspiracies²³ ramifying through all the cellars of Europe; or worse and most widespread of all, occult and mystical secret societies from China or Tibet; the vast and vague Oriental terrorism which I call for convenience here the Yellow Peril. On the other hand, the good detective story is in its nature a good domestic story. It is steeped in the sentiment that an Englishman’s house is his castle; even if, like other castles, it is the scene of a few quiet tortures or assassinations²⁴. In other words, it is concerned with an enclosure, a plan or problem set within certain defined limits. And that is where the French writer’s first story was a model for all such writers; and where it ought to have been, but has not been a model for himself. The point about the Yellow Room is that it was a room; that is, it was a box, like the box in which Dumas kidnapped General Monk. The writer dealt with the quadrate or square which Mrs. Battle loved; the very plan of the problem looked like a problem in the Fourth Book of Euclid. He posted four men on four sides of a space and a murder was done in the middle of them; to all appearance, in spite of them; in reality, by one of them. Now a sensational novelist of the more cosmopolitan sort could, of course, have filled the story with a swarm²⁵ of Chinese magicians who had the power of walking through brick walls, or of Indian mesmerists who could murder a man merely by meditating²⁶ about him on the peaks of the Himalayas; or merely by so human and humdrum²⁷ a trifle as a secret society of German spies which had made a labyrinth²⁸ of secret tunnels under all the private houses in the world. These romantic possibilities are infinite; and because they are infinite they are really unromantic. The real romance of detection works inwards towards the household gods, even if they are household devils. One of the best of the Sherlock Holmes stories turns entirely²⁹ on a trivial point of housekeeping: the provision of curry³⁰ for the domestic dinner. Curry is, I believe, connected with the East; and could have been made the excuse for infinities³¹ of sham³² occultism and Oriental torments³³. The author could have brought in a million yellow cooks to poison a yellow condiment³⁴. But the author knew his business much better; and did not let what is called infinity³⁵, and should rather be called anarchy³⁶, invade the quiet seclusion³⁷ of the British criminal’s home. He did not let the logic of the Yellow Room be destroyed by the philosophy of the Yellow Peril. That is why I lament³⁸ the fact that the ingenious French architect of the original Yellow Room seems to have made an outward step in this direction; not, indeed, towards the plains of Tibet, but towards the hardly less barbaric plains of Germany. His last book, Rouletabille Chez Krupp, concerns the manufacture of a torpedo³⁹ big enough to smash a town; and an object of that size may be a sensation, but will not long be a secret. It may be inevitable⁴⁰ that a French patriot⁴¹ should now write even his detective stories about the war; but I do not think this method will ever make the French mystery story what the war itself has been—a French masterpiece; Gesta Dei per Francos.

1 sensational   

adj.使人感动的，非常好的，轰动的，耸人听闻的

参考例句：

• Papers of this kind are full of sensational news reports.这类报纸满是耸人听闻的新闻报道。
• Their performance was sensational.他们的演出妙极了。

2 plume   

n.羽毛；v.整理羽毛，骚首弄姿，用羽毛装饰

参考例句：

• Her hat was adorned with a plume.她帽子上饰着羽毛。
• He does not plume himself on these achievements.他并不因这些成就而自夸。

3 inversion   

n.反向，倒转，倒置

参考例句：

• But sometimes there is an unusual weather condition called a temperature inversion.但有时会有一种被称作“温度逆增”的不平常的天气状态。
• And finally,we made a discussion on the problems in the cooperative inversion.最后，对联合反演中存在的问题进行了讨论。

4 strictly   

adv.严厉地，严格地；严密地

参考例句：

• His doctor is dieting him strictly.他的医生严格规定他的饮食。
• The guests were seated strictly in order of precedence.客人严格按照地位高低就座。

5 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

6 rigid   

adj.严格的，死板的；刚硬的，僵硬的

参考例句：

• She became as rigid as adamant.她变得如顽石般的固执。
• The examination was so rigid that nearly all aspirants were ruled out.考试很严，几乎所有的考生都被淘汰了。

7 irrelevance   

n.无关紧要；不相关；不相关的事物

参考例句：

• the irrelevance of the curriculum to children's daily life 课程与孩子们日常生活的脱节
• A President who identifies leadership with public opinion polls dooms himself to irrelevance. 一位总统如果把他的领导和民意测验投票结果等同起来，那么他注定将成为一个可有可无的人物。 来自辞典例句

8 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

9 revel   

vi.狂欢作乐，陶醉；n.作乐，狂欢

参考例句：

• She seems to revel in annoying her parents.她似乎以惹父母生气为乐。
• The children revel in country life.孩子们特别喜欢乡村生活。

10 deploy   

v.（军）散开成战斗队形，布置，展开

参考例句：

• The infantry began to deploy at dawn.步兵黎明时开始进入战斗位置。
• The president said he had no intention of deploying ground troops.总统称并不打算部署地面部队。

11 incapable   

adj.无能力的，不能做某事的

参考例句：

• He would be incapable of committing such a cruel deed.他不会做出这么残忍的事。
• Computers are incapable of creative thought.计算机不会创造性地思维。

12 conspiracy   

n.阴谋，密谋，共谋

参考例句：

• The men were found guilty of conspiracy to murder.这些人被裁决犯有阴谋杀人罪。
• He claimed that it was all a conspiracy against him.他声称这一切都是一场针对他的阴谋。

13 monk   

n.和尚，僧侣，修道士

参考例句：

• The man was a monk from Emei Mountain.那人是峨眉山下来的和尚。
• Buddhist monk sat with folded palms.和尚合掌打坐。

14 benediction   

n.祝福；恩赐

参考例句：

• The priest pronounced a benediction over the couple at the end of the marriage ceremony.牧师在婚礼结束时为新婚夫妇祈求上帝赐福。
• He went abroad with his parents' benediction.他带着父母的祝福出国去了。

15 logic   

n.逻辑(学)；逻辑性

参考例句：

• What sort of logic is that?这是什么逻辑？
• I don't follow the logic of your argument.我不明白你的论点逻辑性何在。

16 allied   

adj.协约国的；同盟国的

参考例句：

• Britain was allied with the United States many times in history.历史上英国曾多次与美国结盟。
• Allied forces sustained heavy losses in the first few weeks of the campaign.同盟国在最初几周内遭受了巨大的损失。

17 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

18 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

19 peril   

n.(严重的)危险；危险的事物

参考例句：

• The refugees were in peril of death from hunger.难民有饿死的危险。
• The embankment is in great peril.河堤岌岌可危。

20 diabolical   

adj.恶魔似的，凶暴的

参考例句：

• This maneuver of his is a diabolical conspiracy.他这一手是一个居心叵测的大阴谋。
• One speaker today called the plan diabolical and sinister.今天一名发言人称该计划阴险恶毒。

21 darting   

v.投掷，投射( dart的现在分词 )；向前冲，飞奔

参考例句：

• Swallows were darting through the clouds. 燕子穿云急飞。 来自《现代英汉综合大词典》
• Swallows were darting through the air. 燕子在空中掠过。 来自辞典例句

22 cosmopolitan   

adj.世界性的，全世界的，四海为家的，全球的

参考例句：

• New York is a highly cosmopolitan city.纽约是一个高度世界性的城市。
• She has a very cosmopolitan outlook on life.她有四海一家的人生观。

23 conspiracies   

n.阴谋，密谋( conspiracy的名词复数 )

参考例句：

• He was still alive and hatching his conspiracies. 他还活着，策划着阴谋诡计。 来自辞典例句
• It appeared that they had engaged in fresh conspiracies from the very moment of their release. 看上去他们刚给释放，立刻开始新一轮的阴谋活动。 来自英汉文学

24 assassinations   

n.暗杀( assassination的名词复数 )

参考例句：

• Most anarchist assassinations were bungled because of haste or spontaneity, in his view. 在他看来，无政府主义者搞的许多刺杀都没成功就是因为匆忙和自发行动。 来自辞典例句
• Assassinations by Israelis of alleged terrorists habitually kill nearby women and children. 在以色列，自称恐怖分子的炸弹自杀者杀害靠近自己的以色列妇女和儿童。 来自互联网

25 swarm   

n.(昆虫)等一大群；vi.成群飞舞；蜂拥而入

参考例句：

• There is a swarm of bees in the tree.这树上有一窝蜜蜂。
• A swarm of ants are moving busily.一群蚂蚁正在忙碌地搬家。

26 meditating   

a.沉思的，冥想的

参考例句：

• They were meditating revenge. 他们在谋划进行报复。
• The congressman is meditating a reply to his critics. 这位国会议员正在考虑给他的批评者一个答复。

27 humdrum   

adj.单调的，乏味的

参考例句：

• Their lives consist of the humdrum activities of everyday existence.他们的生活由日常生存的平凡活动所构成。
• The accountant said it was the most humdrum day that she had ever passed.会计师说这是她所度过的最无聊的一天。

28 labyrinth   

n.迷宫；难解的事物；迷路

参考例句：

• He wandered through the labyrinth of the alleyways.他在迷宫似的小巷中闲逛。
• The human mind is a labyrinth.人的心灵是一座迷宫。

29 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

30 curry   

n.咖哩粉，咖哩饭菜；v.用咖哩粉调味，用马栉梳，制革

参考例句：

• Rice makes an excellent complement to a curry dish.有咖喱的菜配米饭最棒。
• Add a teaspoonful of curry powder.加一茶匙咖喱粉。

31 infinities   

n.无穷大( infinity的名词复数 )；无限远的点；无法计算的量；无限大的量

参考例句：

32 sham   

n./adj.假冒(的)，虚伪(的)

参考例句：

• They cunningly played the game of sham peace.他们狡滑地玩弄假和平的把戏。
• His love was a mere sham.他的爱情是虚假的。

33 torments   

（肉体或精神上的）折磨，痛苦( torment的名词复数 )； 造成痛苦的事物[人]

参考例句：

• He released me from my torments. 他解除了我的痛苦。
• He suffered torments from his aching teeth. 他牙痛得难受。

34 condiment   

n.调味品

参考例句：

• It has long been a precious condiment.它一直都是一种珍贵的调味料。
• Fish sauce is a traditional fermented condiment in coastal areas.鱼露是沿海地区的传统发酵调味品。

35 infinity   

n.无限，无穷，大量

参考例句：

• It is impossible to count up to infinity.不可能数到无穷大。
• Theoretically,a line can extend into infinity.从理论上来说直线可以无限地延伸。

36 anarchy   

n.无政府状态；社会秩序混乱，无秩序

参考例句：

• There would be anarchy if we had no police.要是没有警察，社会就会无法无天。
• The country was thrown into a state of anarchy.这国家那时一下子陷入无政府状态。

37 seclusion   

n.隐遁，隔离

参考例句：

• She liked to sunbathe in the seclusion of her own garden.她喜欢在自己僻静的花园里晒日光浴。
• I live very much in seclusion these days.这些天我过着几乎与世隔绝的生活。

38 lament   

n.悲叹，悔恨，恸哭；v.哀悼，悔恨，悲叹

参考例句：

• Her face showed lament.她的脸上露出悲伤的样子。
• We lament the dead.我们哀悼死者。

39 torpedo   

n.水雷，地雷；v.用鱼雷破坏

参考例句：

• His ship was blown up by a torpedo.他的船被一枚鱼雷炸毁了。
• Torpedo boats played an important role during World War Two.鱼雷艇在第二次世界大战中发挥了重要作用。

40 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

41 patriot   

n.爱国者，爱国主义者

参考例句：

• He avowed himself a patriot.他自称自己是爱国者。
• He is a patriot who has won the admiration of the French already.他是一个已经赢得法国人敬仰的爱国者。