But that medi?val nickname of the cock contains a still more appropriate criticism. The word “clear” is always a clue to Rostand’s country, and to Rostand’s work. He suffered in the decadent7 days, he suffers to some extent still, from a strange blunder which supposes that what is clear must be shallow. It is chiefly founded on false figures of speech; and is akin8 to the mysteriously meaningless saying that still waters run deep. It is repeated without the least reference to the evident fact that the stillest of all waters do not run at all. They lie about in puddles9, which are none the less shallow because they are covered with scum. Such were the North German philosophies fashionable at the end of the nineteenth century; men believed in the puddle’s profundity10 solely11 because of its opacity12. When the decadent critics sneered13 at Rostand’s popularity, they were simply sneering14 at his lucidity15. They were protesting against his power of conveying what he meant in the most direct and telling fashion. They were complaining bitterly because he did not think with a German accent, which is nearly the same thing as an impediment in the speech. The wit with which all his dialogues blazed was also a positive disadvantage in that muddle-headed modern world, which even now will only begin to realize gradually the greatness of France. Nothing has been so senselessly underrated as wit, even when it seems to be the mere16 wit of words. It is dismissed as merely verbal; but, in fact, it is more solemn writing that is merely verbal, or rather merely verbose17. A joke is always a thought; it is grave and formal writing that can be quite literally18 thoughtless. This applies to jokes when they are not only quite verbal but quite vulgar. A good pun, or even a bad pun, is more intellectual than mere polysyllables. The man, the presumably prehistoric19 man, who invented the phrase, “When is a door not a door; when it’s ajar,” made a serious and successful mental effort of selection and combination. But a Prussian professor might begin on the same problem, “When is a door not a door; when its doorishness is a becoming rather than a being, and when the relativity of doorishness is co-ordinated with the evolution of doors from windows and skylights, of which approximation to new function, etc. etc.”—and the Prussian professor might go on like that for ever, and never come to the end because he would never come to the point. A pun or a riddle20 can never be in that sense a fraud. Real wisdom may be better than real wit, but there is much more sham21 wisdom than there is sham wit.
This is the immediate22 point about Rostand, who had very real wit, but wit of a very poetic23 and sometimes epic24 order. It is very characteristic of him, and very puzzling to his critics, that he was witty25 even in repudiating26 wit. In the scene of Cyrano de Bergerac, in which the hero pleads in his friend’s name against the preciosity of the heroine, he quite naturally uses the phrase touching27 the evaporation28 of truth in artificial terminology29, “Et que le fin30 du fin ne soit la fin des fins31.” That involves a pun and also involves a point; and it is a subject on which it would be quite easy to be earnest and pointless. A philosopher need never come to an end in talking about ends; precisely32 because he is not required to amuse anybody, he is not really required to mean anything. Every page, every paragraph, almost every line of Rostand’s plays bristles33 with these points, which are both verbal and vital. If any critic thinks it was easy to produce them by the hundred, there is an exceedingly easy test; let him try to produce one. In attempting to joke in this fashion, he will probably find himself thinking for the first time. For that matter, merely to make one of the better puns of Punch or Hood’s Annual would be enough to stump34 most of the sceptics who have been taught in the Teutonic schools to think a thing creative because it is chaotic35, and vast because it is vague. A modern “thinker” will find it easier to make up a hundred problems than to make up one riddle. For in the case of the riddle he has to make up the answer.
The drama of Rostand was full of answers, if they seem to the superficial merely to be ringing repartees. In the ballade of the duel36 the hero says that the sword-thrust shall come at the end of the envoi, but something like it seems to come continually at the end of the line. But these retorts are really much more than superficial, because they have the ring of dogma, of affirmation and certainty, and therefore of triumph. The wit is heroic wit; and his sub-title was strictly37 correct when he called Cyrano a heroic comedy. It was written in a literary period which was far too pessimistic to rise even to heroic Tragedy. It will grow in value in a more virile38 time, when the air has been cleared by a great crusade. Rostand’s poetry will certainly remain. It may not remain among the very greatest poetry, for the very reason that he fulfilled the office rather of the trumpet39 than the lyre. But he himself may well have shared the spirited taste of his own hero, and have preferred that something even more noble than the laurel should remain as a feather in his cap.
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1 banished | |
v.放逐,驱逐( banish的过去式和过去分词 ) | |
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2 metaphor | |
n.隐喻,暗喻 | |
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3 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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4 ornithology | |
n.鸟类学 | |
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5 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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6 pessimism | |
n.悲观者,悲观主义者,厌世者 | |
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7 decadent | |
adj.颓废的,衰落的,堕落的 | |
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8 akin | |
adj.同族的,类似的 | |
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9 puddles | |
n.水坑, (尤指道路上的)雨水坑( puddle的名词复数 ) | |
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10 profundity | |
n.渊博;深奥,深刻 | |
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11 solely | |
adv.仅仅,唯一地 | |
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12 opacity | |
n.不透明;难懂 | |
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13 sneered | |
讥笑,冷笑( sneer的过去式和过去分词 ) | |
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14 sneering | |
嘲笑的,轻蔑的 | |
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15 lucidity | |
n.明朗,清晰,透明 | |
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16 mere | |
adj.纯粹的;仅仅,只不过 | |
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17 verbose | |
adj.用字多的;冗长的;累赘的 | |
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18 literally | |
adv.照字面意义,逐字地;确实 | |
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19 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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20 riddle | |
n.谜,谜语,粗筛;vt.解谜,给…出谜,筛,检查,鉴定,非难,充满于;vi.出谜 | |
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21 sham | |
n./adj.假冒(的),虚伪(的) | |
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22 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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23 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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24 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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25 witty | |
adj.机智的,风趣的 | |
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26 repudiating | |
v.(正式地)否认( repudiate的现在分词 );拒绝接受;拒绝与…往来;拒不履行(法律义务) | |
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27 touching | |
adj.动人的,使人感伤的 | |
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28 evaporation | |
n.蒸发,消失 | |
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29 terminology | |
n.术语;专有名词 | |
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30 fin | |
n.鳍;(飞机的)安定翼 | |
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31 fins | |
[医]散热片;鱼鳍;飞边;鸭掌 | |
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32 precisely | |
adv.恰好,正好,精确地,细致地 | |
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33 bristles | |
短而硬的毛发,刷子毛( bristle的名词复数 ) | |
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34 stump | |
n.残株,烟蒂,讲演台;v.砍断,蹒跚而走 | |
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35 chaotic | |
adj.混沌的,一片混乱的,一团糟的 | |
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36 duel | |
n./v.决斗;(双方的)斗争 | |
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37 strictly | |
adv.严厉地,严格地;严密地 | |
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38 virile | |
adj.男性的;有男性生殖力的;有男子气概的;强有力的 | |
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39 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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