“Ah! hapless Victory, what avails
Thy towering masts, thy spreading sails.”
Some of the portraits, I recollect22, now and then to be met with, were very well done in this way, on wood. In Mr. Gregson’s kitchen, one of this character hung against the wall many years. It was a remarkably23 good likeness24 of Captain Coram. In cottages everywhere were to be seen the “Sailor’s Farewell” and his “Happy Return,” “Youthful Sports,” and the “Feats of Manhood,” “The Bold Archers25 Shooting at a Mark,” “The Four Seasons,” &c. Some subjects were of a funny—others of a grave character. I think the last portraits I remember were of some of the rebel lords and “Duke Willy.” These kind of wood cut pictures are long since quite gone out of fashion, which I feel very sorry for, and most heartily26 wish they could be revived. It is desirable, indeed, that the subjects should be well chosen; for it must be of great importance that such should be the case; as, whatever can serve to instil27 morality and patriotism28 into the minds of the whole people must tend greatly to promote their own happiness and the good of the community. All men, however poor they may be, ought to feel that this is their country, as well as it is that of the first nobleman of the land; and, if so, they will be equally as interested in its happiness and prosperity.
There is another way, not yet indeed entered upon, of similar import to the foregoing, in which prints might with good effect be made of subjects fit to embellish29 almost every house throughout our country: and that is from wood blocks printed in colours, like paper-hangings. Having seen some such done by paper-stainers, so as almost to equal good paintings, leads me to wish that this method could be pursued—for the same ends as those already noticed. The most remarkable productions of art of this kind from blocks done to print in colours, like beautiful little paintings, were sent to me by Gubitz, of Berlin; they might indeed be said to be perfection. Several impressions from duplicate or triplicate blocks, printed in this way, of a very large size, were also given to me, as well as a drawing of the press from which they were printed, many years ago, by Jean Baptiste Jackson, who had been patronized by the king of France; but, whether these prints had been done with the design of embellishing30 the walls of houses in that country, I know not. They had been taken from paintings of eminent old masters, and were mostly Scripture31 pieces. They were well drawn32, and perhaps correctly copied from the originals, yet in my opinion none of them looked well. Jackson left Newcastle quite enfeebled with age, and, it was said, ended his days in an asylum33, under the protecting care of Sir Gilbert Elliot, bart., at some place on the border near the Teviot, or on Tweedside.
Whether the speculations34 here noticed may be thought worthy35 of being acted upon, I know not, but it is not to any of the above noticed ways of wood cutting that my attention is directed: it is, in my ardent36 desire to see the stroke engraving on wood carried to the utmost perfection, that I hope the world will be gratified; and I trust the time is not distant when its superior excellence37 will be seen, particularly in landscape scenery, so as to surpass bank notes engravings. The effect to be produced by wood engraving has not, in that way, yet been tried, nor its powers made apparent. This is, I think, to be attained38 by two, or even more, blocks being employed, on one print, so that a greater and more natural effect—as to colour and softness—may be produced. I am well aware that some difficulty may arise, as to bringing off a clear impression of fine strokes from so large a surface, but in this age of mechanical improvement and invention, I think this apparent difficulty will readily be got over. Perhaps printing from a roller, instead of an even down pull, may easily accomplish this business. I have often thought, had William Woollett been a wood engraver39, he would have shown its excellence long ago: his prints from copper40 have not been equalled; but, from the nature of the wood, and the effect it produces, he would have advanced a step further, and on it have outdone his excellence on copper. If I live, health and sight continued, I will make the attempt to show that all this is not a visionary theory. Should I not live to get this Memoir41 printed under my own inspection,—or whether it will ever be printed at all, I know not,—but at any rate the manuscript itself will show, were that necessary, how ardently42 I have ever wished well to arts and artists; and though, in my endeavours to show this, I have often been thwarted43 and disappointed, yet I never lost sight of my object, nor became disheartened in my struggles to fight through, and surmount44 numberless difficulties and bars thrown in my way.
I have already noticed my brother John, as my first pupil, and therefore have little further to say respecting him, only, that Nature seemed to have befitted him for becoming a first-rate artist; but, at the time he was with me, the thoughts of arriving at excellence did not enter into our heads, and he left the world at the time when wood engraving was only beginning to be looked upon as a matter of any interest. And, now when the time is fast approaching for my winding45 up all my labours, I may be allowed to name my own son and partner, whose time has been taken up with attending to all the branches of our business: and who, I trust, will not let wood engraving go down; and, though he has not shown any partiality towards it, yet the talent is there, and I hope he will call it forth46.
点击收听单词发音
1 behold | |
v.看,注视,看到 | |
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2 lamenting | |
adj.悲伤的,悲哀的v.(为…)哀悼,痛哭,悲伤( lament的现在分词 ) | |
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3 lament | |
n.悲叹,悔恨,恸哭;v.哀悼,悔恨,悲叹 | |
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4 vicissitudes | |
n.变迁,世事变化;变迁兴衰( vicissitude的名词复数 );盛衰兴废 | |
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5 engraving | |
n.版画;雕刻(作品);雕刻艺术;镌版术v.在(硬物)上雕刻(字,画等)( engrave的现在分词 );将某事物深深印在(记忆或头脑中) | |
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6 plank | |
n.板条,木板,政策要点,政纲条目 | |
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7 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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8 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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9 distinguished | |
adj.卓越的,杰出的,著名的 | |
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10 patriotic | |
adj.爱国的,有爱国心的 | |
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11 exertions | |
n.努力( exertion的名词复数 );费力;(能力、权力等的)运用;行使 | |
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12 enumerate | |
v.列举,计算,枚举,数 | |
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13 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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14 conspicuous | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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15 poke | |
n.刺,戳,袋;vt.拨开,刺,戳;vi.戳,刺,捅,搜索,伸出,行动散慢 | |
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16 valiant | |
adj.勇敢的,英勇的;n.勇士,勇敢的人 | |
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17 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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18 seamen | |
n.海员 | |
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19 uncommonly | |
adv. 稀罕(极,非常) | |
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20 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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21 catastrophe | |
n.大灾难,大祸 | |
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22 recollect | |
v.回忆,想起,记起,忆起,记得 | |
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23 remarkably | |
ad.不同寻常地,相当地 | |
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24 likeness | |
n.相像,相似(之处) | |
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25 archers | |
n.弓箭手,射箭运动员( archer的名词复数 ) | |
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26 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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27 instil | |
v.逐渐灌输 | |
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28 patriotism | |
n.爱国精神,爱国心,爱国主义 | |
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29 embellish | |
v.装饰,布置;给…添加细节,润饰 | |
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30 embellishing | |
v.美化( embellish的现在分词 );装饰;修饰;润色 | |
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31 scripture | |
n.经文,圣书,手稿;Scripture:(常用复数)《圣经》,《圣经》中的一段 | |
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32 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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33 asylum | |
n.避难所,庇护所,避难 | |
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34 speculations | |
n.投机买卖( speculation的名词复数 );思考;投机活动;推断 | |
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35 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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36 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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37 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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38 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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39 engraver | |
n.雕刻师,雕工 | |
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40 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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41 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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42 ardently | |
adv.热心地,热烈地 | |
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43 thwarted | |
阻挠( thwart的过去式和过去分词 ); 使受挫折; 挫败; 横过 | |
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44 surmount | |
vt.克服;置于…顶上 | |
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45 winding | |
n.绕,缠,绕组,线圈 | |
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46 forth | |
adv.向前;向外,往外 | |
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