D'Annunzio left Rome in 1884 and returned to his native hills, where he wrote Il libro delle vergine ("The Book of the Virgins") in 1884; San Pantaleone (1886), and Isottèo Guttadauro. Then, abandoning his revolutionary and realistic though splendid and intoxicating8 poetry for prose, the young genius next surprised his public with a novel, Giovanni Episcopo, followed by Il Piacere ("The Child of Pleasure"), in 1889. The former is a strong yet repelling9 story of crude brutalism, told by a victim of relentless10 fate; the latter is a kind of poem in prose, in which there is something above mere facility of literary touch; he shows the power of the master poet or painter to see the world at a glance, and with a dextrous hand to draw for eyes less keen that world in all its changeful aspects.
His next important novel, Il trionfo della morte ("The Triumph of Death") was produced in 1896. This brought upon him a storm of mingled11 applause and criticism—admiration for its marvelous beauty of literary expression, condemnation12 of the realistic study of a degenerate13 whose sins lead him to suicide. But, with a proud defiance14 of criticism, with eyes fixed15 only on his art, he dared after this achievement to write the self-revelatory novel that is known as his masterpiece—Il fuoco ("The Flame"). In this great novel, which may fairly be called unique, we recognize the personification of a renascence of Latin genius. Under the thinnest veil of disguise, the author presents his own figure and that of one of the world's greatest tragic16 actresses, revealing the most intimate details of their well known friendship. On this picture of the most romantic of love-affairs, in Venice, the most romantic of cities, he has lavished17 his finest strokes of genius, writing of feminine nature with rare truth and skill, and an exquisite18 intuition as to the workings of a woman's mind and the throbbings of her heart.
Besides his poems and novels, D'Annunzio has written several plays, the best known being La Gioconda ("Joy"), La Gloria ("Glory"), La morta città ("The City of the Dead"), and Francesca da Rimini. He is unquestionably the greatest Italian writer of to-day, and few works of Italian fiction appear that do not show something of his influence. A European critic of keen discernment says: "Read his works, all ye men and women for whom life has no secrets and truth has no terror."
D. K. R.
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1 versatility | |
n.多才多艺,多样性,多功能 | |
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2 mere | |
adj.纯粹的;仅仅,只不过 | |
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3 prodigy | |
n.惊人的事物,奇迹,神童,天才,预兆 | |
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4 canto | |
n.长篇诗的章 | |
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5 rime | |
n.白霜;v.使蒙霜 | |
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6 admiration | |
n.钦佩,赞美,羡慕 | |
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7 amazement | |
n.惊奇,惊讶 | |
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8 intoxicating | |
a. 醉人的,使人兴奋的 | |
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9 repelling | |
v.击退( repel的现在分词 );使厌恶;排斥;推开 | |
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10 relentless | |
adj.残酷的,不留情的,无怜悯心的 | |
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11 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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12 condemnation | |
n.谴责; 定罪 | |
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13 degenerate | |
v.退步,堕落;adj.退步的,堕落的;n.堕落者 | |
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14 defiance | |
n.挑战,挑衅,蔑视,违抗 | |
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15 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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16 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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17 lavished | |
v.过分给予,滥施( lavish的过去式和过去分词 ) | |
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18 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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