The Futurists

 There are still people talking about Futurism, though I should have thought it was now a thing of the past, exploded by its own silly gunpowder¹ train of progressive theory. If a man only believed the world was round because his grandmother said it was flat, another man had only to say it was spiral in order to be a more advanced idiot than either of them. But, after all, the world is one shape and not another (I don’t care which myself, but certainly one), and will be when we all die, and would have been if no worm or weed had ever lived. And it amuses me to notice that the very Agnostics who still quote Galileo’s phrase about the earth, “And yet it moves!” are the very people who talk as if truth could be different from age to age—as if the whole world was a different shape when you or I were in a different frame of mind. Progressives of this kind cannot say “And yet it moves” save in the sense that their own foot can roll it about like a football, or that their own finger can stop it as Joshua’s stopped the moon. They may control Nature like witches; but they cannot appeal to Nature like Galileo. They have no abiding² objective fact to which to appeal. On the mere³ progressive theory there is no more immortality⁴ about the astronomy of Galileo than the medicine of Galen.

But one or two interesting ideas can be found in Futurist speculations⁵, essays, lectures, books, etc.—indeed, the Futurists can be interesting everywhere but in their pictures. And this is the difficulty of all such movements—the lack of the final fulfilment. I will not put it offensively, as by saying that they write a beautiful prospectus⁶, but there are no funds. I do not mean it like that. I will put it poetically⁷ by saying that there are beautiful leaves and flowers, but there is no fruit. There are leaves of learning enough to fill a library; there are flowers of rhetoric⁸ enough to last a session. They are all about a picture: and there is no picture. Thus Mr. Nevinson, the eminent⁹ English Futurist, has explained that pictorial¹⁰ art should be as independent of natural facts as music is: it should not imitate, but utter. Of music, of course, the remark is true, and fairly familiar. Certainly three notes on a piano can bring tears to the eyes by reminding us of a dead friend: though certainly the first noise is not the noise he made when whistling to his dog, nor the second the noise he made when kicking his boots off, nor the third the noise he made when blowing his nose. Perhaps the three notes are noises he could never have made: perhaps he was unmusical, like many magnificent people—I am unmusical myself. Perhaps, I say, he was unmusical: yet music can express him. This is an interesting fact; but it is only one fact, and the examination of a few others would have shown Mr. Nevinson the shallowness of his artistic¹¹ philosophy.

But Mr. Nevinson and the Futurists, having never seen a fact before in their lives, clutch hold of this one and rush after the car of progress like poor baby-laden charwomen after a motor-bus. Their deduction¹² is this: As his favourite song recalls the friend, though it contains none of his grunts¹³, snorts, or sneezes, so his portrait would better recall his appearance if it contained no trace of his eyes, nose, mouth, hair (if any), masculine sex, anthropoid¹⁴ or erect¹⁵ posture¹⁶, or any other oddity by which his friends were in the habit of distinguishing him from a lamp-post or a large whale, or from the works of Creation in general. Mr. Nevinson says that the most pungent¹⁷ and passionate¹⁸ emotions (such, presumably, as we have about friendship and even about love) can be conveyed by planes, mathematical proportions, arbitrary or abstract colours, arrangements of line, and all the things we most of us instinctively¹⁹ associate with carpets, if not with oilcloth. “It is possible,” he says. It is. It is not a contradiction in terms. But if I say, “It is possible by arranging a tomato, ten pearl buttons, a copy of the second and last number of a Tariff²⁰ Reform weekly, one wooden leg, three odd boots, and a bag with a hole in it, to induce your worst enemy to burst into tears and give you a million pounds in conscience money,” then, if you are a Monist and a fool, you will answer that it could not happen. But if you are an Agnostic and a Christian²¹, you will answer that you tried it on with your worst creditor²², and it didn’t work with him. Nor would the planes, angles, abstract colours work with him. They don’t work with you; they don’t work with me; they don’t work with anybody. And the reason simply is that these philosophers, like so many modern philosophers, do not possess the patience to see what they are taking for granted. Have you ever seen a fellow fail at the high jump because he had not gone far enough back for his run? That is Modern Thought. It is so confident of where it is going to that it does not know where it comes from.

The quite simple fallacy is this. The only thing we know about the things we call the Arts is that when they are good they all stir the soul in a somewhat similar way. Their roots in savagery²³ or civilization are so different and so dark, their relations to utility or practical life are so prodigiously²⁴ contrasted, the mere time or space they occupy is so unequal in every case, the psychological explanations of their very existence are so inconsistent and anarchic, that we simply do not know whether in one single point we can argue from one art to another. We do not know enough about it, and there is an end of the matter. For instance, many have compared classic poetry with classic architecture; and anyone who has ever felt the virginity and dignity of either will know what such a comparison means. Milton spoke²⁵ of “building” a line of poetry; and nobody seems able to talk about sonnets²⁷ without talking about marble. But in technical fact the analogy is only a fancy, after all. Treat it for one moment as Mr. Nevinson treats the analogy between music and painting, and it is pure, preposterous²⁸ nonsense—like Futurism.

Who will deny that height, or the appearance of height, is one of the effects of architecture? Who has not read or said or felt that some wall seemed too enormous for any mortals to have made, that some domes²⁹ seemed to occupy heaven, or that some spire³⁰ seemed to strike him out of the sky? But who, on the other hand, ever said that his sonnet²⁶ was printed higher up on the page than somebody else’s sonnet? Who ever either praised or disliked a piece of verse according to its vertical³¹ longitude³²? Who ever said, “My sonnet occupied five volumes of the Times, but you should see it pasted all in one piece”? Who ever said, “I have written the tallest triolet on earth”?

Mr. Nevinson will bring a tear to my eye by exhibiting a pattern and calling it a picture on the same day when he induces me to read two hundred leading articles in the Times simply by calling them a tower. They have many of the qualities of a tower: they are long; they are symmetrical; they are all built out of the same old bricks; they sometimes stand upright, like the Tower of Giotto; they more often lean very much, like the Tower of Pisa; they most frequently fall down altogether, and fall on the wrong people, like the Tower of Siloam. One could pursue such abstract fancies for ever, but the simple fact remains—and it is a fact of the senses. The thing is not a tower, because it does not tower. And the Futurist picture is not a picture, because it does not depict³³. Why one art can do without shapes, and another without words, and another without movement, and another without massiveness, and why each of these is necessary to one or other of them separately—all this we shall know when we know what art means. And I cannot say that the Futurists have helped us much in finding out.

1 gunpowder   

n.火药

参考例句：

• Gunpowder was introduced into Europe during the first half of the 14th century.在14世纪上半叶，火药传入欧洲。
• This statement has a strong smell of gunpowder.这是一篇充满火药味的声明。

2 abiding   

adj.永久的，持久的，不变的

参考例句：

• He had an abiding love of the English countryside.他永远热爱英国的乡村。
• He has a genuine and abiding love of the craft.他对这门手艺有着真挚持久的热爱。

3 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

4 immortality   

n.不死，不朽

参考例句：

• belief in the immortality of the soul 灵魂不灭的信念
• It was like having immortality while you were still alive. 仿佛是当你仍然活着的时候就得到了永生。

5 speculations   

n.投机买卖( speculation的名词复数 )；思考；投机活动；推断

参考例句：

• Your speculations were all quite close to the truth. 你的揣测都很接近于事实。 来自《现代英汉综合大词典》
• This possibility gives rise to interesting speculations. 这种可能性引起了有趣的推测。 来自《用法词典》

6 prospectus   

n.计划书；说明书；慕股书

参考例句：

• An order form was included with the prospectus.订单附在说明书上。
• The prospectus is the most important instrument of legal document.招股说明书是上市公司信息披露制度最重要法律文件。

7 poetically   

adv.有诗意地，用韵文

参考例句：

• Life is poetically compared to the morning dew. 在诗歌中，人生被比喻为朝露。 来自辞典例句
• Poetically, Midsummer's Eve begins in flowers and ends in fire. 仲夏节是富有诗意的节日，它以鲜花领航，在篝火旁完美落幕。 来自互联网

8 rhetoric   

n.修辞学，浮夸之言语

参考例句：

• Do you know something about rhetoric?你懂点修辞学吗？
• Behind all the rhetoric,his relations with the army are dangerously poised.在冠冕堂皇的言辞背后，他和军队的关系岌岌可危。

9 eminent   

adj.显赫的，杰出的，有名的，优良的

参考例句：

• We are expecting the arrival of an eminent scientist.我们正期待一位著名科学家的来访。
• He is an eminent citizen of China.他是一个杰出的中国公民。

10 pictorial   

adj.绘画的；图片的；n．画报

参考例句：

• The had insisted on a full pictorial coverage of the event.他们坚持要对那一事件做详尽的图片报道。
• China Pictorial usually sells out soon after it hits the stands.《人民画报》往往一到报摊就销售一空。

11 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

12 deduction   

n.减除，扣除，减除额；推论，推理，演绎

参考例句：

• No deduction in pay is made for absence due to illness.因病请假不扣工资。
• His deduction led him to the correct conclusion.他的推断使他得出正确的结论。

13 grunts   

（猪等）作呼噜声( grunt的第三人称单数 )； （指人）发出类似的哼声； 咕哝着说； 石鲈

参考例句：

• With grunts of anguish Ogilvie eased his bulk to a sitting position. 奥格尔维苦恼地哼着，伸个懒腰坐了起来。
• Linda fired twice A trio of Grunts assembling one mortar fell. 琳达击发两次。三个正在组装迫击炮的咕噜人倒下了。

14 anthropoid   

adj.像人类的，类人猿的；n.类人猿；像猿的人

参考例句：

• Man evolved from the anthropoid ape.人是从类人猿进化而来的。
• Gorilla are the largest of the anthropoid apes native to the forests of equatorial Africa.大猩猩是栖居在赤道非洲的最大的类人猿。

15 erect   

n./v.树立，建立，使竖立；adj.直立的，垂直的

参考例句：

• She held her head erect and her back straight.她昂着头，把背挺得笔直。
• Soldiers are trained to stand erect.士兵们训练站得笔直。

16 posture   

n.姿势，姿态，心态，态度；v.作出某种姿势

参考例句：

• The government adopted an uncompromising posture on the issue of independence.政府在独立这一问题上采取了毫不妥协的态度。
• He tore off his coat and assumed a fighting posture.他脱掉上衣，摆出一副打架的架势。

17 pungent   

adj.（气味、味道）刺激性的，辛辣的；尖锐的

参考例句：

• The article is written in a pungent style.文章写得泼辣。
• Its pungent smell can choke terrorists and force them out of their hideouts.它的刺激性气味会令恐怖分子窒息，迫使他们从藏身地点逃脱出来。

18 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

19 instinctively   

adv.本能地

参考例句：

• As he leaned towards her she instinctively recoiled. 他向她靠近，她本能地往后缩。 来自《简明英汉词典》
• He knew instinctively where he would find her. 他本能地知道在哪儿能找到她。 来自《简明英汉词典》

20 tariff   

n.关税，税率；(旅馆、饭店等)价目表，收费表

参考例句：

• There is a very high tariff on jewelry.宝石类的关税率很高。
• The government is going to lower the tariff on importing cars.政府打算降低进口汽车的关税。

21 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

22 creditor   

n.债仅人，债主，贷方

参考例句：

• The boss assigned his car to his creditor.那工头把自己的小汽车让与了债权人。
• I had to run away from my creditor whom I made a usurious loan.我借了高利贷不得不四处躲债。

23 savagery   

n.野性

参考例句：

• The police were shocked by the savagery of the attacks.警察对这些惨无人道的袭击感到震惊。
• They threw away their advantage by their savagery to the black population.他们因为野蛮对待黑人居民而丧失了自己的有利地位。

24 prodigiously   

adv.异常地，惊人地，巨大地

参考例句：

• Such remarks, though, hardly begin to explain that prodigiously gifted author Henry James. 然而这样的说法，一点也不能解释这个得天独厚的作家亨利·詹姆斯的情况。 来自辞典例句
• The prices of farms rose prodigiously. 农场的价格飞快上涨。 来自互联网

25 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

26 sonnet   

n.十四行诗

参考例句：

• The composer set a sonnet to music.作曲家为一首十四行诗谱了曲。
• He wrote a sonnet to his beloved.他写了一首十四行诗，献给他心爱的人。

27 sonnets   

n.十四行诗( sonnet的名词复数 )

参考例句：

• Keats' reputation as a great poet rests largely upon the odes and the later sonnets. 作为一个伟大的诗人，济慈的声誉大部分建立在他写的长诗和后期的十四行诗上。 来自《简明英汉词典》
• He referred to the manuscript circulation of the sonnets. 他谈到了十四行诗手稿的流行情况。 来自辞典例句

28 preposterous   

adj.荒谬的，可笑的

参考例句：

• The whole idea was preposterous.整个想法都荒唐透顶。
• It would be preposterous to shovel coal with a teaspoon.用茶匙铲煤是荒谬的。

29 domes   

n.圆屋顶( dome的名词复数 )；像圆屋顶一样的东西；圆顶体育场

参考例句：

• The domes are circular or ovoid in cross-section. 穹丘的横断面为圆形或卵圆形。 来自辞典例句
• Parks. The facilities highlighted in text include sport complexes and fabric domes. 本书重点讲的设施包括运动场所和顶棚式结构。 来自互联网

30 spire   

n.(教堂)尖顶，尖塔，高点

参考例句：

• The church spire was struck by lightning.教堂的尖顶遭到了雷击。
• They could just make out the spire of the church in the distance.他们只能辨认出远处教堂的尖塔。

31 vertical   

adj.垂直的，顶点的，纵向的；n.垂直物，垂直的位置

参考例句：

• The northern side of the mountain is almost vertical.这座山的北坡几乎是垂直的。
• Vertical air motions are not measured by this system.垂直气流的运动不用这种系统来测量。

32 longitude   

n.经线，经度

参考例句：

• The city is at longitude 21°east.这个城市位于东经21度。
• He noted the latitude and longitude,then made a mark on the admiralty chart.他记下纬度和经度，然后在航海图上做了个标记。

33 depict   

vt.描画，描绘；描写，描述

参考例句：

• I don't care to see plays or films that depict murders or violence.我不喜欢看描写谋杀或暴力的戏剧或电影。
• Children's books often depict farmyard animals as gentle,lovable creatures.儿童图书常常把农场的动物描写得温和而可爱。