[Pg 75]
Though I had an admission card to the reviewing stand I preferred to remain among the people, to feel myself a part of the great hosts that had brought about the world event. This was their day—the day of their making. Yet—they seemed peculiarly quiet, oppressively silent. There was no joy in their singing, no mirth in their laughter. Mechanically they marched, automatically they responded to the claqueurs on the reviewing stand shouting "Hurrah3" as the columns passed.
In the evening a pageant4 was to take place. Long before the appointed hour the Uritski Square down to the palace and to the banks of the Neva was crowded with people gathered to witness the open-air performance symbolizing5 the triumph of the people. The play consisted of three parts, the first portraying6 the conditions which led up to the war and the r?le of the German Socialists7 in it; the second reproduced the February Revolution, with Kerensky in power; the last—the October Revolution. It was a play beautifully set and powerfully acted, a play vivid, real, fascinating. It was given on the steps of the former Stock Exchange, facing the Square. On the highest step sat kings and queens with their courtiers, attended by soldiery[Pg 76] in gay uniforms. The scene represents a gala court affair: the announcement is made that a monument is to be built in honour of world capitalism8. There is much rejoicing, and a wild orgy of music and dance ensues. Then from the depths there emerge the enslaved and toiling9 masses, their chains ringing mournfully to the music above. They are responding to the command to build the monument for their masters: some are seen carrying hammers and anvils10; others stagger under the weight of huge blocks of stone and loads of brick. The workers are toiling in their world of misery11 and darkness, lashed12 to greater effort by the whip of the slave drivers, while above there is light and joy, and the masters are feasting. The completion of the monument is signalled by large yellow disks hoisted13 on high amidst the rejoicing of the world on top.
At this moment a little red flag is seen waving below, and a small figure is haranguing14 the people. Angry fists are raised and then flag and figure disappear, only to reappear again in different parts of the underworld. Again the red flag waves, now here, now there. The people slowly gain confidence and presently become threatening. Indignation and anger grow—the[Pg 77] kings and queens become alarmed. They fly to the safety of the citadels15, and the army prepares to defend the stronghold of capitalism.
It is August, 1914. The rulers are again feasting, and the workers are slaving. The members of the Second International attend the confab of the mighty16. They remain deaf to the plea of the workers to save them from the horrors of war. Then the strains of "God Save the King" announce the arrival of the English army. It is followed by Russian soldiers with machine guns and artillery17, and a procession of nurses and cripples, the tribute to the Moloch of war.
The next act pictures the February Revolution. Red flags appear everywhere, armed motor cars dash about. The people storm the Winter Palace and haul down the emblem18 of Tsardom. The Kerensky Government assumes control, and the people are driven back to war. Then comes the marvellous scene of the October Revolution, with soldiers and sailors galloping19 along the open space before the white marble building. They dash up the steps into the palace, there is a brief struggle, and the victors are hailed by the masses in wild jubilation20. The "Internationale" floats upon the air; it mounts higher and higher into exultant21 peals22 of joy.[Pg 78] Russia is free—the workers, sailors, and soldiers usher23 in the new era, the beginning of the world commune!
Tremendously stirring was the picture. But the vast mass remained silent. Only a faint applause was heard from the great throng24. I was dumbfounded. How explain this astonishing lack of response? When I spoke25 to Lisa Zorin about it she said that the people had actually lived through the October Revolution, and that the performance necessarily fell flat by comparison with the reality of 1917. But my little Communist neighbour gave a different version. "The people had suffered so many disappointments since October, 1917," she said, "that the Revolution has lost all meaning to them. The play had the effect of making their disappointment more poignant26."
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1 celebrated | |
adj.有名的,声誉卓著的 | |
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2 gaily | |
adv.欢乐地,高兴地 | |
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3 hurrah | |
int.好哇,万岁,乌拉 | |
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4 pageant | |
n.壮观的游行;露天历史剧 | |
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5 symbolizing | |
v.象征,作为…的象征( symbolize的现在分词 ) | |
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6 portraying | |
v.画像( portray的现在分词 );描述;描绘;描画 | |
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7 socialists | |
社会主义者( socialist的名词复数 ) | |
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8 capitalism | |
n.资本主义 | |
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9 toiling | |
长时间或辛苦地工作( toil的现在分词 ); 艰难缓慢地移动,跋涉 | |
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10 anvils | |
n.(铁)砧( anvil的名词复数 );砧骨 | |
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11 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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12 lashed | |
adj.具睫毛的v.鞭打( lash的过去式和过去分词 );煽动;紧系;怒斥 | |
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13 hoisted | |
把…吊起,升起( hoist的过去式和过去分词 ) | |
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14 haranguing | |
v.高谈阔论( harangue的现在分词 ) | |
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15 citadels | |
n.城堡,堡垒( citadel的名词复数 ) | |
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16 mighty | |
adj.强有力的;巨大的 | |
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17 artillery | |
n.(军)火炮,大炮;炮兵(部队) | |
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18 emblem | |
n.象征,标志;徽章 | |
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19 galloping | |
adj. 飞驰的, 急性的 动词gallop的现在分词形式 | |
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20 jubilation | |
n.欢庆,喜悦 | |
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21 exultant | |
adj.欢腾的,狂欢的,大喜的 | |
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22 peals | |
n.(声音大而持续或重复的)洪亮的响声( peal的名词复数 );隆隆声;洪亮的钟声;钟乐v.(使)(钟等)鸣响,(雷等)发出隆隆声( peal的第三人称单数 ) | |
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23 usher | |
n.带位员,招待员;vt.引导,护送;vi.做招待,担任引座员 | |
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24 throng | |
n.人群,群众;v.拥挤,群集 | |
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25 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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26 poignant | |
adj.令人痛苦的,辛酸的,惨痛的 | |
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