This small confusion is increased, however, by the fact that I do also disbelieve in Imperialism in its popular sense, as a mode or theory of the patriotic2 sentiment of this country. But popular Imperialism in England has very little to do with the sort of Caesarean Imperialism I wish to sketch3. I differ from the Colonial idealism of Rhodes’ and Kipling; but I do not think, as some of its opponents do, that it is an insolent4 creation of English harshness and rapacity5. Imperialism, I think, is a fiction created, not by English hardness, but by English softness; nay6, in a sense, even by English kindness.
The reasons for believing in Australia are mostly as sentimental7 as the most sentimental reasons for believing in heaven. New South Wales is quite literally8 regarded as a place where the wicked cease from troubling and the weary are at rest; that is, a paradise for uncles who have turned dishonest and for nephews who are born tired. British Columbia is in strict sense a fairyland, it is a world where a magic and irrational9 luck is supposed to attend the youngest sons. This strange optimism about the ends of the earth is an English weakness; but to show that it is not a coldness or a harshness it is quite sufficient to say that no one shared it more than that gigantic English sentimentalist—the great Charles Dickens. The end of “David Copperfield” is unreal not merely because it is an optimistic ending, but because it is an Imperialistic10 ending. The decorous British happiness planned out for David Copperfield and Agnes would be embarrassed by the perpetual presence of the hopeless tragedy of Emily, or the more hopeless farce11 of Micawber. Therefore, both Emily and Micawber are shipped off to a vague colony where changes come over them with no conceivable cause, except the climate. The tragic12 woman becomes contented13 and the comic man becomes responsible, solely14 as the result of a sea voyage and the first sight of a kangaroo.
To Imperialism in the light political sense, therefore, my only objection is that it is an illusion of comfort; that an Empire whose heart is failing should be specially15 proud of the extremities16, is to me no more sublime17 a fact than that an old dandy whose brain is gone should still be proud of his legs. It consoles men for the evident ugliness and apathy18 of England with legends of fair youth and heroic strenuousness19 in distant continents and islands. A man can sit amid the squalor of Seven Dials and feel that life is innocent and godlike in the bush or on the veldt. Just so a man might sit in the squalor of Seven Dials and feel that life was innocent and godlike in Brixton and Surbiton. Brixton and Surbiton are “new”; they are expanding; they are “nearer to nature,” in the sense that they have eaten up nature mile by mile. The only objection is the objection of fact. The young men of Brixton are not young giants. The lovers of Surbiton are not all pagan poets, singing with the sweet energy of the spring. Nor are the people of the Colonies when you meet them young giants or pagan poets. They are mostly Cockneys who have lost their last music of real things by getting out of the sound of Bow Bells. Mr. Rudyard Kipling, a man of real though decadent20 genius, threw a theoretic glamour21 over them which is already fading. Mr. Kipling is, in a precise and rather startling sense, the exception that proves the rule. For he has imagination, of an oriental and cruel kind, but he has it, not because he grew up in a new country, but precisely22 because he grew up in the oldest country upon earth. He is rooted in a past—an Asiatic past. He might never have written “Kabul River” if he had been born in Melbourne.
I say frankly23, therefore (lest there should be any air of evasion), that Imperialism in its common patriotic pretensions24 appears to me both weak and perilous25. It is the attempt of a European country to create a kind of sham26 Europe which it can dominate, instead of the real Europe, which it can only share. It is a love of living with one’s inferiors. The notion of restoring the Roman Empire by oneself and for oneself is a dream that has haunted every Christian27 nation in a different shape and in almost every shape as a snare28. The Spanish are a consistent and conservative people; therefore they embodied29 that attempt at Empire in long and lingering dynasties. The French are a violent people, and therefore they twice conquered that Empire by violence of arms. The English are above all a poetical30 and optimistic people; and therefore their Empire is something vague and yet sympathetic, something distant and yet dear. But this dream of theirs of being powerful in the uttermost places, though a native weakness, is still a weakness in them; much more of a weakness than gold was to Spain or glory to Napoleon. If ever we were in collision with our real brothers and rivals we should leave all this fancy out of account. We should no more dream of pitting Australian armies against German than of pitting Tasmanian sculpture against French. I have thus explained, lest anyone should accuse me of concealing31 an unpopular attitude, why I do not believe in Imperialism as commonly understood. I think it not merely an occasional wrong to other peoples, but a continuous feebleness, a running sore, in my own. But it is also true that I have dwelt on this Imperialism that is an amiable32 delusion33 partly in order to show how different it is from the deeper, more sinister34 and yet more persuasive35 thing that I have been forced to call Imperialism for the convenience of this chapter. In order to get to the root of this evil and quite un-English Imperialism we must cast back and begin anew with a more general discussion of the first needs of human intercourse36.
点击收听单词发音
1 imperialism | |
n.帝国主义,帝国主义政策 | |
参考例句: |
|
|
2 patriotic | |
adj.爱国的,有爱国心的 | |
参考例句: |
|
|
3 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
参考例句: |
|
|
4 insolent | |
adj.傲慢的,无理的 | |
参考例句: |
|
|
5 rapacity | |
n.贪婪,贪心,劫掠的欲望 | |
参考例句: |
|
|
6 nay | |
adv.不;n.反对票,投反对票者 | |
参考例句: |
|
|
7 sentimental | |
adj.多愁善感的,感伤的 | |
参考例句: |
|
|
8 literally | |
adv.照字面意义,逐字地;确实 | |
参考例句: |
|
|
9 irrational | |
adj.无理性的,失去理性的 | |
参考例句: |
|
|
10 imperialistic | |
帝国主义的,帝制的 | |
参考例句: |
|
|
11 farce | |
n.闹剧,笑剧,滑稽戏;胡闹 | |
参考例句: |
|
|
12 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
参考例句: |
|
|
13 contented | |
adj.满意的,安心的,知足的 | |
参考例句: |
|
|
14 solely | |
adv.仅仅,唯一地 | |
参考例句: |
|
|
15 specially | |
adv.特定地;特殊地;明确地 | |
参考例句: |
|
|
16 extremities | |
n.端点( extremity的名词复数 );尽头;手和足;极窘迫的境地 | |
参考例句: |
|
|
17 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
参考例句: |
|
|
18 apathy | |
n.漠不关心,无动于衷;冷淡 | |
参考例句: |
|
|
19 strenuousness | |
参考例句: |
|
|
20 decadent | |
adj.颓废的,衰落的,堕落的 | |
参考例句: |
|
|
21 glamour | |
n.魔力,魅力;vt.迷住 | |
参考例句: |
|
|
22 precisely | |
adv.恰好,正好,精确地,细致地 | |
参考例句: |
|
|
23 frankly | |
adv.坦白地,直率地;坦率地说 | |
参考例句: |
|
|
24 pretensions | |
自称( pretension的名词复数 ); 自命不凡; 要求; 权力 | |
参考例句: |
|
|
25 perilous | |
adj.危险的,冒险的 | |
参考例句: |
|
|
26 sham | |
n./adj.假冒(的),虚伪(的) | |
参考例句: |
|
|
27 Christian | |
adj.基督教徒的;n.基督教徒 | |
参考例句: |
|
|
28 snare | |
n.陷阱,诱惑,圈套;(去除息肉或者肿瘤的)勒除器;响弦,小军鼓;vt.以陷阱捕获,诱惑 | |
参考例句: |
|
|
29 embodied | |
v.表现( embody的过去式和过去分词 );象征;包括;包含 | |
参考例句: |
|
|
30 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
参考例句: |
|
|
31 concealing | |
v.隐藏,隐瞒,遮住( conceal的现在分词 ) | |
参考例句: |
|
|
32 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
参考例句: |
|
|
33 delusion | |
n.谬见,欺骗,幻觉,迷惑 | |
参考例句: |
|
|
34 sinister | |
adj.不吉利的,凶恶的,左边的 | |
参考例句: |
|
|
35 persuasive | |
adj.有说服力的,能说得使人相信的 | |
参考例句: |
|
|
36 intercourse | |
n.性交;交流,交往,交际 | |
参考例句: |
|
|
欢迎访问英文小说网 |