HE five o’clock train, having given itself a spasmodic jerk, began to move slowly out of Paddington Station. The platform past which it was gliding1 was crowded with a number of the fauna2 always to be seen at railway stations at such moments, but in their ranks there was no sign of Mr. Ralston McTodd: and Psmith, as he sat opposite Lord Emsworth in a corner seat of a first-class compartment3, felt that genial4 glow of satisfaction which comes to the man who has successfully taken a chance. Until now, he had been half afraid that McTodd, having changed his mind, might suddenly appear with bag and baggage—an event which must necessarily have caused confusion and discomfort5. His mind was now tranquil6. Concerning the future he declined to worry. It would, no doubt, contain its little difficulties, but he was prepared to meet them in the right spirit; and his only trouble in the world now was the difficulty he was experiencing in avoiding his lordship’s legs, which showed a disposition7 to pervade8 the compartment like the tentacles9 of an octopus10. Lord Emsworth rather ran to leg, and his practice of reclining when at ease on the base of his spine11 was causing him to straddle, like Apollyon in Pilgrim’s Progress, “right across the way.” It became manifest that in a journey lasting[p. 113] several hours his society was likely to prove irksome. For the time being, however, he endured it, and listened with polite attention to his host’s remarks on the subject of the Blandings gardens. Lord Emsworth, in a train moving in the direction of home, was behaving like a horse heading for his stable. He snorted eagerly, and spoke12 at length and with emotion of roses and herbaceous borders.
“It will be dark, I suppose, by the time we arrive,” he said regretfully, “but the first thing to-morrow, my dear fellow, I must take you round and show you my gardens.”
“I shall look forward to it keenly,” said Psmith. “They are, I can readily imagine, distinctly oojah-cum-spiff.”
“I beg your pardon?” said Lord Emsworth with a start.
“Not at all,” said Psmith graciously.
“Er—what did you say?” asked his lordship after a slight pause.
“I was saying that, from all reports, you must have a very nifty display of garden-produce at your rural seat.”
“Oh, yes. Oh, most,” said his lordship, looking puzzled. He examined Psmith across the compartment with something of the peering curiosity which he would have bestowed13 upon a new and unclassified shrub14. “Most extraordinary!” he murmured. “I trust, my dear fellow, you will not think me personal, but, do you know, nobody would imagine that you were a poet. You don’t look like a poet, and, dash it, you don’t talk like a poet.”
“How should a poet talk?”
“Well . . .” Lord Emsworth considered the point. “Well, Miss Peavey . . . But of course you don’t know Miss Peavey . . . Miss Peavey is a poetess, and[p. 114] she waylaid15 me the other morning while I was having a most important conference with McAllister on the subject of bulbs and asked me if I didn’t think that it was fairies’ tear-drops that made the dew. Did you ever hear such dashed nonsense?”
“Evidently an aggravated16 case. Is Miss Peavey staying at the castle?”
“My dear fellow, you couldn’t shift her with blasting-powder. Really this craze of my sister Constance for filling the house with these infernal literary people is getting on my nerves. I can’t stand these poets and what not. Never could.”
“We must always remember, however,” said Psmith gravely, “that poets are also God’s creatures.”
“Good heavens!” exclaimed his lordship, aghast. “I had forgotten that you were one. What will you think of me, my dear fellow! But, of course, as I said a moment ago, you are different. I admit that when Constance told me that she had invited you to the house I was not cheered, but, now that I have had the pleasure of meeting you . . .”
The conversation had worked round to the very point to which Psmith had been wishing to direct it. He was keenly desirous of finding out why Mr. McTodd had been invited to Blandings and—a still more vital matter—of ascertaining17 whether, on his arrival there as Mr. McTodd’s understudy, he was going to meet people who knew the poet by sight. On this latter point, it seemed to him, hung the question of whether he was about to enjoy a delightful18 visit to a historic country house in the society of Eve Halliday—or leave the train at the next stop and omit to return to it.
“It was extremely kind of Lady Constance,” he hazarded, “to invite a perfect stranger to Blandings.”
“Oh, she’s always doing that sort of thing,” said[p. 115] his lordship. “It didn’t matter to her that she’d never seen you in her life. She had read your books, you know, and liked them: and when she heard that you were coming to England, she wrote to you.”
“I see,” said Psmith, relieved.
“Of course, it is all right as it has turned out,” said Lord Emsworth handsomely. “As I say, you’re different. And how you came to write that . . . that . . .”
“Bilge?” suggested Psmith.
“The very word I was about to employ, my dear fellow . . . No, no, I don’t mean that . . . I—I . . . Capital stuff, no doubt, capital stuff . . . but . . .”
“I understand.”
“Constance tried to make me read the things, but I couldn’t. I fell asleep over them.”
“I hope you rested well.”
“I—er—the fact is, I suppose they were beyond me. I couldn’t see any sense in the things.”
“If you would care to have another pop at them,” said Psmith agreeably, “I have a complete set in my bag.”
“No, no, my dear fellow, thank you very much, thank you a thousand times. I—er—find that reading in the train tries my eyes.”
“Ah! You would prefer that I read them aloud?”
“No, no.” A look of hunted alarm came into his lordship’s speaking countenance19 at the suggestion. “As a matter of fact, I generally take a short nap at the beginning of a railway journey. I find it refreshing20 and—er—in short, refreshing. You will excuse me?”
“If you think you can get to sleep all right without the aid of my poems, certainly.”
“You won’t think me rude?”
“Not at all, not at all. By the way, am I likely to meet any old friends at Blandings?”
[p. 116]“Eh? Oh no. There will be nobody but ourselves. Except my sister and Miss Peavey, of course. You said you had not met Miss Peavey, I think?”
“I have not had that pleasure. I am, of course, looking forward to it with the utmost keenness.”
Lord Emsworth eyed him for a moment, astonished: then concluded the conversation by closing his eyes defensively. Psmith was left to his reflections, which a few minutes later were interrupted by a smart kick on the shin, as Lord Emsworth, a jumpy sleeper21, began to throw his long legs about. Psmith moved to the other end of the seat, and, taking his bag down from the rack, extracted a slim volume bound in squashy mauve. After gazing at this in an unfriendly manner for a moment, he opened it at random22 and began to read. His first move on leaving Lord Emsworth at the florist’s had been to spend a portion of his slender capital on the works of Ralston McTodd in order not to be taken at a disadvantage in the event of questions about them at Blandings: but he speedily realised, as he dipped into the poems, that anything in the nature of a prolonged study of them was likely to spoil his little holiday. They were not light summer reading.
“Across the pale parabola of Joy . . .”
A gurgling snort from the other end of the compartment abruptly23 detached his mind from its struggle with this mystic line. He perceived that his host had slipped even further down on to his spine and was now lying with open mouth in an attitude suggestive of dislocation. And as he looked, there was a whistling sound, and another snore proceeded from the back of his lordship’s throat.
Psmith rose and took his book of poems out into[p. 117] the corridor with the purpose of roaming along the train until he should find an empty compartment in which to read in peace.
With the two adjoining compartments24 he had no luck. One was occupied by an elderly man with a retriever, while the presence of a baby in the other ruled it out of consideration. The third, however, looked more promising25. It was not actually empty, but there was only one occupant, and he was asleep. He was lying back in the far corner with a large silk handkerchief draped over his face and his feet propped26 up on the seat opposite. His society did not seem likely to act as a bar to the study of Mr. McTodd’s masterpieces. Psmith sat down and resumed his reading.
“Across the pale parabola of Joy . . .”
Psmith knitted his brow. It was just the sort of line which was likely to have puzzled his patroness, Lady Constance, and he anticipated that she would come to him directly he arrived and ask for an explanation. It would obviously be a poor start for his visit to confess that he had no theory as to its meaning himself. He tried it again.
“Across the pale parabola of Joy . . .”
A sound like two or three pigs feeding rather noisily in the middle of a thunderstorm interrupted his meditations27. Psmith laid his book down and gazed in a pained way across the compartment. There came to him a sense of being unfairly put upon, as towards the end of his troubles it might have come upon Job. This, he felt, was too much. He was being harried28.
The man in the corner went on snoring.
* * * * *
[p. 118]There is always a way. Almost immediately Psmith saw what Napoleon would have done in this crisis. On the seat beside the sleeper was lying a compact little suit-case with hard, sharp edges. Rising softly, Psmith edged along the compartment and secured this. Then, having balanced it carefully on the rack above the sleeper’s stomach, he returned to his seat to await developments.
These were not long in coming. The train, now flying at its best speed through open country, was shaking itself at intervals29 in a vigorous way as it raced along. A few seconds later it apparently30 passed over some points, and shivered briskly down its whole length. The suit-case wobbled insecurely, hesitated, and fell chunkily in the exact middle of its owner’s waistcoat. There was a smothered31 gulp32 beneath the handkerchief. The sleeper sat up with a jerk. The handkerchief fell off. And there was revealed to Psmith’s interested gaze the face of the Hon. Freddie Threepwood.
点击收听单词发音
1 gliding | |
v. 滑翔 adj. 滑动的 | |
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2 fauna | |
n.(一个地区或时代的)所有动物,动物区系 | |
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3 compartment | |
n.卧车包房,隔间;分隔的空间 | |
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4 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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5 discomfort | |
n.不舒服,不安,难过,困难,不方便 | |
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6 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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7 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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8 pervade | |
v.弥漫,遍及,充满,渗透,漫延 | |
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9 tentacles | |
n.触手( tentacle的名词复数 );触角;触须;触毛 | |
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10 octopus | |
n.章鱼 | |
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11 spine | |
n.脊柱,脊椎;(动植物的)刺;书脊 | |
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12 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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13 bestowed | |
赠给,授予( bestow的过去式和过去分词 ) | |
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14 shrub | |
n.灌木,灌木丛 | |
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15 waylaid | |
v.拦截,拦路( waylay的过去式和过去分词 ) | |
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16 aggravated | |
使恶化( aggravate的过去式和过去分词 ); 使更严重; 激怒; 使恼火 | |
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17 ascertaining | |
v.弄清,确定,查明( ascertain的现在分词 ) | |
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18 delightful | |
adj.令人高兴的,使人快乐的 | |
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19 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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20 refreshing | |
adj.使精神振作的,使人清爽的,使人喜欢的 | |
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21 sleeper | |
n.睡眠者,卧车,卧铺 | |
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22 random | |
adj.随机的;任意的;n.偶然的(或随便的)行动 | |
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23 abruptly | |
adv.突然地,出其不意地 | |
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24 compartments | |
n.间隔( compartment的名词复数 );(列车车厢的)隔间;(家具或设备等的)分隔间;隔层 | |
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25 promising | |
adj.有希望的,有前途的 | |
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26 propped | |
支撑,支持,维持( prop的过去式和过去分词 ) | |
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27 meditations | |
默想( meditation的名词复数 ); 默念; 沉思; 冥想 | |
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28 harried | |
v.使苦恼( harry的过去式和过去分词 );不断烦扰;一再袭击;侵扰 | |
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29 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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30 apparently | |
adv.显然地;表面上,似乎 | |
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31 smothered | |
(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制 | |
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32 gulp | |
vt.吞咽,大口地吸(气);vi.哽住;n.吞咽 | |
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