It is not a phrase to call him the last of the Victorians: he really is the last. No doubt this final phrase has been used about each of the great Victorians one after another from Matthew Arnold and Browning to Swinburne and Meredith. No doubt the public has grown a little tired of the positively2 last appearance of the Nineteenth Century. But the end of George Meredith really was the end of that great epoch3. No great man now alive has its peculiar4 powers or its peculiar limits. Like all great epochs, like all great things, it is not easy to define. We can see it, touch it, smell it, eat it; but we cannot state it. It was a time when faith was firm without being definite. It was a time when we saw the necessity of reform without once seeing the possibility of revolution. It was a sort of exquisite5 interlude in the intellectual disputes: a beautiful, accidental truce6 in the eternal war of mankind. Things could mix in a mellow7 atmosphere. Its great men were so religious that they could do without a religion. They were so hopefully and happily republican that they could do without a republic. They are all dead and deified; and it is well with them. But we cannot get back into that well-poised pantheism and liberalism. We cannot be content to be merely broad: for us the dilemma8 sharpens and the ways divide.
Of the men left alive there are many who can be admired beyond expression; but none who can be admired in this way. The name of that powerful writer, Mr. Thomas Hardy9, was often mentioned in company with that of Meredith; but the coupling of the two names is a philosophical10 and chronological11 mistake. Mr. Hardy is wholly of our own generation, which is a very unpleasant thing to be. He is shrill12 and not mellow. He does not worship the unknown God: he knows the God (or thinks he knows the God), and dislikes Him. He is not a pantheist: he is a pandiabolist. The great agnostics of the Victorian age said there was no purpose in Nature. Mr. Hardy is a mystic; he says there is an evil purpose. All this is as far as possible from the plenitude and rational optimism of Meredith. And when we have disposed of Mr. Hardy, what other name is there that can even pretend to recall the heroic Victorian age? The Roman curse lies upon Meredith like a blessing13: “Ultimus suorum moriatur”—he has died the last of his own.
The greatness of George Meredith exhibits the same paradox14 or difficulty as the greatness of Browning; the fact that simplicity15 was the centre, while the utmost luxuriance and complexity16 was the expression. He was as human as Shakespeare, and also as affected17 as Shakespeare. It may generally be remarked (I do not know the cause of it) that the men who have an odd or mad point of view express it in plain or bald language. The men who have a genial18 and everyday point of view express it in ornate and complicated language. Swinburne and Thomas Hardy talk almost in words of one syllable19; but the philosophical upshot can be expressed in the most famous of all words of one syllable—damn. Their words are common words; but their view (thank God) is not a common view. They denounce in the style of a spelling-book; while people like Meredith are unpopular through the very richness of their popular sympathies. Men like Browning or like Francis Thompson praise God in such a way sometimes that God alone could possibly understand the praise. But they mean all men to understand it: they wish every beast and fish and flying thing to take part in the applauding chorus of the cosmos20. On the other hand, those who have bad news to tell are much more explicit21, and the poets whose object it is to depress the people take care that they do it. I will not write any more about those poets, because I do not profess22 to be impartial23 or even to be good-tempered on the subject. To my thinking, the oppression of the people is a terrible sin; but the depression of the people is a far worse one.
But the glory of George Meredith is that he combined subtlety24 with primal25 energy: he criticized life without losing his appetite for it. In him alone, being a man of the world did not mean being a man disgusted with the world. As a rule, there is no difference between the critic and ascetic26 except that the ascetic sorrows with a hope and the critic without a hope. But George Meredith loved straightness even when he praised it crookedly27: he adored innocence28 even when he analysed it tortuously29: he cared only for unconsciousness, even when he was unduly30 conscious of it. He was never so good as he was about virgins31 and schoolboys. In one curious poem, containing many fine lines, he actually rebukes32 people for being quaint33 or eccentric, and rebukes them quaintly34 and eccentrically. He says of Nature, the great earth-mother, whom he worshipped:
... She by one sure sign can read,
Have they but held her laws and nature dear;
More prizes she her beasts than this high breed
That is the mark of the truly great man: that he sees the common man afar off, and worships him. The great man tries to be ordinary, and becomes extraordinary in the process. But the small man tries to be mysterious, and becomes lucid37 in an awful sense—for we can all see through him.
点击收听单词发音
1 orphans | |
孤儿( orphan的名词复数 ) | |
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2 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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3 epoch | |
n.(新)时代;历元 | |
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4 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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5 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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6 truce | |
n.休战,(争执,烦恼等的)缓和;v.以停战结束 | |
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7 mellow | |
adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
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8 dilemma | |
n.困境,进退两难的局面 | |
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9 hardy | |
adj.勇敢的,果断的,吃苦的;耐寒的 | |
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10 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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11 chronological | |
adj.按年月顺序排列的,年代学的 | |
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12 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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13 blessing | |
n.祈神赐福;祷告;祝福,祝愿 | |
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14 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
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15 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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16 complexity | |
n.复杂(性),复杂的事物 | |
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17 affected | |
adj.不自然的,假装的 | |
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18 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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19 syllable | |
n.音节;vt.分音节 | |
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20 cosmos | |
n.宇宙;秩序,和谐 | |
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21 explicit | |
adj.详述的,明确的;坦率的;显然的 | |
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22 profess | |
v.声称,冒称,以...为业,正式接受入教,表明信仰 | |
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23 impartial | |
adj.(in,to)公正的,无偏见的 | |
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24 subtlety | |
n.微妙,敏锐,精巧;微妙之处,细微的区别 | |
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25 primal | |
adj.原始的;最重要的 | |
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26 ascetic | |
adj.禁欲的;严肃的 | |
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27 crookedly | |
adv. 弯曲地,不诚实地 | |
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28 innocence | |
n.无罪;天真;无害 | |
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29 tortuously | |
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30 unduly | |
adv.过度地,不适当地 | |
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31 virgins | |
处女,童男( virgin的名词复数 ); 童贞玛利亚(耶稣之母) | |
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32 rebukes | |
责难或指责( rebuke的第三人称单数 ) | |
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33 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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34 quaintly | |
adv.古怪离奇地 | |
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35 inverted | |
adj.反向的,倒转的v.使倒置,使反转( invert的过去式和过去分词 ) | |
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36 wry | |
adj.讽刺的;扭曲的 | |
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37 lucid | |
adj.明白易懂的,清晰的,头脑清楚的 | |
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