The musical range of a dripping tap is about half an octave. But within the bounds of this major fourth, drops can play the most 44surprising and varied11 melodies. You will hear them climbing laboriously12 up small degrees of sound, only to descend13 at a single leap to the bottom. More often they wander unaccountably about in varying intervals14, familiar or disconcertingly odd. And with the varying pitch the time also varies, but within narrower limits. For the laws of hydrostatics, or whatever other science claims authority over drops, do not allow the dribblings much licence either to pause or to quicken the pace of their falling. It is an odd sort of music. One listens to it as one lies in bed, slipping gradually into sleep, with a curious, uneasy emotion.
Drip drop, drip drap drep drop. So it goes on, this watery16 melody, for ever without an end. Inconclusive, inconsequent, formless, it is always on the point of deviating17 into sense and form. Every now and then you will hear a complete phrase of rounded melody. And then—drip drop, di-drep, di-drap—the old inconsequence sets in once more. But suppose there were some significance in it! It is that which troubles my drowsy18 mind as I listen at night. Perhaps for those who have ears to hear, this endless dribbling15 is as pregnant with thought and emotion, as significant as a piece of Bach. Drip drop, di-drap, di-drep. So little would 45suffice to turn the incoherence into meaning. The music of the drops is the symbol and type of the whole universe; it is for ever, as it were, asymptotic to sense, infinitely19 close to significance, but never touching20 it. Never, unless the human mind comes and pulls it forcibly over the dividing space. If I could understand this wandering music, if I could detect in it a sequence, if I could force it to some conclusion—the diapason closing full in God, in mind, I hardly care what, so long as it closes in something definite—then, I feel, I should understand the whole incomprehensible machine, from the gaps between the stars to the policy of the Allies. And growing drowsier21 and drowsier, I listen to the ceaseless tune22, the hollow soliloquy in the cistern, the sharp metallic23 rapping of the drops that fall from the roof upon the stones below; and surely I begin to discover a meaning, surely I detect a trace of thought, surely the phrases follow one another with art, leading on inevitably24 to some prodigious25 conclusion. Almost I have it, almost, almost.... Then, I suppose, I fall definitely to sleep. For the next thing I am aware of is that the sunlight is streaming in. It is morning, and the water is still dripping as irritatingly and persistently26 as ever.
Sometimes the incoherence of the drop 46music is too much to be borne. The listener insists that the asymptote shall somehow touch the line of sense. He forces the drops to say something. He demands of them that they shall play, shall we say, “God Save the King,” or the Hymn27 to Joy from the Ninth Symphony, or Voi che Sapete. The drops obey reluctantly; they play what you desire, but with more than the ineptitude28 of the child at the piano. Still they play it somehow. But this is an extremely dangerous method of laying the haunting ghost whose voice is the drip of water. For once you have given the drops something to sing or say, they will go on singing and saying it for ever. Sleep becomes impossible, and at the two or three hundredth repetition of Madelon or even of an air from Figaro the mind begins to totter29 towards insanity30.
Drops, ticking clocks, machinery31, everything that throbs32 or clicks or hums or hammers, can be made, with a little perseverance33, to say something. In my childhood, I remember, I was told that trains said, “To Lancashire, to Lancashire, to fetch a pocket handkercher”—and da capo ad infinitum. They can also repeat, if desired, that useful piece of information: “To stop the train, pull down the chain.” But it is very hard to persuade them to add the menacing corollary: 47“Penalty for improper34 use Five Pounds.” Still, with careful tutoring I have succeeded in teaching a train to repeat even that unrhythmical phrase.
Dadaist literature always reminds me a little of my falling drops. Confronted by it, I feel the same uncomfortable emotion as is begotten35 in me by the inconsequent music of water. Suppose, after all, that this apparently36 accidental sequence of words should contain the secret of art and life and the universe! It may; who knows? And here am I, left out in the cold of total incomprehension; and I pore over this literature and regard it upside down in the hope of discovering that secret. But somehow I cannot induce the words to take on any meaning whatever. Drip drop, di-drap, di-drep—Tzara and Picabia let fall their words and I am baffled. But I can see that there are great possibilities in this type of literature. For the tired journalist it is ideal, since it is not he, but the reader who has to do all the work. All he need do is to lean back in his chair and allow the words to dribble out through the nozzle of his fountain pen. Drip, drop....
点击收听单词发音
1 cistern | |
n.贮水池 | |
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2 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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3 overflow | |
v.(使)外溢,(使)溢出;溢出,流出,漫出 | |
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4 dribble | |
v.点滴留下,流口水;n.口水 | |
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5 ignominiously | |
adv.耻辱地,屈辱地,丢脸地 | |
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6 cataracts | |
n.大瀑布( cataract的名词复数 );白内障 | |
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7 trumpets | |
喇叭( trumpet的名词复数 ); 小号; 喇叭形物; (尤指)绽开的水仙花 | |
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8 lesser | |
adj.次要的,较小的;adv.较小地,较少地 | |
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9 irritation | |
n.激怒,恼怒,生气 | |
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10 cadences | |
n.(声音的)抑扬顿挫( cadence的名词复数 );节奏;韵律;调子 | |
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11 varied | |
adj.多样的,多变化的 | |
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12 laboriously | |
adv.艰苦地;费力地;辛勤地;(文体等)佶屈聱牙地 | |
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13 descend | |
vt./vi.传下来,下来,下降 | |
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14 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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15 dribbling | |
n.(燃料或油从系统内)漏泄v.流口水( dribble的现在分词 );(使液体)滴下或作细流;运球,带球 | |
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16 watery | |
adj.有水的,水汪汪的;湿的,湿润的 | |
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17 deviating | |
v.偏离,越轨( deviate的现在分词 ) | |
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18 drowsy | |
adj.昏昏欲睡的,令人发困的 | |
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19 infinitely | |
adv.无限地,无穷地 | |
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20 touching | |
adj.动人的,使人感伤的 | |
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21 drowsier | |
adj.欲睡的,半睡的,使人昏昏欲睡的( drowsy的比较级 ) | |
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22 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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23 metallic | |
adj.金属的;金属制的;含金属的;产金属的;像金属的 | |
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24 inevitably | |
adv.不可避免地;必然发生地 | |
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25 prodigious | |
adj.惊人的,奇妙的;异常的;巨大的;庞大的 | |
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26 persistently | |
ad.坚持地;固执地 | |
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27 hymn | |
n.赞美诗,圣歌,颂歌 | |
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28 ineptitude | |
n.不适当;愚笨,愚昧的言行 | |
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29 totter | |
v.蹒跚, 摇摇欲坠;n.蹒跚的步子 | |
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30 insanity | |
n.疯狂,精神错乱;极端的愚蠢,荒唐 | |
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31 machinery | |
n.(总称)机械,机器;机构 | |
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32 throbs | |
体内的跳动( throb的名词复数 ) | |
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33 perseverance | |
n.坚持不懈,不屈不挠 | |
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34 improper | |
adj.不适当的,不合适的,不正确的,不合礼仪的 | |
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35 begotten | |
v.为…之生父( beget的过去分词 );产生,引起 | |
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36 apparently | |
adv.显然地;表面上,似乎 | |
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