VIII. THE BROKEN RAINBOW

 I will take one case that will serve both as symbol and example: the case of color. We hear the realists (those sentimental¹ fellows) talking about the gray streets and the gray lives of the poor. But whatever the poor streets are they are not gray; but motley, striped, spotted², piebald and patched like a quilt. Hoxton is not aesthetic³ enough to be monochrome; and there is nothing of the Celtic twilight⁴ about it. As a matter of fact, a London gutter-boy walks unscathed among furnaces of color. Watch him walk along a line of hoardings, and you will see him now against glowing green, like a traveler in a tropic forest; now black like a bird against the burning blue of the Midi; now passant across a field gules, like the golden leopards⁵ of England. He ought to understand the irrational⁶ rapture⁷ of that cry of Mr. Stephen Phillips about “that bluer blue, that greener green.” There is no blue much bluer than Reckitt’s Blue and no blacking blacker than Day and Martin’s; no more emphatic⁸ yellow than that of Colman’s Mustard. If, despite this chaos⁹ of color, like a shattered rainbow, the spirit of the small boy is not exactly intoxicated¹⁰ with art and culture, the cause certainly does not lie in universal grayness or the mere¹¹ starving of his senses. It lies in the fact that the colors are presented in the wrong connection, on the wrong scale, and, above all, from the wrong motive¹². It is not colors he lacks, but a philosophy of colors. In short, there is nothing wrong with Reckitt’s Blue except that it is not Reckitt’s. Blue does not belong to Reckitt, but to the sky; black does not belong to Day and Martin, but to the abyss. Even the finest posters are only very little things on a very large scale. There is something specially¹³ irritant in this way about the iteration of advertisements of mustard: a condiment¹⁴, a small luxury; a thing in its nature not to be taken in quantity. There is a special irony¹⁵ in these starving streets to see such a great deal of mustard to such very little meat. Yellow is a bright pigment¹⁶; mustard is a pungent¹⁷ pleasure. But to look at these seas of yellow is to be like a man who should swallow gallons of mustard. He would either die, or lose the taste of mustard altogether.

Now suppose we compare these gigantic trivialities on the hoardings with those tiny and tremendous pictures in which the mediaevals recorded their dreams; little pictures where the blue sky is hardly longer than a single sapphire¹⁸, and the fires of judgment¹⁹ only a pigmy patch of gold. The difference here is not merely that poster art is in its nature more hasty than illumination art; it is not even merely that the ancient artist was serving the Lord while the modern artist is serving the lords. It is that the old artist contrived²⁰ to convey an impression that colors really were significant and precious things, like jewels and talismanic²¹ stones. The color was often arbitrary; but it was always authoritative²². If a bird was blue, if a tree was golden, if a fish was silver, if a cloud was scarlet²³, the artist managed to convey that these colors were important and almost painfully intense; all the red red-hot and all the gold tried in the fire. Now that is the spirit touching²⁴ color which the schools must recover and protect if they are really to give the children any imaginative appetite or pleasure in the thing. It is not so much an indulgence in color; it is rather, if anything, a sort of fiery²⁵ thrift²⁶. It fenced in a green field in heraldry as straitly as a green field in peasant proprietorship²⁷. It would not fling away gold leaf any more than gold coin; it would not heedlessly pour out purple or crimson²⁸, any more than it would spill good wine or shed blameless blood. That is the hard task before educationists in this special matter; they have to teach people to relish²⁹ colors like liquors. They have the heavy business of turning drunkards into wine tasters. If even the twentieth century succeeds in doing these things, it will almost catch up with the twelfth.

The principle covers, however, the whole of modern life. Morris and the merely aesthetic mediaevalists always indicated that a crowd in the time of Chaucer would have been brightly clad and glittering, compared with a crowd in the time of Queen Victoria. I am not so sure that the real distinction is here. There would be brown frocks of friars in the first scene as well as brown bowlers³⁰ of clerks in the second. There would be purple plumes³¹ of factory girls in the second scene as well as purple lenten vestments in the first. There would be white waistcoats against white ermine; gold watch chains against gold lions. The real difference is this: that the brown earth-color of the monk³²’s coat was instinctively³³ chosen to express labor³⁴ and humility³⁵, whereas the brown color of the clerk’s hat was not chosen to express anything. The monk did mean to say that he robed himself in dust. I am sure the clerk does not mean to say that he crowns himself with clay. He is not putting dust on his head, as the only diadem³⁶ of man. Purple, at once rich and somber³⁷, does suggest a triumph temporarily eclipsed by a tragedy. But the factory girl does not intend her hat to express a triumph temporarily eclipsed by a tragedy; far from it. White ermine was meant to express moral purity; white waistcoats were not. Gold lions do suggest a flaming magnanimity; gold watch chains do not. The point is not that we have lost the material hues³⁸, but that we have lost the trick of turning them to the best advantage. We are not like children who have lost their paint box and are left alone with a gray lead-pencil. We are like children who have mixed all the colors in the paint-box together and lost the paper of instructions. Even then (I do not deny) one has some fun.

Now this abundance of colors and loss of a color scheme is a pretty perfect parable³⁹ of all that is wrong with our modern ideals and especially with our modern education. It is the same with ethical⁴⁰ education, economic education, every sort of education. The growing London child will find no lack of highly controversial teachers who will teach him that geography means painting the map red; that economics means taxing the foreigner, that patriotism⁴¹ means the peculiarly un-English habit of flying a flag on Empire Day. In mentioning these examples specially I do not mean to imply that there are no similar crudities and popular fallacies upon the other political side. I mention them because they constitute a very special and arresting feature of the situation. I mean this, that there were always Radical⁴² revolutionists; but now there are Tory revolutionists also. The modern Conservative no longer conserves⁴³. He is avowedly⁴⁴ an innovator⁴⁵. Thus all the current defenses of the House of Lords which describe it as a bulwark⁴⁶ against the mob, are intellectually done for; the bottom has fallen out of them; because on five or six of the most turbulent topics of the day, the House of Lords is a mob itself; and exceedingly likely to behave like one.

 

1 sentimental   

adj.多愁善感的，感伤的

参考例句：

• She's a sentimental woman who believes marriage comes by destiny.她是多愁善感的人，她相信姻缘命中注定。
• We were deeply touched by the sentimental movie.我们深深被那感伤的电影所感动。

2 spotted   

adj.有斑点的，斑纹的，弄污了的

参考例句：

• The milkman selected the spotted cows,from among a herd of two hundred.牛奶商从一群200头牛中选出有斑点的牛。
• Sam's shop stocks short spotted socks.山姆的商店屯积了有斑点的短袜。

3 aesthetic   

adj.美学的，审美的，有美感

参考例句：

• My aesthetic standards are quite different from his.我的审美标准与他的大不相同。
• The professor advanced a new aesthetic theory.那位教授提出了新的美学理论。

4 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

5 leopards   

n.豹( leopard的名词复数 )；本性难移

参考例句：

• Lions, tigers and leopards are all cats. 狮、虎和豹都是猫科动物。 来自《简明英汉词典》
• For example, airlines never ship leopards and canaries on the same flight. 例如，飞机上从来不会同时运送豹和金丝雀。 来自英语晨读30分（初三）

6 irrational   

adj.无理性的，失去理性的

参考例句：

• After taking the drug she became completely irrational.她在吸毒后变得完全失去了理性。
• There are also signs of irrational exuberance among some investors.在某些投资者中是存在非理性繁荣的征象的。

7 rapture   

n.狂喜；全神贯注；着迷；v.使狂喜

参考例句：

• His speech was received with rapture by his supporters.他的演说受到支持者们的热烈欢迎。
• In the midst of his rapture,he was interrupted by his father.他正欢天喜地，被他父亲打断了。

8 emphatic   

adj.强调的，着重的；无可置疑的，明显的

参考例句：

• Their reply was too emphatic for anyone to doubt them.他们的回答很坚决，不容有任何人怀疑。
• He was emphatic about the importance of being punctual.他强调严守时间的重要性。

9 chaos   

n.混乱，无秩序

参考例句：

• After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
• The typhoon left chaos behind it.台风后一片混乱。

10 intoxicated   

喝醉的，极其兴奋的

参考例句：

• She was intoxicated with success. 她为成功所陶醉。
• They became deeply intoxicated and totally disoriented. 他们酩酊大醉，东南西北全然不辨。

11 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

12 motive   

n.动机，目的；adv.发动的，运动的

参考例句：

• The police could not find a motive for the murder.警察不能找到谋杀的动机。
• He had some motive in telling this fable.他讲这寓言故事是有用意的。

13 specially   

adv.特定地；特殊地；明确地

参考例句：

• They are specially packaged so that they stack easily.它们经过特别包装以便于堆放。
• The machine was designed specially for demolishing old buildings.这种机器是专为拆毁旧楼房而设计的。

14 condiment   

n.调味品

参考例句：

• It has long been a precious condiment.它一直都是一种珍贵的调味料。
• Fish sauce is a traditional fermented condiment in coastal areas.鱼露是沿海地区的传统发酵调味品。

15 irony   

n.反语，冷嘲；具有讽刺意味的事，嘲弄

参考例句：

• She said to him with slight irony.她略带嘲讽地对他说。
• In her voice we could sense a certain tinge of irony.从她的声音里我们可以感到某种讥讽的意味。

16 pigment   

n.天然色素，干粉颜料

参考例句：

• The Romans used natural pigments on their fabrics and walls.古罗马人在织物和墙壁上使用天然颜料。
• Who thought he might know what the skin pigment phenomenon meant.他自认为可能知道皮肤色素出现这种现象到底是怎么回事。

17 pungent   

adj.（气味、味道）刺激性的，辛辣的；尖锐的

参考例句：

• The article is written in a pungent style.文章写得泼辣。
• Its pungent smell can choke terrorists and force them out of their hideouts.它的刺激性气味会令恐怖分子窒息，迫使他们从藏身地点逃脱出来。

18 sapphire   

n.青玉，蓝宝石；adj.天蓝色的

参考例句：

• Now let us consider crystals such as diamond or sapphire.现在让我们考虑象钻石和蓝宝石这样的晶体。
• He left a sapphire ring to her.他留给她一枚蓝宝石戒指。

19 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

20 contrived   

adj.不自然的，做作的；虚构的

参考例句：

• There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
• The plot seems contrived.情节看起来不真实。

21 talismanic   

adj.护身符的，避邪的

参考例句：

• In fact, however, there is no talismanic significance to the word \"proposal\". 然而，事实上，“提案”一词本身并不具备护身符般的特殊意义。 来自英汉非文学 - 环境法 - 环境法
• The talismanic captain scored twice yesterday afternoon as Roma beat Parma 3-0 at the Stadio Tardini. 罗马队长在昨天下午进行的罗马3：0战胜帕尔玛的比赛中梅开二度。 来自互联网

22 authoritative   

adj.有权威的，可相信的；命令式的；官方的

参考例句：

• David speaks in an authoritative tone.大卫以命令的口吻说话。
• Her smile was warm but authoritative.她的笑容很和蔼，同时又透着威严。

23 scarlet   

n.深红色，绯红色，红衣；adj.绯红色的

参考例句：

• The scarlet leaves of the maples contrast well with the dark green of the pines.深红的枫叶和暗绿的松树形成了明显的对比。
• The glowing clouds are growing slowly pale,scarlet,bright red,and then light red.天空的霞光渐渐地淡下去了，深红的颜色变成了绯红，绯红又变为浅红。

24 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

25 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

26 thrift   

adj.节约，节俭；n.节俭，节约

参考例句：

• He has the virtues of thrift and hard work.他具备节俭和勤奋的美德。
• His thrift and industry speak well for his future.他的节俭和勤勉预示着他美好的未来。

27 proprietorship   

n.所有（权）；所有权

参考例句：

• A sole proprietorship ends with the incapacity or death of the owner. 当业主无力经营或死亡的时候，这家个体企业也就宣告结束。 来自英汉非文学 - 政府文件
• This company has a proprietorship of the copyright. 这家公司拥有版权所有权。 来自辞典例句

28 crimson   

n./adj.深(绯)红色(的)；vi.脸变绯红色

参考例句：

• She went crimson with embarrassment.她羞得满脸通红。
• Maple leaves have turned crimson.枫叶已经红了。

29 relish   

n.滋味，享受，爱好，调味品；vt.加调味料，享受，品味；vi.有滋味

参考例句：

• I have no relish for pop music.我对流行音乐不感兴趣。
• I relish the challenge of doing jobs that others turn down.我喜欢挑战别人拒绝做的工作。

30 bowlers   

n.（板球）投球手( bowler的名词复数 )；圆顶高帽

参考例句：

• Many London businessmen wear bowlers. 伦敦的许多商人戴常礼帽。 来自辞典例句
• In America in the 1800s, bowlers began betting money on games. 19世纪在美国，保龄球员们开始在游戏上赌钱。 来自互联网

31 plumes   

羽毛( plume的名词复数 )； 羽毛饰； 羽毛状物； 升上空中的羽状物

参考例句：

• The dancer wore a headdress of pink ostrich plumes. 那位舞蹈演员戴着粉色鸵鸟毛制作的头饰。
• The plumes on her bonnet barely moved as she nodded. 她点点头，那帽子的羽毛在一个劲儿颤动。

32 monk   

n.和尚，僧侣，修道士

参考例句：

• The man was a monk from Emei Mountain.那人是峨眉山下来的和尚。
• Buddhist monk sat with folded palms.和尚合掌打坐。

33 instinctively   

adv.本能地

参考例句：

• As he leaned towards her she instinctively recoiled. 他向她靠近，她本能地往后缩。 来自《简明英汉词典》
• He knew instinctively where he would find her. 他本能地知道在哪儿能找到她。 来自《简明英汉词典》

34 labor   

n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦

参考例句：

• We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
• He was completely spent after two weeks of hard labor.艰苦劳动两周后，他已经疲惫不堪了。

35 humility   

n.谦逊，谦恭

参考例句：

• Humility often gains more than pride.谦逊往往比骄傲收益更多。
• His voice was still soft and filled with specious humility.他的声音还是那么温和，甚至有点谦卑。

36 diadem   

n.王冠，冕

参考例句：

• The diadem is the symbol of royalty.王冠就是王权的象征。
• Nature like us is sometimes caught without diadem.自然犹如我等，时常没戴皇冠。

37 somber   

adj.昏暗的，阴天的，阴森的，忧郁的

参考例句：

• He had a somber expression on his face.他面容忧郁。
• His coat was a somber brown.他的衣服是暗棕色的。

38 hues   

色彩( hue的名词复数 )； 色调； 信仰； 观点

参考例句：

• When the sun rose a hundred prismatic hues were reflected from it. 太阳一出，更把它映得千变万化、异彩缤纷。
• Where maple trees grow, the leaves are often several brilliant hues of red. 在枫树生长的地方，枫叶常常呈现出数种光彩夺目的红色。

39 parable   

n.寓言，比喻

参考例句：

• This is an ancient parable.这是一个古老的寓言。
• The minister preached a sermon on the parable of the lost sheep.牧师讲道时用了亡羊的比喻。

40 ethical   

adj.伦理的，道德的，合乎道德的

参考例句：

• It is necessary to get the youth to have a high ethical concept.必须使青年具有高度的道德观念。
• It was a debate which aroused fervent ethical arguments.那是一场引发强烈的伦理道德争论的辩论。

41 patriotism   

n.爱国精神，爱国心，爱国主义

参考例句：

• His new book is a demonstration of his patriotism.他写的新书是他的爱国精神的证明。
• They obtained money under the false pretenses of patriotism.他们以虚伪的爱国主义为借口获得金钱。

42 radical   

n.激进份子，原子团，根号；adj.根本的，激进的，彻底的

参考例句：

• The patient got a radical cure in the hospital.病人在医院得到了根治。
• She is radical in her demands.她的要求十分偏激。

43 conserves   

n.（含有大块或整块水果的）果酱，蜜饯( conserve的名词复数 )v.保护，保藏，保存( conserve的第三人称单数 )

参考例句：

• To show that the equation conserves the total volume is not difficult. 要证明该方程保持了总体积不变这点是不困难的。 来自辞典例句
• The antimuon decay also conserves the total light and heavy lepton numbers. 在反μ子衰变中，总轻轻子数和总重轻子数也是守恒的。 来自辞典例句

44 avowedly   

adv.公然地

参考例句：

• He was avowedly in the wrong. 他自认错了。 来自辞典例句
• Their policy has been avowedly marxist. 他们的政策被公开地宣称为马克思主义政策。 来自互联网

45 innovator   

n.改革者；创新者

参考例句：

• The young technical innovator didn't lose heart though the new system was not yet brought into a workable condition. 尽管这种新方法尚未达到切实可行的状况，这位青年技术革新者也没有泄气。 来自《简明英汉词典》
• Caesar planned vast projects and emerged as a great innovator. 恺撒制定了庞大的革新计划。 来自英汉非文学 - 文明史

46 bulwark   

n.堡垒，保障，防御

参考例句：

• That country is a bulwark of freedom.那个国家是自由的堡垒。
• Law and morality are the bulwark of society.法律和道德是社会的防御工具。