We had fifteen passengers, and to show how hard pressed they were at last for occupation and amusement, I will mention that the gentlemen gave a good part of their time every day, during the calm, to trying to sit on an empty champagne9 bottle (lying on its side), and thread a needle without touching10 their heels to the deck, or falling over; and the ladies sat in the shade of the mainsail, and watched the enterprise with absorbing interest. We were at sea five Sundays; and yet, but for the almanac, we never would have known but that all the other days were Sundays too.
I was home again, in San Francisco, without means and without employment. I tortured my brain for a saving scheme of some kind, and at last a public lecture occurred to me! I sat down and wrote one, in a fever of hopeful anticipation11. I showed it to several friends, but they all shook their heads. They said nobody would come to hear me, and I would make a humiliating failure of it.
They said that as I had never spoken in public, I would break down in the delivery, anyhow. I was disconsolate12 now. But at last an editor slapped me on the back and told me to “go ahead.” He said, “Take the largest house in town, and charge a dollar a ticket.” The audacity13 of the proposition was charming; it seemed fraught14 with practical worldly wisdom, however. The proprietor15 of the several theatres endorsed16 the advice, and said I might have his handsome new opera-house at half price—fifty dollars. In sheer desperation I took it—on credit, for sufficient reasons. In three days I did a hundred and fifty dollars’ worth of printing and advertising17, and was the most distressed18 and frightened creature on the Pacific coast. I could not sleep—who could, under such circumstances? For other people there was facetiousness19 in the last line of my posters, but to me it was plaintive20 with a pang21 when I wrote it:
“Doors open at 7 1/2. The trouble will begin at 8.”
That line has done good service since. Showmen have borrowed it frequently. I have even seen it appended to a newspaper advertisement reminding school pupils in vacation what time next term would begin. As those three days of suspense22 dragged by, I grew more and more unhappy. I had sold two hundred tickets among my personal friends, but I feared they might not come. My lecture, which had seemed “humorous” to me, at first, grew steadily23 more and more dreary24, till not a vestige25 of fun seemed left, and I grieved that I could not bring a coffin26 on the stage and turn the thing into a funeral. I was so panic-stricken, at last, that I went to three old friends, giants in stature27, cordial by nature, and stormy-voiced, and said:
“This thing is going to be a failure; the jokes in it are so dim that nobody will ever see them; I would like to have you sit in the parquette, and help me through.”
They said they would. Then I went to the wife of a popular citizen, and said that if she was willing to do me a very great kindness, I would be glad if she and her husband would sit prominently in the left-hand stage- box, where the whole house could see them. I explained that I should need help, and would turn toward her and smile, as a signal, when I had been delivered of an obscure joke—“and then,” I added, “don’t wait to investigate, but respond!”
She promised. Down the street I met a man I never had seen before. He had been drinking, and was beaming with smiles and good nature. He said:
“My name’s Sawyer. You don’t know me, but that don’t matter. I haven’t got a cent, but if you knew how bad I wanted to laugh, you’d give me a ticket. Come, now, what do you say?”
“Is your laugh hung on a hair-trigger?—that is, is it critical, or can you get it off easy?”
My drawling infirmity of speech so affected28 him that he laughed a specimen29 or two that struck me as being about the article I wanted, and I gave him a ticket, and appointed him to sit in the second circle, in the centre, and be responsible for that division of the house. I gave him minute instructions about how to detect indistinct jokes, and then went away, and left him chuckling30 placidly31 over the novelty of the idea.
I ate nothing on the last of the three eventful days—I only suffered. I had advertised that on this third day the box-office would be opened for the sale of reserved seats. I crept down to the theater at four in the afternoon to see if any sales had been made. The ticket seller was gone, the box-office was locked up. I had to swallow suddenly, or my heart would have got out. “No sales,” I said to myself; “I might have known it.” I thought of suicide, pretended illness, flight. I thought of these things in earnest, for I was very miserable32 and scared. But of course I had to drive them away, and prepare to meet my fate. I could not wait for half-past seven—I wanted to face the horror, and end it—the feeling of many a man doomed33 to hang, no doubt. I went down back streets at six o’clock, and entered the theatre by the back door. I stumbled my way in the dark among the ranks of canvas scenery, and stood on the stage. The house was gloomy and silent, and its emptiness depressing. I went into the dark among the scenes again, and for an hour and a half gave myself up to the horrors, wholly unconscious of everything else. Then I heard a murmur34; it rose higher and higher, and ended in a crash, mingled35 with cheers. It made my hair raise, it was so close to me, and so loud.
There was a pause, and then another; presently came a third, and before I well knew what I was about, I was in the middle of the stage, staring at a sea of faces, bewildered by the fierce glare of the lights, and quaking in every limb with a terror that seemed like to take my life away. The house was full, aisles36 and all!
The tumult37 in my heart and brain and legs continued a full minute before I could gain any command over myself. Then I recognized the charity and the friendliness38 in the faces before me, and little by little my fright melted away, and I began to walk. Within three or four minutes I was comfortable, and even content. My three chief allies, with three auxiliaries39, were on hand, in the parquette, all sitting together, all armed with bludgeons, and all ready to make an onslaught upon the feeblest joke that might show its head. And whenever a joke did fall, their bludgeons came down and their faces seemed to split from ear to ear.
Sawyer, whose hearty40 countenance41 was seen looming42 redly in the centre of the second circle, took it up, and the house was carried handsomely. Inferior jokes never fared so royally before. Presently I delivered a bit of serious matter with impressive unction (it was my pet), and the audience listened with an absorbed hush43 that gratified me more than any applause; and as I dropped the last word of the clause, I happened to turn and catch Mrs.—‘s intent and waiting eye; my conversation with her flashed upon me, and in spite of all I could do I smiled. She took it for the signal, and promptly44 delivered a mellow45 laugh that touched off the whole audience; and the explosion that followed was the triumph of the evening. I thought that that honest man Sawyer would choke himself; and as for the bludgeons, they performed like pile-drivers. But my poor little morsel46 of pathos47 was ruined. It was taken in good faith as an intentional48 joke, and the prize one of the entertainment, and I wisely let it go at that.
All the papers were kind in the morning; my appetite returned; I had a abundance of money. All’s well that ends well.
点击收听单词发音
1 luxurious | |
adj.精美而昂贵的;豪华的 | |
参考例句: |
|
|
2 vagrancy | |
(说话的,思想的)游移不定; 漂泊; 流浪; 离题 | |
参考例句: |
|
|
3 shipping | |
n.船运(发货,运输,乘船) | |
参考例句: |
|
|
4 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
参考例句: |
|
|
5 delightful | |
adj.令人高兴的,使人快乐的 | |
参考例句: |
|
|
6 porpoises | |
n.鼠海豚( porpoise的名词复数 ) | |
参考例句: |
|
|
7 pelted | |
(连续地)投掷( pelt的过去式和过去分词 ); 连续抨击; 攻击; 剥去…的皮 | |
参考例句: |
|
|
8 afterward | |
adv.后来;以后 | |
参考例句: |
|
|
9 champagne | |
n.香槟酒;微黄色 | |
参考例句: |
|
|
10 touching | |
adj.动人的,使人感伤的 | |
参考例句: |
|
|
11 anticipation | |
n.预期,预料,期望 | |
参考例句: |
|
|
12 disconsolate | |
adj.忧郁的,不快的 | |
参考例句: |
|
|
13 audacity | |
n.大胆,卤莽,无礼 | |
参考例句: |
|
|
14 fraught | |
adj.充满…的,伴有(危险等)的;忧虑的 | |
参考例句: |
|
|
15 proprietor | |
n.所有人;业主;经营者 | |
参考例句: |
|
|
16 endorsed | |
vt.& vi.endorse的过去式或过去分词形式v.赞同( endorse的过去式和过去分词 );在(尤指支票的)背面签字;在(文件的)背面写评论;在广告上说本人使用并赞同某产品 | |
参考例句: |
|
|
17 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
参考例句: |
|
|
18 distressed | |
痛苦的 | |
参考例句: |
|
|
19 facetiousness | |
n.滑稽 | |
参考例句: |
|
|
20 plaintive | |
adj.可怜的,伤心的 | |
参考例句: |
|
|
21 pang | |
n.剧痛,悲痛,苦闷 | |
参考例句: |
|
|
22 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
参考例句: |
|
|
23 steadily | |
adv.稳定地;不变地;持续地 | |
参考例句: |
|
|
24 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
参考例句: |
|
|
25 vestige | |
n.痕迹,遗迹,残余 | |
参考例句: |
|
|
26 coffin | |
n.棺材,灵柩 | |
参考例句: |
|
|
27 stature | |
n.(高度)水平,(高度)境界,身高,身材 | |
参考例句: |
|
|
28 affected | |
adj.不自然的,假装的 | |
参考例句: |
|
|
29 specimen | |
n.样本,标本 | |
参考例句: |
|
|
30 chuckling | |
轻声地笑( chuckle的现在分词 ) | |
参考例句: |
|
|
31 placidly | |
adv.平稳地,平静地 | |
参考例句: |
|
|
32 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
参考例句: |
|
|
33 doomed | |
命定的 | |
参考例句: |
|
|
34 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
参考例句: |
|
|
35 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
参考例句: |
|
|
36 aisles | |
n. (席位间的)通道, 侧廊 | |
参考例句: |
|
|
37 tumult | |
n.喧哗;激动,混乱;吵闹 | |
参考例句: |
|
|
38 friendliness | |
n.友谊,亲切,亲密 | |
参考例句: |
|
|
39 auxiliaries | |
n.助动词 ( auxiliary的名词复数 );辅助工,辅助人员 | |
参考例句: |
|
|
40 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
参考例句: |
|
|
41 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
参考例句: |
|
|
42 looming | |
n.上现蜃景(光通过低层大气发生异常折射形成的一种海市蜃楼)v.隐约出现,阴森地逼近( loom的现在分词 );隐约出现,阴森地逼近 | |
参考例句: |
|
|
43 hush | |
int.嘘,别出声;n.沉默,静寂;v.使安静 | |
参考例句: |
|
|
44 promptly | |
adv.及时地,敏捷地 | |
参考例句: |
|
|
45 mellow | |
adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
参考例句: |
|
|
46 morsel | |
n.一口,一点点 | |
参考例句: |
|
|
47 pathos | |
n.哀婉,悲怆 | |
参考例句: |
|
|
48 intentional | |
adj.故意的,有意(识)的 | |
参考例句: |
|
|
欢迎访问英文小说网 |