This information she had telephoned to the girl on the night following Timothy’s great win, and had added that she could see “the twinkling lights of Monte Carlo” and that “the misty4 spaces of ocean filled her with strange unrest,” which observation had been repeated to the unsympathetic Timothy.
“It must be awful to have a mind like that,” he said, and then, “Mary, I’ve been a long time waiting to exchange confidences about cousins.”
“I have no confidences to give you about Mrs. Renfrew,” said Mary with a smile, “but you have been on the point of telling me about your cousin so often that I feel a little curious.”
The story he had to tell was not a nice one. It meant opening old wounds and reviving sad memories, but it had to be done. She was not so shocked as he had expected.
“You have not told me anything new,” she said quietly. “You see, all along I have known that the ‘A.C.’ in your name stood for ‘Alfred Cartwright,’ and once uncle told me that he had known a relative of yours, and I guessed.”
Suddenly she demanded:
“Do you think Cartwright is in Europe?”
Timothy nodded.
“I am certain. That is, if Morocco is in Europe,” he said. “I have had it in the back of my mind ever since the crime was committed that that is the place he would make for. You see, in the few minutes I had with him he told me, perhaps not the whole of the story, but at any rate his version. He knows Morocco and has been there before. He spoke5 about a Moorish7 chief named El Mograb, who wanted him to stay with the tribe, and he told me he was sorry he had not followed the Moor6’s advice.”
“Did you tell the police that?” she asked.
He shook his head.
“I did not tell the police very much about that visit. Cartwright revived his accusations8 against Sir John. It meant digging up these charges, and that is what I did not wish to do, for—for——”
“For my sake?” she said quietly.
“That’s about the size of it,” replied Timothy.
A little stream of diners were leaving the restaurant, moving slowly down the narrow aisle9 between the tables, and Timothy stopped talking as they passed and eyed them with a bored interest usual to the circumstances.
It was after the interruption had ended, and the last of the little stream had departed, that he saw the card on the table. It was near his place and it had not been there before. He picked it up and on the uppermost side was written: “Do not let your friend see this.”
“Well, I’m——” he began, and turned the card over.
It was not written but printed in capital letters:
“IF YOU DO NOT HEAR FROM ME BY THE TWENTY-NINTH, I BEG OF YOU THAT YOU WILL GO TO TANGIER AND ENQUIRE10 AT THE CONTINENTAL11 HOTEL FOR A MAN CALLED RAHBAT—A MOOR, WHO WILL LEAD YOU TO ME. I BEG YOU FOR THE SAKE OF OUR RELATIONSHIP TO COME. DID YOU GET THE MONEY?”
Timothy laid the card down and stared at the girl.
“What is it?” she asked and reached out her hand.
“I—it is nothing,” he said hurriedly.
“Nonsense, Timothy. What is it? Let me see it, please.”
Without a word he handed the card to the girl, who read it through in silence.
“Who is that from?” she asked, “Cartwright?”
He nodded.
“Obviously,” he said, “the reference to the money and the appeal to our relationship—but how did it get there?”
He called the head waiter.
“Who were those people who went out just now?” he asked.
“They are very well known,” explained the head waiter. “There was a monsieur, a London theatrical12 manager, and a madame who was his wife. There was another monsieur, an American writer, and an English monsieur who was in the employment as secretary to a madame who lives at Cap Martin.”
“Madame Serpilot?” asked Timothy quickly.
“Yes, that is the name. She is a widow, hélas! but immensely rich!”
Timothy put the card into his pocket. He had said nothing to the girl about Madame Serpilot since they had left London, and for the first time he had some misgivings13 as to her safety. Yet in truth that sixth sense of his, which had hitherto worked so to his advantage, offered him no warning that the girl’s happiness was threatened. He was sure that whatever danger the situation held was danger to him personally. He had not seen the English monsieur who was secretary to Madame Serpilot, but then his back had been toward the far end of the room from whence the man came and he had presented no other view than the back of his head.
“It is a message from Cartwright,” he said, “and I am going to get to the bottom of this story if I stay in Monte Carlo for the rest of my life.”
He saw Mary back to her hotel, went to his room and changed, and just as the Casino was disgorging its tired clients, he walked through the palm-shaded avenue that led to the main road and began his tramp to Cap Martin. To discover a house in this area by daylight, with the aid of a plan, might have been a simple matter—by night it presented almost insuperable difficulties.
Cap Martin is a promontory14 of hill and pine and wild flower. Its roads run at the will of its wealthy residents, and there are lanes and paths and broad roads which are not really broad roads at all, but the private entrances to the wonderful villas16 in which the district abounds17, and the grey light was in the eastern sky when Timothy finally located the Villa15 Condamine.
It stood on the edge of the sea, surrounded on the land side by a high wall, though if its owner sought seclusion18 the woods which surrounded the villa were sufficient.
Timothy worked round a little bay until he commanded a view of the place from the sea. A zig-zag path led down from the house to the seashore, terminating in a little concrete quay19. Presently he heard the sound of footsteps and a Monogasque workman, in blue overalls20, came slouching along the shore path, pipe in mouth.
He bade the young man a cheery good morning and stopped, in the friendly way of the Monogasques, to talk. He was a gardener on his way to the villa. He could be on his way to nowhere else, for the rough path on which Timothy stood led straight to a door in the high wall. It was a good job, but he wished he lived nearer. But then, none of madame’s servants slept in the house, and——
A tiny steam yacht was coming slowly to land—Timothy had seen its lights for an hour—and was steaming now to its anchorage, leaving the line of its wake on the smooth surface of the water.
“The Moor!” said Timothy quickly, and then carelessly, “Has any Moor a villa here?”
“No, monsieur,” said the man, “but this is a great Moor who sometimes comes here from Morocco. A long journey, monsieur. It is five days’ voyage from the Moorish coast——”
“Does he come to the Villa Condamine?” asked Timothy.
“But yes,” said the man. “He is a friend of the madame, and twice has he been there in three months.”
There was a little splash of water under the bow of the yacht, when the anchor was dropped, and presently a boat drew away and in the stern sheets was a figure muffled22 in a white jellab.
Timothy looked after the retreating figure of the gardener, who was leisurely23 pursuing his way, and, turning, followed him. It was unlikely that the mysterious madame would allow a humble24 workman to have the key of the garden gate, yet to his surprise this was the case. The man opened the gate and waited, looking round as if he expected somebody. Timothy guessed that there were two or more workmen and that this particular man had the key and admitted the lot. In this surmise25 he proved to be right. Presently yet another blue-bloused gardener appeared, and the two stood together waiting for a third. He made no appearance, and the two men passed through the door and pulled it close behind them.
Timothy quickened his pace. As he had thought, the door was left ajar for the third man. He pushed it open gently, but saw nothing but the end of a twisting path, which disappeared between high hedges of lilac.
If ever there was a time to take a chance it was now; and he was through the gate, gingerly treading the path, before he realised what he had done. He heard voices and moved with caution. Then, after about five minutes, he heard the garden gate behind him bang. The third workman had arrived and the exit was closed. He made his way through the pines which served to screen the house from observation. There was nobody in sight, and the voices had died away. He could walk more boldly now and came at last to the edge of the wood in full view of the villa. Between him and the house was about fifty yards of clear space. He took a chance and crossed it, his objective being a ground-floor window which was open.
The entrance was not so easily effected as he had expected. The sill of the window was just above the level of his head, and offered no grip to his hands. He made a tour of reconnaissance, but failed to find any other entrance. Behind the sill, he thought, must be a window frame, and stepping back two paces he made a leap and gripped the frame. Quickly he pulled himself up and dropped into the room.
He was conscious of a sweet, fragrant26 perfume the moment his head became level with the window, and now he saw the explanation. The bare floor was covered three inches thick with rose petals27. Evidently the owner made her own perfumery, and this hobby explained the open window. There was no furniture in the room, which was apparently28 given up to the purpose of drying the petals. The door was unfastened, and he passed into a stone corridor. The structure of the house puzzled him. He did not expect to find himself in the basement; then he remembered that the villa was built on sloping ground, and that the main entrance must be on a higher floor.
A flight of stone steps led to the upper level, and he went up cautiously, a step at a time, and found his exit barred by a door which was fastened on the other side with padlock and staple29. It was a primitive30 method of locking up a cellar, and Timothy, remembering that he had passed a recess31 filled with garden tools, went back to find the means to remove this obstruction32. A long chisel33 prised the staples34 from the door with ridiculous ease.
He heard voices speaking in low, guarded tones and moved along the carpeted hall on tiptoe. He listened at the door of the room from which the voices proceeded, and was in two minds as to what his next step should be. The door was one of two let in the same wall. He stopped and brought his ear to the keyhole of the second and there was no sound. Turning the handle, he looked in.
As he expected, it was separated from the other room by a pair of folding doors which were closed. The voices were more distinct but still indistinguishable. He was now in a small drawing-room, well but not luxuriously35 furnished. Tall French windows led to a loggia, and, what was more important, on either side of these hung long velvet36 curtains, which might serve, in case of necessity, as a place of concealment37.
He heard the door of the next room open, and the voices proceeded along the passage. Then the handle of his own door turned. He had just time to slip behind the curtains before somebody entered. It was a woman, and at the sound of her voice he nearly jumped. She was speaking to somebody in the passage.
“He has gone to his room,” she said. “Have your breakfast. He will want you to go into Monte Carlo this morning.”
“By daylight?” said the person to whom she spoke, and again Timothy recognised the voice.
“He would not know you with those spectacles. Besides, you had a moustache when you saw him before.”
The man in the passage mumbled38 something, and Timothy heard the door of the room close. There was a desk, he had noticed, against the blank wall of the room, and it was to this she made her way. He heard the scratching of her pen on paper, then he walked from his place of concealment. Her back was to him and she did not hear him until his shadow fell across the table. Then, with a little cry, she leapt up.
“Good morning, Lady Maxell,” said Timothy.
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收听单词发音
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1
tunes
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| n.曲调，曲子( tune的名词复数 )v.调音( tune的第三人称单数 )；调整；（给收音机、电视等）调谐；使协调 | |
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influx
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| n.流入，注入 | |
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descended
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| a.为...后裔的，出身于...的 | |
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misty
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| adj.雾蒙蒙的，有雾的 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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6
moor
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| n.荒野，沼泽；vt.(使)停泊；vi.停泊 | |
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7
moorish
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| adj.沼地的，荒野的，生[住]在沼地的 | |
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8
accusations
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| n.指责( accusation的名词复数 )；指控；控告；（被告发、控告的）罪名 | |
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9
aisle
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| n.（教堂、教室、戏院等里的）过道，通道 | |
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10
enquire
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| v.打听，询问；调查，查问 | |
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11
continental
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| adj.大陆的，大陆性的，欧洲大陆的 | |
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12
theatrical
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| adj.剧场的，演戏的；做戏似的，做作的 | |
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13
misgivings
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| n.疑虑，担忧，害怕；疑虑，担心，恐惧( misgiving的名词复数 )；疑惧 | |
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14
promontory
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| n.海角；岬 | |
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15
villa
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| n.别墅，城郊小屋 | |
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villas
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| 别墅，公馆( villa的名词复数 )； （城郊）住宅 | |
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17
abounds
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| v.大量存在，充满，富于( abound的第三人称单数 ) | |
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seclusion
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| n.隐遁，隔离 | |
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quay
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| n.码头，靠岸处 | |
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overalls
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| n.（复）工装裤；长罩衣 | |
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21
pointed
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| adj.尖的，直截了当的 | |
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22
muffled
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| adj.（声音）被隔的；听不太清的；（衣服）裹严的；蒙住的v.压抑，捂住( muffle的过去式和过去分词 )；用厚厚的衣帽包着（自己） | |
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23
leisurely
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| adj.悠闲的；从容的，慢慢的 | |
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24
humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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surmise
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| v./n.猜想，推测 | |
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26
fragrant
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| adj.芬香的，馥郁的，愉快的 | |
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27
petals
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| n.花瓣( petal的名词复数 ) | |
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28
apparently
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| adv.显然地；表面上，似乎 | |
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29
staple
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| n.主要产物，常用品，主要要素，原料，订书钉，钩环；adj.主要的，重要的；vt.分类 | |
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30
primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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31
recess
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| n.短期休息，壁凹（墙上装架子，柜子等凹处） | |
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32
obstruction
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| n.阻塞，堵塞；障碍物 | |
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33
chisel
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| n.凿子；v.用凿子刻，雕，凿 | |
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34
staples
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| n.（某国的）主要产品( staple的名词复数 )；钉书钉；U 形钉；主要部份v.用钉书钉钉住( staple的第三人称单数 ) | |
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35
luxuriously
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| adv.奢侈地，豪华地 | |
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36
velvet
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| n.丝绒，天鹅绒；adj.丝绒制的，柔软的 | |
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37
concealment
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| n.隐藏, 掩盖，隐瞒 | |
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38
mumbled
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| 含糊地说某事，叽咕，咕哝( mumble的过去式和过去分词 ) | |
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